Alms for the King
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Conclave 1492: the Election of a Renaissance Pope
Conclave 1492: The Election of a Renaissance Pope A Reacting to the Past Microgame Instructor’s Manual Version 1 – August 2017 William Keene Thompson Ph.D. Candidate, History University of California, Santa Barbara [email protected] Table of Contents Game Summary 1 Procedure 3 Biographical Sketches and Monetary Values 4 Role Distribution and Vote Tally Sheet 6 Anticipated Vote Distributions 7 Conclave Ballot Template 8 Role Sheets (23 Cardinals) 9 Additional Roles 33 Extended Gameplay and Supplementary Readings 34 William Keene Thompson, UC Santa Barbara [email protected] Conclave 1492: The Election of a Renaissance Pope The Situation It is August 1492. Pope Innocent VIII has died. Now the Sacred College of Cardinals must meet to choose his successor. The office of Pope is a holy calling, born of the legacy of Saint Peter the first Bishop of Rome, who was one of Christ’s most trusted apostles. The Pope is therefore God’s vicar on Earth, the temporal representation of divine authority and the pinnacle of the church hierarchy. However, the position has also become a political role, with the Holy Father a temporal ruler of the Papal States in the center of the Italian peninsula and charged with protecting the interests of the Church across Christendom. As such, the position requires not only spiritual vision but political acumen too, and, at times ruthlessness and deception, to maintain the church’s position as a secular and spiritual power in Europe. The Cardinals must therefore consider both a candidate’s spiritual and political qualifications to lead the Church. -
The Congregation of the Mission and the Colégio Da Purificação in Evora
Vincentian Heritage Journal Volume 33 Issue 2 Article 1 Fall 9-20-2016 Succeeding the Jesuits: The Congregation of the Mission and the Colégio da Purificação in vE ora Sean A. Smith Ph.D. Follow this and additional works at: https://via.library.depaul.edu/vhj Recommended Citation Smith, Sean A. Ph.D. (2016) "Succeeding the Jesuits: The Congregation of the Mission and the Colégio da Purificação in vE ora," Vincentian Heritage Journal: Vol. 33 : Iss. 2 , Article 1. Available at: https://via.library.depaul.edu/vhj/vol33/iss2/1 This Article is brought to you for free and open access by the Vincentian Journals and Publications at Via Sapientiae. It has been accepted for inclusion in Vincentian Heritage Journal by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Succeeding the Jesuits: The Congregation of the Mission and the Colégio da Purificação in Evora SEAN ALEXANDER SMITH, PH.D. Q Q QQ Q QQ QQ Q Q Q Q Q Q Q Q Q Q Q Q Q next BACK TO CONTENTS Q Q Q Q Q Q article Q Q Q Q Q Q Q Q Q Q Q Q Q Q he eighteenth-century is generally regarded as a time of wilting prestige for Catholic religious institutes, above all the Society of Jesus. In 1773, the universal dissolution Tof the Society, once one of the most visible and powerful religious bodies in the Catholic church, came at the end of European-wide repressive attacks starting in the 1750s. In 1758, the Jesuits were accused of widespread abuses and scandalous conduct in Portugal and its colonies. -
PDF for Tablets
Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q Q ANSWERING Q Q Q THE CALL Q Q Q Q TO MISSION Q Q Q Q Q Q Q Q Q Q Q Q Q VINCENTIAN VOL. 33 NO. 2 2016 HERITAGE VINCENTIAN HERITAGE VOLUME 33, NUMBER 2 Table of Contents Contributors to this Issue Succeeding the Jesuits: The Congregation of the Mission and the Colégio da Purificação in Evora SEAN ALEXANDER SMITH, Ph.D. Mary’s House in Ephesus, Turkey: Interfaith Pilgrimage in the Age of Mass Tourism AMELIA GALLAGHER, Ph.D. Three Papers Presented at the Conference on the History of Women Religious 26 JUNE 2007 Sister Justina Segale, S.C., and the Work of the Santa Maria Settlement House JUDITH METZ, S.C., Ph.D. Sister Justina Segale and Americanization: The Making of Catholic Italian Americans MARY BETH FRASER CONNOLLY, Ph.D. Sister Justina Segale and the New Woman: Tradition and Change in the Progressive Era M. CHRISTINE ANDERSON, Ph.D. Table of Contents (continued) Pictures from the Past: Châtillon-sur-Chalaronne JOHN E. RYBOLT, C.M., Ph.D. Newsnotes About Vincentian Heritage © COPYRIGHT DEPAUL UNIVERSITY VINCENTIAN STUDIES INSTITUTE VOL. XXXIII, NO. 2 Contributors to this Issue M. CHRISTINE ANDERSON, Ph.D., is Associate Professor of History and Co-Director of the Public History Program at Xavier University in Cincinnati, Ohio. She received a Bachelor of Arts in History from Kenyon College, Gambier, Ohio, and a Masters and Doctorate in History from the Ohio State University. She has published in the Journal of Women’s History, American Catholic Studies, Ohio Valley History, and Equity and Excellence in Education. -
Edinburgh Research Explorer
Edinburgh Research Explorer Reputation, patronage and opportunism Citation for published version: Richardson, C 2018, 'Reputation, patronage and opportunism: Andrea Sansovino arrives in Rome', Sculpture Journal, vol. 27, no. 2, pp. 177-192. https://doi.org/10.3828/sj.2018.27.2.3 Digital Object Identifier (DOI): 10.3828/sj.2018.27.2.3 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Sculpture Journal General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 27. Sep. 2021 Reputation, Patronage and Opportunism: Andrea Sansovino Arrives in Rome In the first decade of the sixteenth century, artists and architects travelled to work in Rome to help fulfil the ambitions of Julius II (reg. 1503–13), who envisioned the city as the triumphant embodiment of papal power.1 Michelangelo in 1499 and Raphael in 1508, for example, moved to the papal city relatively early in their careers, lured by the promise of wealthy patrons.2 Others, including Donato Bramante who arrived in Rome from Milan for the 1500 jubilee, had established their workshops and could rely on extensive cultural and political networks.3 Andrea Sansovino (1467–1529) was documented in Rome from 1505, responding to Julius II’s commission for the tomb monument of Cardinal Ascanio Sforza in Santa Maria del Popolo (fig. -
El Pontificado De Alejandro VI (1492-1503). Aproximación a Su Perfil Eclesial Y a Sus Fondos Documentales
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Revistes Catalanes amb Accés Obert REVISTA BORJA. REVISTA DE L‟IIEB, 2: ACTES DEL II SIMPOSI INTERNACIONAL SOBRE ELS BORJA El pontificado de Alejandro VI (1492-1503). Aproximación a su perfil eclesial y a sus fondos documentales ÁLVARO FERNÁNDEZ DE CÓRDOVA MIRALLES Instituto de Historia de la Iglesia - Universidad de Navarra 1. Las asimetrías historiográficas de un pontificado 2. Alejandro VI ante la renovatio Ecclesiae a) El papado y el orden monástico: unidad e impulso de la observancia b) Mapa de las nuevas fundaciones c) Charitas y pietas en la urbe pontificia d) La reforma de los príncipes: la vía abierta y vigilada e) Ambiente curial y esbozos de una reforma in capite 3. La actividad teológica en la Roma de Alejandro VI a) Del ambiente neoplatónico a sus derivaciones orientalistas b) Escuelas teológicas, controversias y agitación profética c) Los canonistas del papa d) Codificación litúrgica y nuevas formas del ceremonial de corte e) La dilatatio fidei de Alejandro VI: tensión ecuménica y optimismo mi- sional 4. El pontificado Borja en los fondos del Archivo Secreto Vaticano La abundante y desigual historiografía sobre el segundo de los papas Borja cons- tituye todo un testimonio de su dimensión política, eclesiástica y cultural. A golpe de polémica, desde finales del siglo XIX hasta principios del siglo XXI se ha pasado de una visión polarizada en los aspectos familiares de Alejandro VI a la adopción de una pers- pectiva más abierta al panorama político europeo y a las realizaciones artísticas promo- vidas por el papado.