Annual Report2 CMYK
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Preliminary Program
Preliminary Program SPSA 2020 Annual Meeting San Juan, Puerto Rico v. 1.0 (10/21/19) 2100 2100 Indigeneity as a Political Concept Thursday Political Theory 8:00am-9:20am Chair Christopher M Brown, Georgia Southern University Participants Indigeneity as Social Construct and Political Tool Benjamin Gregg, University of Texas at Austin Policing the African State: Foreign Policy and the Fall of Self-Determination Hayley Elszasz, University of Virginia Discussant S. Mohsin Hashim, Muhlenberg College 2100 Historical Legacies of Race in Politics Thursday Race, Ethnicity, and Gender 8:00am-9:20am Chair Guillermo Caballero, Purdue University Participants Race and Southern Prohibition Movements Teresa Cosby, Furman University Brittany Arsiniega, Furman University Unintended Consequences?: The Politics of Marijuana Legalization in the United States and its Implications on Race Revathi Hines, Southern University and A&M College No Hablo Español: An Examination of Public Support of Increased Access to Medical Interpreters Kellee Kirkpatrick, Idaho State University James W Stoutenborough, Idaho State University Megan Kathryn Warnement, Idaho State University Andrew Joseph Wrobel, Idaho State University Superfluity and Symbolic Violence: Revisiting Hannah Arendt and the Negro Question in the Era of Mass Incarceration Gabriel Anderson, University of California, Irvine Weaponizing Culture and Women’s Rights: Indigenous Women’s Indian Status in Canada Denise M. Walsh, University of Virginia Discussant Andra Gillespie, Emory University The papers on this -
Declaration of Chicano Self-Determination San Diego County, Ca
Declaration of Chicano Self-Determination San Diego County, Ca. When it becomes self-evident over a long period of time that certain specific individuals, groups, or organizations become detrimental to the progress and prin- ciples of our people and to our movement, then it becomes not only our responsibility but our duty to publicly confront and denounce the perpetrators who have committed these acts against the best interest and welfare of our community. We the undersigned of this declaration which comprise the major Chicano organ- izations of San Diego County hereby declare to our communities and our people that: (1) We accuse the. Socialist Workers Party (SWP) and the Young Socialist Alliance (YSA) of violating the Chicano Community's sacred principle of "self determination" by: (a) Disrespecting the political positions of Chicano Community Organizations. (b) Cal- ling Chicano individuals and organizations to a community meeting under false pretense. (c) Using Chicano individuals and organizational names under false pretense and with- out their permission. (2) We accuse the SWP of attempting to undermine the confidence of the Chicano Community to further their own aims at the expense of our people by the above acts. (3) We accuse the SWP of using devisive actions designed to attempt to discredit and subvert the local Chicano leadership of San Diego County by labeling them violent, reactionary, and revisionist.' (4) We accuse the SWP of continually ignoring the request of the Chicano Community through the organizations to cease in their attempts at manipulation and co-optation of issues which effect our communities. (5) We accuse the SWP of acting in a patronizing, opportunistic manner, and with a colonialist mentality which presumes that the Chicano Community is incompetent and incapable of determining its' own destiny. -
Introduction
Introduction Frederick Luis Aldama Scholar, playwright, spoken-word performer, award-winning poet, and avant-garde fiction author, since the 1980s Giannina Braschi has been creating up a storm in and around a panoply of Latinx hemispheric spaces. Her creative corpus reaches across different genres, regions, and historical epochs. Her critical works cover a wide range of subjects and authors, including Miguel de Cervantes, Garcilaso de la Vega, Juan Ramón Jiménez, Gustavo Adolfo Bécquer, Antonio Machado, César Vallejo, and García Lorca. Her dramatic poetry titles in Spanish include Asalto al tiempo (1981) and La comedia profana (1985). Her radically ex- perimental genre-bending titles include El imperio de los sueños (1988), the bilingual Yo-Yo Boing! (1998), and the English-penned United States of Banana (2011). With national and international awards and works ap- pearing in Swedish, Slovenian, Russian, and Italian, she is recognized as one of today’s foremost experimental Latinx authors. Her vibrant bilingually shaped creative expressions and innovation spring from her Latinidad, her Puerto Rican-ness that weaves in and through a planetary aesthetic sensibility. We discover as much in her work about US/Puerto Rico sociopolitical histories as we encounter the metaphysical and existential explorations of a Cervantes, Rabelais, Did- erot, Artaud, Joyce, Beckett, Stein, Borges, Cortázar, and Rosario Castel- lanos, for instance. With every flourish of her pen Braschi reminds us that in the distillation and reconstruction of the building blocks of the uni- verse there are no limits to what fiction can do. And, here too, the black scratches that form words and carefully composed blank spaces shape an absent world; her strict selection out of words and syntax is as important as the precise insertion of words and syntax to put us into the shoes of the “complicit reader” (Julio Cortázar’s term) to most productively interface, invest, and fill in the gaps of her storyworlds. -
La Onda Bajita: Lowriding in the Borderlands
La Onda Bajita: Lowriding in the Borderlands Michael C. Stone The term "lowriders" refers to automobiles magazine, together with the music of bands like that have been lowered to within a few inches of War, and the Luis Valdez film, Zoot Suit, evoked the road in the expressive style of la onda bajita, images of social and material realities of barrio "the low wave," or "the low trend." It also refers life in shaping and broadcasting the bajito identi to the people who craft them and to those who ty and style. As a public forum on Mexican-Amer own, drive or ride in them. On both sides of the ican identity, Low Rider magazine recast pejora U.S.-Mexico border and throughout the greater tive stereotypes - the culturally ambiguous Southwest, lowriders and their elaborately craft pocho-pachuco (Paredes 1978; Valdez 1978; Vil ed carritos, carruchas, or ranjlas- other names lareal 1959), the dapper zoot-suiter (Mazon for their vehicles- contribute their particular 1984), the street-wise cholo homeboy, the pinto or style to the rich discourse of regional Mexican prison veterano, and the wild vato loco Qohansen American identities. Paradoxically expressed in 1978) -as affirmative cultural archetypes automotive design, lowriders' sense of regional emerging from the long shadow of Anglo domi cultural continuity contributes a distinctive social nation. sensibility to the emergent multicultural mosaic The style apparently arose in northern Cali of late 20th-century North America (Gradante fornia in the late 1930s, but evolved in Los Ange 1982, 1985; Plascencia 1983; Stone 1990). les, where its innovators responded to Holly A synthesis of creative imagination and tech wood's aesthetic and commercial demands. -
An Amerindian Cognitive Script in Comics Ouweneel, A
UvA-DARE (Digital Academic Repository) Outsmarting the Lords of Death. An Amerindian Cognitive Script in Comics Ouweneel, A. Publication date 2020 Published in Graphic indigeneity Link to publication Citation for published version (APA): Ouweneel, A. (2020). Outsmarting the Lords of Death. An Amerindian Cognitive Script in Comics. In F. L. Aldama (Ed.), Graphic indigeneity : comics in the Americas and Australasia (pp. 127-143). University Press of Mississippi. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:09 Oct 2021 University Press of Mississippi Chapter Title: Outsmarting the Lords of Death: An Amerindian Cognitive Script in Comics Chapter Author(s): Arij Ouweneel Book Title: Graphic Indigeneity Book Subtitle: Comics in the Americas and Australasia Book Editor(s): Frederick Luis Aldama Published by: University Press of Mississippi. -
Untitled#1 (The Desert Table), 2017 Collage, Watercolor, Acrylic on Paper 23”X29”
AGUA PRIETA, SO | DOUGLAS, AZ 2017 1 La Frontera - The Border: Art Exhibitions May 2nd-November 17th, 2019 The Escalette Collection is deeply invested in acquiring and displaying art that engages with issues central to the lives of people living in southern California. As debate about the U.S./Mexico border has become ever more salient and polarizing, we recognize a responsibility to foreground work that takes part in this conversation. The artworks featured in the exhibition La Frontera-The Border: Selections from the Escalette Permanent Collection of Art form the nucleus of this effort. This exhibition, which developed into a campus-wide exploration of the subject, introduced us to many other artists whose work is dedicated to the subject of borders. We were privileged to meet some of the photographers from the “BorderClick: Tijuana/San Diego” initiative, and are delighted to be adding six of their works to the Escalette Permanent Collection. We are grateful to Phyllis and Ross Escalette for their endowment that allows us to grow the permanent collection each year in ways that respond to current events, ideas and concerns. The Guggenheim Gallery shows local and international contemporary artists and is committed to generating exhibitions that bring work situated within current artistic and intellectual dialogs to our students and curriculum. La Frontera-The Border: Art Across the Border presents a selection of works examining the subject of the U.S./ Mexico border from personal, satirical, and political perspectives, as well as the cultural and psychological implications of the physical wall. From artivist aesthetics (a term coined by Dr. -
Spanish Perspectives on Chicano Literature: Literary and Cultural Essays Edited by Jesús Rosales and Vanessa Fonseca
GLOBAL LATIN/O AMERICAS Frederick Luis Aldama and Lourdes Torres, Series Editors All Rights Reserved. Copyright © The Ohio State University Press, 2017. Batch 1. All Rights Reserved. Copyright © The Ohio State University Press, 2017. Batch 1. Spanish Perspectives on Chicano Literature Literary and Cultural Essays EDITED BY Jesús Rosales and Vanessa Fonseca WITH A FOREWORD BY Francisco A. Lomelí THE OHIO STATE UNIVERSITY PRESS | COLUMBUS All Rights Reserved. Copyright © The Ohio State University Press, 2017. Batch 1. Copyright © 2017 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Names: Rosales, Jesús, 1955– editor. | Fonseca, Vanessa (Assistant professor of English), editor. | Lomelí, Francisco A., writer of foreword. Title: Spanish perspectives on Chicano literature : literary and cultural essays / edited by Jesús Rosales and Vanessa Fonseca ; with a foreword by Francisco A. Lomelí. Other titles: Global Latin/o Americas. Description: Columbus : The Ohio State University Press, [2017] | Series: Global Latin/o Americas | Includes bibliographical references. Identifiers: LCCN 2017011629 | ISBN 9780814213421 (cloth ; alk. paper) | ISBN 0814213421 (cloth ; alk. paper) Subjects: LCSH: American literature—Mexican American authors—History and criticism. | Mexican American literature (Spanish)—History and criticism. Classification: LCC PS153.M4 S68 2017 | DDC 810.9/86872073—dc23 LC record available at https://lccn.loc.gov/2017011629 Cover design by Larry Nozik Text design by Juliet Williams Type set in Myriad Pro The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 All Rights Reserved. -
The O Hio State University Press
The Ohio State University Press University State The Ohio Mad Creek Books Latinographix SerieS editor Frederick Luis Aldama This series showcases trade graphic and comic books—graphic novels, memoir, nonfiction, and more—by Latinx writers and artists. The series is rich and complex, bringing on projects with any balance of text and visual narrative, from larger graphic narratives to collections of vignettes or serial comics, in color and black and white, both fiction and nonfiction. Projects in the series take up themes of all kinds, exploring topics from immigration to family, education to identity. The series provides a place for exploration and boundary pushing and celebrates hybridity, experimentation, and creativity. Projects are produced with quality and care and exemplify the full breadth of creative visual work being created by today’s Latinx artists. Tales from la Vida Angelitos A Latinx Comics Anthology A Graphic Novel Thunderbolt Edited by Frederick Luis Aldama An American Tale, Vol. 1 Ilan Stavans and One-of-a-kind collection of Santiago Cohen Wilfred Santiago Latinx comics that sheds light on Latinx experiences, A graphic novel about the FORTHCOMING exploring language, culture, volatile nature of existence on the fringes of society in history, and more. 2018 Mexico City. $17.95 paperback 2018 $17.95 paperback Drawing on Anger Diary of a Reluctant Dreamer Portraits of U.S. Hypocrisy Undocumented Vignettes from a Pre-American Life Eric J. García Alberto Ledesma Over a decade’s worth of satirical illustrations of Uncle Sam’s hypocritical foreign and domes- From undocumented to “hyperdocumented,” tic policies through a Chicano lens. -
One Response to Mexican Urban Adaptation in the Los Angeles Area Author(S): James Diego Vigil Reviewed Work(S): Source: Urban Anthropology, Vol
Chicano Gangs: One Response To Mexican Urban Adaptation In The Los Angeles Area Author(s): James Diego Vigil Reviewed work(s): Source: Urban Anthropology, Vol. 12, No. 1 (SPRING 1983), pp. 45-75 Published by: The Institute, Inc. Stable URL: http://www.jstor.org/stable/40552988 . Accessed: 01/02/2013 13:22 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Institute, Inc. is collaborating with JSTOR to digitize, preserve and extend access to Urban Anthropology. http://www.jstor.org This content downloaded on Fri, 1 Feb 2013 13:22:09 PM All use subject to JSTOR Terms and Conditions Chicano Gangs: One Response To Mexican Urban Adaptation In The Los Angeles Area James Diego Vigil Departmentof Anthropology and EthnicStudies Center Universityof SouthernCalifornia ABSTRACT: Mexican adaptationto urbanareas in the UnitedStates has resulted in the rise of youthstreet groups and gangs. These Chicano groups/gangsare as- sessed withina frameworkwhich examines ecological, economic, cultural,and psychologicalaspects of that adaptation. Since the 1920s, Mexican immigrants and theirchildren have typicallysettled in the poorer,neglected sections of the city, called barrios,and workedin menial,low-paid industries. Changing from traditional was made more these Mexicanpatterns to those of Anglo-America problematicby livingand workingconditions. -
By Cherríe Moraga Study Guide
Study Guide Foto por RussellFoto Young J. By Cherríe Moraga Photo© Russell J Young Photo by RussellPhoto Young J. Cast members Rosalie Siler, Patricia Alvitez, and Amalia Alarcón Morris Watsonville: Some Place Not Here by Cherríe Moraga depicts a fictionalized version of the cannery strike in the California town, the apparition of the Virgen de Guadalupe, and the Loma Prieta earthquake, and is a sequel to her play Heroes and Saints. While not strictly a historical play, Watsonville is inspired by real-life events based on extensive research Ms. Moraga did with the people of Watsonville. The play features a combination of English and Spanish, a By Cherríe Moraga reflection of the language used in the area. Directed by Elizabeth Huffman This study guide explores the history of the real-life events that inspired the play Study guide research and writing and takes a look at notable women in the by John Epperson and Shira Goldeen labor movement in the United States. We hope this information informs your enjoyment of the production. MILAGRO Study Guide—Watsonville: Some Place Not Here 1 Photo by Erik Hersman Uncredited photograph from the The People's Slate promotional materials. Marchers gather in this photograph that appeared in promotional materials related to the Teamster strike committee election. Source: Remembering the Struggle Archive Inspired by real life events In Watsonville: Some Place Not Here, Cherríe Moraga was inspired by real life events to write the fictional story about a group of chicana women who work in a cannery during a labor strike in Watsonville, CA. THE CANNERY STRIKE The strike at Watsonville Canning and Richard A. -
R2 2020 Rice Review
R2: THE RICE REVIEW 1 R2: The Rice Review is a free student literary journal at Rice University. Copyright © 2020 by R2: The Rice Review No portion of R2: The Rice Review may be reproduced without permission. All rights reserved. Please send all correspondence to R2: The Rice Review Department of English Rice University 6100 Main Street, MS-30 Houston, TX 77005-1892 r2ricereview.com [email protected] Cover art: POP by Mallory Newbern (Colored Pencil and Acrylic Paint on Paper) Printed by Printing-X-Press. Printed in the USA. 2 3 The Rice Review Staff Acknowledgements Editors-in-Chief Joshua Anil & Sanvitti Sahdev Layout Editor Ginny Jeon This journal is made possible by an endowment given by Bradley V. Husick ’86 and Gail Clayton General Staff Clara Kraebber, Colton Alstatt, Ella Hoyt, Husick ’86. The publication of R2 has also been Hannah Young, Julia Fisher, Katimah made possible by a gift from Sandy ’86 and David Harper, Kierstin Wilkins, Kristie Lynn, Mar- Epstein and Family for the five-year period 2009–14. cus Munshi, Neha Tallapragada, Pamela McInturff, Rebecca Noel, Ryan Chow, R2’s annual Rice writing contests are sponsored Rynd Morgan, Sarah Swackhamer, Selena by the George G. Williams Fund. The contests are Shi, Shucheng Yan, Theresa Vanderventer, juried by professional, non-Rice-affiliated judges. Yumeng Zhao This year’s judge was Mark Haber. Each of the student recipients is awarded a monetary prize as Faculty Advisor Ian Schimmel well as recognition. The entire R2 editorial board wishes to express their gratitude for this generosity. Founding Editor Justin Cronin Cover Artist Mallory Newbern 4 5 Stories give rise to the best parts of being human: to empathy, connection, A Note from the Editors and collective healing. -
NACCS 2019 Proceedings Complete
San Jose State University SJSU ScholarWorks 2019 Indigenous Knowledge for Resistance: NACCS Annual Conference Proceedings Lecciones from Our Past Apr 1st, 12:00 PM NACCS 2019 Proceedings Complete Linda Heidenreich Washington State University, [email protected] Follow this and additional works at: https://scholarworks.sjsu.edu/naccs Part of the Gender and Sexuality Commons, and the Race and Ethnicity Commons Heidenreich, Linda, "NACCS 2019 Proceedings Complete" (2019). NACCS Annual Conference Proceedings. 5. https://scholarworks.sjsu.edu/naccs/2019/Proceedings/5 This Conference Proceeding is brought to you for free and open access by the National Association for Chicana and Chicano Studies Archive at SJSU ScholarWorks. It has been accepted for inclusion in NACCS Annual Conference Proceedings by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. Indigenous Knowledge for Resistance, Love, and Land: Lecciones for our Children, for our Future” Selected Proceedings of the 2019 Meeting of the National Association for Chicana and Chicano Studies Edited by L. Heidenreich, María González, Francisco Villegas, and Samantha Manz CONTENTS INTRODUCTION “Indigenous Knowledge for Resistance”: Lecciones from Our Past L.Heidenreich .......................................................................................................................... 1 PART ONE: Flourishing of the Nations Chair-Elect Welcome Letter Karleen Pendleton Jiménez ...................................................................................................