USITT :: Sightlines :: June 2011
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tour Link Conference
JANUARY 2016 // ISSUE 1 Tour Link Magazine 1 officer, Eric Stuart, as he explained the mathematics involved in determining crowd size, and why num- Event Safety Alliance Event Safety bers alone are insufficient to predicting and prevent- Summit 2015 Recap ing potential issues. We applauded Professor Emma Story by Shelby Cude, Photos by Nicholas Karlin Parkinson of Bucks New University in the UK, as she explained near-miss and accident reporting in the This past December, industry professionals from all development of an effective safety culture, challeng- over the globe gathered in Lititz, Pennsylvania for ing the industry’s taboo that “the show must go on.” Closing out the Summit, Jim Digby left the group the 2nd Annual Event Safety Summit, hosted by The with a single, powerful statement – that true leaders Event Safety Alliance. Checking their competitive empower others to do the right thing. For those that agendas at the door, nearly 200 attendees repre- presented and participated in the 2015 Event Safety senting every inch of the event industry sat under the Summit, Tour Link thanks you for taking the initiative massive roof of rehearsal venue Rock Lititz to en- to actively promote life safety first. gage in three days of discussion on issues related to safety at live events. From crowd management tac- University Meteorologist, Kevin Kloesel, of the Okla- tics, to safe pyrotechnics practices, to severe weather homa University Office of Emergency Prepared- plans, to current and future technical standards, an ness demonstrated how little we understand when elite group of presenters took the stage to share their it comes to “predicting” the weather and strategies expertise, and issued a call to action to improve the for evacuating outdoor events in case of emergency. -
Download This Issue
volume 4 issue 6 2011 P11238-VANDY-TourGuides:Layout 1 2/17/11 4:21 PM Page 1 Value is the new luxury.™ Fortunately we deliver both in 2010 EAST COAST TOP DOG ENTERTAINMENT HOTEL HARMONIOUS SERVICES. CHART-TOPPING LOCATION. LIVE ENTERTAINMENT NIGHTLY. FRESH FARM-TO-TABLE CUISINE AT EAT. STEAK PERFECTION AT RUTH’S CHRIS. loewshotels.com 800.23.LOEWS mobile production monthly 1 con volume 4 issue 6 2011 tents 12 14 mobilePRODUCTIONmonthly 6 In the News 18 Josh Groban 6 Catering Eat To The Beat Looking Forward to a Great Summer! Straight To You Tour 2011 Shrinks Arenas to the Size of a Theater 6 Hardware Penn Guard Now Available in Smaller Packages 7 Rigging Sapsis Rigging provides rigging package for third annual 22 Tour Vendors Castleton Festival 26 Crew Members 7 Sound L-ACOUSTICS Sells First KARA System to Slovenia / Rat Sound Packs Rodent-Sized L-ACOUSTICS KIVA-KILO System 28 Five Points 7 Staging Precise Corporate Staging Expands L-ACOUSTICS How Many Points Does it Take to Rig a Show? inventory for Summer Festival Season Just Five Points! 8 Transportation Air Charter Service Continues Global Expansion / Beat The Street Lauches New Ground Transport Venture 30 Maryland Sound Inc. 8 Video PRG Acquires Nocturne Productions / Gray Matter Enter- A Stealthy Company WIth a Big Fat Sound tainment Delivers Video Design for Nicki Minaj's Live Tour With Britney Spears 32 Knifedge 9 Why Didn't I Think Of That? Towels For The Road, On The Road At the Cutting Edge of Content Creation Upstaging John Huddleston 12 Video Battlecruiser 32 Backs Up the Best Issues a Call to a Higher Standard of Safety 36 S.O.R.D. -
Would You Believe L.A.? (Revisited)
WOULD YOU BELIEVE L.A.? (REVISITED) Downtown Walking Tours 35th Anniversary sponsored by: Major funding for the Los Angeles Conservancy’s programs is provided by the LaFetra Foundation and the Kenneth T. and Eileen L. Norris Foundation. Media Partners: Photos by Annie Laskey/L. A. Conservancy except as noted: Bradbury Building by Anthony Rubano, Orpheum Theatre and El Dorado Lofts by Adrian Scott Fine/L.A. Conservancy, Ace Hotel Downtown Los Angeles by Spencer Lowell, 433 Spring and Spring Arcade Building by Larry Underhill, Exchange Los Angeles from L.A. Conservancy archives. 523 West Sixth Street, Suite 826 © 2015 Los Angeles Conservancy Los Angeles, CA 90014 Based on Would You Believe L.A.? written by Paul Gleye, with assistance from John Miller, 213.623.2489 . laconservancy.org Roger Hatheway, Margaret Bach, and Lois Grillo, 1978. ince 1980, the Los Angeles Conservancy’s walking tours have introduced over 175,000 Angelenos and visitors alike to the rich history and culture of Sdowntown’s architecture. In celebration of the thirty-fifth anniversary of our walking tours, the Los Angeles Conservancy is revisiting our first-ever offering: a self-guided tour from 1978 called Would You Believe L.A.? The tour map included fifty-nine different sites in the historic core of downtown, providing the basis for the Conservancy’s first three docent-led tours. These three tours still take place regularly: Pershing Square Landmarks (now Historic Downtown), Broadway Historic Theatre District (now Broadway Theatre and Commercial District), and Palaces of Finance (now Downtown Renaissance). In the years since Would You Believe L.A.? was created and the first walking tours began, downtown Los Angeles has undergone many changes. -
LACEA Alive Feb05 7.Qxd
01-68_Alive_JAN09_v7.qxd 12/26/08 3:21 PM Page 22 22 January 2009 City Employees Club of Los Angeles, Alive! A City of [ PART 1 OF 2 ] Theatres By Marc Wanamaker n Noted theatre historian Marc Wanamaker is Hynda’s guest columnist this month. Part two continues next month. t is not generally known, but Los Angeles was one of the largest Itheatre towns in the United States dating back to the 19th cen- tury. Beginning with legitimate stages and later cinema theatres, Los Angeles boasted more than several thousand theatres sprawl- ing throughout the entire Los Angeles area by the 1920s. Every main street in every town had a theatre on it, and by the time movies came to Los Angeles there were even more built that were bigger and better. Los Angeles had a grand legitimate theatre history since the mid-19th century as described by famed stage and film actor Hobart Bosworth, who worked in several of the downtown theatres in the 1880s and 1890s. Bosworth described the theatre world of Los Angeles as “surprisingly robust and patronized by thousands of residents who were knowledgeable about the plays and players.” Los Angeles had its first semi-permanent stage, an open-air cov- ered platform with a proscenium arch near the Plaza in 1848, but the most important theater to be built in Los Angeles was the 1,200-seat Ozro Childs Grand Opera House, built in 1884 on Main Street near First. From the mid-1880s, Los Angeles became a regular stop for touring theatrical companies, starring some of the world’s most illustrious stars including Sarah Bernhardt, Maurice Barrymore, Lillian Russell, Anna Held and Lionel Barrymore, among many others. -
Calendar and Cultural Guide
CALENDAR AND CULTURAL GUIDE PRESENTED BY THE CITY OF LOS ANGELES DEPARTMENT OF CULTURAL AFFAIRS CITY OF LOS ANGELES LOS ANGELES CITY COUNCIL CULTURAL AFFAIRS Eric Garcetti Herb J. Wesson, Jr. COMMISSION Mayor District 10 Charmaine Jefferson City of Los Angeles President President Mike Feuer Gilbert Cedillo John Wirfs Los Angeles City Attorney District 1 Vice President Ron Galperin Paul Krekorian Jill Ornitz Cohen Los Angeles City Controller District 2 Evonne Gallardo Bob Blumenfield Thien Ho District 3 Eric Paquette David Ryu Elissa Scrafano District 4 Paul Koretz District 5 CITY OF LOS ANGELES Nury Martinez DEPARTMENT OF District 6 CULTURAL AFFAIRS Monica Rodriguez Danielle Brazell District 7 General Manager Marqueece Harris-Dawson Daniel Tarica District 8 Assistant General Manager Curren D. Price, Jr. Will Caperton y Montoya District 9 Director of Marketing, Development, and Mike Bonin Design Strategy District 11 Greig Smith CALENDAR PRODUCTION District 12 Will Caperton y Montoya Mitch O’Farrell Editor and Art Director District 13 Marcia Harris Jose Huizar Whitley Company District 14 CALENDAR DESIGN Joe Buscaino District 15 Whitley Company View online at: Covers: Simonette David Jackson, Front Cover: Nanay, Pen and ink, colored pencil on paper, 24” x 19”, 2019. Back cover: Memory of a culturela.org Safe Place, Mixed media diorama, 11” x 14”, 2018 ERIC GARCETTI Mayor City of Los Angeles Dear Friends, On behalf of the City of Los Angeles, it is my pleasure to join Angelenos in celebrating Asian Pacific American Heritage Month. Asian and Pacific Islanders have made an indelible mark on our city, from distinguishing themselves in the arts and academia to leading our businesses and communities. -
And We Danced Episode 3 Credits
AND WE DANCED WildBear Entertainment, ABC TV and The Australian Ballet acknowledge the Traditional Owners of country throughout Australia and recognise their continuing connection to land, waters and culture. We pay our respects to their Elders past and present. EPISODE THREE Executive Producers Veronica Fury Alan Erson Michael Tear Development Producer Stephen Waller INTERVIEWEES Margot Anderson Dimity Azoury Peter F Bahen Lisa Bolte Adam Bull Ita Buttrose AC OBE Chengwu Guo David Hallberg Ella Havelka Steven Heathcote AM Marilyn Jones OBE Ako Kondoo David McAllister AC Graeme Murphy AO Stephen Page AO Lisa Pavane Colin Peasley OAM Marilyn Rowe AM OBE Amber Scott Hugh Sheridan Fiona Tonkin OAM Elizabeth Toohey Emma Watkins Michael Williams SPECIAL THANKS TO David McAllister AC David Hallberg Nicolette Fraillon AM 1 Artists of The Australian Ballet past and present Artists of Bangarra Dance Theatre past and present Orchestra Victoria Opera Australia Orchestra The Australian Ballet School Tony Iffland Janine Burdeu The Wiggles The Langham Hotel Melbourne Brett Ludeman, David Ward ARCHIVE SOURCES The Australian Ballet ABC Archives National Film and Sound Archive Associated Press Getty The Apiary The Wiggles International Arts Newspix Bolshoi Ballet American Ballet Theater FOOTAGE The Australian Ballet Year of Limitless Possibilities, 2020 Brand Film Artists of The Australian Ballet Valerie Tereshchenko, Robyn Hendricks, Dimity Azoury, Callum Linnane, Jake Mangakahia Choreography David McAllister AM Cinematography Brett Ludeman and Ryan Alexander Lloyd Produced by Robyn Fincham and Brett Ludeman Filmed on location at Mundi Mundi Station, via Silverton NSW The Living Desert Sculpture Park, Junction Mine, The Imperial Fine Accommodation, Broken Hill NSW. -
Technical Services and Operations Handbook
TECHNICAL SERVICES AND OPERATIONS HANDBOOK PURPOSE OF HANDBOOK This handbook provides a summary of key policies and procedures needed to understand and be successful at your job in the Technical Services and Operations (TechOps) Department. It is also a reference guide for daily operational tasks. Every member of our team should read and be familiar with this handbook. The handbook is divided into different sections of related information. Each section consists of subsections, for ease of reference. The first section describes overall department information, what we do, and how the team is organized. It then flows into the Customer Service Center and Operations responsibilities, which serve as the central point of connectivity between the teams and ensures all service requests are triaged and solved efficiently and expediently. From there, it branches out into different areas of responsibility, with workflow processes and standard operating procedures. The back sections are reference material, including a phone directory and floor plans. WORKFLOW LEGEND Terminator Subroutine Indicates the beginning or end of a Indicates a predefined process program flow in your diagram Process Display Indicates any processing function Indicates something displayed for people to read, such as data on a monitor or projector screen Decision Indicates the decision point between two or more paths in a flowchart 02 WHAT WE DO 08 ONBOARDING PROCESS 14 ORGANIZATION 40 COMMUNICATION 54 CENTRAL OPERATIONS Tables 78 FACILITIES OPERATIONS of 96 TECHNICAL OPERATIONS Contents 116 ROOM SCHEDULING 122 DIGITAL LOUNGE 132 BUDGET 146 HEALTH AND SAFETY 152 ANNENBERG DIRECTORY 158 FLOOR PLANS 6 — WHAT WE DO OPERATIONS HANDBOOK — 2 TechOps Our Customers Our Environment We support over 2,700 students, 160 staff and 180 Through the shared vision of our faculty, staff and the faculty members at the Annenberg School. -
Los Angeles Bibliography
A HISTORICAL BIBLIOGRAPHY OF THE BUILT ENVIRONMENT IN THE LOS ANGELES METROPOLITAN AREA Compiled by Richard Longstreth 1998, revised 16 May 2018 This listing focuses on historical studies, with an emphasis is on scholarly work published during the past thirty years. I have also included a section on popular pictorial histories due to the wealth of information they afford. To keep the scope manageable, the geographic area covered is primarily limited to Los Angeles and Orange counties, except in cases where a community, such as Santa Barbara; a building, such as the Mission Inn; or an architect, such as Irving Gill, are of transcendent importance to the region. Thanks go to Kenneth Breisch, Dora Crouch, Thomas Hines, Greg Hise, Gail Ostergren, and Martin Schiesl for adding to the list. Additions, corrections, and updates are welcome. Please send them to me at [email protected]. G E N E R A L H I S T O R I E S A N D U R B A N I S M Abu-Lughod, Janet, New York, Chicago, Los Angeles: America's Global Cities, Minneapolis: University of Minnesota Press, 1999 Adler, Sy, "The Transformation of the Pacific Electric Railway: Bradford Snell, Roger Rabbit, and the Politics of Transportation in Los Angeles," Urban Affairs Quarterly 27 (September 1991): 51-86 Akimoto, Fukuo, “Charles H. Cheney of California,” Planning Perspectives 18 (July 2003): 253-75 Allen, James P., and Eugene Turner, The Ethnic Quilt: Population Diversity in Southern California Northridge: Center for Geographical Studies, California State University, Northridge, 1997 Avila, Eric, “The Folklore of the Freeway: Space, Culture, and Identity in Postwar Los Angeles,” Aztlan 23 (spring 1998): 15-31 _________, Popular Culture in the Age of White Flight: Fear and Fantasy in Suburban Los Angeles, Berkeley: University of California Pres, 2004 Axelrod, Jeremiah B. -
Houston Grand Opera Unveils Enchanting New Production of Hansel and Gretel by Renowned Puppeteer Basil Twist
Houston Grand Opera Unveils Enchanting New Production of Hansel and Gretel by Renowned Puppeteer Basil Twist Perfect Holiday Treat for the Whole Family Opens December 1, 2006 Houston, TX (October 5, 2006) – This holiday season, Houston Grand Opera (HGO) stages a spectacular new production of Humperdinck’s beloved fairy tale opera Hansel and Gretel featuring artists from the HGO Studio and members of the HGO Orchestra and Children’s Chorus. Eleven public performances, December 1 – 23, will offer ample opportunities for Houstonians to enjoy this holiday treat. The Production is directed and designed by America’s premier puppeteer Basil Twist, whose works have dazzled audiences across the continent (New York, Washington D.C., San Francisco, and Montreal) and in Europe (France, London and Munich). Called “true magic” by the New York Times, Twist’s work fuses music and puppetry into spellbinding theatrical experiences. His largest puppet for Hansel and Gretel will be a giant witch built by the Jim Henson Company, and Twist will build the remaining puppets himself, including several marionettes and bunraku puppets. Hansel and Gretel showcases artists from the internationally acclaimed HGO Studio, one of the world’s finest programs for opera’s future stars. Irish mezzo-soprano Fiona Murphy and American soprano Rebekah Camm star as the brother and sister who get lost in the woods and are captured by the Witch, sung by American baritone Liam Bonner. American soprano Jennifer Root and American bass-baritone Ryan McKinny sing the Mother and Father, and Russian soprano Albina Shagimuratova sings the Sandman and the Dew Fairy. Russian mezzo-soprano Maria Markina and American Soprano Alicia Gianni will sing the title roles for three performances, plus a student matinee. -
Education Brochure
EDUCATION BROCHURE CONFERENCE: JUNE 2-8 EXHIBITS: JUNE 6-8 LAS VEGAS CONVENTION CENTER infocommshow.org Your future. On display. Experience how advanced visual displays can help your business thrive now and in the future. See first-hand our interactive, innovative and visually-stunning products that inspire creativity and collaboration in any environment. Booth # C3127 For more details on Samsung Digital Signage Samsung.com/digitalsignage © 2018 Samsung Electronics America, Inc. All rights reserved. Samsung is a registered trademark of Samsung Electronics Co., Ltd. All products, logos and brand names are trademarks or registered trademarks of their respective companies. InfoComm 2018 is more than thousands of innovative audiovisual products and solutions. It’s also the largest collection of in-person training and education available in the pro-AV industry. This brochure contains more than 150 opportunities -- from deep-dive, three-day technical training on AV essentials, to one-hour sessions on design and project management -- where you can find inspiration, build your skills, and hear real-world examples of integrated AV experiences. THREE-DAY PRE-SHOW COURSES SATURDAY, JUNE 2 - MONDAY, JUNE 4 8:00 A.M.-5:00 P.M. Join AVIXA™ staff instructors for a deep-dive into the technical aspects of AV, from an overview of the science of AV to design, building infrastructure and networked systems. Planning to take your CTS® exam at the show? Our CTS Prep courses review terminology and key concepts that may appear on the exam.* TD01 Essentials of AV Technology 0 Essentials of AV Technology is a comprehensive, introductory overview of science and technology for audio, visual and audiovisual systems integration. -
Southern California Theater Guide
Southern California Theater Guide More Than 499 Seats Alex Theatre 216 N. Brand Blvd. Glendale, CA 91203-2610 (818) 243-2611 (818) 243-2611, ext. 15 www.alextheatre.org Email: [email protected]. R-VA. Seating: 1,381. Music pit, complete lighting and sound equipment inventory. Contact: Barry M. McComb, executive director Ahmanson Theatre 135 N. Grand Ave. Los Angeles, CA 90012 (213) 972-7478 (213) 972-7478 (rentals); (213) 972-7235 (213) 972-7235 (casting hotline) www.centertheatregroup.org Mail: 601 W. Temple St., Los Angeles, CA 90012 Open, H&R, M, Limited (Equity). Seating: 1,600-2,000 Arlington Center for the Performing Arts 1317 State St. Santa Barbara, CA 93101 (805) 963-9589 (805) 963-9589 www.thearlingtontheatre.com R-VA. Seating: 2,018. Contact: Karen Killingsworth James Armstrong Theatre (in Torrance Cultural Arts Center) 3330 Civic Center Dr. Torrance, CA 90503 (310) 781-7150 (310) 781-7150 www.tcac.torrnet.com R-VA, W (through Cultural Arts Center). Seating: 502. Contact: Anita Moisen Southern California Theater Guide Barnum Hall Theatre & Humanities Center Theatre (Santa Monica Civic Light Opera) 601 Pico Blvd. Santa Monica, CA 90405 (310) 458-5939 (310) 458-5939 R, Closed (only students and school alumni cast). Recently completed an $8.1 million restoration of the original “art moderne” style. Everything has been updated to top-of-the-line theatrical resources. Humanities Center seating: 200. Barnum Hall seating: 1,200. Rental contact: Carey Upton, (310) 395-3204 (310) 395-3204 ext. 417 Cerritos Center for the Perfoming Arts 12700 Center Court Dr. Cerritos, CA 90703 (562) 916-8510 (562) 916-8510 www.cerritoscenter.com Email: [email protected] R. -
Module 7: Learning Types of Events
MODULE 7: LEARNING TYPES OF EVENTS 142 endi 7.1. Introduction 7.2. Conferences 7.3. Meetings 7.4. Launch Events 7.5. Fashion Shows 7.6. Fundraisers 7.7. Weddings 7.8. Religious Events 7.9. Photocalls 7.10. Exhibitions 7.11. Sport Events 7.12. Concerts 7.13. Political Events 7.14. Anniverseries 143 EVENT PLANNER 7.1. Introduction On successful completion of this unit you will be able to identify the four different categories that events fit into. You will have an understanding of the different types of challenges that can be expected and overcome in all kinds of events. You will also be given a brief history of events and how some of them have evolved into the extravaganzas that are broadcast internationally on our TVs. This unit will also look into a number of everyday events, while exploring the history of some and tips on how to plan them successfully. On completion of this unit you should now have a clearer understanding of Festivals and Events. They are unique leisure and cultural experiences as powerful motivators of community pride and development. Festivals and events can provide a sense of authenticity and uniqueness especially when based on inherent and indigenous values. They can provide a sense of com- munity; a sense of focused celebration all in an affordable and democratic social context. Defining Events An event can have a specific purpose and a focussed outcome, for example to mark an occasion – birthdays/ anniversaries; to market a product launch – product launch; to entertain - concert. Events are often now categorised by their size.