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A Selective Study on Chinese Art Songs After 1950
Graduate Theses, Dissertations, and Problem Reports 2021 A Selective Study on Chinese Art Songs after 1950 Gehui Zhu [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Music Performance Commons Recommended Citation Zhu, Gehui, "A Selective Study on Chinese Art Songs after 1950" (2021). Graduate Theses, Dissertations, and Problem Reports. 8287. https://researchrepository.wvu.edu/etd/8287 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. A Selective Study on Chinese Art Songs after 1950 Gehui Zhu A Doctoral Research Project Submitted to College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Voice Performance Hope Koehler, D.M.A, Committee Chair and Research Adviser William Koehler, D.M.A Matthew Heap, Ph.D. Victor Chow, Ph.D. School of Music Morgantown, West Virginia 2021 Keywords: Chinese Art Songs after 1950, Contemporary Chinese Art Songs, Chinese Poems, Chinese Art Songs for Classical Singers. -
Office of Wetlands Conservation and Management, State Forestry Administration December 2009
Ramsar Small Grants Fund for Wetland Conservation and Wise Use (SGF) National Communication, Education and Public Awareness(CEPA) Plan for Wetland Protection in China Office of Wetlands Conservation and Management, State Forestry Administration December 2009 Table of Contents CHAPTER I REVIEW OF WETLAND CONSERVATION IN CHINA .................................................................... 1 1.1 OVERVIEW OF WETLANDS IN CHINA ................................................................................................................ 1 1.1.1 Current status of wetlands in China .................................................................................................... 1 1.1.2 Overview of major wetland types in China ......................................................................................... 2 1.1.3 Significant roles of wetlands in promoting the eco-safety and socio-economic development in China ..................................................................................................................................................................... 3 1.1.4 Wetland areas in China that have been listed as Ramsar sites ............................................................ 4 1.2 CURRENT STATUS OF WETLAND CONSERVATION AND MANAGEMENT IN CHINA ............................................................ 5 1.2.1 Introduction to wetland conservation and management efforts in China ............................................ 5 1.2.2 Major approaches on wetland conservation in China ....................................................................... -
Chinese Paintings in Chinese Publications, 1956-1968: an Annotated Bibliography and an Index to the Paintings
THE UNIVERSITY OF MICHIGAN CENTER FOR CHINESE STUDIES MICHIGAN PAPERS IN CHINESE STUDIES Chang Chun-shu, James Crump, and Rhoads Murphey, Editors Ann Arbor, Michigan Chinese Paintings in Chinese Publications, 1956-1968: An Annotated Bibliography and An Index to the Paintings by E. J. Laing Michigan Papers in Chinese Studies No. 6 1969 Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Copyright 1969 by Center for Chinese Studies The University of Michigan Ann Arbor, Michigan 48104 Printed in the United States of America ISBN 978-0-89264-124-6 (hardcover) ISBN 978-0-89264-006-5 (paper) ISBN 978-0-472-12789-4 (ebook) ISBN 978-0-472-90185-2 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ C ontents Foreword and Acknowledgments BIBLIOGRAPHY Notes on the Bibliography 1 Annotated Bibliography 1 INDEX Guide to the Index 33 Key to Biographical Sources 35 Abbreviations used in the Index 37 Key to Short Titles used in the Index 37 Index 41 Foreword and Acknowledgments Among the many contributions to scholarly endeavor in the field of Chinese painting made by Dr. Osvald Siren were his "Annotated Lists of Paintings and Reproductions of Paintings by Chinese Artists. TT These "Annotated Lists" were published as a part of his Chinese Painting, Leading Masters and Principles (The Ronald Press Company, New York, 19 56-58, 7 volumes). Since 19 56, the publication of reproductions of Chinese paint- ings has continued at a great pace throughout the world. -
Shanxi Using Top Landmarks to Develop Local Tourism Industry
6 | DISCOVER SHANXI Friday, April 2, 2021 CHINA DAILY Shanxi using top landmarks to develop local tourism industry Shanxi’s officials and business representatives attend the groundbreaking ceremony for Taiyuan Heavy Machinery Group’s smart manufacturing park on March 28. LI LIANJUN / FOR CHINA DAILY Yellow River, Great Wall and Taihang New projects launched Mountains’ resources to be shared in bid to for highquality growth boost visitor numbers By YUAN SHENGGAO cial beginning of 204 projects with a combined investment of 42.58 By YUAN SHENGGAO A groundbreaking ceremony billion yuan and the signing of for an advanced smart equip agreements on 344 investment Boasting historical and cultural ment manufacturing park was projects with funding totaling 224 resources as well as impressive nat held in Taiyuan on March 28, billion yuan. ural landscapes, North China’s marking a new step in Shanxi A sapphire substrate Shanxi province is planning to turn province on the path to trans manufacturing plant — funded by tourism into an economic pillar forming its economy toward Richangjing New Materials in the with strategic importance, accord highquality growth driven by city of Yangquan, eastern Shanxi — ing to an official. The Taihang No 1 Highway is built to offer convenience to visitors touring the Taihang Mountains, emerging, hightech industries. is among the newly launched high Rong Jingguang, deputy chief of which stretches for more than 400 kilometers across the east of Shanxi. LI ZHAOMIN / FOR CHINA DAILY The project is funded by local tech projects in the province. the Shanxi Department of Culture equipment manufacturing giant When talking about its “miracu and Tourism, said the province aims Taiyuan Heavy Machinery Group. -
Tang, Jun and Conrad Bauer. “Translating
To cite this article: Tang, Jun and Conrad Bauer. “Translating ‘Liangzhou Ci’: Alternating Between Intervention and Non-Intervention.” The AALITRA Review: A Journal of Literary Translation 11 (May 2016): 101-114. aalitra.org.au Australian Association for Literary Translation Translating “Liangzhou Ci”: Alternating between Intervention and Non-Intervention JUN TANG and CONRAD BAUER Southeast University, China (JT) “Liangzhou Ci” was written by Ge Fei, the pen name of Liu Yong (1964-), winner of three national literary awards in China and currently a professor at Tsinghua University. The fictional story, which was first published in the mid-1990s and has been republished several times since, 10 describes a conversation between the narrator and Dr Lin An, regarding an academic article of Lin’s. The story begins with Lin’s self-exile and rumours of his death, and highlights his resistance to complying with the expectations of academic rigour in his unsubstantiated account of the life story of the Tang poet Wang Zhihuan. In summary, Lin is portrayed as one of those Chinese intellectuals who have failed to keep pace with the changing society. Literary translations “have always been expected […] to be near-equivalents of the originals’ message, meaning, tone, and quality” (Koerner 213). However, translation scholars are familiar with concepts such as translation as a form of rewriting (Lefevere) and translation as intervention (Munday), which have been used as umbrella terms describing the textual manifestations of a multitude of intentional or deliberate translation shifts in target texts. 20 Although rewriting and intervention have often been ascribed to ideological concerns or political agendas, cross-linguistic or intercultural differences may also lead to the adoption of an “interventionist approach” to translation (Limon 30), which will result in various translation shifts (e.g. -
The Dawn of Modern Property
The Dawn of Modern Property -- Legal institutions of the land’s airspace/subsurface in urban areas of Germany, the US, and China Dissertation Zur Erlangung der Würde des Doktors der Rechtswissenschaft der Fakultät Rechtswissenschaft der Universität Hamburg vorgelegt von Ruyi, DU aus Heilongjiang, VR China Hamburg 2020 Erstgutachter: Prof. Dr. Hinrich Julius Zweitgutachter: Prof. Dr. Peter Manskowski Datum des Kolloquiums: 26.06.2019 . a TABLE OF CONTENTS The Dawn of Modern Property List of References _________________________________________________________________ I Introduction _____________________________________________________________________ 1 Chapter 1 The subsurface and airspace right in a historical context of property law _____________________________________________________________________________ 12 1.1 The definition of airspace and subsurface right ___________________________________________ 12 1.2 Historical overview and the two conditions _______________________________________________ 13 1.3 Airspace and subsurface in ancient Roman law: tradition and reception __________________ 17 1.3.1 Condition I: the ideas on airspace/subsurface by Roman lawyers ____________________ 17 1.3.2 Condition II: Airspace/subsurface as “property” in Roman law? ______________________ 22 1.3.3 Reflections on the legal position of airspace/subsurface in Roman law _______________ 25 1.3.4 Short summary _______________________________________________________________________ 26 1.4 The reception of Roman law in continental Europe _______________________________________ -
Wetland Biodiversity Conservation and Sustainable Use in China”
UNDP - GEF - SFA “Wetland Biodiversity Conservation and Sustainable Use in China” MAINSTREAMING WETLAND BIODIVERSITY CONSERVATION Experience and Lessons Learned in Practical Applications of Mainstreaming Proceedings of the International Workshop December 4 - 7, 2007 Yueyang, Hunan Province, P.R. China Edited by: Edwin D. Ongley, PhD. With assistance from Martine H. Allard, PhD. Disclaimer The views expressed in this publication are those of the authors and do not necessarily represent those of the United Nations or UNDP, or the State Forestry Administration. The designations employed and the presentation of geographical material do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations or UNDP, or the State Forestry Administration, concerning the legal status of any country, territory, city or area or its authorities, or concerning the delimitation of its frontiers or boundaries. Copyright Copyright of the United Nations Development Programme, China, and the State Forestry Administration. All rights reserved. This publication may be quoted, reproduced or translated, in part or in full, provided the source is acknowledged. It may not be reproduced for any commercial use without the prior written approval of UNDP. Editors’ Note: All papers have been edited for content and style. Papers originally written in Chinese were translated by the Project Office, then edited. There are many words, expressions and nuances that are not easily translated from Chinese to English. Therefore, while effort was made to understand and re-interpret awkward translations, some difficult text may remain in the full papers. Citation: UNDP, 2009. MAINSTREAMING WETLAND BIODIVERSITY CONSERVATION: Experience and Lessons Learned in Practical Applications of Mainstreaming. -
A Journal of Literary Translation
The AALITRA Review A JOURNAL OF LITERARY TRANSLATION No. 11, May 2016 Submissions, prepared according to the The AALITRA Review Guidelines for Contributors (available from our website), should be sent to: Editor: Brigid Maher (La Trobe University) Dr Brigid Maher [email protected] Special Editorial Adviser: Brian Nelson (Monash University) The Australian Association for Literary Editorial Assistant: Alice Whitmore Translation (AALITRA) (Monash University) is a national organization that promotes an interest in all aspects of literary translation. OpenPublish Content Administrator: In addition to publishing The AALITRA Cathy Sell (Monash University) Review, AALITRA sponsors public Editorial Board: lectures and events on literary translation Esther Allen (Baruch College, City and holds periodic conferences with University of New York), Harry Aveling university bodies interested in the theory (Monash University), Peter Bush and practice of literary translation. We also (Barcelona), John Coetzee (University of distribute news of events, conferences and Adelaide), Francis Jones (Newcastle, UK), other initiatives relevant to translators. If Barbara McGilvray (Sydney), John you have an interest in literary translation, Minford (Australian National University), and especially world literature in Alyson Waters (Yale) and Kevin Windle translation, please consider joining the (Australian National University). Association. The AALITRA Review aalitra.org.au publishes high-quality material concerned with literary translation, as well as translations -
Iconic Stork Tower a Historic Inspiration
6 | DISCOVER SHANXI Friday, January 22, 2021 HONG KONG EDITION | CHINA DAILY Capital of vinegar honored by pair of national organizations By YUAN SHENGGAO county, Baoyuan Matured Vinegar Factory in Yangfang village is Qingxu county in central Shanxi among the oldest. Locals say the province has been recognized as company is the perfect place for “the capital of vinegar in China”, people who want to develop a deep the county government said on understanding of the industry’s Jan 8. history in Shanxi. According to a document Baoyuan had been a top-quality released by the China National vinegar producer since the Ming Light Industry Council and the Dynasty (1368-1644) and its prod- National Food Management Cen- ucts were supplied to the royal ter of China Light Industry, Qing- kitchens of the Ming and Qing xu is so named for its long history (1644-1911) dynasties. and high-quality vinegar produc- Nowadays, the old factory site is tion. a museum that shows the history Liu Zixia, vice-mayor of Qingxu, of vinegar production in Qingxu. It said at the Jan 8 news conference does not produce vinegar for the that Qingxu is the largest produc- market anymore. tion base of vinegar products in In the museum are old vinegar- the nation. It has 45 certified vine- making equipment and docu- gar producers, which collectively ments recording the ancient produce 700,000 metric tons of production techniques. Stork Tower is a landmark attraction in Yongyi city because of a much cited poem written by poet Wang Zhihuan. HU ZENGCHUN / FOR CHINA DAILY edible vinegar each year. -
10.1 Background and Context
East Asian Linguistics East Asian Linguistics Karen Steffen Chung The Oxford Handbook of the History of Linguistics Edited by Keith Allan Print Publication Date: Mar 2013 Subject: Linguistics, Historical Linguistics Online Publication Date: Jul 2013 DOI: 10.1093/oxfordhb/9780199585847.013.0011 Abstract and Keywords The story of the development of linguistic thought in the major cultures of East Asia cen ters to a great extent on each country’s response to influence from a respected non-relat ed language. In the case of China before the period of European influence, it was San skrit, the language of the Buddhist scriptures; for Korea and Japan, it was Chinese, and to a lesser degree also Sanskrit. Both Korean and Japanese borrowed vocabulary extensively from Chinese, as well as the Chinese writing system, and in more recent times, Chinese has borrowed heavily back from Japanese, reflecting the ebb and flow of power between the countries. Korea and Japan later developed their own writing systems, both of which show strong influence from Chinese and Sanskrit. In all three cultures, the formal study of grammar does not begin until the nineteenth century, under European influence. Keywords: Chinese, Japanese, Korean, history of linguistics, Buddhism 10.1 Background and Context THIS entry outlines the linguistic traditions of China, Korea and Japan, with special em phasis on China. Genetically, Chinese is a Sino-Tibetan language, unrelated to Korean and Japanese. Korean and Japanese are commonly lumped together in the ‘Altaic’ phylum (‘phylum’ being superordinate to ‘family’) of languages, with some scholars even believ ing they are distantly related to the Turkic, Mongolic, and Tungusic families, though there is little if any proof for this based on shared native vocabulary with regular phono logical correspondences. -
An Outline of Chinese Literature I
An Outline of Chinese Literature I Different from previous researches weighted toward historical description and individual writer and work, this book establishes a general analytical system and a multi-angled methodology to examine Chinese literature. The author Yuan Xingpei is a professor at Peking University, a famous expert on Chinese classic literature. Based on his own appreciation as a reader and years of study, the author expounds on every aspect of Chinese literature: characteris- tics, time periods, regional nature, categories, allure, transmission, appreciation, etc. It’s worth mentioning that the book is written from an individual perspective. The author expresses the depth of his various related impressions of Chinese lit- erature in the book, in the hope that readers can share the emotions. In addition, this book provides readers with many fresh perspectives. For example, it regards poetry being the mainstream, and “upholding goodness,” “the spirit of optimism” and “the esthetics of conciseness” as the characteristics of Chinese literature, sur- passing the popular academic concepts. This book will appeal to scholars and students of Chinese literature and com- parative literature. People who are interested in Chinese literature and Chinese culture will also benefit from this book. Yuan Xingpei is a professor in the Department of Chinese Language and Litera- ture, Peking University. His research focuses on Chinese classic literature, espe- cially Chinese poetical art. China Perspectives Series The China Perspectives series focuses on translating and publishing works by leading Chinese scholars writing about both global topics and China-related themes. It covers Humanities & Social Sciences, Education, Media and Psychol- ogy, as well as many interdisciplinary themes. -
ASIAN ART Monday 14 and Tuesday 15 May 2018 Knightsbridge, London
ASIAN ART Monday 14 and Tuesday 15 May 2018 Knightsbridge, London INTERNATIONAL CHINESE CERAMICS AND WORKS OF ART TEAM Asaph Hyman Colin Sheaf Dessa Goddard ASIA AND AUSTRALIA Xibo Wang Gigi Yu Edward Wilkinson* Yvett Klein Hong Kong Hong Kong Hong Kong Sydney EUROPE Benedetta Mottino Sing Yan Choy Edward Luper Rachel Hyman Rosangela Assennato Ben Law Smith Ian Glennie Asha Edwards Aude Louis Carves London, London, London, London, London, London, Edinburgh Edinburgh Paris New Bond Street New Bond Street New Bond Street Knightsbridge Knightsbridge Knightsbridge USA Bruce MacLaren Ming Hua Harold Yeo Mark Rasmussen* Doris Jin Huang* New York New York New York New York New York Henry Kleinhenz Daniel Herskee Ling Shang San Francisco San Francisco San Francisco ASIA REPRESENTATIVES Jessica Zhang Summer Fang Bernadette Rankine Beijing Taipei Singapore Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. 4326560 Robert Brooks Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Malcolm Barber Co-Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Colin Sheaf Deputy Chairman, Antony Bennett, Matthew Bradbury, Charlie O’Brien, Giles Peppiatt, India Phillips, Matthew Girling CEO, Lucinda Bredin, Simon Cottle, Andrew Currie, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Patrick Meade Group Vice Chairman, Jean Ghika, Charles Graham-Campbell, Veronique Scorer, Robert Smith, James Stratton, +44 (0) 20 7393 3905 fax Jon Baddeley, Rupert Banner, Geoffrey Davies, Matthew Haley, Richard Harvey, Robin Hereford, Ralph Taylor, Charlie Thomas, David Williams, Jonathan Fairhurst, Asaph Hyman, James Knight, David Johnson, Charles Lanning, Grant Macdougall Michael Wynell-Mayow, Suzannah Yip.