Pgordon CV June 2020
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Modern Surface and Postmodern Simulation a Retrospective Retrieval
introduction Modern Surface and Postmodern Simulation A Retrospective Retrieval Denn was innen, das ist außen! Johann Wolfgang von Goethe agendas of surface and simulacrum It is in our time that the Enlightenment project has reached its ultimate implosion. In visual terms, the twentieth century of the western hemi- sphere will be remembered as the century in which content yielded to form, text to image, depth to façade, and Sein to Schein. For over a hundred years, mass cultural phenomena have been growing in importance, taking over from elite structures of cultural expression to become sites where real power resides, and dominating ever more surely our social imaginary. As reflections of the processes of capitalist industrialization in forms clad for popular consumption, these manifestations are literal and conceptual expressions of surface:1 they promote external appearance to us in such arenas as architecture, advertising, film, and fashion. Located as we are at the outset of the new millennium, some may recognize with trepidation that mass culture is becoming so wedded to highly orchestrated and intru- sive electronic formats that there seems to be less and less opportunity for any creative maieutics, or participatory “wiggle room.” Modernity’s sur- faces, entirely site-and-street-specific yet mobile and mobilizing, have been replaced by the stasis of the fluid mobility granted to our perception by the technologies of television, the VCR, the World Wide Web, and vir- tual reality.2 Perhaps as a result of this underlying discomfort, we appear to have a case of what Fredric Jameson has called “inverted millenarianism”:3 rather than look forward at future developments, we choose, almost apotropai- 1 2 / Introduction cally, to look back at how mass culture emerged in the first place. -
Why Dreyfus' Frame Problem Argument Cannot Justify Anti
Why Dreyfus’ Frame Problem Argument Cannot Justify Anti- Representational AI Nancy Salay ([email protected]) Department of Philosophy, Watson Hall 309 Queen‘s University, Kingston, ON K7L 3N6 Abstract disembodied cognitive models will not work, and this Hubert Dreyfus has argued recently that the frame problem, conclusion needs to be heard. By disentangling the ideas of discussion of which has fallen out of favour in the AI embodiment and representation, at least with respect to community, is still a deal breaker for the majority of AI Dreyfus‘ frame problem argument, the real locus of the projects, despite the fact that the logical version of it has been general polemic between traditional computational- solved. (Shanahan 1997, Thielscher 1998). Dreyfus thinks representational cognitive science and the more recent that the frame problem will disappear only once we abandon the Cartesian foundations from which it stems and adopt, embodied approaches is revealed. From this, I hope that instead, a thoroughly Heideggerian model of cognition, in productive debate will ensue. particular one that does not appeal to representations. I argue The paper proceeds in the following way: in section I, I that Dreyfus is too hasty in his condemnation of all describe and distinguish the logical version of the frame representational views; the argument he provides licenses problem and the philosophical one that remains unsolved; in only a rejection of disembodied models of cognition. In casting his net too broadly, Dreyfus circumscribes the section II, I rehearse Dreyfus‘ negative argument, what I‘ll cognitive playing field so closely that one is left wondering be calling his frame problem argument; in section III, I how his Heideggerian alternative could ever provide a highlight some key points from Dreyfus‘ positive account of foundation explanatorily robust enough for a theory of a Heideggerian alternative; in section IV, I make my case cognition. -
Kierkegaard on Selfhood and Our Need for Others
Kierkegaard on Selfhood and Our Need for Others 1. Kierkegaard in a Secular Age Scholars have devoted much attention lately to Kierkegaard’s views on personal identity and, in particular, to his account of selfhood.1 Central to this account is the idea that a self is not something we automatically are. It is rather something we must become. Thus, selfhood is a goal to realize or a project to undertake.2 To put the point another way, while we may already be selves in some sense, we have to work to become real, true, or “authentic” selves.3 The idea that authentic selfhood is a project is not unique to Kierkegaard. It is common fare in modern philosophy. Yet Kierkegaard distances himself from popular ways of thinking about the matter. He denies the view inherited from Rousseau that we can discover our true selves by consulting our innermost feelings, beliefs, and desires. He also rejects the idea developed by the German Romantics that we can invent our true selves in a burst of artistic or poetic creativity. In fact, according to Kierkegaard, becom- ing an authentic self is not something we can do on our own. If we are to succeed at the project, we must look beyond ourselves for assistance. In particular, Kierkegaard thinks, we must rely on God. For God alone can provide us with the content of our real identi- ties.4 A longstanding concern about Kierkegaard arises at this point. His account of au- thentic selfhood, like his accounts of so many concepts, is religious. -
Man As 'Aggregate of Data'
AI & SOCIETY https://doi.org/10.1007/s00146-018-0852-6 OPEN FORUM Man as ‘aggregate of data’ What computers shouldn’t do Sjoukje van der Meulen1 · Max Bruinsma2 Received: 4 October 2017 / Accepted: 10 June 2018 © The Author(s) 2018 Abstract Since the emergence of the innovative field of artificial intelligence (AI) in the 1960s, the late Hubert Dreyfus insisted on the ontological distinction between man and machine, human and artificial intelligence. In the different editions of his clas- sic and influential book What computers can’t do (1972), he posits that an algorithmic machine can never fully simulate the complex functioning of the human mind—not now, nor in the future. Dreyfus’ categorical distinctions between man and machine are still relevant today, but their relation has become more complex in our increasingly data-driven society. We, humans, are continuously immersed within a technological universe, while at the same time ubiquitous computing, in the words of computer scientist Mark Weiser, “forces computers to live out here in the world with people” (De Souza e Silva in Interfaces of hybrid spaces. In: Kavoori AP, Arceneaux N (eds) The cell phone reader. Peter Lang Publishing, New York, 2006, p 20). Dreyfus’ ideas are therefore challenged by thinkers such as Weiser, Kevin Kelly, Bruno Latour, Philip Agre, and Peter Paul Verbeek, who all argue that humans are much more intrinsically linked to machines than the original dichotomy suggests—they have evolved in concert. Through a discussion of the classical concepts of individuum and ‘authenticity’ within Western civilization, this paper argues that within the ever-expanding data-sphere of the twenty-first century, a new concept of man as ‘aggregate of data’ has emerged, which further erodes and undermines the categorical distinction between man and machine. -
Fall 2019 Mobility, Objects on the Move
InsightFall 2019 Mobility, Objects on the Move The newsletter of the University of Delaware Department of Art History Credits Fall 2019 Editor: Kelsey Underwood Design: Kelsey Underwood Visual Resources: Derek Churchill Business Administrator: Linda Magner Insight is produced by the Department of Art History as a service to alumni and friends of the department. Contact Us Sandy Isenstadt, Professor and Chair, Department of Art History Contents E: [email protected] P: 302-831-8105 Derek Churchill, Director, Visual Resources Center E: [email protected] P: 302-831-1460 From the Chair 4 Commencement 28 Kelsey Underwood, Communications Coordinator From the Editor 5 Graduate Student News 29 E: [email protected] P: 302-831-1460 Around the Department 6 Graduate Student Awards Linda J. Magner, Business Administrator E: [email protected] P: 302-831-8416 Faculty News 11 Graduate Student Notes Lauri Perkins, Administrative Assistant Faculty Notes Alumni Notes 43 E: [email protected] P: 302-831-8415 Undergraduate Student News 23 Donors & Friends 50 Please contact us to pose questions or to provide news that may be posted on the department Undergraduate Student Awards How to Donate website, department social media accounts and/ or used in a future issue of Insight. Undergraduate Student Notes Sign up to receive the Department of Art History monthly newsletter via email at ow.ly/ The University of Delaware is an equal opportunity/affirmative action Top image: Old College Hall. (Photo by Kelsey Underwood) TPvg50w3aql. employer and Title IX institution. For the university’s complete non- discrimination statement, please visit www.udel.edu/home/legal- Right image: William Hogarth, “Scholars at a Lecture” (detail), 1736. -
Creativity in Nietzsche and Heidegger: the Relation of Art and Artist
Creativity in Nietzsche and Heidegger: The Relation of Art and Artist Justin Hauver Philosophy and German Mentor: Hans Sluga, Philosophy August 22, 2011 I began my research this summer with a simple goal in mind: I wanted to out- line the ways in which the thoughts of Friedrich Nietzsche and Martin Heidegger complement one another with respect to art. I had taken a few courses on each philosopher beforehand, so I had some inclination as to how their works might be brought into agreement. However, I almost immediately ran into difficulty. It turns out that Heidegger, who lived and thought two or three generations after Nietzsche, had actually lectured on the topic of Nietzsche's philosophy of art and had placed Nietzsche firmly in a long tradition characterized by its mis- understanding of art and of the work of art. This means that Heidegger himself did not agree with me|he did not see his thoughts on art as complementary with Nietzsche's. Rather, Heidegger saw his work as an improvement over the misguided aesthetic tradition. Fortunately for me, Heidegger was simply mistaken. At least, that's my thesis. Heidegger did not see his affinity with Nietzsche because he was misled by his own misinterpretation. Nevertheless, his thoughts on art balance nicely with those of Nietzsche. To support this claim, I will make three moves today. First, I will set up Heidegger's critique, which is really a challenge to the entire tradition that begins with Plato and runs its course up to Nietzsche. Next, I will turn to Heidegger's views on art to see how he overcomes the tradition and answers his own criticism of aesthetics. -
CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (Eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES
CRITICAL THEORY Past, Present, Future Anders Bartonek and Sven-Olov Wallensein (eds.) SÖDERTÖRN PHILOSOPHICAL STUDIES The series is attached to Philosophy at Sder- trn University. Published in the series are es- says as well as anthologies, with a particular em- phasis on the continental tradition, understood in its broadest sense, from German idealism to phenomenology, hermeneutics, critical theory and contemporary French philosophy. The com- mission of the series is to provide a platform for the promotion of timely and innovative phil- osophical research. Contributions to the series are published in English or Swedish. Cover image: Kristofer Nilson, System (Portrait of a Swedish Tax Form), 2020, Lead pencil drawing on chalk paint, on mdf 59.2 x 42 cm. Photo: Jesper Petersen. Te Swedish tax form is one of many systems designed to handle and present information. Mapped onto the surface of an artwork, it opens a free space; an untouched surface where everything can exist at the same time. Kristofer Nilson Critical Theory Past, Present, Future Edited by Anders Bartonek & Sven-Olov Wallenstein Sdertrns hgskola Sdertrns University Library SE-141 89 Huddinge www.sh.se/publications © the Authors Published under Creative Commons Attribution 3.0 Unported License Cover layout: Jonathan Robson Graphic form: Per Lindblom & Jonathan Robson Printed by Elanders, Stockholm 2021 Sdertrn Philosophical Studies 28 ISSN 1651-6834 Sdertrn Academic Studies 83 ISSN 1650-433X ISBN 978-91-89109-35-3 (print) ISBN 978-91-89109-36-0 (digital) Contents Introduction -
Hannah Arendt Controversy
Eichmann in New York: The New York Intellectuals and the Hannah Arendt Controversy ANSON RABINBACH The Eichmann controversy, occasioned by Hannah Arendt’s five-part series that appeared in The New Yorker from February 16 to March 16, 1963, was certainly the most bitter public dispute among intellectuals and scholars concerning the Holocaust that has ever taken place. It was also the first time that both Jews and non-Jews were witness to a controversy over Jewish memory, an affair that took place largely, but not exclusively, among Jews. The controversy elicited over a thousand published responses. It lasted almost three years from the initial burst of reactions to Arendt’s articles and book in 1963, gradually subsiding only after her response to Jacob Robinson’s book-length disputation, And the Crooked Shall Be Made Straight, more than two years later.1 The animosity and rancor of the dispute was so extreme that more than two decades later Irving Howe could write that “within the New York intellectual world Arendt’s book provoked divisions that would never be entirely healed.”2 To varying degrees almost all her critics took up Arendt’s most controversial points: her characterization of Eichmann as a thoughtless and “banal” cipher of totalitarian rule, her judgments of the behavior of the Jewish leaders and Zionist officials in Eastern Europe, her analysis of the legal charges against Eichmann, and her accusation that the court proceedings were, in effect, a “show trial.” But as Richard I. Cohen has shown in his comprehensive rezeptionsgeschichte (reception history) of the controversy, despite a good deal of overlap concerning the main themes of Arendt’s work, substantial distinctions among different audiences and responses can be discerned. -
TRACIE M. MATYSIK Department of History
TRACIE M. MATYSIK Department of History . University of Texas at Austin 1 University Station, B7000 Austin, TX 78704 ACADEMIC POSITIONS • 2009-present: Associate Professor, Department of History, University of Texas at Austin Core Faculty Member, Center for European Studies Core Faculty Member, Comparative Literature Core Faculty Member, Schustermann Center for Jewish Studies Core Faculty Member, Center for Women’s and Gender Studies • 2002-2009: Assistant Professor, Department of History, University of Texas at Austin • 2016-present: Co-editor, Modern Intellectual History • 2015-2018: Associate Director, Center for European Studies, University of Texas at Austin • 2007, 2010: Guest Faculty, Viadrina Universität, Frankfurt an der Oder, Germany • 2002-2003: James Bryant Conant Fellow, Minda de Gunzburg Center for European Studies, Harvard University • 2001-2002: Mellon Postdoctoral Fellow, Department of German Studies, Cornell University EDUCATION Ph.D., August 2001 Department of History, Cornell University M.A., August 1997 Department of History, Cornell University B.A., June 1994 Program in the Comparative History of Ideas, University of Washington, Seattle RECENT SIGNIFICANT PUBLICATIONS Books Reforming the Moral Subject: Ethics and Sexuality in Central Europe, 1890-1930 (Ithaca, New York: Cornell University Press, 2008). German Modernities from Wilhelm to Weimar: A Contest of Futures, co-edited with Geoff Eley and Jennifer L. Jenkins (London: Bloomsbury, 2016). When Spinoza Met Marx: Experiments in Non-Humanist Activity, manuscript in progress, under contract with University of Chicago Press. Articles “Revolutionary Messianisms, Spinozist Variations: German-Jewish Responses to Hegelian Dialectics,” in Spinoza and Modern Jewish Philosophy, ed. Michael Rosenthal (New York, Palgrave, forthcoming 2019) (9,367 words). “Writing the History of Spinozism,” History and Theory 55:3 (2016): 401-417. -
Martin Jay – Habermas and Postmodernism
218 / JOURNAL OF COMPARATIVE LITERATURE AND AESTHETICS HABERMAS AND POSTMODERNISM / 219 Whether or not his more recent works signification of detour, temporalizing delay; will dispel this caricature remains to be seen. ‘deferring.”4 Differentiation, in other words, FROM THE ARCHIVES From all reports of the mixed reception he implies for Derrida either nostalgia for a lost received in Paris when he gave the lectures unity or conversely a utopian hope for a that became Die philosophische Diskurs der future one. Additionally, the concept is Moderne, the odds are not very high that a suspect for deconstruction because it implies more nuanced comprehension of his work the crystallization of hard and fast will prevail, at least among certain critics. distinctions between spheres, and thus fails Habermas and Postmodernism At a time when virtually any defence of to register the supplementary rationalism is turned into a brief for the interpenetrability of all subsystems, the automatic suppression of otherness, effaced trace of alterity in their apparent heterogeneity and non-identity, it is hard to homogeneity, and the subversive absence predict a widely sympathetic hearing for his undermining their alleged fullness or complicated argument. Still, if such an presence. outcome is to be made at all possible, the Now, although deconstruction ought not Martin Jay task of unpacking his critique of to be uncritically equated with postmodernism and nuanced defence of postmodernism, a term Derrida himself has modernity must be forcefully pursued. One never embraced, one can easily observe that n the burgeoning debate over the out-dated liberal, enlightenment way to start this process is to focus on a the postmodernist temper finds différance apparent arrival of the postmodern rationalism. -
Rabinbach, Anson. Staging the Third Reich
Copyright © 2020. Taylor & Francis Group. All rights reserved. Group. All rights © 2020. Taylor & Francis Copyright Rabinbach, Anson. Staging the Third Reich : Essays in Cultural and Intellectual History, edited by Stefanos Geroulanos, and Dagmar Herzog, Taylor & Francis Group, 2020. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/nyulibrary-ebooks/detail.action?docID=6235713. Created from nyulibrary-ebooks on 2020-07-01 17:45:52. Contents “The attraction of fascism itself”: Anson Rabinbach’s writings on Nazism and its opponents 1 STEFANOS GEROULANOS AND DAGMAR HERZOG PART I Nazism 19 1 The Beauty of Labor: The aesthetics of production in the Third Reich (1976) 21 Appendix: No angel from hell: The collapse of the Speer myth (2006) 42 2 Organized mass culture in the Third Reich: The women of Kraft durch Freude (1986) 58 3 The emotional core of fascism in its most virulent psychic manifestations (1989) 66 CO-AUTHORED WITH JESSICA BENJAMIN 4 The reader, the popular novel, and the imperative to participate: Reflections on public and private experience in the Third Reich (1991) 83 5 Nazi culture: The sacred, the aesthetic, and the popular (2005) 108 6 The humanities in Nazi Germany (2006) 138 CO-AUTHORED WITH WOLFGANG BIALAS Copyright © 2020. Taylor & Francis Group. All rights reserved. Group. All rights © 2020. Taylor & Francis Copyright Rabinbach, Anson. Staging the Third Reich : Essays in Cultural and Intellectual History, edited by Stefanos Geroulanos, and Dagmar Herzog, Taylor & Francis Group, 2020. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/nyulibrary-ebooks/detail.action?docID=6235713. Created from nyulibrary-ebooks on 2020-07-01 17:45:24. -
Curriculum Vitae
Curriculum Vitae Rahel Jaeggi [email protected] Humboldt-Universität zu Berlin Center for Humanities and Social Change Unter den Linden 6 10099 Berlin I. AREAS OF SPECIALIZATION Social Philosophy, Political Philosophy, Ethics, Philosophical Anthropology, Social Ontology, Critical Theory, History of Critical Theory. II. EDUCATION 2009 Habilitation, Goethe University, Frankfurt a. M./Germany, on the subject of „Critique of Forms of Life“. 2002 PhD, Goethe University, Frankfurt a. M./Germany, with a dissertation on „Freedom and Indifference – A Reconstruction of the Concept of Alienation”. 1996 Magistra Artium (Master equivalent), Freie Universität Berlin with a thesis on Hannah Arendt's political philosophy. III. ACADEMIC POSITIONS Since February 2018 Director of the Center for Humanities and Social Change at the Humboldt-University of Berlin. 2016 Offer of the chair for Social Philosophy at the Goethe University Frankfurt a. M./Germany, declined. 2009–present Professor of Social Philosophy at the Humboldt University of Berlin/Germany. 2003–2009 Assistant Professor (Wissenschaftliche Mitarbeiterin, Postdoc) at the Institute for Philosophy, Goethe University Frankfurt a. M./Germany (Chair for Social Philosophy/Prof. Axel Honneth). 2001–2002 Research Assistant at the University of St. Gallen/Switzerland. 1996–2001 Research Associate (Wissenschaftliche Mitarbeiterin, Predoc) at the Institute for Philosophy, Goethe University Frankfurt a. M./Germany (Chair for Social Philosophy, Prof. Axel Honneth). 1989–1995 Studies of Philosophy, History and Theology at the Freie Universität Berlin. CV Rahel Jaeggi IV. FELLOWSHIPS AND INTERNATIONAL APPOINTMENTS 2018–2019 (Sept.–Apr.) Member at the Institute for Advanced Study, School for Social Science, Princeton/USA. 2015–2016 Theodor Heuss Professor at the New School for Social Research, New York/USA.