Introduction

Total Page:16

File Type:pdf, Size:1020Kb

Introduction Notes Introduction 1. Quoted in James Morrison and Andrew Johnson, ‘Inside Prince Charles’ literary think camp’, Independent on Sunday (6 October 2002), p. 5. 2. Deborah Cameron, Verbal Hygiene (London: Routledge, 1995), p. 94. 3. Charles, Prince of Wales, Annual Shakespeare Birthday Lecture, 22 April 1991, accessed online at http://193.36.68.132/speeches/education_22041991.html. 4. These reforms are discussed in detail in Chapter 6. 5. Remark made at the English Association Spring Conference for Teachers, St Catherine’s College, Oxford, March 1999. 6. GCE Advanced Subsidiary and Advanced Level Specifications: Subject Criteria for English Literature (Department for Education and Employment/Qualifi- cations and Curriculum Authority, QCA 991680144, 1999). 7. See, for example, the arguments put forward by Elaine Treharne in ‘Balancing the English Degree Programme’, English Association Newsletter, 166 (2001), p. 3; and by Patrick Parrinder in ‘A View from the Bench’, English Association Newsletter, 165 (2000), p. 2. 8. Martin Amis, The War against Cliché: Essays and Reviews 1971–2000 (London: Jonathan Cape, 2001), pp. xiii–xiv. 9. I have confined my study to English universities because of the different intellectual traditions that prevailed elsewhere in the English-speaking world. In Scotland, the study of literature and rhetoric in the dissenting academies meant that English had a very different foundation. See, for example, Stephen Potter’s The Muse in Chains: A Study in Education (London: Jonathan Cape, 1937); D. J. Palmer’s The Rise of English Studies (Oxford: Oxford University Press, 1965); John Guillory’s Cultural Capital: The Problems of Literary Canon Formation (Chicago and London: University of Chicago Press, 1993); and Robert Crawford’s Devolving English Literature (Oxford: Clarendon Press, 1992) and The Scottish Invention of English Literature (Cambridge: Cambridge University Press, 1998). For accounts of the history of English studies in the United States of America, and of issues related to the teaching of English, see William E. Cain, The Crisis in Criticism: Theory, Literature and Reform in English Studies (Baltimore: Johns Hopkins University Press, 1984) and Reconceptualizing American Literary/Cultural Studies: Rhetoric, History, and Politics in the Humanities (New York: Garland, 1996); Gerald Graff and Michael Warner (eds), The Origins of Literary Studies in America: A Documentary Anthology (London: Routledge, 1988); Gerald Graff, Professing Literature (Chicago: University of Chicago Press, 1987); and Robert Scholes, The Rise and Fall of English: Reconstructing English as a Discipline (New Haven: Yale University Press, 1999). 10. Henry Butcher, Presidential Address to the British Academy, delivered 27 October 1909, Proceedings of the British Academy (1909–10), p. 23. 183 184 Notes 11. For an account of the rise of this mass market, see Richard D. Altick, The English Common Reader: A Social History of the Mass Reading Public 1800–1900 (Chicago: University of Chicago Press, 1957). 12. Dr Mayo, speaking at a meeting on 8 December 1910. Quoted in Cambridge University Reporter (13 December 1910), p. 406. 13. Marjorie Garber, Academic Instincts (Princeton: Princeton University Press, 1999), p. ix. 14. F. R. Leavis, English Literature in Our Time and the University (Cambridge: Cambridge University Press, 1969), p. 2. 15. Harold Bloom, How to Read and Why (London: Fourth Estate, 2000); John Carey, Pure Pleasure: A Guide to the Twentieth Century’s Most Enjoyable Books (London: Faber & Faber, 2000). 1 Histories of English: The critical background 1. Chris Baldick, The Social Mission of English Criticism 1848–1932 (Oxford: Clarendon Press, 1983), p. 2. 2. The belief that the adult education movement sought to neutralise working- class activism is discussed in Jonathan Rose, The Intellectual Life of the British Working Classes (New Haven and London: Yale University Press, 2001), pp. 256–97. 3. Raymond Williams, Culture and Society 1780–1950 (London: Hogarth Press, 1958). 4. See, for example, Brian Doyle, English and Englishness (London: Routledge, 1989); Terry Eagleton, Literary Theory: An Introduction (Oxford: Blackwell, 1983); Peter Widdowson, Literature (London: Routledge, 1999). 5. Eagleton, Literary Theory, pp. 25–6. 6. Widdowson, Literature, pp. 36, 42. 7. Doyle, English and Englishness, p. 12. 8. Ibid., pp. 17–18. 9. Eagleton, Literary Theory, pp. 23–4. 10. Matthew Arnold, Culture and Anarchy (London, 1869: Cambridge University Press, 1932), p. 6. 11. Widdowson, Literature, pp. 4–15. 12. Franklin Court, Institutionalizing English Literature: The Culture and Politics of Literary Study (Stanford: Stanford University Press, 1992), p. 6. 13. Matthew Arnold, quoted in Court, Institutionalizing English Literature, p. 8. 14. Court, Institutionalizing English Literature, p. 7. 15. By this time the new universities and university colleges included King’s and University Colleges in London, and the civic colleges of Manchester, Birmingham, Leeds, Sheffield, Nottingham and Liverpool. 16. Widdowson, Literature, p. 59. 17. Doyle, English and Englishness, p. 3. 18. Josephine M. Guy and Ian Small, Politics and Value in English Studies: A Discipline in Crisis? (Cambridge: Cambridge University Press, 1993), pp. 161–4. 19. George Gordon, The Discipline of Letters (Oxford: Clarendon Press, 1946), p. 10. Quoted in Eagleton, Literary Theory, p. 23. 20. Eagleton, Literary Theory, p. 23. 21. Gordon, Discipline of Letters, p. 10. Notes 185 22. Baldick, Social Mission, p. 105. 23. Bill Ashcroft, Gareth Griffiths and Helen Tiffin, The Empire Writes Back: Theory and Practice in Post-Colonial Literatures (London: Routledge, 1989), pp. 2–3. 24. Baldick, Social Mission, p. 61. 25. J. W. Hales, ‘The Teaching of English’, in Essays on a Liberal Education, ed. F. W. Farrar (London: Macmillan, 1867), p. 310. Quoted in Baldick, Social Mission, p. 62. 26. Baldick, Social Mission, pp. 63–4. 27. Oxford Magazine, 4 May 1887. Quoted in Baldick, Social Mission, p. 61. 28. Doyle, English and Englishness, p. 12. 29. T. W. Heyck, The Transformation of Intellectual Life in Victorian England (London: Croom Helm, 1982). 30. Quoted in Guy and Small, Politics and Value in English Studies, p. 52. 31. See the Epilogue to Sheldon Rothblatt, The Revolution of the Dons: Cambridge and Society in Victorian England (London: Faber & Faber, 1968). 32. Heyck, Transformation of Intellectual Life, p. 21. 33. Ibid., p. 82. 34. This process is dealt with in detail in Philippa Levine, The Amateur and the Professional: Antiquarians, Historians and Archaeologists in Victorian England, 1838–1886 (Cambridge: Cambridge University Press, 1986). 35. T. B. Macaulay, Critical and Historical Essays (London: [n.p.], 1883), p. 51. Quoted in Heyck, Transformation of Intellectual Life, p. 122. 36. Selected Essays of J. B. Bury, ed. Harold Temperley (Cambridge: [n.p.], 1930), p. 22. Quoted in Heyck, Transformation of Intellectual Life, p. 122. 37. Stefan Collini, English Pasts: Essays in History and Culture (Oxford: Oxford University Press, 1999), p. 308. 38. Ibid. 2 English in the universities 1. Potter, Muse in Chains, p. 37. 2. Jo McMurtry, English Language, English Literature: The Creation of an Academic Discipline (London: Mansell, 1985), pp. 2, 5. 3. Baldick, Social Mission, pp. 60–2. 4. Alan Bacon, ‘English Literature Becomes a University Subject: King’s College, London, as Pioneer’, Victorian Studies, 29 (1986), pp. 591–612. 5. Hugh James Rose, The Tendency of Prevalent Opinions about Knowledge Considered (Cambridge: Deighton; London: Rivington, 1826), p. 11. Quoted in Bacon, ‘English Literature’, p. 594. 6. See F. J. Hearnshaw, The Centenary History of King’s College, London (London: Harrap, 1929), p. 124. Cited in Bacon, ‘English Literature’, p. 597. 7. Edward Copleston, review of Letter to Mr Brougham on the Subject of a London University, by Thomas Campbell, Quarterly Review, 33 (1825), p. 269. Quoted in Bacon, ‘English Literature’, p. 597. 8. Bacon, ‘English Literature’, p. 597. 9. Ibid., p. 605. 10. F. D. Maurice, ‘Introductory Lecture by the Professor of English Literature and Modern History at King’s College, London, delivered Tuesday, October 13’, 186 Notes Educational Magazine, n.s. 2 (1840), p. 276. Quoted in Bacon, ‘English Literature’, p. 607. 11. Calendar of King’s College, London (hereafter KCC) (1903–4), pp. 84–5. 12. Owens College Calendar (hereafter OCC) (1881–2), pp. 30–1. 13. At King’s, set authors between 1880 and 1900 included Langland, Chaucer, Shakespeare, Spenser, Milton, Bacon, Hobbes, Harrington, Locke, Defoe, Newton, Hume, Hartley, Gibbon, Addison, Swift, Johnson, Wordsworth, Coleridge, Byron, De Quincey, Carlyle and Ruskin. The only novelists listed were all from the eighteenth century: Richardson, Fielding, Smollett, Sterne and Goldsmith. At Manchester, set authors between these dates included Chaucer, Shakespeare, Spenser, Milton, More, Clarendon, Burnet, Pope, Addison, Goldsmith, Smollett, Johnson, Gibbon, Burke and Richardson. It is significant that both lists include philosophers and historians, figures who would today be seen as peripheral to a more ‘literary’ notion of the canon. 14. This course could be seen as evidence that attention was being paid to literary criticism as a distinct activity, with the theorisation of this activity being a topic of concern. However, the knowledge that students were expected to display – as indicated by questions asking them to identify which critical doctrines were associated with a number of writers, and to summarise
Recommended publications
  • JOHN FRANK KERMODE John Frank Kermode 1919–2010
    JOHN FRANK KERMODE John Frank Kermode 1919–2010 I PROFESSOR SIR FRANK KERMODE WAS A DISTINGUISHED literary scholar and the pre-eminent critic of his generation. Unlike the best-known critics of a slightly earlier time—R. P. Blackmur, Lionel Trilling or William Empson, for example, all born fifteen years or so earlier than he—Kermode did not present himself as an amateur or an intellectual or a person who took a whole national canon as his material. He was an academic specialist, he had a ‘field’: the English Renaissance. He edited Shakespeare, collections of works by Donne, Marvell, Milton, Spenser and English pastoral poetry. One of his last and most frequently read books is Shakespeare’s Language (New York, 2000). But he was never confined by his field; he knew when and how to set his specialised knowledge aside, or use it to understand other areas of scholarship and endeavour. All of his writing was prompted by what he himself called his love of words (‘whatever they meant—even without knowing what they meant’1)—and was full of subtle, searching thought on difficult topics. His work remains literary even when it seems to have strayed into other regions. He suggested that his book The Sense of an Ending (Oxford, 1967) was ‘recognisable as literary criticism’, in spite of its informed attention to ‘the psychology and sociology of apocalyptic thinking’.2 We may conclude that he was after all an amateur, an intellectual 1 F. Kermode, Not Entitled: a Memoir (New York, 1995), p. 6. 2 Ibid., p. 220.
    [Show full text]
  • Angels and Daemons Aspects of the Mans Point Counter Point
    Eger Journal of English Studies XII (2012) 21 29 Angels and Daemons Aspects of the Mans Point Counter Point Angelika Reichmann Among the continental writers who had a profound impact on major figures of English Modernism, the Russian classic F. M. Dostoevsky ranks highly. As - starting in 1912 (cf. Kaye 1 7). He was a presence few writers of the time could escape Katherine Mansfield and John Middleton Murry were no exception. The latter published his monograph entitled Fyodor Dostoevsky: A Critical Study in 1916, and, parallel with that major novels (Mansfield 63 5) an experience that would stay with her until the 1919 article of the Athenaeum she compares the London literary scene to the -writers declaring Kaye 19). Indeed, as a fascinating episode of those times illustrates, Russianness or Dos Boxing Day, 1916, saw the acting out of a half- - Mansfield and her husband featured (Alpers 227). It is in this context that I would like to discuss a most curious phenomenon: Aldous Huxley, in 1916 an ardent participant not only in this Dostoevskian play -like admiration associated with Murry, launched, in his 1928 Point Counter Point, a harsh attack against his fellow writer -turning exploitation of his de idolisation of his dead wife. In my analysis I will argue that this specific feature aesthetics, but it gains such prominence because Murry/Burlap is an Point Counter Point. It is 22 Angelika Reichmann i.e. spiritual quest as a solution for the dilemmas of modern consciousness summed up for Huxley at the time in 1920s and his representation as a Dostoevskian figure.
    [Show full text]
  • Fictional Versions of the Myth of Jesus
    FICTIONAL VERSIONS OF THE MYTH OF JESUS IN THE MODERN PERIOD by SYLVIA PERRY B.A. (Hons. English), University of British Columbia, 1969 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of ENGLISH We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, 1974 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver V6T1W5, Canada Date ii ABSTRACT For a brief period in the history of Western literature, liberated, yet disturbed, by the decline in faith, some important writers sought to "improve" upon the myth of Jesus by re-constructing his historical life in imaginative presentations of various types. This paper is concerned with such works of fiction and prose drama, not poetry, poetic drama, or conventional biography. Ernest Renan's Life of Jesus, published in 1863, provided the impetus for fictional versions of the life by such writers of the early modern period as George Moore and Bernard Shaw; Moore's The Brook Kerith was a major influence on the writers of the next generation, including D.H.
    [Show full text]
  • A Conversation with Sir Frank Kermode
    SELLogan 45, 2D. (Spring Browning 2005): 461–479 461 ISSN 0039-3657 A Conversation with Sir Frank Kermode LOGAN D. BROWNING The ten-page article “Some Recent Studies in Shakespeare and Jacobean Drama” by Frank Kermode appeared in the fi rst volume of SEL in the spring of 1961. Kermode, already highly ad- mired in the scholarly world generally, but with the Arden edition of Shakespeare’s Tempest then his only signifi cant publication in the area of Renaissance drama, assessed the general state of the fi eld, but focused particularly on four books and one journal: Alvin Kernan’s The Cankered Muse: Satire of the English Renais- sance, Jonas A. Barish’s Ben Jonson and the Language of Prose Comedy, volume 11 of Shakespeare Quarterly, Bertrand Evans’s Shakespeare’s Comedies, and William Rosen’s Shakespeare and the Craft of Tragedy. By contrast, Richard Dutton treats more than ninety books and journals in this issue’s review essay, “Recent Studies in Tudor and Stuart Drama.” On several occasions over the last few years, the editors of SEL have invited Kermode to reprise his role as review author for SEL, but, no doubt contem- plating the immense amount of work involved, he declined each entreaty. He did, however, agree to submit this past October to the videotaping in his Cambridge fl at of a full day of conversation between himself and SEL’s managing editor, Logan Browning, during which he registered his sense of the state of the profession of literary criticism and scholarship, with particular attention to Shakespeare and his contemporaries.
    [Show full text]
  • This Is Your Hour, and the Power of Darkness
    Introduction: ‘Th is is your hour’ Th en Jesus said unto the chief priests, and captains of the temple, and the elders, which were come to him, Be ye come out, as against a thief, with swords and staves? When I was daily with you in the temple, ye stretched forth no hands against me: but this is your hour, and the power of darkness. Luke 22:52– 3 In the foreboding political atmosphere of late 1930s Europe, several Christian activists and thinkers came together in a British- based, inter- nationally connected circle to try to understand – and resist – the apparent cultural disintegration of western society and the rise of totalitarianism. Th roughout the Second World War and its aftermath the group’s members analysed the world’s ills and off ered guidelines for post- war ‘reconstruc- tion’. Convinced that the crises of the age resulted from Christianity’s decline, they sought its ‘revolutionary’ restoration to dominance in British, European and western culture: in short, a ‘Christian society’. While there was no contemporary label for their eff orts as a whole, some of which remained out of the public eye, I call them ‘the Oldham group’, after their organiser, the missionary and ecumenist Joseph H. Oldham. Active between 1937 and 1949, the Oldham group grew out of the inter- war ecumenical movement and consisted of church- affi liated organisations, an informal discussion group (‘the Moot’) and publication projects, notably the Christian News- Letter . It was substantially Anglican with signifi cant free church (i.e. non- Anglican Protestant) membership; denominational perspectives, however, remained secondary in a search for shared, ‘Christian’ principles.
    [Show full text]
  • Edinburgh Research Explorer
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Edinburgh Research Explorer Edinburgh Research Explorer The potential for civility Citation for published version: Kelly, T 2017, 'The potential for civility: Labour and love among British pacifists in the Second World War', Anthropological Theory, pp. 1-19. https://doi.org/10.1177/1463499617744475 Digital Object Identifier (DOI): 10.1177/1463499617744475 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Anthropological Theory General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 11. May. 2020 The Potential for Civility: Labour and Love Among British Pacifists in the Second World War Part of special issue on “Civility”, forthcoming Anthropological Theory Tobias Kelly University of Edinburgh [email protected] October 2017 Abstract Is civility an end in itself, or simply a means to other ends? The relationship between means and ends marks theoretical debates about the meanings and implications of civility. This article addresses how these tensions played out in the context of the particular forms of civility promoted by pacifists in Second World War Britain.
    [Show full text]
  • The Humanism of George Orwell
    THE HUMANISM OF GEORGE ORWELL APPROVED: ets^L Major Professor 3 (\ A svi JLGtCx, Minor(Professor irector of the DeparttffeprfT'oi History- Dean of the Graduate School />/A*' , Hale, Jeffrey Lee , The Humanism of George Orwell* Master of Arts (History), December, 1971, 107 pp., bibliography, 19 titles. This paper argues that George Orwell was a myth maker in the twentieth century, an age of existential perplexities. Orwell recognized that man is innately "patriotic," that the will-to-believe is part of his nature, but that the excesses of scientific analysis have disrupted the absolutes of belief. Through the Organic Metaphor, Orwell attempted to reconstruct man's faith into an aesthetic, and consequently moral, sensi- bility. Proposing to balance, and not replace, the Mechanistic Metaphor of industrial society, Orwell sought human progress along aesthetic lines, "Socialism" was his political expres- sion of the Organic Metaphor: both advocated universal integ- rity in time and space. The sources are all primary. All of Orwell's novels were used, in addition to three essay collections: Collected Essays; The Orwell Reader; and The Collected Essays, Journalism and Letters of George Orwell, Sonia Orwell and Ian Angus, editors, four volumes„ Orwell's essays and book reviews contain his best social criticisms. There are six chapters. The first chapter is the intro- duction, which includes a biographical sketch of Orwell, defi- nitions of the Organic and Mechanistic Metaphors, and a comment on the bibliography. The second chapter examines the oppression of the common man by monopolistic capitalism in colonial Burma and depression-ridden Europe, and Orwell's socialist advoca- tions.
    [Show full text]
  • A Hanging”: George Orwell’S Unheralded Literary Breakthrough
    Concentric: Literary and Cultural Studies 40.1 March 2014: 19-33 DOI: 10.6240/concentric.lit.2014.40.1.02 “A Hanging”: George Orwell’s Unheralded Literary Breakthrough John Rodden Department of Foreign Languages and Literature Tunghai University, Taiwan Abstract “A Hanging,” written under George Orwell’s birth name of Eric Blair, is a literary feat and artistic landmark in the development of “Blair” into “Orwell” that has gone little-noticed by most Orwell readers. This essay discusses the contribution of “The Hanging” to that development in close detail, and it also addresses long-standing debates about its genre and biographical statues. Keywords Burma, Peter Davison, Bernard Crick, Adelphi, Burmese Days 20 Concentric 40.1 March 2014 Eric Blair, the Sahib from Southwold Slightly more than eight decades ago, Eric Blair—a little-known, aspiring London author—published a powerful piece of short prose entitled “A Hanging.” Soon he would become better-known under the pen name “George Orwell,” which he used for the publication of his first book, Down and Out in Paris and London. Blair adopted the pseudonym in order not to embarrass his family about his forthcoming Jack London-type book on sharing Depression-era poverty with the East End tramps. “A Hanging,” which appeared in the Adelphi in August 1931, is regarded as a classic today, even if it is seldom anthologized in literature textbooks or taught in introductory rhetoric and composition courses to undergraduates. Published little more than two years after he returned from what he called “five years in an unsuitable profession” (CW 18: 319) as a policeman in British-occupied Burma, it is based on Blair-Orwell’s experience of working in the Indian Imperial Police.
    [Show full text]
  • John Middleton Murry Papers
    Edinburgh University Library Handlist to manuscripts: H62 John Middleton Murry papers. MS 2506-2518 Please note that only MS 2506 to 2510 are listed in detail. Detailed listing remains to be done for the contents of MS 2511 to MS 2515 and MS 2517 to MS 2518. Appended to this handlist is an earlier listing of the contents of MS 2506 to MS 2510. This listing gives references to George Lilley’s A Bibliography of John Middleton Murry 1889-1957 (London, 1974). Accession numbers for this collection include E87.68, E88.42, E89.43-44, E90.64, E91.01, E97.50. Further accession numbers are listed under MS 2515. MS 2506 .1 Review of An Anthology of Modern Bohemian Poetry, by P. Selver (London: Henry T. Drane, 1912). Ts. 2pp. .2 Francois Villon -Times Literary Supplement, 630, 69-70, 12 February 1914. Review of Francois Villon, sa vie et son temps, by Pierre Champion. Copy of TLS containing the review. .3 Untitled short story, pp 2-46. Ts. (The capture of Captain Ribnikov, Manchuria 1917?) .4 Art and Morality. Review of Aristotle on the Art of Poetry, translated by Ingram Bywater (Oxford, Clarendon Press, 1920). Corrected ts. 21pp. .5 Milton or Shakespeare? Review of Milton’s Prosody, by Robert Bridges, in Nation and Athenaeum, March 26, 1921. Ts, and carbon copy. 8pp. .6 Burton’s Anatomy of Melancholy. Part appeared in the TLS, 1,006, 265-6, 28 April 1921. Ts. 15 pp. .7 Croce and History. Review of Theory and history of historiography, translated from the Italian of Benedetto Croce by Douglas Ainslie, in Nation and Athenaeum, XXIX, 18, 653-4, 30 July 1921.
    [Show full text]
  • Alistair Brown BA MA Phd AHEA [email protected]
    Alistair Brown BA MA PhD AHEA [email protected] OVERVIEW Journal publications and book chapters in fields of contemporary literature, science and literature, and the digital humanities Teaching and syllabus development experience at four universities Active contribution to REF impact as founder and editor of Research in English At Durham blog Founding editor of Kaleidoscope journal, and editor of Annual Reports for Durham Institute of Advanced Study; advisory editor to Postgraduate English ACADEMIC QUALIFICATIONS PhD Thesis Demonic Fictions: 10/2005 – 04/2009 PhD Durham University Cybernetics and Postmodernism 10/2004 – 09/2005 M.A. English Literary Studies Distinction Durham University 10/2000 – 06/2003 B.A. English Literature First Class Honours Durham University RECENT RELEVANT EMPLOYMENT HISTORY 04/2012 – Present Editor, Research English At Durham <readdurhamenglish.wordpress.com> Contribute to Department’s REF impact by disseminating research online, promoting events and producing podcasts. Play active role in postgraduate recruitment by writing e-newsletters and monitoring social media. Work with journals to support open access agenda through Open Journal Systems hosting. 02/2013 – 05/2013 Associate Tutor, University of Sunderland Lectured and tutored course of 24 lectures and seminars for a Level 2 course on literary theory. 10/2011 – Present Course Developer, Singapore Institute of Management University Developed courses on Topics in Modernism, including writing 60 000 word distance learning textbook. Developed online courses on Contemporary (Women’s) Writing and American Literature. 01/2010 – 04/2012 Publications Officer, Institute of Advanced Study, Durham University Designed and wrote IAS Annual Reports and IAS Annual Programmes, disseminated to an international audience of scholars and funding bodies.
    [Show full text]
  • Working Paper Series
    New College of the Humanities 19 Bedford Square London WC1B 3HH United Kingdom Tel: +44 (0)20 7637 4550 [email protected] nchlondon.ac.uk Working Paper Series Lawrence, Dostoevsky, and the Last Temptation by Christ Catherine Brown NCH WP2018-08 June 2018 1 Accepted (pre-proof) manuscript of an article that will be published by DH Lawrence Society in Journal of DH Lawrence Studies (2018). LAWRENCE, DOSTOEVSKY, AND THE LAST TEMPTATION BY CHRIST Catherine Brown Lawrence’s fraught and rivalrous relationship with Fyodor Dostoevsky was throughout his life connected with his fraught and rivalrous relationship to Christ. Both authors were, to use Murry’s term about Lawrence, “Christ-haunted”, and both were likened to Christ Himself. Lawrence criticised Dostoevsky for endorsing what he perceived to be one of Christ’s false doctrines - albeit only with the mental, willed, and unartistic part of his divided self. In response to Koteliansky and Murry’s translation of Dostoevsky’s Pages from the Journal of an Author, he wrote to Koteliansky in December 1916: How is it that these foul-living people ooze with such loving words. “Love thy neighbour as thyself” – well and good, if you’ll hate thy neighbour as thyself. I can’t do with this creed based on self-love, even when the self-love is extended to cover the whole of humanity. – No, when he was preaching, Dostoevsky was a rotten little stinker. In his art he is bound to confess himself lusting in hate and torture. But his “credo” - ! my God, what filth! (3L 53) 2 Lawrence made his final paired meditation on Dostoevsky and Christ just five weeks before his death, in an eight-page Introduction to Koteliansky’s translation of ‘The Grand Inquisitor’ episode of Dostoevsky’s 1879-80 novel The Brothers Karamazov (itself completed only four months before Dostoevsky’s death).
    [Show full text]
  • T. S. Eliot, D. H. Lawrence, and the Structure of Feeling of Modernism
    Article submission for the D. H. Lawrence Society of Japan Dr Sean Matthews School of English University of Nottingham [email protected] T. S. Eliot, D. H. Lawrence, and the Structure of Feeling of Modernism Eliot and Lawrence have long been considered the opposed critical, social and intellectual poles of Modernism. F. R. Leavis’s indignant catalogue of Eliot’s attacks on Lawrence established the orthodox position: Eliot was ‘the essential opposition in person’. However, more recent research – drawing on the many newly accessible materials by and about Eliot– demonstrates that Eliot’s relationship with Lawrence was far more complex, volatile and intriguing than this orthodoxy allows. Not only is the extent, intensity and acuity of Eliot’s readings of Lawrence overlooked, so also is the pattern of intertextual echoes and references which mark his work, and the uncanny overlap of the two men’s social circles. Bertrand Russell, John Middleton Murry, Richard Aldington and Aldous Huxley were close friends of both men, and they also shared a wide circle of acquaintances which included Ottoline Morrell, Katherine Mansfield, Brigid Patmore, Ezra Pound and others. This essay explores the ways in which Lawrence’s example, his life and writing, perplexed and provoked Eliot, revealing new aspects of the emergent modernist structure of feeling. F. R. Leavis Bertrand Russell Ottoline Morrell John Middleton Murry 1914-18 1920s 1930s 1 T. S. Eliot, D. H. Lawrence, and the Structure of Feeling of Modernism T.S. Eliot’s relationship to D.H. Lawrence was complex, volatile and, for Eliot himself, apparently ultimately unfathomable.
    [Show full text]