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Magnum Moon-- Naturally--In the Arkansas Derby
SUNDAY, APRIL 15, 2018 MAGNUM MOON-- FAMED SPORTSWRITER BILL NACK DEAD AT 77 By Bill Finley NATURALLY--IN THE Bill Nack, widely recognized as one of the most talented racing writers of all time, passed away Friday at his home in ARKANSAS DERBY Washington D.C. Nack died following a bout with cancer. He was 77. Best known for his work with Sports Illustrated, where he was employed from 1978 to 2001, Nack covered many sports, but racing was his primary assignment and his first love. His 1990 story Pure Heart on the passing of Secretariat was chosen as one of SI=s 60 most iconic stories. His 1975 book on Secretariat, ASecretariat : The Making of a Champion@ is considered the definitive book on the 1973 Triple Crown winner. ABill was a great reporter, a great writer a great friend, a great colleague,@ said Steve Crist, the former racing writer for the New York Times who later became the publisher of the Daily Racing Form. AHis work on Secretariat was the best turf writing ever done.@ Cont. p11 IN TDN EUROPE TODAY Magnum Moon | Coady photography WINX TIES BLACK CAVIAR’S WIN RECORD Trainer Todd Pletcher entered Saturday=s GI Arkansas Derby Winx (Aus) (Street Cry {Ire}) saluted in her 25th consecutive race, having saddled back-to-back winners of the race in the form of tying Black Caviar (Aus) (Bel Esprit {Aus})’s win record, when Overanalyze (Dixie Union) and Danza (Street Boss) in 2013 and scoring in her second G1 Queen Elizabeth S. at Royal Randwick on 2014, respectively. -
Joni Mitchell," 1966-74
"All Pink and Clean and Full of Wonder?" Gendering "Joni Mitchell," 1966-74 Stuart Henderson Just before our love got lost you said: "I am as constant as a northern star." And I said: "Constantly in the darkness - Where 5 that at? Ifyou want me I'll be in the bar. " - "A Case of You," 1971 Joni Mitchell has always been difficult to categorize. A folksinger, a poet, a wife, a Canadian, a mother, a party girl, a rock star, a hermit, a jazz singer, a hippie, a painter: any or all of these descriptions could apply at any given time. Moreover, her musicianship, at once reminiscent of jazz, folk, blues, rock 'n' roll, even torch songs, has never lent itself to easy categorization. Through each successive stage of her career, her songwriting has grown ever more sincere and ever less predictable; she has, at every turn, re-figured her public persona, belied expectations, confounded those fans and critics who thought they knew who she was. And it has always been precisely here, between observers' expec- tations and her performance, that we find contested terrain. At stake in the late 1960s and early 1970s was the central concern for both the artist and her audience that "Joni Mitchell" was a stable identity which could be categorized, recognized, and understood. What came across as insta- bility to her fans and observers was born of Mitchell's view that the honest reflection of growth and transformation is the basic necessity of artistic expres- sion. As she explained in 1979: You have two options. -
Early Thematic Constructs a Detailed Look at the Major Themes from the First 6 Albums (1968 – 1974)
Joni Mitchell – Early Thematic Constructs A detailed look at the major themes from the first 6 albums (1968 – 1974). Art Rerecich Joni Mitchell – Early Thematic Constructs A detailed look at the major themes from the first 6 albums (1968 – 1974). Table of Contents Preface _____________________________________________________________________ 3 Introduction _________________________________________________________________ 3 Joni Mitchell’s Recorded Work (enumerated for reference) ________________________________ 4 Themes _____________________________________________________________________ 4 Political or Social Comment __________________________________________________________ 4 Escape ___________________________________________________________________________ 6 Escape‐ Person ___________________________________________________________________________ 6 Escape‐ Situation _________________________________________________________________________ 7 Alternate Reality __________________________________________________________________________ 7 Freedom __________________________________________________________________________ 8 Tragic Love ________________________________________________________________________ 8 Friend’s Tragedy __________________________________________________________________ 10 Industry Reflections _______________________________________________________________ 12 Personal Reflections _______________________________________________________________ 14 Summary ___________________________________________________________________ -
Acta Philologica 49
Uniwersytet Warszawski Wydział Neofi lologii ACTA PHILOLOGICA 49 Jubileusz 200-lecia Uniwersytetu Warszawskiego Warszawa 2016 Rada Redakcyjna: prof. dr hab. Barbara Kowalik (przewodnicząca) dr Katarzyna Foremniak dr Anna Górajek prof. dr hab. Jacek Perlin dr Anna Pochmara dr Magdalena Roguska dr hab. Judyta Zbierska-Mościcka Rada naukowa: Prof. Janusz Bańczerowski, Eötvös Loránd Tudományegyetem (Węgry) Prof. Maria Bonaria Urban, Universiteit van Amsterdam (Holandia) Prof. Jean-Paul Engélibert, Université Bordeaux-Montaigne (Francja) Prof. Juan Antonio Moya, Universidad de Granada (Hiszpania) Prof. Hans Sauer, Ludwig-Maximilians Universität München (Niemcy) Prof. Yuri Stulov, Minsk State Linguistic University (Białoruś) Prof. László Szörényi, Szegedi Tudományegyetem (Węgry) Prof. Claudia Wich-Reif, Rheinische Friedrich-Wilhelms-Universität Bonn (Niemcy) Prof. Halina Widła, Uniwersytet Śląski Redakcja: prof. dr hab. Barbara Kowalik – redaktor naczelna dr Anna Górajek dr Anna Pochmara dr Magdalena Pypeć dr Magdalena Roguska dr hab. Judyta Zbierska-Mościcka Redakcja techniczna: Monika Szymczak-Kordulasińska Ewa Grajber Jakub Wardęga Adres redakcji: ul. Hoża 69, 00–681 Warszawa Wydawca: Wydział Neofi lologii Uniwersytetu Warszawskiego ISSN 0065–1524 Nakład: 150 egz. Strona internetowa: http://www.acta.neofi lologia.uw.edu.pl Projekt: Bartosz Mierzyński Łamanie: Dariusz Górski Dystrybucja: CHZ Ars Polona S.A. ul. Obrońcow 25, 03–933 Warszawa tel. 22 509 86 43, fax 22 509 86 40 Druk i oprawa: Sowa – Druk na życzenie www.sowadruk.pl, tel. 22 431 81 40 Spis treści Barbara Kowalik Z kart warszawskiej neofi lologii: dwieście lat i dobry początek . 7 Anna Wierzbicka Terms of Address as Keys to Culture and Society: German Herr vs. Polish Pan . 29 Ewa M. Th ompson Searching for the Proper Foundation, or Mortimer Adler versus John Locke . -
Joni Mitchell Complete So Far …
GUITAR SONGBOOK EDITION1 JONI MITCHELL Complete SO FAR … Joni wishes to express her thanks … to Joel Bernstein: “As my repertoire of tunings expanded it became necessary to have a whole fleet of guitars set up in tuning families. It was Joel’s job to tune my guitars, and to do this he needed to learn at least the first eight bars of every one of my songs—therefore preserving these tunings which may have otherwise been lost, for which I am grateful”; to Henry Diltz for capturing these special moments in time with his photos; to Jeffrey Pepper Rodgers for asking interview questions that actually pertained to the art and the music; to Dana D’Elia and all the staff at Alfred Music who participated in the making of this book; and special thanks to Aaron Stang for overseeing the production of this project with such care. Produced by Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com All rights reserved. Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 0-7390-9588-9 ISBN-13: 978-0-7390-9588-1 Transcriptions by Joel Bernstein, Daniel Libertino, and Andrew DuBrock Cover photo by Jack Robinson, The Jack Robinson Archive, LLC; robinsonarchive.com All inside photos by Henry Diltz; morrisonhotelgallery.com Contents Foreword ................................................................................................................................................................................ -
The Cyclic Nature of Joni Mitchell's Court and Spark Susan Neimoyer
Document generated on 09/29/2021 8:25 a.m. Intersections Canadian Journal of Music Revue canadienne de musique The Cyclic Nature of Joni Mitchell's Court and Spark Susan Neimoyer Volume 34, Number 1-2, 2014 Article abstract Current scholarship recognizes several of Joni Mitchell’s albums as being URI: https://id.erudit.org/iderudit/1030868ar cyclic, or based on a unifying concept. Court and Spark (1974), however, is not DOI: https://doi.org/10.7202/1030868ar numbered among them, despite Mitchell’s having described it as “a discourse on romantic love.” Following the inference that this album may have been See table of contents conceived as an extended, multi-movement work, this article examines both its textual and musical aspects, seeking unifying characteristics. The cyclic nature of the album is uncovered, showing it to be more unified from a musical Publisher(s) perspective than a textual one. This approach is the opposite of Mitchell’s perceived norm, suggesting her compositional process may have been more Canadian University Music Society / Société de musique des universités sophisticated than is currently thought. canadiennes ISSN 1911-0146 (print) 1918-512X (digital) Explore this journal Cite this article Neimoyer, S. (2014). The Cyclic Nature of Joni Mitchell's Court and Spark. Intersections, 34(1-2), 3–32. https://doi.org/10.7202/1030868ar Copyright © Canadian University Music Society / Société de musique des This document is protected by copyright law. Use of the services of Érudit universités canadiennes, 2015 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. -
JONI MITCHELL BACKSTAGE PASS Michael A
Advance Trade Information BOOKS JONI MITCHELL BACKSTAGE PASS Michael A. O’Neill JONI MITCHELL BACKSTAGE PASS Joni Mitchell is Canadian singer-songwriter and one of the most influential musicians of all time. Drawing from folk, pop, rock, and jazz, Mitchell’s songs reflect social and environmental ideals as well as her feelings about romance, confusion, disillusionment, and joy. One of the most important female recording artist of the last 50 years Joni Mitchell began singing in small nightclubs in her hometown of Saskatoon, Saskatchewan, and throughout western Canada, before busking in the streets and nightclubs of Toronto, Ontario. In 1965, she moved to the United States and JONI MITCHELL began touring. BACKSTAGE PASS Settling in Southern California, Mitchell, with popular songs like “Big Yellow Taxi” and “Woodstock”, helped define an era and a generation. Mitchell’s fifth album, For the Roses, was released in 1972. She then switched BIBLIOGRAPHIC INFORMATION: labels and began exploring more jazz-influenced melodic ideas, by way of lush Format: 270 x 270 mm Hardback Book pop textures, on 1974’s Court and Spark, which featured the radio hits “Help Me” and “Free Man in Paris” and became her best-selling album. Extent: 112 pages Mitchell is the sole producer credited on most of her albums, including all her Illustrations: 150 colour and mono photographs work in the 1970s. A blunt critic of the music industry, she quit touring and Text: 20,000 words released her 17th, and reportedly last, album of original songs in 2007. ISBN: 978-1-912332-43-4 With roots in visual art, Mitchell has designed most of her own album covers. -
E C H O E S 1 L U M O E V
E M U L 1 O V of memory e c h o e s UNITED STATES HOLOCAUST MEMORIAL MUSEUM score echoes of memory - volume United States Holocaust Memorial Museum, WashinGton, D.C. 1 spine trim United States Holocaust Memorial Museum 100 Raoul Wallenberg Place, SW Washington, DC 20024-2126 ECHOES L U M O E of memory V 1 STORIES FROM THE MEMORY PROJECT UNITED STATES HOLOCAUST MEMORIAL MUSEUM This program has been made possible in part with support from the Helena Rubinstein Foundation. • CONTENTS Echoes of Memory LETTER FROM THE DIRECTOR ................................................................ i FOREWORD ...................................................................................... iii Elizabeth Anthony, Memory Project Coordinator INTRODUCTION .................................................................................. v Margaret Peterson, Memory Project Instructor ERIKA ECKSTUT ................................................................................ 1 Teach Love, Not Hate .................................................................... 2 Lasting Memory .......................................................................... 4 FRANK EPHRAIM ................................................................................ 5 Sardines .................................................................................... 6 Lunch Trade * .............................................................................. 7 Teapot in a Tempest * .................................................................... 12 MANYA FRIEDMAN -
Music List by Year
Song Title Artist Dance Step Year Approved 1,000 Lights Javier Colon Beach Shag/Swing 2012 10,000 Hours Dan + Shay & Justin Bieber Foxtrot Boxstep 2019 10,000 Hours Dan and Shay with Justin Bieber Fox Trot 2020 100% Real Love Crystal Waters Cha Cha 1994 2 Legit 2 Quit MC Hammer Cha Cha /Foxtrot 1992 50 Ways to Say Goodbye Train Background 2012 7 Years Luke Graham Refreshments 2016 80's Mercedes Maren Morris Foxtrot Boxstep 2017 A Holly Jolly Christmas Alan Jackson Shag/Swing 2005 A Public Affair Jessica Simpson Cha Cha/Foxtrot 2006 A Sky Full of Stars Coldplay Foxtrot 2015 A Thousand Miles Vanessa Carlton Slow Foxtrot/Cha Cha 2002 A Year Without Rain Selena Gomez Swing/Shag 2011 Aaron’s Party Aaron Carter Slow Foxtrot 2000 Ace In The Hole George Strait Line Dance 1994 Achy Breaky Heart Billy Ray Cyrus Foxtrot/Line Dance 1992 Ain’t Never Gonna Give You Up Paula Abdul Cha Cha 1996 Alibis Tracy Lawrence Waltz 1995 Alien Clones Brothers Band Cha Cha 2008 All 4 Love Color Me Badd Foxtrot/Cha Cha 1991 All About Soul Billy Joel Foxtrot/Cha Cha 1993 All for Love Byran Adams/Rod Stewart/Sting Slow/Listening 1993 All For One High School Musical 2 Cha Cha/Foxtrot 2007 All For You Sister Hazel Foxtrot 1991 All I Know Drake and Josh Listening 2008 All I Want Toad the Wet Sprocket Cha Cha /Foxtrot 1992 All I Want (Country) Tim McGraw Shag/Swing Line Dance 1995 All I Want For Christmas Mariah Carey Fast Swing 2010 All I Want for Christmas is You Mariah Carey Shag/Swing 2005 All I Want for Christmas is You Justin Bieber/Mariah Carey Beach Shag/Swing 2012 -
Inspired by Joni - the Albums
Inspired by Joni - The Albums Compiled by: Simon Montgomery, © 2006 Please send comments, corrections or additions to: [email protected] Latest Update: May 23, 2021 Illustration from The Music Of Joni Mitchell Songbook Published by C.H. Hansen Publications All rights reserved. This material may not, in whole or part, be copied, reproduced, photocopied, translated, recorded, or reduced to any electronic medium, machine readable format or mechanical means without the express consent, in writing, from the specific lawful copyright holder. 1974 Sara Smith Sings The Best of A Tribute To Joni Mitchell Delmar #3013 (8 Track Cartridge) 1. Raised On Robbery 2. Woodstock 3. You Turn Me On, I'm A Radio 4. Chelsea Morning 5. California 6. Carey 7. The Circle Game 8. Night In The City 9. He Played Real Good For Free 1994 Back to the Garden – A Tribute to Joni Mitchell Intrepid Records #N21-00016 - Canada 01. Free Man In Paris Big Faith 02. This Flight Tonight Sara Craig 03. Carey Universal Honey 04. Big Yellow Taxi Lorraine Scott 05. Black Crow Molly Johnson 06. The Beat Of Black Wings Andy Stochansky 07. Shades Of Scarlett Conquering Martha And The Muffins 08. The Hissing Of Summer Lawns Funky Bummer featuring Anne Beadle 09. River Hugh Marsh, Jonathan Goldsmith, Rob Piltch, Martin Tielli 10. You Turn Me On, I'm A Radio Kurt Swinghammer 11. Coyote Spirit Of The West 12. Woodstock W.O.W. 13. Night In The City Jenny Whiteley 14. A Case Of You Sloan 15. Blonde In The Bleachers Squiddly featuring Maria Del Mar 16. -
For the Roses Free
FREE FOR THE ROSES PDF Julie Garwood | 512 pages | 01 Feb 1996 | SIMON & SCHUSTER | 9780671870980 | English | New York, United States For the Roses - Wikipedia More Images. Please enable Javascript to take full advantage of our site features. Edit Master Release. Folk RockSoft Rock. The Geffen, Roberts Co. Anthony Hudson 2 Art Direction, Design. Wilton Felder Bass. For the Roses Mitchell Composed By. Russ Kunkel Drums. Henry Lewy Engineer. Graham Nash Harmonica. Bobbye Hall Percussion. Joel Bernstein Photography By. Bobby Notkoff Strings. Tom Scott Woodwind, Reeds. Add Review Jibbuns April 22, Report. Also the label text isn't bold. Everything else is identical. Reply Notify me Helpful. KAP50 September 7, Report. If there was a For the Roses of For the Roses, I'd probably pass on it, as I can't imagine it sounding much better. My copy, from the Salvation Army, has a hole punch through the upper right corner cut-out? FortySomething November 2, Report. They For the Roses so great, and this would have been nice to have, too. Brilliant record though, one of Joni's many underrated gems. Add all to Wantlist Remove all from Wantlist. Have: Want: Avg Rating: 4. Cover Locations by ksdfjsldfj. Women Wearing Boots [10, covers to die for] by sauvageon Best albums of by tommysoul. Andra by micke. Lesson In Survival. Let The Wind Carry Me. For The Roses. See You Sometime. Blonde In The Bleachers. Woman Of Heart And Mind. Asylum Records. Sell This Version. Asylum RecordsAsylum Records. Rhino Records 2Elektra. For the Roses (Rose, #1) by Julie Garwood Joni's introduction to the song at Carnegie Hall on February 23, 'This is another new song. -
International Association for Literary Journalism Studies Vol
Literary Journalism Studies e Journal of the International Association for Literary Journalism Studies Vol. 9, No. 1, Spring 2017 Information for Contributors 4 Note from the Editor 5 Ted Conover and the Origins of “Immersion” in Literary Journalism by Patrick Walters 8 Pioneering Style: How the Washington Post Adopted Literary Journalism by omas R. Schmidt 34 Literary Journalism and Empire: George Warrington Steevens in Africa, 1898–1900 by Andrew Griths 60 T LJ e Ammo for the Canon: What Literary Journalism Educators Teach by Brian Gabrial and Elyse Amend 82 D LJ Toward a New Aesthetic of Digital Literary Journalism: Charting the Fierce Evolution of the “Supreme Nonction” by David O. Dowling 100 R R Recent Trends and Topics in Literary Journalism Scholarship by Roberta Maguire and Miles Maguire 118 S-P Q+A Kate McQueen Interviews Leon Dash 130 B R Martha Nandorfy on Behind the Text, Doug Cumming on e Redemption of Narrative, Rosemary Armao on e Media and the Massacre, Nancy L. Roberts on Newswomen, Brian Gabrial on Literary Journalism and World War I, and Patrick Walters on Immersion 141 Mission Statement 162 International Association for Literary Journalism Studies 163 2 Literary Journalism Studies, Vol. 9, No. 1, Spring 2017 Copyright © 2017 International Association for Literary Journalism Studies All rights reserved Website: www.literaryjournalismstudies.org Literary Journalism Studies is the journal of the International Association for Literary Journalism Studies and is published twice yearly. For information on subscribing or membership, go to www.ialjs.org. M Council of Editors of Learned Journals Published twice a year, Spring and Fall issues.