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John Penry: the Martyred Prophet
John Penry: The Martyred Prophet On the back road from Llangammarch Wells to Tirabad, about two miles south of the former an ancient white longhouse can be found. It's hidden off the road up a farm track, and tucked in below the steep northern scarp slope of Mynydd Epynt. From the track which leads up to it are broad views over the Dulais valley and across the small village of Cefn-gorwydd towards Llanwrtyd Wells and the Cambrian Mountains. It is a very quiet spot where literally all that can be heard is birdsong and the baaa-ing of sheep. This is celebrated Cefn-brith, the old farmhouse reputed to be the birthplace of one of Wales's greatest sons, John Penry. The first time I visited the farmhouse, it was during a wet spring a few years ago, and the farmyard was awash with mud and manure. It was difficult in town shoes to pick a way across the slurry to take some pictures, at the invitation of the old farmer who lived there. More recently I revisited the place and the yard was bone meal dry. It was strangely deserted, and seemingly empty, even timeless. I felt I had suddenly stepped back several hundred years, and was seeing the place as it would have been in the time it was occupied by the Penry family, although then the long, low farmhouse would have been thatched, rather than roofed with slate from North Wales. Only the old letter box on the gatepost, fashioned out of a Second World War ammunition box, suggested anything remotely like modernity - that and the bronze plaque on the porch which indicated it was a special birthplace. -
Bibliography Print
Bibliography: Printed books ! For an extensive list of primary and secondary sources that discuss the Marprelate controversy, see the bibliography in Black (ed.), Marprelate Tracts, 290-306. This list only includes works cited in abbreviated form on this website. ! ! Acts of the Privy Council of England. Ed. John Roche Dasent. 46 vols. Norwich: HMSO, 1899-1964. ! Arber, Edward. An Introductory Sketch to the Martin Marprelate Controversy, 1588– 1590. 1879; rpt. London: Archibald Constable, 1895. ! Arber, Edward (ed.). A Transcript of the Registers of the Company of Stationers. 5 vols. 1875–94; rpt. Gloucester, MA: Peter Smith, 1967. ! Barlow, William. The summe and substance of the conference ... at Hampton Court. London, 1604. ! Black, Joseph L. (ed). The Martin Marprelate Tracts: A Modernized and Annotated Edition. Cambridge: Cambridge University Press, 2008. ! —. “The Marprelate Controversy.” The Oxford Handbook to English Prose, c.1500-1640. Ed. Andrew Hadfield. Oxford: Oxford University Press, 2013. 544-59. ! Camden, William. Annales rerum Anglicarum, et Hibernicarum, regnante Elizabethae, ad annum MDLXXXIX. London, 1615. ! Camden, William. Annales. The true and royall history of Elizabeth queene of England. London, 1625. ! Carlson, Leland H. Martin Marprelate, Gentleman: Master Job Throkmorton Laid Open in His Colors. San Marino, CA: Huntington Library, 1981. ! Collinson, Patrick. The Elizabethan Puritan Movement. London: Jonathan Cape, 1967. ! —. “John Field and Elizabethan Puritanism.” In Elizabethan Government and Society: Essays Presented to Sir John Neale. Ed. S. T. Bindoff, J. Hurstfield, and C. H. Williams. London: Athlone, 1961. 127–62. ! Cooper, Thomas. An admonition to the people of England. London, 1589. Citations from the first issue, STC 5683a. ! Crompton, Richard. -
Christopher Marlowe and the Golden Age of England
The Marlowe Society Christopher Marlowe and the Research Journal - Volume 05 - 2008 Golden Age of England Online Research Journal Article Michael J. Kelly Christopher Marlowe and the Golden Age of England Poet, spy and playwright, Christopher Marlowe was the embodiment of the Elizabethan Golden Age. Marlowe’s work was the product of his ‘Erasmian,’ or Christian humanist, education, the state of affairs in England and his own ability and readiness to satirize the world around him. Marlowe and his fellow contemporaries were a testament to the development of English drama, its pinnacle at the end of the English Renaissance and its eventual decline and suppression at the outbreak of the English Civil War. Their work is historically important because it illustrates, in addition to the development of English theatre, the dramatic political and social events of the time through the public medium of the playhouse. Specifically, the development of the theatre helps explain key features of the English Renaissance such as the creation of English self-identity, adoption of humanistic ideal, the advancement of English over Latin, the role of religion, the intellectual development of a people and parliament and their gradual alienation from the monarchy, the ultimate assertion of parliamentary power, and Civil War. Furthermore, the development of commercial playwriting, acting, stage management and private investment in theatres, an aspect of life today taken for granted, began during this Golden Age in English drama. The history of English playwriting and performance stretches back to at least the ninth century trope ‘Alle Luia’ sung at Easter masses. However, post-classical Christian ritual performance itself probably developed from the ritualistic repetitions of the Empirical Roman Senate.1 This tradition, established in the Church at some point during the early formation of Roman successor states, likely spread to England from Spain, via Ireland, through missionaries. -
DISSERTATION-Submission Reformatted
The Dilemma of Obedience: Persecution, Dissimulation, and Memory in Early Modern England, 1553-1603 By Robert Lee Harkins A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Ethan Shagan, Chair Professor Jonathan Sheehan Professor David Bates Fall 2013 © Robert Lee Harkins 2013 All Rights Reserved 1 Abstract The Dilemma of Obedience: Persecution, Dissimulation, and Memory in Early Modern England, 1553-1603 by Robert Lee Harkins Doctor of Philosophy in History University of California, Berkeley Professor Ethan Shagan, Chair This study examines the problem of religious and political obedience in early modern England. Drawing upon extensive manuscript research, it focuses on the reign of Mary I (1553-1558), when the official return to Roman Catholicism was accompanied by the prosecution of Protestants for heresy, and the reign of Elizabeth I (1558-1603), when the state religion again shifted to Protestantism. I argue that the cognitive dissonance created by these seesaw changes of official doctrine necessitated a society in which religious mutability became standard operating procedure. For most early modern men and women it was impossible to navigate between the competing and contradictory dictates of Tudor religion and politics without conforming, dissimulating, or changing important points of conscience and belief. Although early modern theologians and polemicists widely declared religious conformists to be shameless apostates, when we examine specific cases in context it becomes apparent that most individuals found ways to positively rationalize and justify their respective actions. This fraught history continued to have long-term effects on England’s religious, political, and intellectual culture. -
74;Iff"TN':T Death"
74;Iff"TN':T Death" ommenting on J. Leslie Hotson's 1925 discovery of the coroner's inquest into Marlowe's deathl, Professor G. \-,L. Kittredge wrote: "The mystery of Marlowe's death, heretofore involved in a cloud of contradictory gossip and irres_ponsible guess-work, is now cleared up for good and all on the authority of public records of complete authenticity and gratifying fullness." But Hotson's discovery has served only to increase the number of explanations for Marlowe's demise, and even gave rise to claims that Marlowe was not killed at all. As noted in the previous chapter Christopher Marlowe, in answe_r to the May 18 summons by the Queen's Privy Councif made his appearance at the Star Chamber in Westminster two days later, Marlowe's name then disappears from the records until Wednesday, May 30 wher; according to a coroner's re- port, he was killed by one Ingram Ffizei at Deptford, near - Londorg in the home of Eleanor Bull, a widow. One would think that the Reverend Richard Harvey, the rector at Chislehurst, Ken! knew of Marlowe's arrest at the 226 Christopher Marlowe (156+-'1 607 ) 3 227 home of Thomas Walsingham in Scadbury, within his parish, and passed this juiry bit of gossip to his brother Gabriel, but neither Doctor Gabriel Harvey, nor any other of Marlowe's friends or enemies, discovered this fact. And as to Marlowe's manner of death, though the coroner's report lays it to a dag- ger wound, Gabriel Harvey had no doubt that Marlowe died of the plague. -
Teacher Resources for Teachers Working with Students in Key Stage 3 & Above Hannah Resource Pack
8 FEB - 9 MAR 2014 WRITTEN BY CHRIS THORPE HANNAH DIRECTED BY SIMON EVANS MARLOWE’S DR FAUSTUS RE-IMAGINED FOR A MODERN WORLD TEACHER RESOURCES FOR TEACHERS WORKING WITH STUDENTS IN KEY STAGE 3 & ABOVE HANNAH RESOURCE PACK CONTENTS 2 Introduction SECTION ONE – CONTEXT AND BACKGROUND 3-4 A brief summary of Marlowe’s Doctor Faustus and Chris Thorpe’s Hannah 5 The life of Christopher Marlowe 6-7 Marlowe’s Doctor Faustus in context 8 Doctor Faustus - a timeline 9 Hannah - a timeline 10-12 Interview with writer Chris Thorpe 13 Images of the set from the designer Ben Stones 14-16 Interview with director Simon Evans SECTION TWO – PRACTICAL ACTIVITIES: A SCHEME OF WORK 17 Introduction to practical Drama sequences 18-22 Sequence A: Power and Powerlessness 23-26 Sequence B: Exploring Marlowe’s Doctor Faustus 27-36 Resources for Drama sequences PAGE 1 HANNAH RESOURCE PACK INTRODUCTION Welcome to the resources for the Unicorn Theatre’s production of Hannah by Chris Thorpe. Based on the play Doctor Faustus by Christopher Marlowe, Hannah asks what happens when a young girl is offered unlimited power and what guides the decisions she makes when once she understands the implications of the power she holds. Marlowe’s classic story of a man who sells his soul to the devil for supernatural powers translates into a play for a contemporary audience that examines the choices and dilemmas facing us in the 21st Century; What are the things that tempt us, What are the things that hold us back? How could extraordinary power transform us? Writer Chris Thorpe talks about the questions at the heart of his play: What makes us good? Why don’t we go out and just do whatever we want? Because we don’t do that a lot of the time, the vast majority of us don’t do that. -
In Defence of Kyd: Evaluating the Claim for Shakespeare's Part
1 In Defence of Kyd: Evaluating the Claim for Shakespeare’s Part Authorship of Arden of Faversham DARREN FREEBURY-JONES Abstract: MacDonald P. Jackson first argued for Shakespeare’s part authorship of Arden of Faversham in his university dissertation in 1963. He has devoted several articles to developing this argument, summarized in his monograph Determining the Shakespeare Canon (2014). Jackson’s part ascription has led to the inclusion of the domestic tragedy in The New Oxford Shakespeare. However, Jackson and his New Oxford Shakespeare colleagues have either dismissed or neglected the evidence for Thomas Kyd’s sole authorship presented by other scholars. This essay focuses primarily on Jackson’s monograph and argues that the evidence for adding the play to Kyd’s canon, encompassing phraseology, linguistic idiosyncrasies, and verse characteristics, seems solid. Contributor Biography: Darren Freebury-Jones is Lecturer in Shakespeare Studies (International – USA) at The Shakespeare Birthplace Trust in Stratford-upon-Avon. His 2016 doctoral thesis examined Thomas Kyd’s influence on Shakespeare’s early plays and he is one of the editors for the first edition of Kyd’s collected works since 1901. He has also investigated the boundaries of John Marston’s dramatic corpus as part of the Oxford Marston project. His recent and forthcoming work on the plays of authors such as Shakespeare, Kyd, Lyly, Marlowe, Peele, Nashe, Marston, Dekker, Fletcher, and others can be found in a range of peer-reviewed journals. The Authorship of Arden of Faversham He was right after all, and the scholars who for a generation now have ignored or sneered at his evidence, sometimes—when they have condescended to mention it—printing the word evidence itself between inverted commas, have not turned out to be our most reliable guides. -
Kyd and Shakespeare: Authorship, Influence, and Collaboration
Kyd and Shakespeare: Authorship, Influence, and Collaboration Darren Anthony Freebury-Jones A Thesis Submitted for the Degree of Doctor of Philosophy Cardiff University 2016 Abstract The aim of this thesis is to establish the canon of Thomas Kyd’s plays and to explore Shakespeare’s relationship with that oeuvre. Chapter One begins by examining Shakespeare’s verbal indebtedness to plays that have been attributed to Kyd for over two centuries, including The Spanish Tragedy (1587), Soliman and Perseda (1588), and The True Chronicle History of King Leir (1589). The first chapter argues that Shakespeare’s extensive knowledge of Kyd’s plays contributed towards the development of his dramatic language. The second chapter provides an overview of some of the complex methods for identifying authors utilized throughout the thesis. Chapter Three then seeks to establish a fuller account of Kyd’s dramatic canon through a variety of authorship tests, arguing that in addition to the three plays above Arden of Faversham (1590), Fair Em (1590), and Cornelia (1594) should be attributed to Kyd as sole authored texts. The fourth chapter examines the internal evidence for Kyd’s hand in Shakespeare’s Henry VI Part One (1592). The chapter contends that Shakespeare’s chronicle history play was originally written by Kyd and Thomas Nashe for the Lord Strange’s Men, and that Shakespeare subsequently added three scenes for the Lord Chamberlain’s Men. The fifth chapter argues that Shakespeare and Kyd collaborated on The Reign of King Edward III (1593) and that Kyd should thus be recognized as one of Shakespeare’s earliest co-authors. -
Doctor Faustus
Performing Anti-Catholicism in Christopher Marlowe’s Doctor Faustus by Nirpjit Bassi A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in History Carleton University Ottawa, Ontario © 2012, Nirpjit Bassi Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-93529-3 Our file Notre reference ISBN: 978-0-494-93529-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
UNIVERSITY of DETROIT
UNIVERSITY of DETROIT EXCERPT from the GRADUATE BULLETIN, 1935· 1937 PaBe Nine Use of Theses and Thesis M aterials . The University of Detroit always encourages, and even urges, the use of theses, thesis ma terials, and term papers submitted to instructors or departments of the Unive rsity in in partial fulfillment of the requirements for cred it or degrees, Such use may be oral (before meetings or conv entions) or through publication (period icals, monographs, or books.) However, as such theses, thesis materials, and term papers become the property of the University once they are sub mitted, --- it is expected that the permission of the University be secured for such oral or printed use , and a suitable credit line arranged, T his permis sion, and arrangement of credit line, should also be obser ved in the cas e of the publication of rna terials which the student intends to use later in partial fullfillment of the requirements for credit or degrees, Failure to observe such courtesy may be followed by the withdrawal of the credit or degree, Application for the use of materials and arrang ements mentioned must be made with the Graduate Office of the University of Detroit. THE UNIVERSITY OF DETROIT SOME ASPE CTS OF THE RENAISSANCE AS REFLECTED I N THE WORKS OF CHRISTOPHER MAR LOWE A THES IS SUBMI TTED TO THE GRADUATE FA CULTY IN PARTIAL FULFILLMENT OFTHE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF ENGLI SH BY SISTER M. ROSE ELLEN BROWN, O.P . DETR OIT, MICHIGAN J UNE, 1947 PREFACE The purpose of this thesis is to show t h a t Chri s topher Ma r l owe is an exponent of the Renaissance in that on e can detect some aspects of that a g e reflected i n his wo r ks . -
L0. 1590 That Rn" Tilney Did Vtterly Mislike the Same
r590 to m' Yonge it appered vnto mej that it was your honours pleasure I sholde geue order for the staie of all playes within the Gttie, in L0. 1590 that rn" Tilney did vtterly mislike the same. According to which your Lps. good pleasure, I presendye sente for suche players as I coulde here of, so as there appered yesterday before me the L. Admeralles and the L. Straunges players, to whome I speciallie gaue in Charge and required them in her Maiesties name to forbere playinge, vntill further order mighte be geuen for theire allowance in that repecte: \Vhere- Kit Marlowe's play The lew of Malta had become an established upon the L. Admeralles players very dutifullie obeyed but the others favourite and was drawing large audiences when the records of in very Contemptuous manner departing from me, went to the Crosse Philip Henslowe's Rose Theatre began in r5gr-2. Before keys and played that afternoon, to the greate offence of the better Henslowe's diary there were local records of where some of the sorte that knewe they were prohibited by order from your L. Which acting companies visited including Marlowe's Lord Admiral's as I might not suffer, so I sent for the said Contemptuous persons, Players, and though these lists do not give the names of the who haueing no reason to alleadge for theire Contempt, I coulde do dramas presented they are some guide to the activities of thc no lesse but this evening Comitt ,some of them to one of the companies with which Kit operated; and as only Henslowe's Compters, and do meane according to your Lps. -
ACADEMIC STUDIES in PHILOLOGY-2019-2.Pdf
ACADEMIC STUDIES IN PHILOLOGY-2019/2 FİLOLOJİDE AKADEMİK ÇALIŞMALAR-2019/2 Editor Prof. Dr. Zehra GÖRE Cetinje 2019 Editor Prof. Dr. Zehra GÖRE First Edition •© September 2019 /Cetinje-Montenegro ISBN • 978-9940-540-97-5 © copyright All Rights Reserved Ivpe web: www.ivpe.me Tel. +382 41 234 709 e-mail: [email protected] Print Ivpe Cetinje, Montenegro İÇİNDEKİLER ÖN SÖZ ................................................................................................... 2 HAKEMLER ........................................................................................... 3 ÇEVİRİBİLİM .......................................................................................... 4 A TRANSLATION CRITICISM On “CHICK-LIT”: WHILE TRANSLATING BRIDGET JONES’s DIARY Into TURKISH… ............ 5 Melâhat Özgüs (1906-2001) Leben und Werk: Porträt einer Übersetzerin in Zeiten gesellschaftlichen Wandels ..................................................... 40 DÜNYA DİLLERİ VE EDEBİYATLARI....................................................... 52 A STRUCTURALIST ANALYSIS OF WOMEN’S POSITION IN GEORGE ELIOT’S MIDDLEMARCH .................................................. 53 Homage Paid to the King: Marlowe and Shakespeare`s Collaboration” in Defense of Daemonologie……………………………… .................. 75 Von der Sprache zur Kulturellen Zugehörigkeit. Eine Neu-Orientierung in deutsch-türkischen Hip-Hop-Texten .................................................. 94 DOĞU BATI DİVANINDA TEPEGÖZ .............................................. 122 TÜRK HALK BİLİMİ .......................................................................