DOCSLIB.ORG

Volume 65, Number 03 (March 1947) James Francis Cooke

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Volume 65, Number 03 (March 1947) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1947 Volume 65, Number 03 (March 1947) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 65, Number 03 (March 1947)." , (1947). https://digitalcommons.gardner-webb.edu/etude/186 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. n < S I A* X£fr3Nnr o 90ifr Piano im Favorite Compositions Educational Works fa*™* Set! containing y By Louise Robyn a in OnfppWf FULL SIZE TECHNIC TALES—BOOK ONE FIVE OCTAVE cents By Louise Robyn Price, 75 with any first grade instruction STAFF May be used in conjunction essential prin- book for the piano. It contains the fifteen building up the child s ciples in first year piano technic, NOTATION music-reading hand so that his finger dexterity equals his powers. Each prin- ability, thus aiding his interpretative CHART that appeals ciple is introduced in story element, a feature to the child's imagination and creates interest. TEACHER'S MANUAL TO TECHNIC TALES—BOOK ONE Price, 75 cents is an indispensable book for the teacher. JOHN M. WILLIAMS’ TECHNIC TALES—BK. TWO CHORD CRAFTERS GRADE -BY -GRADE BLUE BOOKS By Louise Robyn Price. 75 cents TECHNIC TALES—BOOK THREE These books contain a staff notation chart to bo placed on piano By Louise Robyn Price, 75 cents A continuation of Technic Tales, at 75 Book 1 for the second year of study VERY FIRST PIANO BOOK The tremendous success of Miss the piano. It contains fifteen addi- Robyn's Technic Tales, Books 1 and 2 tional technical principles, including FIRST GRADE PIANO BOOK 100 is undoubtedly due to the feasibility the trill, arm attack for single tones with which the study of them can be 100 and triads, various crossing problems, HAPPY HOUR BOOK accomplished in conjunction with al- alternate wrist action, finger staccato, most any course for the piano. Nat- FIRST BOOK FOR THE ADULT BEGINNER . 1.00 melody tone, marcato chords, repeated CONTENTS urally, the results achieved caused PARTIAL notes, two-note slurs, etc. Teachers Romantic Compositions teachers to request a continuation of , , , Classic aand indispensa- I: -s , find these works absolutely Volume 75 i , szt, Mendels- the work. The new and augmented ble in correlating the musicianship edition of this Book 3 introduces the PERFECTLY FLAT! studies of the modern instruction book Each Page Lies twelve fundamental chord-attacks — with the technical development so es- REGISTER Strauss, marcato, legato, staccato, hammer, owning a Musicians and the Rachmaninoff, sential to satisfactory playing. MAGINE “^P^vol^meTnlhingTet! W^Fot DvorTk, arpeggiated, sforzando, pizzicato, ac- jf^pER odiers; (NO CHARGE) a11 composi- way the are esP e- Tschaikowsky, many companiment, single finger melodic, hard-to-find Ubrary Drigo , melodic high and low voice, passage -- way L'->uk — / ' Pold.m, Tho^ojrjj.^ x suen a .r TEACHER’S MANUAL chord, and alternate chords. These turn to. whatever page you n TO TECHNIC TALES—BOOK TWO may be given to students about ready at 4 Sr Rimskv-Korsakow, L aiiuuy receive a ' sa.nt°Saens, Price, 7S cents for grade 4. The Robyn-Tchaikovsky a ic fnr rlassic,classic, r c of the Library RossL your mood is for SAY. Purchasers of Kef Snow Queen (75c) is ideal for addi- Whether WHAT OWNERS in this manual will en- The teaching ideas sacredlor operate FINEST.” “The Radio book rack tional study along these same lines. -dern •"he specially constructed be appreciated by practical teachers. - the omanS Library is . Radio Music Music music whole set o- „. Scribner collection of good to keep the 1S1C The est ... abling them as well ever home across old standbys the test-loved I have Phi*- reference. V.: Dance Music: Library includes —Webster K. Reinert, easy, quick use and Volume HIGHWAYS IN ETUDE LAND The par- gether for Waltzes, tangos, etc. each classification. lipsburg, N. J. musical as modern. -itions in SUPER- also includes a (The Child's Hanon) on this page can •‘NOT ENOUGH Each volume of contents ”1 find tnl table LATIVES.” cannot valuable biographical By LOUISE ROBYN on of fi for » gives only a slight indica,. superlatives enough guide that "he you hours of enjoy- about necessary in the . many information Includes 12 exercises, with applied etudes of ma.on.l_ » . and critical fcemendou's rang, from it • historical, the child begun in Technic ment ; • fundamental technical training of 1 such Ohio TO you find 718 Faver, Cincinnati, their music. else could J. composers and ballads, etc. Tales, Books One and Two. Each exercise has been "brought where the in- such a compact, SAY: ntary compositions— explanatory selections in WHAT TEACHERS bio- l eme to life” with a descriptive story element. Helpful PIANO TEACHERS famous .EVER contains a concise form. ••BEST 1 HAVE Volume IX notes and photographic illustrations. Price, 75 cents conveniently arranged opinion it SEEN.” “In my all the com- 3K popular aance and of contemporary the finest collection graphical dictionary examples of IN THESE CITIES: fe arrangement ^ot of the best Library; a dictionary BYWAYS IN ETUDE LAND DeLtixe Musical Library music volumes I’ve seen. posers in the A Harold M. Kuypers, and a Low Price Mrs! terms and expressions; By LOUISE ROBYN at a De Pere, Wis. musical SONS MARCH 3-7 .... Richmond, Vo. age and complete index ot [Charles scribner-s splendidly prepared album of piano comprehen- •for every cross-referenced, This well selected and Mass. the most “Something . • • 1 Fifth Avenue . APRIL 14-18 . Boston, Besides being TASTE.” DEPT. N. D.. 597 - their com study material is intended to enlarge the technical scope of MARCH 10-14 . Washington, assembled age and taste .„ and D. C. its kind ever for every 718 compositions York 17, N. Y. Y. sive work of recommend it- the I New the child piano pupil progressing in the second grade, and APRIL 21-25 . Syracuse, N. I heartily MARCH 17-21 Music Library** Archie Crim, Ellens- 40-page . Baltimore, Md. Scribner Radio Mrs. posers. illustrated I it has been prepared particularly for use by young pupils The 1 me, FREE, your Rochester, N. Y. collection, with smrdy burg, Wash. Please send who have completed Miss Robyn's very popular Technic APR. 28-MAY 2 beautiful lifetime about *e MARCH 24-28 . Philadelphia, Book complete details J Pa. and superb Send for FREE I brochure giving Tales, Books One and Two. Some etudes have been selected Buffalo, N. Y. gold-stamped bindings Library. This request 31 MAY 5-9 .. Scribner Radio Music and Burgmiiller, alternating MCH. -APR. 4 . I 9-volume from Czerny, Lemoine, Kohler, Brooklyn, N. Y. whatsoever. | 0. printing no obligation with ten exercises selected from Friedrich Wieck's Album of MAY 12-16 . Cleveland, places me under APRIL 7-ll .... Hew Piano Technic. Wieck had extraordinary success as a piano York, N. Y, »»>,y | SUta just a If under 21, teacher. Schumann, von Biilow, Spindler, Merkel, and others this music for musical library own all •• active music form you can 1 age, please his two daughters, Ung how were his pupils as also were Marie and For full Name particulars . see your Clara, both of whom were successful concert p anists. Clara I became the wife of Robert Schumann. Price. 75 cents Local Music Dealer, or write to: I Address sheet music a N. Y- full size 9" x 12y2 New York 17, ie same position, I Zone No. c . qf . corn any) State.. raging about «* t" .. (if ve | City address of your music | THE give name and BOSTON COMPANY I !l£Please takingjessons^ MUSIC are if you feacher J THEODORE PRESSER CO.. Distributors, 1712 CHESTNUT ST., PHILA. 1, PA. tl$ BOYLSTON STREET BOSTON 16, MASS. " — 707 V& Scribner ton* MARCH, 1947 * . Editorial NCE on a trip to New Orleans during the war we saw two is leaving the nest when he is try- Bernard returning from the ; O G. I. Joes on IdJaanedd ing his wings and going ahead nmiiL had been wounded, but i ETWBE , front. Both his own.” not to an extent that they were un- m musi- (Piano PublicationwisvimLLUl mw@8<? on The fascinating thing about $ able to carry duffel bags. One was J,eun UoorJf WAGNESS sin- ADULT Pmjvo Published cal development is that with the COURSE Vols I MontuivMonthly leaning on the other, as they walked •• msiruciion and II n Iio<0 d by Theodore pressek Co., cerely musical person it never need lealuringre i "ig,‘ Sr,, H\r,„?lrXthe Ul C0,,cgc' 0, "‘«e Philadelphia i, was pushed aside highlyh!v ltiveeffective ?' **»«•Students Pa along. Suddenly he c^5.orj‘T‘‘ T'’<’ , roa l all ° appeal t„ ,|„. PP >- designed throughout stop. There are opportunities on „lder l„.gi t logical nr , co ursc EDITORIAL his companion, who said, “Lean and precise ^ . P™^** in an easy, and advisory by manner i t STST.il i This is particularly true in phase. l„ P,e OU”d" ,ion ni: for incessant self-development. provide substantial „J!“ 'terial at each DR. JAMES ain’t no cripple and I ain’t no crutch!” sides ' Dr Tf FRANCIS COOKE, on yo’sef, brother. You ‘"' 3 ' CdW ,eC,, on »f Classical con,enl includes Guy McCoy and records and great numbers of new musi- folk"’"'folk songs and OneratTc®mel’VJ!'°‘ Ethel M.
Load more

Recommended publications
  • Songs by Artist
    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
    [Show full text]
  • (MCTICUT US More Necessary for Bands Volume XXXVI Storrs
    Dispute Over Senior Budget Cut Only 50% Appropriated; (MCTICUT US More Necessary for Bands Volume XXXVI Storrs. Connecticut, Friday, March 17, 1950 No. 42 "To Hell with it:' was the comment made by Nathan Zeidenberg, senator and social chairman of the Senior Class, as he tore up the budget for the Senior Class "Coronation Ball" during the battle on the Senate floor Wednesday night over the requested $4,462 appropriation. Surrealist Art by Student l^^oi*. The Senate Finance Committee recommended that a partial appro- priation of $1,500 be given the dance committee, in order that arrange- From Red ments for a band could be made. Zeidenberg, chairman of the Senior TO be Shown Next Week Professor dance committee, hotly contested the partial appropriation. The Senate A letter will be sent to Profes- later voted to add $500 to the figure, making a total of $2,000. An exhibition of frameless — Unnamed Source* Isor Herbert T. Phillips, self-avow- At the Senate finance committee paintings in the surrealist mood Scholarship Funds ed Communist Party member, by by John Gregoropoulos will be Dr. Gamow. Physicist meeting on Tuesday, the budget for For Dorothy Culp the Philosophy Club, asking what ;the dance was neither approved nor held in the Parlors of the Com- topics he would consider discuss- To Lecture Monday, disapproved. The committee feh munity House from Monday eve- Reach $300 Figure that since the budget was of such a ning, March 20 to Thursday eve- ing at this University. Terry Oliv- Evolution, Progress controversial nature, it should be ning, March 23.
    [Show full text]
  • Radio 2 Paradeplaat Last Change Artiest: Titel: 1977 1 Elvis Presley
    Radio 2 Paradeplaat last change artiest: titel: 1977 1 Elvis Presley Moody Blue 10 2 David Dundas Jeans On 15 3 Chicago Wishing You Were Here 13 4 Julie Covington Don't Cry For Me Argentina 1 5 Abba Knowing Me Knowing You 2 6 Gerard Lenorman Voici Les Cles 51 7 Mary MacGregor Torn Between Two Lovers 11 8 Rockaway Boulevard Boogie Man 10 9 Gary Glitter It Takes All Night Long 19 10 Paul Nicholas If You Were The Only Girl In The World 51 11 Racing Cars They Shoot Horses Don't they 21 12 Mr. Big Romeo 24 13 Dream Express A Million In 1,2,3, 51 14 Stevie Wonder Sir Duke 19 15 Champagne Oh Me Oh My Goodbye 2 16 10CC Good Morning Judge 12 17 Glen Campbell Southern Nights 15 18 Andrew Gold Lonely Boy 28 43 Carly Simon Nobody Does It Better 51 44 Patsy Gallant From New York to L.A. 15 45 Frankie Miller Be Good To Yourself 51 46 Mistral Jamie 7 47 Steve Miller Band Swingtown 51 48 Sheila & Black Devotion Singin' In the Rain 4 49 Jonathan Richman & The Modern Lovers Egyptian Reggae 2 1978 11 Chaplin Band Let's Have A Party 19 1979 47 Paul McCartney Wonderful Christmas time 16 1984 24 Fox the Fox Precious little diamond 11 52 Stevie Wonder Don't drive drunk 20 1993 24 Stef Bos & Johannes Kerkorrel Awuwa 51 25 Michael Jackson Will you be there 3 26 The Jungle Book Groove The Jungle Book Groove 51 27 Juan Luis Guerra Frio, frio 51 28 Bis Angeline 51 31 Gloria Estefan Mi tierra 27 32 Mariah Carey Dreamlover 9 33 Willeke Alberti Het wijnfeest 24 34 Gordon t Is zo weer voorbij 15 35 Oleta Adams Window of hope 13 36 BZN Desanya 15 37 Aretha Franklin Like
    [Show full text]
  • Articulation from Wikipedia, the Free Encyclopedia
    Articulation From Wikipedia, the free encyclopedia Examples of Articulations: staccato, staccatissimo,martellato, marcato, tenuto. In music, articulation refers to the musical performance technique that affects the transition or continuity on a single note, or between multiple notes or sounds. Types of articulations There are many types of articulation, each with a different effect on how the note is played. In music notation articulation marks include the slur, phrase mark, staccato, staccatissimo, accent, sforzando, rinforzando, and legato. A different symbol, placed above or below the note (depending on its position on the staff), represents each articulation. Tenuto Hold the note in question its full length (or longer, with slight rubato), or play the note slightly louder. Marcato Indicates a short note, long chord, or medium passage to be played louder or more forcefully than surrounding music. Staccato Signifies a note of shortened duration Legato Indicates musical notes are to be played or sung smoothly and connected. Martelato Hammered or strongly marked Compound articulations[edit] Occasionally, articulations can be combined to create stylistically or technically correct sounds. For example, when staccato marks are combined with a slur, the result is portato, also known as articulated legato. Tenuto markings under a slur are called (for bowed strings) hook bows. This name is also less commonly applied to staccato or martellato (martelé) markings. Apagados (from the Spanish verb apagar, "to mute") refers to notes that are played dampened or "muted," without sustain. The term is written above or below the notes with a dotted or dashed line drawn to the end of the group of notes that are to be played dampened.
    [Show full text]
  • AP Music Theory Course Description Audio Files ”
    MusIc Theory Course Description e ffective Fall 2 0 1 2 AP Course Descriptions are updated regularly. Please visit AP Central® (apcentral.collegeboard.org) to determine whether a more recent Course Description PDF is available. The College Board The College Board is a mission-driven not-for-profit organization that connects students to college success and opportunity. Founded in 1900, the College Board was created to expand access to higher education. Today, the membership association is made up of more than 5,900 of the world’s leading educational institutions and is dedicated to promoting excellence and equity in education. Each year, the College Board helps more than seven million students prepare for a successful transition to college through programs and services in college readiness and college success — including the SAT® and the Advanced Placement Program®. The organization also serves the education community through research and advocacy on behalf of students, educators, and schools. For further information, visit www.collegeboard.org. AP Equity and Access Policy The College Board strongly encourages educators to make equitable access a guiding principle for their AP programs by giving all willing and academically prepared students the opportunity to participate in AP. We encourage the elimination of barriers that restrict access to AP for students from ethnic, racial, and socioeconomic groups that have been traditionally underserved. Schools should make every effort to ensure their AP classes reflect the diversity of their student population. The College Board also believes that all students should have access to academically challenging course work before they enroll in AP classes, which can prepare them for AP success.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2009
    SUMMER 2009 • . BOSTON SYMPHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR DALECHIHULY HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE 3 Elm Street, Stockbridge 413 -298-3044 www.holstengaIleries.com Olive Brown and Coral Pink Persian Set * for a Changing World They're Preparing to Change the 'I'Mi P i MISS HALL'S SCHOOL what girls have in mind 492 Holmes Road, Pittsfield, Massachusetts 01201 (413)499-1300 www.misshalls.org • e-mail: [email protected] m Final Weeks! TITIAN, TINTORETTO, VERONESE RIVALS IN RENAISSANCE VENICE " "Hot is the WOrdfor this show. —The New York Times Museum of Fine Arts, Boston March 15-August 16, 2009 Tickets: 800-440-6975 or www.mfa.ore BOSTON The exhibition is organized the Museum by The exhibition is PIONEER of Fine Arts, Boston and the Musee du sponsored £UniCredit Group by Investments* Louvre, and is supported by an indemnity from the Federal Council on the Arts and Titian, Venus with a Mirror (detail), about 1555. Oil on canvas. National Gallery of Art, Washington, Andrew the Humanities. W. Mellon Collection 1 937.1 .34. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 128th season, 2008-2009 Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman • Diddy Cullinane, Vice-Chairman • Robert P. O'Block, Vice-Chairman Stephen Kay, Vice-Chairman • Roger T. Servison, Vice-Chairman • Edmund Kelly, Vice-Chairman • Vincent M. O'Reilly, Treasurer • George D. Behrakis • Mark G. Borden • Alan Bressler • Jan Brett • Samuel B. Bruskin • Paul Buttenwieser • Eric D.
    [Show full text]
  • The Marriage of Figaro
    UNIVERSITY MUSICAL SOCIETY Charles A. Sink, President Lester McCoy, Conductor Gail W. Rector, Executive Director First Concert 1957-1958 Complete Series 3216 Twelfth Annual Extra Concert Series THE NBC OPERA COMPANY m THE MARRIAGE OF FIGARO MOZART SUNDAY EVENING, OCTOBER 6, 1957, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN THE CAST Count Almaviva WALTER CASSEL Countess Almaviva MARGUERITE WILLAUER Susanna, the Countess' maid JUDITH RASKIN Figaro, the Count's valet . MAC MORGAN Cherubino, the Count's page REGINA SARFATY Marcellina, an aged dame . RUTH KOBART Basilio, a music master LUIGI VELUCCI Don Curzio, a judge FRED CUSHMAN Bartolo, a doctor . EMILE RENAN Antonio, a gardener-Susanna's uncle EUGENE GREEN Barbarina, his daughter . BERTE GOAPERE Crier . RICHARD KRAUSE Country men and women, court attendants, hunters, and servants. (Cast subject to change) Conductor and Stage Director: PETER HERMAN ADLER Baldwin piano courtesy 0/ Maddy Music Company, Ann Arbor. A R S LON G A V I T A BREVIS THE MARRIAGE OF FIGARO By WOLFGANG AMADEUS MOZART Libretto by DAPONTE Based on a comedy by BEAUMARCHAIS English version: EDWARD EAGER Producer: SAMUEL CHOTZINOFF Music and Artistic Director: PETER HERMAN ADLER General Manager: CHANDLER COWLES Costumes: ALVIN COLT The action takes place in the castle and grounds of the Count and Countess Almaviva, near Seville. ACT I Count Almaviva, grown faithless to his Rosina after some years of marriage, has cast a roving eye upon her maid, Susanna, the bride-to-be of his valet, Figaro; while the Count's page, young Cherubino, has fallen in love, if you please, with the Countess herself.
    [Show full text]
  • Enhancing the Resilience
    (Periodicals postage paid in Seattle, WA) TIME-DATED MATERIAL — DO NOT DELAY News Special Issue Learn a little Welcome to our about Norwegian Kunnskap er makt. Education Issue! meteorites – Francis Bacon Read more on page 3 Read more on page 8 – 18 Norwegian American Weekly Vol. 124 No. 7 February 22, 2013 Established May 17, 1889 • Formerly Western Viking and Nordisk Tidende $1.50 per copy News in brief Find more at blog.norway.com Enhancing the resilience News The Norwegian Government has Norges Bank decided to cancel all Guinea’s debt to Norway, which amounts governor calls for to around NOK 100 million a more resilient (USD 17.2 million). Minister of International Development economy in Heikki Eidsvoll Holmås commented, “In August last year, face of Europe’s we cancelled NOK 42 million of financial crisis Guinea’s debt to Norway. I am glad that we can now cancel the rest. This means that this West STAFF COMPILATION African country can now use Norwegian American Weekly more of its income on schools and public health services without the heavy burden of debt.” In his annual address on Feb. (Ministry of Foreign Affairs) 14, Central Bank governor Øystein Olsen argued for ways to enhance Culture the Norwegian economy in light of In most of Norway, schools Europe’s financial suffering. are closed the week of Feb. “Norway’s oil and gas re- 18 for the winter break. Many sources provide an economic base Norwegian families will head that few other countries enjoy. In- up to their cottage this weekend, come levels are among the highest to enjoy the peak of the skiing in the world and the people of Nor- Photo: Ståle Andersen / Norges Bank season.
    [Show full text]
  • Music Braille Code, 2015
    MUSIC BRAILLE CODE, 2015 Developed Under the Sponsorship of the BRAILLE AUTHORITY OF NORTH AMERICA Published by The Braille Authority of North America ©2016 by the Braille Authority of North America All rights reserved. This material may be duplicated but not altered or sold. ISBN: 978-0-9859473-6-1 (Print) ISBN: 978-0-9859473-7-8 (Braille) Printed by the American Printing House for the Blind. Copies may be purchased from: American Printing House for the Blind 1839 Frankfort Avenue Louisville, Kentucky 40206-3148 502-895-2405 • 800-223-1839 www.aph.org [email protected] Catalog Number: 7-09651-01 The mission and purpose of The Braille Authority of North America are to assure literacy for tactile readers through the standardization of braille and/or tactile graphics. BANA promotes and facilitates the use, teaching, and production of braille. It publishes rules, interprets, and renders opinions pertaining to braille in all existing codes. It deals with codes now in existence or to be developed in the future, in collaboration with other countries using English braille. In exercising its function and authority, BANA considers the effects of its decisions on other existing braille codes and formats, the ease of production by various methods, and acceptability to readers. For more information and resources, visit www.brailleauthority.org. ii BANA Music Technical Committee, 2015 Lawrence R. Smith, Chairman Karin Auckenthaler Gilbert Busch Karen Gearreald Dan Geminder Beverly McKenney Harvey Miller Tom Ridgeway Other Contributors Christina Davidson, BANA Music Technical Committee Consultant Richard Taesch, BANA Music Technical Committee Consultant Roger Firman, International Consultant Ruth Rozen, BANA Board Liaison iii TABLE OF CONTENTS ACKNOWLEDGMENTS ..............................................................
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer
    SEMI OIAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR • i DALE CHIHULY INSTALLATIONS AND SCULPTURE / "^ik \ *t HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE ELM STREET, STOCKBRIDGE, MA 01262 . ( 41 3.298.3044 www. holstenga I leries * Save up to 70% off retail everyday! Allen-Edmoi. Nick Hilton C Baccarat Brooks Brothers msSPiSNEff3svS^:-A Coach ' 1 'Jv Cole-Haan v2^o im&. Crabtree & Evelyn OB^ Dansk Dockers Outlet by Designs Escada Garnet Hill Giorgio Armani .*, . >; General Store Godiva Chocolatier Hickey-Freeman/ "' ft & */ Bobby Jones '.-[ J. Crew At Historic Manch Johnston & Murphy Jones New York Levi's Outlet by Designs Manchester Lion's Share Bakery Maidenform Designer Outlets Mikasa Movado Visit us online at stervermo OshKosh B'Gosh Overland iMrt Peruvian Connection Polo/Ralph Lauren Seiko The Company Store Timberland Tumi/Kipling Versace Company Store Yves Delorme JUh** ! for Palais Royal Phone (800) 955 SHOP WS »'" A *Wtev : s-:s. 54 <M 5 "J* "^^SShfcjiy ORIGINS GAUCftV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twentieth Season, 2000-2001 SYMPHONY HALL CENTENNIAL SEASON Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman Dr. Nicholas T. Zervas, President Julian Cohen, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Deborah B. Davis, Vice-Chairman Vincent M. O'Reilly, Treasurer Nina L. Doggett, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson John F. Cogan, Jr. Edna S.
    [Show full text]
  • Songs by Title
    Karaoke Box London www.karaokebox.co.uk 020 7329 9991 Song Title Artist 22 Taylor Swift 1234 Feist 1901 Birdy 1959 Lee Kernaghan 1973 James Blunt 1973 James Blunt 1983 Neon Trees 1985 Bowling For Soup 1999 Prince If U Got It Chris Malinchak Strong One Direction XO Beyonce (Baby Ive Got You) On My Mind Powderfinger (Barry) Islands In The Stream Comic Relief (Call Me) Number One The Tremeloes (Cant Start) Giving You Up Kylie Minogue (Doo Wop) That Thing Lauren Hill (Everybody's Gotta Learn Sometime) I Need Your Loving Baby D (Everything I Do) I Do It For You Bryan Adams (Hey Wont You Play) Another Somebody… B. J. Thomas (How Does It Feel To Be) On Top Of The World England United (I Am Not A) Robot Marina And The Diamonds (I Love You) For Sentinmental Reasons Nat King Cole (If Paradise Is) Half As Nice Amen Corner (Ill Never Be) Maria Magdalena Sandra (I've Had) The Time Of My Life Bill Medley and Jennifer Warnes (Just Like) Romeo And Juliet The Reflections (Just Like) Starting Over John Lennon (Keep Feeling) Fascination The Human League (Maries The Name) Of His Latest Flame Elvis Presley (Meet) The Flintstones B-52S (Mucho Mambo) Sway Shaft (Now and Then) There's A Fool Such As I Elvis Presley (Sittin On) The Dock Of The Bay Otis Redding (The Man Who Shot) Liberty Valance Gene Pitney (They Long To Be) Close To You Carpenters (We Want) The Same Thing Belinda Carlisle (Where Do I Begin) Love Story Andy Williams (You Drive Me) Crazy Britney Spears 1 2 3 4 (Sumpin New) Coolio 1 Thing Amerie 1+1 (One Plus One) Beyonce 1000 Miles Away Hoodoo Gurus
    [Show full text]
  • Norway's Jazz Identity by © 2019 Ashley Hirt MA
    Mountain Sound: Norway’s Jazz Identity By © 2019 Ashley Hirt M.A., University of Idaho, 2011 B.A., Pittsburg State University, 2009 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Musicology. __________________________ Chair: Dr. Roberta Freund Schwartz __________________________ Dr. Bryan Haaheim __________________________ Dr. Paul Laird __________________________ Dr. Sherrie Tucker __________________________ Dr. Ketty Wong-Cruz The dissertation committee for Ashley Hirt certifies that this is the approved version of the following dissertation: _____________________________ Chair: Date approved: ii Abstract Jazz musicians in Norway have cultivated a distinctive sound, driven by timbral markers and visual album aesthetics that are associated with the cold mountain valleys and fjords of their home country. This jazz dialect was developed in the decade following the Nazi occupation of Norway, when Norwegians utilized jazz as a subtle tool of resistance to Nazi cultural policies. This dialect was further enriched through the Scandinavian residencies of African American free jazz pioneers Don Cherry, Ornette Coleman, and George Russell, who tutored Norwegian saxophonist Jan Garbarek. Garbarek is credited with codifying the “Nordic sound” in the 1960s and ‘70s through his improvisations on numerous albums released on the ECM label. Throughout this document I will define, describe, and contextualize this sound concept. Today, the Nordic sound is embraced by Norwegian musicians and cultural institutions alike, and has come to form a significant component of modern Norwegian artistic identity. This document explores these dynamics and how they all contribute to a Norwegian jazz scene that continues to grow and flourish, expressing this jazz identity in a world marked by increasing globalization.
    [Show full text]