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Nutcracker Three Hundred Sixty-Seventh Program of the 2012-13 Season ______Indiana University Ballet Theater Presents
2012/2013 Peter Ilyich Tchaikovsky NutcrackerThe Three Hundred Sixty-Seventh Program of the 2012-13 Season _______________________ Indiana University Ballet Theater presents its 54th annual production of Peter Ilyich Tchaikovsky’s The Nutcracker Ballet in Two Acts Scenario by Michael Vernon, after Marius Petipa’s adaptation of the story, “The Nutcracker and the Mouse King” by E. T. A. Hoffmann Michael Vernon, Choreography Andrea Quinn, Conductor C. David Higgins, Set and Costume Designer Patrick Mero, Lighting Designer Gregory J. Geehern, Chorus Master The Nutcracker was first performed at the Maryinsky Theatre of St. Petersburg on December 18, 1892. _________________ Musical Arts Center Friday Evening, November Thirtieth, Eight O’Clock Saturday Afternoon, December First, Two O’Clock Saturday Evening, December First, Eight O’Clock Sunday Afternoon, December Second, Two O’Clock music.indiana.edu The Nutcracker Michael Vernon, Artistic Director Choreography by Michael Vernon Doricha Sales, Ballet Mistress Guoping Wang, Ballet Master Shawn Stevens, Ballet Mistress Phillip Broomhead, Guest Coach Doricha Sales, Children’s Ballet Mistress The children in The Nutcracker are from the Jacobs School of Music’s Pre-College Ballet Program. Act I Party Scene (In order of appearance) Urchins . Chloe Dekydtspotter and David Baumann Passersby . Emily Parker with Sophie Scheiber and Azro Akimoto (Nov. 30 & Dec. 1 eve.) Maura Bell with Eve Brooks and Simon Brooks (Dec. 1 mat. & Dec. 2) Maids. .Bethany Green and Liara Lovett (Nov. 30 & Dec. 1 eve.) Carly Hammond and Melissa Meng (Dec. 1 mat. & Dec. 2) Tradesperson . Shaina Rovenstine Herr Drosselmeyer . .Matthew Rusk (Nov. 30 & Dec. 1 eve.) Gregory Tyndall (Dec. 1 mat.) Iver Johnson (Dec. -
Nutcracker 5 Three Hundred Eighty-Second Program of the 2013-14 Season ______
2013/2014 5 The Nutcracker Peter Ilyich Tchaikovsky Three Hundred Eighty-Second Program of the 2013-14 Season _______________________ Indiana University Ballet Theater as its 55th annual production of Peter Ilyich Tchaikovsky’s The Nutcracker Ballet in Two Acts Scenario by Michael Vernon, after Marius Petipa’s adaptation of the story “The Nutcracker and the Mouse King” by E. T. A. Hoffman Michael Vernon, Choreography Philip Ellis, Conductor C. David Higgins, Set and Costume Design Patrick Mero, Lighting Design The Nutcracker was first performed at the Maryinsky Theatre of St. Petersburg on December 18, 1892. ____________ Musical Arts Center Thursday vening,E December Fifth, Seven O’Clock Friday Evening, December Sixth, Eight O’Clock Saturday Afternoon, December Seventh, Two O’Clock Saturday Evening, December Seventh, Eight O’Clock Sunday Afternoon, December Eighth, Two O’Clock music.indiana.edu The Nutcracker Michael Vernon, Artistic Director Choreography by Michael Vernon Guoping Wang, Ballet Master Shawn Stevens, Ballet Mistress Doricha Sales, Ballet Mistress & Children’s Ballet Mistress The children performing in The Nutcracker are from the Jacobs School of Music Pre-College Ballet Program. MENAHEM PRESSLER th 90BIRTHDAY CELEBRATION Friday, Dec. 13 8pm | Musical Arts Center | $10 Students $20 Regular The Jacobs School of Music will celebrate the 90th birthday of Distinguished Professor Menahem Pressler with a concert that includes performances by violinist Daniel Hope, cellist David Finckel, pianist Wu Han, the Emerson String Quartet, and the master himself! Chat online with the legendary pianist! Thursday, Dec. 12 | 8pm music.indiana.edu/celebrate-pressler For concert tickets, visit the Musical Arts Center Box Office: (812) 855-7433, or go online to music.indiana.edu/boxoffice. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Nutcracker Program 2014Opt.Pdf
Nutcrackerthe SEISKAYA BALLET Nutcrackerthe Casse Noisette Early in 1891 the legendary composer Peter Ilyich Tchaikovsky received a commission from the Imperial Theatre Directorate at St. Petersburg to compose a one-act lyric opera together with a ballet for presentation during the following season. Accepting Tchaikovsky’s choice of sub- ject for the opera, the Theatre Directorate selected Alexandre Dumas’ French adaptation of E.T.A. Hoffmann’s tale, The Nutcracker and the Mouse King, for the ballet. Tchaikovsky was not pleased with the subject selection because he felt it did not lend itself to theatrical presentation and was therefore quite unsuited to serve as a scenario for a ballet. Both the opera and ballet were presented on December 18, 1892. The ballet, conducted by Ric- cardo Drigo, was received somewhat unfavorably. Dance historians have attributed this to the Nutcracker’s unusual story, which was quite different from the romantic tales normally presented. The Nutcracker choreography was begun by the redoubtable Marius Petipa. The balance of the work was taken up by his assistant Leon Ivanov when Petipa fell ill. According to historical accounts, when the ballet was finally produced, Petipa refused to have his name linked with it, feeling his own part in its creation was insufficient to be publicly announced. However, dance historians have recognized his contribu- tion, and the original choreography is generally credited to both Petipa and Ivanov. First presented in Western Europe by the Sadler’s Wells Ballet at the Sadler’s Wells Theatre in London, January 30, 1934, the production was staged by Nicholas Sergeyev after the original Petipa-Ivanov version. -
Rebecca King
Rebecca King First Soloist of the Finnish National Ballet Born in Baltimore, Maryland, she trained from 2001 to 2006 with Olga Toziakova at Ballet Studio No 7 in Columbia. While still a student, she competed at the International Ballet Competition in Varna, Bulgaria, was a finalist in the Youth America Grand Prix and won the Grand Prix at the International Ballet Competition in Artek, Russia. In 2006 she became a soloist with the Ukrainian National Ballet, where she performed in the Pas de trois and Big Swans in Tchaikovsky’s Swan Lake, in the role of Ingrid in Peer Gynt and in the Pas de Action and Pas de trois in La Bayadere. In the 2008/09 season Rebecca King joined the Prague State Opera as a demi- soloist and a year later was named a soloist. She appeared in Pas de Trois in Swan Lake, in the titular role of Cinderella and as Anastasia in the ballet Sleeping Beauty – The Czar’s Last Daughter (Youri Vamos). She dazzled in the double role of Odette/Odile in Swan Lake and as Myrtha in Giselle. In the 2011/12 season she was been engaged at the Czech National Theatre, portraying Odette/Odile in Swan Lake (Kenneth Greve), Clara and the Christmas Fairy The Nutcracker – A Christmas Carol (Youri Vamos), Aurora in Sleeping Beauty (Javier Torres), Gamzatti in La Bayadere (Javier Torres) and the Pas de Deux from Le Corsaire in a mixed bill. She has also danced in the duet “Blushing” (Peter Quant), the duet Empty Title (Petr Zuska), part of the mixed bill Le sacre du printemps, in William Forsythe’s “In the Middle Somewhat Elevated”(Woman No. -
Spring Ballet
Six Hundred Fifty-Fifth Program of the 2014-15 Season _______________________ Indiana University Ballet Theater presents Spring Ballet Swan Lake (Act II) Choreography by George Balanchine Staged by Patricia Blair and Daniel Duell Music by Peter Ilyich Tchaikovsky Duets Choreography by Merce Cunningham Staged by Banu Ogan Music by John Cage Rubies Choreography by George Balanchine Staged by Paul Boos Music by Igor Stravinsky Michael Vernon, Artistic Director, IU Ballet Theater Stuart Chafetz, Conductor Patrick Mero, Lighting Design _________________ Musical Arts Center Friday Evening, March Twenty-Seventh, Eight O’Clock Saturday Afternoon, March Twenty-Eighth, Two O’Clock Saturday Evening, March Twenty-Eighth, Eight O’Clock music.indiana.edu Swan Lake (Act II) Choreography by George Balanchine* ©The George Balanchine Trust Music by Peter Ilyich Tchaikovsky Original Scenery and Costumes by Rouben Ter-Arutunian Premiere: November 20, 1951 | New York City Ballet City Center of Music and Drama Staged by Patricia Blair and Daniel Duell Stuart Chafetz, Conductor Violette Verdy, Principal Coach Shawn Stevens, Ballet Mistress Guoping Wang, Ballet Master Odette, Queen of the Swans Raffaella Stroik (3/27) Elizabeth Edwards (3/28 mat ) Natalie Nguyen (3/28 eve ) Prince Siegfried Matthew Rusk (3/27) Colin Ellis (3/28 mat ) Andrew Copeland (3/28 eve ) Swans Bianca Allanic, Mackenzie Allen, Margaret Andriani, Caroline Atwell, Morgan Buchart, Colleen Buckley, Danielle Cesanek, Leah Gaston (3/28), Bethany Green (3/28 eve ), Rebecca Green, Cara Hansvick -
China Everbright Ltd. Title Sponsors “International Gala of Stars 2019” International Ballet Stars Yuan Yuan Tan, Dorothée Gilbert and Ako Konda Gather in Hong Kong
China Everbright Ltd. title sponsors “International Gala of Stars 2019” International Ballet Stars Yuan Yuan Tan, Dorothée Gilbert and Ako Konda Gather in Hong Kong 4 November 2019 – China Everbright Limited (“Everbright”, stock code: 165.HK) sponsored the “International Gala of Stars 2019”, a production by the Hong Kong Ballet, in celebration of the 40th anniversary of Hong Kong Ballet. The performance took place from 31 October to 1 November 2019 at the Grand Theatre of Hong Kong Cultural Centre in Tsim Sha Tsui, Hong Kong. This year, the event was honoured to have many globally renowned ballet stars perform a series of astonishing classical and modern ballet performances alongside dancers with the Hong Kong Ballet, including Yuan Yuan Tan, a principal dancer with the San Francisco Ballet; Dorothée Gilbert, French ballerina with the Paris Opera Ballet; Ako Kondo, a principal dancer with the Australian Ballet; Marcelo Gomes, international ballet star and a former principal dancer with the American Ballet Theatre; Osiel Gouneo, a principal dancer with the Bavarian State Ballet; Vitor Luiz, a former principal dancer with the San Francisco Ballet; and Matthew Golding, a guest performer with the Bavarian State Ballet as well as a former principal dancer with the Royal Ballet and Dutch National Ballet. Following the success of the “First International Gala of Stars” last year that garnered wide critical acclaim, Everbright was once again the title sponsor of the Gala this year. Celebrating the 40th anniversary of the Hong Kong Ballet, the production dazzled audiences as it marked this special historic milestone. As a long-term partner of the Hong Kong Ballet, Everbright has sponsored several productions since 2015, including “The Nutcracker”, “Swan Lake”, “Don Quixote”, the Ballet Page 1 China Tour, the “First International Gala of Stars” and “Giselle”. -
Cast Biographies
CAST BIOGRAPHIES BEN DANIELS (Paul Grayson) Ben Daniels is known for his impressive work in theatre, television and film. Daniels can most recently be seen on the small screen in “Jamaica Inn” (BBC), “The Paradise” (BBC) “Law and Order: UK,” the Netflix Original Series “House of Cards” alongside Kevin Spacey and Robin Wright, and Buckingham in The Hollow Crown, Richard III alongside Bendedict Cumberbatch. On the big screen he can most recently be seen in the films Luna, as the voice of Gareth in Locke alongside Tom Hardy. Previous film credits include Jack the Giant Slayer (Warner Bros.) Wipers Times, Doom (Universal Studios), Married Unmarried, Fanny and Elvis, Madeleine (Sony), I Want You, Passion in the Desert (New Line), and Beautiful Thing (Channel 4 Films). Previous television credits include, “Merlin,” “Women in Love,” “The Last Days of Lehman Brothers,” “The Passion,” “Lark Rise To Candleford ,” “Who Killed Mrs. De Ropp,” “The State Within,” “Ian Fleming: Bondmaker,” “Elizabeth – The Virgin Queen,” “MI-5,” “Miss Marple: What Mrs. Mcgillicuddy Saw,” “Real Men,” “Cutting It,” “Conspiracy,” “Aristocrats” “Silent Witness,” “Britannic,” “David,” “Outside Edge,” “Inspector Alleyn Mysteries: Death At The Bar,” “Truth Or Dare,” “Romeo And Juliet,” and “The Lost Language Of Cranes.” On stage, Daniels last starred in the Broadway revival of “Don’t Dress For Dinner” in 2012. Prior to this he appeared in “Haunted Child” and “Luise Miller” in 2011. He first starred on Broadway in “Les Liaisons Dangereuses » in 2008 for which he earned a Tony Award nomination for Best Performance by a Leading Actor in a Play and was the winner of a TWA award for Outstanding Broadway Debut. -
AMERICAN BALLET THEATRE Romeo and Juliet FEB
WINTER/SPRING 2018 DANCE SEASON B R AVO AMERICAN BALLET THEATRE Romeo and Juliet FEB. 8-11 Dance Theatre of Harlem MARCH 24-25 Paul Taylor Dance Company APRIL 21-22 Isabella Boylston and JamesWhiteside. Photo: Gene Schiavone The 2017–2018 Dance Season is made possible by the Lear Corporation WELCOME elcome to the Michigan Opera Theatre (MOT) he Royal Opera House, La Scala, Palais Garnier W2018 winter/spring dance season, featuring the T— the greatest opera houses in the world have American Ballet Theatre (ABT), the Dance Theatre of long recognized the importance of presenting dance Harlem, and the Paul Taylor Dance Company! Since alongside opera. We at Michigan Opera Theatre (MOT) 1996, dance has been a key component of our artistic are proud to continue to prioritize this beautiful art offerings but one that would not be possible without form as well. Since opening the Detroit Opera House partnerships throughout the community. in 1996, MOT has presented more than 32 dance Following five sold-out performances of ABT’s The companies on its historic stage, including world- Sleeping Beauty in 2016, we are delighted to partner renowned companies such as the Joffrey Ballet, Alvin once again with University Musical Society (UMS) Ailey American Dance Theater and the Bolshoi Ballet. to present ABT’s exquisite This winter/spring season, we production of Romeo and Juliet. welcome the return of three This multi-year partnership three distinguished dance between MOT and UMS, with companies: American Ballet the support of the Community Theatre, the Dance Theatre Foundation of Southeast Michigan, of Harlem and the Paul Taylor has enabled us to present some Dance Company. -
Appendix 2021/22 Season Artist Details
Appendix 2021/22 Season Artist Details Choreographer (in chronological order of productions) Creative: Design Army | Photography: Ken Ngan | Courtesy of Hong Kong Ballet Septime Webre Septime Webre is an internationally recognised ballet director, choreographer, educator and advocate. He joined Hong Kong Ballet (HKB) as its Artistic Director in July 2017 after 17 years as Artistic Director of The Washington Ballet (US) from 1999-2016, and six years as Artistic Director for the American Repertory Ballet in Princeton (US) from 1993-1999. Much sought-after as a choreographer, Webre’s works appear in the repertoires of ballet companies globally. He has also worked frequently in theatre as well as opera. His work has received numerous honors, grants and awards, and he has served on the board of Dance/USA, Artistic Director of Halcyon and on the juries of a number of international ballet competitions, including those in Varna, Bulgaria, Istanbul, Cape Town, New York and Seoul. Webre’s new work for HKB, Romeo + Juliet, set in 1960s Hong Kong, will have its world premiere in June 2021. Cynthia Harvey Cynthia Harvey is the current Artistic Director of the American Ballet Theatre Jaqueline Kennedy Onassis School and a former Principal Dancer at American Ballet Theatre and The Royal Ballet. She has guest performed with Baryshnikov and Company, Nureyev and Friends and numerous other companies worldwide. In addition to teaching, Harvey is co-author of Physics of Dance & the Pas de Deux. She re-staged The Sleeping Beauty and created her own Giselle, The Kingdom of the Shades from La Bayadère, as well as Don Quixote. -
Malandain Ballet Biarritz Dance Theatre of Harlem American Ballet
WINTER/SPRING 2020 DANCE SEASON B R AVO Malandain Ballet Biarritz FEBRUARY 15, 2020 Dance Theatre of Harlem MARCH 14 AND 15, 2020 American Ballet Theatre Swan Lake APRIL 16-19, 2020 2020 MOT Spring Dance Season Sponsor: DEVON TEUSCHER AND CORY STEARNS IN SWAN LAKE PHOTO: GENE SCHIAVONE. WELCOME s Michigan Opera Theatre (MOT) embarks on a new elcome to Dance 2020 at Michigan Opera Adecade of artistic excellence, we are thrilled to begin WTheatre. As we embark on our Winter/Spring our 2020 dance season with a series of performances that 2020 season of dance, we offer you a full spectrum of represent the essence and breadth of our dance program. ballet from contemporary to neoclassical to classical. With performances by Malandain Ballet Biarritz, Dance Making their Detroit debut, Malandain Ballet Theatre of Harlem and American Ballet Theatre, our series Biarritz represents one of the best contemporary welcomes old and new, celebrating ballet companies from France. Known for the forward, the beloved classics as well as innovative, beautiful and captivating choreography embracing exciting new works. of artistic director Thierry Malandain, this mixed- The season begins with the MOT repertoire program offers a debut of the French contemporary smorgasbord of movement ballet company Malandain Ballet that captures the imagination. Biarritz. The works explore themes “Boléro,” in particular, is a of liberty, death and ascension, dramatic piece danced to and we are proud to continue our Ravel that explores themes commitment to presenting diverse of liberation with dancers companies and artistic perspectives. performing in an enclosed and Dance Theatre of Harlem (DTH) returns to the Opera limited space. -
CORPS De Ballet at the Pillow
CORPS de Ballet International 14th Annual Teacher Conference June 20-24, 2012 Jacob's Pillow Dance Festival Becket, Massachusetts CORPS de Ballet at the Pillow Hosted by Jacob's Pillow Dance Festival and The School at Jacob's Pillow Ballet Program - Conference Guest Artists Anna-Marie Holmes Cynthia Harvey Ramona Pansegrau Connie Chin Norton Owen with The School at Jacob's Pillow Artist Faculty and Jacob's Pillow Staff Lifetime Achievement Award Recipient Alonzo King Artistic Director- Alonzo King LINES Ballet Master Class Accompanist Ramona Pansegrau, Kansas City Ballet Other Presentations by Distinguished Members of CORPS de Ballet International Anjali Austin, Florida State University Richard Brodhead, Temple University Teresa Cooper, University of North Texas Joselli Deans Sharon Garber, Western Michigan University Laura Katz Rizzo, Temple University Christine Knoblauch-O'Neal, Washington University Joellen A. Meglin, Temple University Delia Neal, University of North Carolina - Charlotte Shawn Newman, York University- Canada 2 1 . , ; Conference Guest Artists il Anna-Marie Holmes, artistic director, choreographer, master teacher, and celebrated ballerina, is an internationally acclaimed dance luminary. Born in Canada, she trained with Heino Heiden, Lydia · Karpova and Wynne Shaw; in London with Audrey de Vas and Errol Addison. In New York, she continued her ballet studies with Felia Doubrovska and trained in Leningrad with Natalia Dudinskaya, Alexander Pushkin and Alia Shelest of the Kirov Ballet. Holmes was the first North American invited to perform with the Kirov Ballet in Russia. She has also appeared with the London Festival Ballet, Royal Scottish Ballet, Berlin Staats Oper, Het Nationale Ballet of Holland, Les Grands Ballets Canadiens, Royal Winnipeg Ballet and others.