The One for You

THE ONE FOR YOU

Panasonic Marketing Europe GmbH. LUMIX G is a brand name of Panasonic Corporation. The design and specification of products are constantly changing in the interest of improvement. Whilst every care has been taken in the preparation of this catalogue, some changes may not have been indicated and may have occurred after GH5 G80 / G7 GX8 / GX80 GX800 GF7 publication. Please check with your Panasonic dealer for details. Panasonic Marketing Europe GmbH cannot accept responsibility for LUMIX G BROCHURE SPRING 2017 any errors and omissions.

WWW.PANASONIC.COM Page 2 INTRO PagePage 03 55 IntroTECHNICAL SPECIFICATIONS

LUMIX DMC GH4 LUMIX DMC G80 LUMIX DMC G7 LUMIX DMC GX8 LUMIX DMC GX80 LUMIX DMC GM5 LUMIX DMC GF7 IMAGE SENSOR Total pixels / Effective pixels 17.20 / 16.05 Megapixels 16.84 / 16.00 Megapixels 16.84 / 16.00 Megapixels 21.77 / 20.30 Megapixels 16.84 / 16.00 Megapixels 16.84 / 16.00 Megapixels 16.84 / 16.00 Megapixels Body Image Stabiliser – • (5-axis), DUAL.I.S.2 – • (4-axis), DUAL I.S. • (5-axis), DUAL I.S. – – Dust reduction system Supersonic wave fi lter Supersonic wave fi lter Supersonic wave fi lter Supersonic wave fi lter Supersonic wave fi lter Supersonic wave fi lter Supersonic wave fi lter RECORDING SYSTEM Recording fi le format Still image: JPEG (DCF, Exif 2.3), RAW, MPO1 Still image: JPEG (DCF, Exif 2.3), RAW, MPO Still image: JPEG (DCF, Exif 2.3), RAW, MPO1 Still image: JPEG (DCF, Exif 2.3), RAW, MPO1 Still image: JPEG (DCF, Exif 2.3), RAW, MPO Still image: JPEG(DCF, Exif 2.3), RAW, MPO1 Still image: JPEG (DCF, Exif 2.3), RAW, MPO1 Motion picture: MOV (Audio format: LPCM), MP4 (Audio format: AAC 2ch), Motion picture: AVCHD (Audio format: Dolby Digital 2ch), Motion picture: AVCHD (Audio format: Dolby Digital 2ch, Motion picture:LUMIX AVCHD (Audio format: Dolby Digital G 2ch), MAKESMotion picture: MP4 (AudioTHE format: AAC 2ch), DIFFERENCEMotion picture: AVCHD (Audio format: Dolby Digital 2 ch), Motion picture: AVCHD (Audio format: Dolby Digital 2ch), AVCHD (Audio format: Dolby Digital 2ch) MP4 (Audio format: AAC 2ch) MP4 (Audio format: AAC 2ch) MP4 (Audio format: AAC 2ch) AVCHD (Audio format: Dolby Digital 2ch) MP4 (Audio format: AAC 2ch) MP4 (Audio format: AAC 2ch) Aspect ratio 4:3, 3:2, 16:9, 1:1 4:3, 3:2, 16:9, 1:1 4:3, 3:2, 16:9, 1:1 4:3, 3:2, 16:9, 1:1 4:3, 3:2, 16:9, 1:1 4:3, 3:2, 16:9, 1:1 4:3, 3:2, 16:9, 1:1 Colour space sRGB, Adobe RGB sRGB, AdobeRGB sRGB, Adobe RGB sRGB, Adobe RGB sRGB, Adobe RGB sRGB, Adobe RGB sRGB, Adobe RGB Still image size [4:3] 4608 × 3456 (L) / 3264 × 2448 (M) / 2336 × 1752 (S) / 1824 × 136811 [4:3] 4592 × 3448(L) / 3232 × 2424(M) / 2272 × 1704(S / 1824 × 1368 [3:2] [4:3] 4592 × 3448 (L) / 3232 × 2424 (M) / 2272 × 1704 (S) / 1824 × 136811 [4:3] 5184 × 3888 (L) / 3712 × 2784 (M) / 2624 × 1968 (S) / 1824 × 13681 [4:3] 4592 × 3448 (L) / 3232 × 2424 (M) / 2272 × 1704 (S) / 1824 × 1368¹ [4:3] 4592 × 3448 (L) / 3232 × 2424 (M) / 2272 × 1704 (S) / 1824 × 13681 [4:3] 4592 × 3448 (L) / 3232 × 2424 (M) / 2272 × 1704 (S) / 1824 × 13681 [3:2] 4608 × 3072 (L) / 3264 × 2176 (M) / 2336 × 1560 (S) / 1824 × 121611 4592 × 3064(L) / 3232 × 2160(M) / 2272 × 1520(S) / 1824 × 1216 [16:9] [3:2] 4592 × 3064 (L) / 3232 × 2160 (M) / 2272 × 1520 (S) / 1824 × 121611 [3:2] 5184 × 3456 (L) / 3712 × 2480 (M) / 2624 × 1752 (S) / 1824 × 12161 [3:2] 4592 × 3064 (L) / 3232 × 2160 (M) / 2272 × 1520 (S) / 1824 × 1216¹ [3:2] 4592 × 3064 (L) / 3232 × 2160 (M) / 2272 × 1520 (S) / 1824 × 12161 [3:2] 4592 × 3064 (L) / 3232 × 2160 (M) / 2272 × 1520 (S) / 1824 × 12161 [16:9] 4608 × 2592 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 102411 4592 × 2584(L) / 3840 × 2160(M) / 1920 × 1080(S) / 1824 × 1024 [1:1] [16:9] 4592 × 2584 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 102411 [16:9] 5184 × EVERYTHING2920 (L) / 3840 × 2160 (M) / 1920 YOU× 1080 (S) /NEED 1824 × 10241 – AND[16:9] 4592NOTHING × 2584 (L) / 3840 × 2160YOU (M) / 1920DON’T × 1080 (S) / 1824NEED. × 1024¹ [16:9] 4592 × 2584 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 10241 [16:9] 4592 × 2584 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 10241 [1:1] 3456 × 3456 (L) / 2448 × 2448 (M) / 1744 × 1744 (S) / 1712 × 171211 3424 × 3424(L) / 2416 × 2416(M) / 1712 × 1712(S) / 1712 × 1712 [1:1] 3424 × 3424 (L) / 2416 × 2416 (M) / 1712 × 1712 (S) / 1712 × 171211 [1:1] 3888 × 3888 (L) / 2784 × 2784 (M) / 1968 × 1968 (S) / 1712 × 17121 [1:1] 3424 × 3424 (L) / 2416 × 2416 (M) / 1712 × 1712 (S) / 1712 × 1712¹ [1:1] 3424 × 3424 (L) / 2416 × 2416 (M) / 1712 × 1712 (S) / 1712 × 17121 [1:1] 3424 × 3424 (L) / 2416 × 2416 (M) / 1712 × 1712 (S) / 1712 × 17121 Motion picture size MOV [4K] 3840 × 2160 4K / 29.97p, 100Mbps (IPB) (LPCM) – – – – – – [Full HD] 1920 × 1080 FHD / 59.94p: 200Mbps (ALL Intra) (LPCM) / 100Mbps (IPB) (LPCM) AVCHD [Full HD] 1920 × 1080 FHD / 59.94p: 28Mbps [Full HD] 1920 × 1080 FHD / 50p: 28Mbps [Full HD] 1920 × 1080 FHD / 50p: 28Mbps [Full HD] 1920You × 1080 couldFHD / 50p: 28Mbps say that’s what makes[Full LUMIX HD] 1920 × 1080G camerasFHD / 50p: 28Mbps so successful. These[Full mirrorlessHD] 1920 × 1080 FHD / 50p:interchangeable-lens 28Mbps models[Full HD] 1920 × 1080 FHD / 50p: 28Mbps [Full HD] 1920 × 1080 FHD / 50.00p: 28Mbps [Full HD] 1920 × 1080 FHD / 50i: 17Mbps [Full HD] 1920 × 1080 FHD /50i: 17Mbps [Full HD] 1920 × 1080 FHD / 50i: 17Mbps [Full HD] 1920 × 1080 FHD / 50i: 17Mbps [Full HD] 1920 × 1080 FHD / 50i: 17Mbps [Full HD] 1920 × 1080 FHD / 50i: 17Mbps [Full HD] 1920 × 1080 FHD / 50p / 24p: 24Mbps [Full HD] 1920 × 1080 FHD / 25p/24p: 24Mbps [Full HD] 1920(DSLMs) × 1080 FHD / 25p /have 24p: 24Mbps dispelled the myth[Full that HD] 1920 only × 1080 FHD complicated / 25p / 24p: 24Mbps single lens reflex[Full HD] 1920systems × 1080 FHD / 50i/24p:(DSLRs) 24Mbps can offer perfect[Full picture HD] 1920 × 1080 FHD / 50i / 24p: 24Mbps MP4 / [4K] 3840 × 2160, 29.97p, 100Mbps (IPB) (LPCM) / 100Mbps (IPB) (AAC) [4K] 3840 × 2160 4K / 30p / 25p / 24p: 100Mbps [4K] 3840 × 2160 4K / 25p / 24p: 100Mbps [4K] 3840 × 2160 4K / 25p / 24p: 100Mbps [4K] 3840 × 2160 4K / 25p / 24p: 100Mbps [Full HD] 1920 × 1080 FHD / 50p: 28Mbps [Full HD] 1920 × 1080, FHD / 50p: 28Mbps MOTIONJPEG [Full HD] 1920 × 1080, 23,98p, 200Mbps (ALL-Intra) (LPCM) / 100Mbps (IPB) (LPCM) / [Full HD] 1920 × 1080 FHD / 60p / 50p: 28Mbps [Full HD] 1920 × 1080 FHD / 50p: 28Mbps [Full HD] 1920 × 1080 FHD / 50p: 28Mbps [Full HD] 1920 × 1080 FHD / 50p: 28Mbps [Full HD] 1920 × 1080 FHD / 25p: 20Mbps [Full HD] 1920 × 1080, FHD / 25p: 20Mbps 50Mbps (IPB) (LPCM) [Full HD] 1920 × 1080 FHD / 30p / 25p: 20Mbps [Full HD] 1920 × 1080 FHD / 25p: 20Mbps [Full HD] 1920quality, × 1080 FHD / 25p: as 20Mbps well as the idea that only[Full HD] 1920chunky × 1080 FHD /bodies 25p: 20Mbps guarantee top performance.[HD] 1280 × 720 HD / 25p: 10Mbps [HD] 1280 × 720, HD / 25p: 10Mbps [HD] 1280 × 720, 29.97p, 10Mbps (IPB) (AAC) [HD] 1280 × 720 HD / 30p / 25p: 10Mbps [HD] 1280 × 720 HD / 25p: 10Mbps [HD] 1280 × 720 HD / 25p: 10Mbps [HD] 1280 × 720 HD / 25p: 10Mbps FOCUS Type Contrast AF system (DFD) Contrast AF system (DFD) Contrast AF system (DFD) Contrast AF system (DFD) Contrast AF system (DFD) Contrast AF system Contrast AF system Focus Mode AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF AFS (Single) /That’s AFF (Flexible) because, / AFC (Continuous) /in MF actual fact, eliminatingAFS (Single) / AFF (Flexible) the / AFCbulky (Continuous) single / MF lens reflex AFSViewfinder (Single) / AFF (Flexible) is / AFC a (Continuous) plus. /It MF makes way forAFS (Single)what’s / AFF really(Flexible) / AFC (Continuous) / MF AF Mode Face / Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint Face / Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint Face / Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint Face / Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint Face / Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint Face / Eye Detection / Tracking / 23-Area / 1-Area / Pinpoint Face / Eye Detection / Tracking / 23-Area / 1-Area / Pinpoint (Full area touch is available) (Full area touch is available) (Full area touch is available) (Full area touchimportant: is available) more picture quality, (Fullmore area touch precision, is available) more handiness. It’s a (Fullfuture area touch istechnology available) that’s perfect for a constantly(Full area touch is available) EXPOSURE CONTROL Light metering mode Multiple / Center Weighted / Spot Multiple / Center Weighted / Spot Multiple / Center Weighted / Spot Multiple / Centerevolving Weighted / Spot society. Multiple / Center Weighted / Spot Multiple / Center Weighted / Spot Multiple / Center Weighted / Spot Exposure mode Program AE, Aperture Priority AE, Shutter Priority AE, Manual Program AE, Aperture Priority AE, Shutter Priority AE, Manual Program AE, Aperture Priority AE, Shutter Priority AE, Manual Program AE, Aperture Priority AE, Shutter Priority AE, Manual Program AE, Aperture Priority AE, Shutter Priority AE, Manual Program AE, Aperture Priority AE, Shutter Priority AE, Manual Program AE, Aperture Priority AE, Shutter Priority AE, Manual ISO sensitivity Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / Auto / Intelligent ISO / 100 Auto / Intelligent ISO / 100 (Changeable to 1 / 3 EV step) (Up to ISO6400 in motion picture recording) (Changeable to 1/3 EV step) (Changeable to 1/3 EV step) (Up to ISO6400 in motion picture recording) 6400 / 12800 / 25600 (Changeable to 1 / 3 EV step) 12800 / 25600 (Changeable to 1 / 3 EV step) (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to (ISO Auto in M mode) (Up to ISO6400 in motion picture recording) (ISO Auto in M mode) (ISO Auto in M mode) (Up to ISO6400The in motion LUMIX picture recording) G system(ISO Auto in M mode) offers the(Up to right ISO6400 in motioncamera picture recording) for (ISO everyone’s Auto in M mode) needs.1/3 EV step) Photo and video enthusiasts 1/3 EV step) (Up to ISO3200 in motion picture recording) Exposure compensation 1 / 3 EV step ±5 EV (±3 EV for motion picture) 1/3 EV step ±5EV (±3EV for motion picture) 1/3 EV step ±5EV (±3EV for motion picture) 1/3 EV step ±5EVwho (±3EV forare motion looking picture) for a modern1/3 and EV step ±5EVlightweight (±3EV for motion picture) system can look forward1 / 3 EV Step ±5 EV (±3to EV professionalfor motion picture) quality. 1 / 3 EV step ±5 EV (±3 EV for motion picture) AE lock Yes (AF / AE lock button) Yes (AF/AE LOCK button) Yes (AF/AE lock button) Yes (AF/AE lock button) Yes (AF / AE lock button) Set the Fn button in custom menu to AE lock Set the Fn button in custom menu to AE lock AE bracket 3, 5, 7 frames in 1 / 3, 2 / 3 or 1 EV Step, Max. ±3 EV, single/burst 3, 5, 7 images in 1 / 3, 2 / 3 or 1 EV step, max. ±3 EV, single / burst 3, 5, 7 frames in 1 / 3, 2 / 3 or 1 EV Step, Max. ±3 EV, single/burst 3, 5, 7 framesLUMIX in 1/3, 2/3 or 1 GEV Step, technology Max. ±3 EV, single/burst delivers 3,compact 5, 7 frames in 1 / 3, 2performance. / 3 or 1 EV Step, Max. ± 3 EV, single / burst 3, 5, 7 frames in 1 / 3, 2 / 3 or 1 EV Step, Max. ±3 EV 3, 5, 7 frames in 1 / 3, 2 / 3 or 1 EV Step, Max. ±3 EV, single / burst WHITE BALANCE White balance settings Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Auto / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Auto / Daylight / Cloudy / Shade / incandescent / Flash / Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2 / Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2 / Color temperature setting Color temperature setting Color temperature setting White Set 1, 2, 3, 4 / Color temperature setting Color temperature setting Color temperature setting Color temperature setting White balance adjustment Blue / Amber bias, Magenta / Green bias Blue / Amber bias, Magenta / Green bias Blue / Amber bias, Magenta / Green bias Blue / Amber bias, Magenta / Green bias Blue / Amber bias, Magenta / Green bias Blue / Amber bias, Magenta / Green bias Blue / Amber bias, Magenta / Green bias Creative modes e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia SHUTTER Shutter Speed Still image: Bulb (Max. 60 minutes), 1 / 8,000~60 ; Motion picture: 59.94Hz: 1 / 16,000~ Still image: Bulb (Max. 2 minutes), 1 / 4,000 - 60; Motion picture: 1 / 16,000–1 / 30; Still image: Bulb (Max. 2 minutes), 1 / 4,000–60 ; Motion picture: 1 / 16,000–1 / 25 Still image: Bulb (Max. 30 minutes), 1 / 8,000~60 Still image: Time (Max. 2 minutes), 1 / 4,000–60; Still image: Time (Max. 60 second), 1 / 16,000~60 Still image: Time (Max. 60 second), 1 / 16,000~60 1 / 30, 50.00Hz: 1 / 16,000~1/25, 23.98Hz: 1 / 16,000~1/24 (When using Synchro Scan) Electronic shutter: 1 / 16,000 - 1; Electronic fi rst curtain shutter: 1 / 2,000–60 Electronic shutter: 1 / 16,000–1 Motion picture: 1 / 16,000~1/25, Electronic shutter: 1 / 16,000~1 Motion picture: 1 / 16,000–1 / 25; Electronic shutter: 1 / 16,000–1 Motion picture: 1 / 16,000~1 / 25 Motion picture: 1 / 16,000~1 / 25 Remote Control Remote control with Bulb function by DMW-RSL1 (Optional) – Remote control with Bulb function by DMW-RSL1 (Optional) Remote control with Bulb function by DMW-RSL1 (Optional) – – – BURST SHOOTING

Burst speed Mechanical shutter: H: 12 frames / sec (with AFS), 7 frames/sec (with AFC), Mechanical shutter: H: 9 frames / sec (with AFS), H: 6 frames / sec (with AFC) M: 6 Mechanical shutter: H: 8 frames / sec (with AFS), 6 frames / sec (with AFC), Mechanical shutter: H: 8 frames / sec (with AFS), 6 frames / sec (with AFC), Mechanical shutter: H: 8 frames / sec (with AFS), 6 frames / sec (with AFC), Mechanical shutter: H: 5.8 frames / sec (with AFS), 5 frames / sec Mechanical shutter: H: 5.8 frames / sec (with AFS), 5 frames / sec (with AFC, M: 7 frames / sec, (with Liveview) L: 2 frames / sec (with Liveview); frames / sec (with Live View), L: 2 frames / sec (with Live View) M: 6 frames / sec (with Liveview), L: 2 frames / sec (with Liveview) M: 5.5 frames / sec (with AFS), 6 frames / sec (with AFC), L: 2 frames / sec M: 6 frames / sec (with Live View), L: 2 frames / sec (with Live View); Electronic (with AFC, in 1-area-focusing AF mode), M: 4 frames / sec, L: 2 frames / sec in 1-area-focusing AF mode), M: 4 frames / sec, L: 2 frames / sec (all with Electronic shutter: SH: 40 frames / sec, H: 12 frames / sec (with Liveview), Electronic shutter: SH: 40 frames / sec, H: 10 frames / sec (with AFS), H: 6 frames/sec Electronic shutter: SH: 40 frames / sec, H: 10 frames / sec, M: 6 frames / sec (with Liveview); Electronic shutter: H: 10 frames / sec (with AFS), 6 frames / sec shutter: SH: 40 frames / sec, H: 10 frames / sec (with AFS), 6 frames / sec (with (all with Liveview); Electronic shutter: SH: 40 frames / sec, H: 10 frames / sec, Liveview), Electronic shutter: SH: 40 frames / sec, H: 10 frames / sec, M: 4 M: 7 frames / sec, L: 2 frames / sec (with Liveview) (with AFC) M: 6 frames / sec (with Live View); L: 2 frames / sec (with Live View) (with Liveview), L: 2 frames / sec (with Liveview) (with AFC), M: 6 frames / sec (with Liveview), L: 2 frames / sec (with Liveview) AFC), M: 6 frames / sec (with Live View), L: 2 frames / sec (with Live View) M: 4 frames/sec, L: 2 frames / sec (all with Liveview) frames/sec, L: 2 frames/sec (all with Liveview) Number of recordable images Approx. 40 images (when there are RAW fi les with the particular speed) More than 45 images (when there are RAW fi les with the particular speed) More than 13 images (when there are RAW fi les with the particular speed) More than 30 images (when there are RAW fi les with the particular speed) More than 13 images (when there are RAW fi les with the particular speed) 7 images (When there are RAW fi les with the particular speed) 7 images (When there are RAW fi les with the particular speed.) Approx. 100 images (when there are no RAW fi les) More than 300 images (when there are no RAW fi les) More than 100 images (when there are no RAW fi les) More than 100 images (when there are no RAW fi les) More than 100 images (when there are no RAW fi les) Unlimited consecutive shooting (Except for the SH mode. When there are no Unlimited consecutive shooting (Except for the SH mode. When there are no Approx. 120 images (when using electronic shutter) RAW fi les. Depending on the capacity of the memory card.)Penta Mirror RAW fi les. Depending on the capacity of the memory card.) 39 images (SH mode. When there are no RAW fi les.) 39 images (SH mode. When there are no RAW fi les.) 4K PHOTO mode 4K Burst (S / S): 30 frames / sec, max. 29 minutes 59 seconds 4K Pre-Burst: 30 frames / sec, approx. 2 seconds 4K Pre-Burst: 30 frames / sec, approx. 2 seconds 4K Pre-Burst: 30 frames / sec, approx. 2 seconds Live Viewfinder4K Pre-Burst: 30 frames / sec, approx. 2 seconds – Focusing Glass AE Sensor– 4K Burst: 30 frames / sec, max. 29 minutes 59 seconds 4K Burst: 30 frames / sec, max. 29 minutes 59 seconds 4K Burst: 30 frames / sec, max. 29 minutes 59 seconds 4K Burst: 30 frames / sec 4K Burst (S / S): 30 frames / sec, max. 29 minutes 59 seconds 4K Burst (S / S): 30 frames / sec, max. 29 minutes 59 seconds 4K Burst (S / S): 30 frames / sec, max. 29 minutes 59 seconds 4K Burst (S / S): 30 frames / sec FLASH Flash type TTL Built-in-Flash, GN12 equivalent (ISO100·m) / GN17 equivalent (ISO200·m), TTL Built-in-Flash, GN9.0 equivalent (ISO200·m) / GN6.2 equivalent (ISO100·m), TTL Built-in-Flash, GN9.3 equivalent (ISO200·m) / GN6.6 equivalent (ISO100·m), TTL External Flash (Optional) TTL Built-in-Flash, GN6.0 equivalent (ISO 200·m) / TTL External Flash (Bundled), GN10.0 equivalent (ISO 200·m) , GN7.0 equivalent TTL Built-in-Flash, GN5.6 equivalent (ISO 200·m), GN4.0 equivalent Built-in Pop-up (Reference), Lighting angle:YOUR 24 mm (35mm camera equivalent)PERSONALITY.Built-in Pop-up (Reference) Built-in Pop-up (Reference) GN4.2 equivalent (ISO 100·m), Built-in Pop-up (Reference) (ISO 100·m), Built-in Pop-up (ISO 100·m), Built-in Pop-up Flash mode Auto*, Auto / Red-eye Reduction*, Forced On, Forced On / Red-eye Reduction, Slow Auto*, Auto/Red-eye Reduction*, Forced On, Forced On / Red-eye Reduction, Slow Sync., Auto*, Auto / Red-eye Reduction*, Forced On, Forced On / Red-eye Reduction, Slow Auto*, Auto / Red-eye Reduction*, Forced On, Forced On / Red-eye Reduction, Auto*, Auto / Red-eye Reduction*, Forced On, Forced On / Red-eye Reduction, Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Sync., Slow Sync. / Red-eye Reduction, Forced Off *For iA, iA+ only. Slow Sync./Red-eye Reduction, Forced Off *For iA, iA+ only. Sync., Slow Sync. / Red-eye Reduction, Forced Off *For iA, iA+ only. Slow Sync., Slow Sync. / Red-eye Reduction, Forced Off *For iA, iA+ only. Slow Sync., Slow Sync. / Red-eye Reduction, Forced Off *For iA, iA+ only. Slow Sync., Slow Sync./Red-eye Reduction, Forced Off *For iA, iA+ only. Slow Sync., Slow Sync./Red-eyeMain Mirror Reduction, Forced Off * For iA, iA+ only. Synchronisation speed Less than 1 / 250 second Less than 1 / 160 second Less than 1 / 160 second Less than 1/250 second Less than 1 / 160 second Less than 1/50 second Less than 1/50 second Flash output adjustment 1/3EV step ±3EV OUR VARIETY.1/3EV step ±3EV 1/3EV step ±3EV 1/3EV step ±3EV 1 / 3EV step ±3EV 1/3EV step ±3EV 1/3EV step ±2EV Image Sensor Image Sensor Hot shoe • • • • • • – OPERATION LCD Sub Mirror Rear monitor OLED monitor with static touch control, Free-angle 3-inch / 3:2 aspect / Wide viewing TFT LCD monitor with static touch control, Free-angle 3.0-inch (7.5cm) / 3:2 TFT LCD monitor with static touch control, Free-angle 3-inch / 3:2 aspect / Wide viewing OLED monitor with static touch control, Free-angle 3-inch / 3:2 aspect / Wide TFT LCD monitor with static touch control, Tiltable 3-inch monitor (7.5 cm) / TFT LCD monitor with static touch control, 3-inch / 16:9 aspect / TFT LCD monitorLCD with static touch control, Tiltable monitor, 3-inch / 3:2 angle , Approx. 1036k dots, Approx. 100% Field of view aspect / Wide viewing angle, Approx. 1,040k dots, Approx. 100% Field of view angle, Approx. 1,040k dots, Approx. 100% Field of view viewing angle, Approx. 1,040k dots, Approx. 100% Field of view 3:2 aspect / Wide viewing angle, Approx. 1040k dots, Approx. 100% Field of view Wide viewing angle / Approx. 100% Field of view aspect / Wide viewing angle, Approx. 1040k dots, Approx. 100% Field of view Viewfi nder OLED Live Viewfi nder (2,359k dots) OLED Live Viewfi nder (2,360k dots) OLED Live Viewfi nder (2,360k dots) OLED Live Viewfi *Simulatednder (2,360k dots) image LCD Live Viewfi nder (2,765k dots equivalent) Live Viewfi*Simulated nder (1,166k image dots) – AF Sensor Wi-Fi IEEE 802.11b / g / n, 2412 MHz–2462 MHz (11 ch), Wi-Fi / WPA / WPA2, Infrastructure mode, IEEE 802.11b / g / n, 2412 MHz–2462 MHz (1–11 ch), Wi-Fi / WPA / WPA2, IEEE 802.11b / g / n, 2412 MHz–2462 MHz (1–11 ch), Wi-Fi / WPA / WPA2, IEEE 802.11b / g / n, 2412 MHz–2462 MHz (1–11 ch), Wi-Fi / WPA / WPA2, IEEE 802.11b / g / n, 2412 MHz–2462 MHz (1–11 ch), Wi-Fi / WPA / WPA2, IEEE 802.11b / g / n, 2412 MHz–2462 MHz (1–11 ch), Wi-Fi / WPA / WPA2, IEEE 802.11b / g / n, 2412 MHz–2462 MHz (1–11 ch), Wi-Fi / WPA / WPA2, WPS, Wi-Fi Direct Infrastructure mode Infrastructure mode Infrastructure mode Infrastructure mode Infrastructure mode Infrastructure mode Dust- / Splashproof / Magnesium alloy – – – – – – LUMIXOSD language G TECHNOLOGY 16 e. g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian, Dutch 17 e. g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian, Romanian 16 e. g. English, German, French, Italian, Spanish,0413 Polish, Czech, Hungarian, Dutch 16 e. g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian 17 e. g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian 16 e. g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian 16 e. g. English, German, French, Italian, Spanish, Polish, Czech, Hungarian INTERFACE Recording media SD Memory Card, SDHC Memory Card, SDXC Memory Card SD Memory Card, SDHC Memory Card, SDXC Memory Card SD Memory Card, SDHC Memory Card, SDXC Memory Card SD Memory Card, SDHC Memory Card, SDXC Memory Card SD Memory Card, SDHC Memory Card, SDXC Memory Card SD MemoryCONVENTIONAL Card, SDHC Memory Card, SDXC Memory Card DSLR SD Memory Card, SDHC Memory Card, SDXC Memory Card IMAGEUSB GALLERY USB 2.0 High Speed Multi USB 2.0 Micro-B USB 2.0 High Speed Multi 1417 USB 2.0 High Speed Multi USB 2.0 Micro-B USB 2.0 High Speed Multi USB 2.0 High Speed Multi HDMI microHDMI TypeD / VIERA Link; Audio: Stereo, 59.94Hz: Auto / 4K / 1080p / 1080i / 720p / microHDMI TypeD / VIERA Link; Video: Auto / 4K / 1080p / 1080i / 720p / 576p; Audio: microHDMI TypeD / VIERA Link; Video: Auto / 4K / 1080p / 1080i / 720p / 480p microHDMI TypeD / VIERA Link ; Video: Auto / 4K / 1080p / 1080i / 720p / 576p microHDMI TypeD / VIERA Link; Video: Auto / 4K / 1080p / 1080i / 720p / 576p; microHDMI TypeD / VIERA Link ; Video: Auto / 1080p / 1080i / 720p / 480p (576p microHDMI TypeD / VIERA Link; Video: Auto / 1080p / 1080i / 720p / 480p (576p 480p, 50.00Hz: Auto / 4K / 1080p / 1080i / 720p / 576p Stereo; Monitor-through: 4:2:2/8-bit (576p in PAL system); Audio: Stereo Audio: StereoLUMIX G DSLM Audio: Stereo in PAL system);CONVENTIONAL Audio: Stereo DSLR in PAL system) ; Audio: Stereo Battery Grip / Remote Input / Flash Sync. (optional BGGH3) / Ø 2,5 mm / • (for ext. fl ash) DMW-BGG1 (optional) / Ø 0,25 mm / – – / Ø 2,5 mm / – – / Ø 2,5 mm / – - / Ø 2,5 mm / - – – LUMIXBuilt-in Mic G / Built-in MODELS Speaker / Audio Jack Stereo, Wind-cut: OFF, Low,Standard, High, AUTO / Monoaural / Ø 3.5 mm Stereo, Wind-cut: OFF / Standard / High Stereo, Wind-cut: OFF, Low,Standard, High,1833 AUTO / Monoaural / Ø 3.5mm Stereo, Wind-cut:+ LiveOFF, Standard, Viewfinder High / Monoaural /for Ø 2.5 real mm time imageStereo, preview Wind-cut: OFF, Standard, High / Monaural Stereo, –Wind-cut: Optical OFF, Standard, Viewfinder High / Monoaural does/ – not show pictureStereo, Wind-cut:preview OFF, Low,or Standard,settings High, AUTO / Monaural / – POWER + Mobility: compact and lightweight system – Mobility: bulky and heavy system Battery Li-ion Battery Pack (7.2V, 1860mAh) (Included), Battery Charger Li-ion Battery Pack (7.2V, 1200mAh, 8.7Wh) (included) Li-ion Battery Pack (7.2V, 1200mAh, 8.7Wh) (Included), Battery Charger Li-ion Battery Pack (7.2V, 1200mAh, 8.7Wh) (Included), Battery Charger Li-ion Battery Pack (7.2V, 1025mAh, 7.4Wh) (Included) Li-ion Battery Pack (7.2V, 680mAh, 4.9Wh) (Included), Battery Charger Li-ion Battery Pack (7.2V, 680mAh, 4.9Wh) (Included), Battery Charger LENS TECHNOLOGY 3437 + Autofocus: AC Adaptor (Input: 110–240V AC) (Included, connect with USB cable) – Autofocus: Battery life (CIPA standard)** Approx. 530 images with H-HS12035, Approx. 530 images with H-FS14140 Approx. 330 images (rear monitor), 320 images (LVF) with H-FS12060 (TBD) Approx. 360 images with H-FS1442A, Approx. 350 images with H-FS14140 Approx. 330 images (rear monitor), 310 images (LVF) with H-HS12035 Approx. 290 images (rear monitor), 270 images (LVF) with H-FS12032 / Approx. 210 images (rear monitor), 220 images (LVF) with H-FS12032 Approx. 230 images with H-FS12032, Approx. 210 images with H-PS14042 Approx. 320 images (rear monitor), 310 images (LVF) with H-FS14140 (TBD) Approx. 350 images with H-FS45150 Approx. 340 images+ (rear Touch monitor), focus 320 images via (LVF) display with H-FS1442A H-FS35100 / Approx. 280 images (rear monitor), 260 images (LVF) with – No Touch Focus via display Approx. 230 images with H-FS35100 H-H020A / H-FS14140 LENSESDimensions (W × H × D) 132.9 × 93.4 × 83.9 mm / 5.23 × 3.68 × 3.30 inch (excluding protrusions) 128.4 × 89 × 74.3 mm / 5.06 × 3.50 × 2.93 inch (excluding protrusions) 124.9 × 86.2 × 77.4 mm / 4.92 × 3.39 × 3.05 inch3851 (excluding protrusions) 133.2 × 77.9 × 63.1+ mm Fast/ 5.24 × 3.07Live × 2.48 View inch (excluding autofocus protrusions) using Viewfinder122 × 70.6 × 43.9 mm and/ 4.80 × 2.78monitor × 1.73 inch (excluding protrusions) 98.5 × 59.5 ×– 36.1 Slow mm / 3.88 autofocus × 2.34 × 1.42 inch in(excluding Live protrusions) View 106.5 × 64.6 × 33.3 mm / 4.2 × 2.55 × 1.32 inch (excluding protrusions) Weight Approx. 560g / 19.75 oz (SD card, Battery, Body) Approx. 505g / 1.11 lb (SD card, Battery, Body) Approx. 410g / 0.90 lb (SD card, Battery, Body) Approx. 487g / 1.07 lb (SD card, Battery, Body) Approx. 426g / 0.94 lb (SD card, Battery, Body) Approx. 211g / 0.46 lb (SD card, Battery, Body) Approx. 266g / 0.59 lb (SD card, Battery, Body) STANDARD ACCESSORIES + Flexible focus points – Fixed focus points Standard Accessories included Battery Charger (AC Cable included), Battery Pack, Body Cap, Hot Shoe Cover, USB Hot Shoe Cover, Body Cap, Battery Pack, Battery Charger, AC Cable, USB Connection Hot Shoe Cover, Body Cap, Battery Pack, Battery Charger, USB Connection Cable, Hot Shoe Cover, Body+ Cap, Precision Battery Pack, Batteryautofocus Charger, USB for Connection taking videosHot Shoe Cover, Battery Pack, AC Adaptor, USB Connection Cable, Battery Pack,– Battery Slow Charger, autofocus USB Connection when Cable, Shoulder shooting Strap, DVD- videosBattery Pack, Battery Charger, USB Connection Cable, Shoulder Strap, DVD- ACCESSORIES Connection Cable, Shoulder Strap Cable, Shoulder Strap Shoulder Strap, DVD, AC Cable2 5253 Cable, Shoulder Strap, DVD, AC Cable2 Shoulder Strap, Body Cap ROM, AC Cable2, Lens Cap, Flash, Flash Storage Bag, Hot Shoe Cover ROM, AC Cable2, Lens Cap + Silent shooting – Sounds cannot be switched off TECHNICAL SPECIFICATIONS 5455 Page 04 LUMIX G TECHNOLOGY Page 05 LUMIX G TECHNOLOGY

LARGE SENSOR

THE HEART OF FLEXIBLE PICTURE QUALITY

LUMIX G cameras boast extraordinary picture quality and Resolutions of up to 20,3 megapixels guarantee detailed picture quality. SYSTEM crystal-clear shots. There are many reasons for this, and one Clean colours also speak for themselves, as do balanced transitions without of them is the Live MOS sensor. Interacting with high-quality loss of resolution. And colour and luminance noise? It’s effectively prevented optics and a powerful processor, it lays the foundation for even at high ISO ratings. So you can snap away without a care even in low brilliant photographs. light conditions.

Give free rein to your creativity – the Live MOS sensor gives you Size matters? Yes, but not only size. What is crucial is that sensor size, plenty of leeway and guarantees fantastic shots. system set-up and image processing all match up. It is this interplay FIND THE ONE which has been optimised in the LUMIX G models. The result is that more and more photographers appreciate the modern aspects of our mirrorless FOR YOU system and use LUMIX G cameras for taking great shots.

It would be odd if the digital revolution simply passed photography by. And it hasn’t: purely digital and mirrorless interchangeable-lens systems (DSLM) are the stars of the photographic universe, free of the analogue Ultrasound dust illumination Dust it down: the fully automatic Supersonic heritage of complicated single lens reflex systems (DSLR). Wave Filter is integrated into LUMIX G models. It utilises 80,000 vibrations per second to sweep away particles such as dust and dirt Why be an old-fashioned photographer when you can be modern? from the sensor. This means you can change Discover pioneering photography and find precisely the LUMIX G your lens without worrying and still achieve unblemished pictures. that suits you. And take a look at our numerous interchangeable lenses. A new level of freedom is within reach.

Large sensor with 21.3 mm diameter Page 06 LUMIX G TECHNOLOGY Page 07 LUMIX G TECHNOLOGY

LIVE VIEWFINDER DISPLAY

FOR TOTAL FREEDOM FOR NEW WAYS IMAGE CONTROL OF LOOKING AT THINGS

Do not like to do things by halves? Then you’re in the best company. Get a new angle on your pictures. LUMIX G cameras are equipped with a 270° LUMIX G’s motto is: do things properly, or don’t do them at all. Take flexible* display on the backside. While others have to bend to get creative the Viewfinder for instance. Because the image comes straight from shots, you get the perfect image straight in the box. Selfie, low angle or 180° the sensor, our Viewfinder is called Live Viewfinder (LVF) and shows overhead shots – you can turn the LUMIX G whichever way you want and precisely the field of view that the lens is currently capturing. They you’ll always capture the perfect picture. show it properly, in other words.

The LUMIX G is a true perfectionist in other ways as well. It displays every image effect and the results of white balance, colour effects, lighting and many other functions. Another benefit: Image effects Selective colour (red) image effect Unlike single lens reflex, when you focus manually, sections of the image are shown in the Viewfinder enlarged in the Viewfinder allowing you to concentrate on what’s important, so you don’t need to take your camera away from your eye to check settings.

Selfie shots Low angle shots Overhead shots Display Guard – never get another scratch A tiltable display is a true eye-opener when Thanks to a vertically pivoting display you For your next overhead shots you won’t have to Nothing is more annoying than getting a it comes to the popular selfie format. Because no longer have to go down on your knees to climb onto a chair or ladder to see the picture scratch on your display. Fortunately it won’t you can move it around the way you want to, capture something small at eye-level. You’ll in your Viewfinder. Instead you’ve got a folding happen to you now. After filming or photo- you’ll find it easier to put yourself in the soon discover how much fun it can be to take display. So while you stay firmly on the ground graphing, simply fold in the LUMIX G display. picture. No more limits on your creativity. macro photos. you can see things from a bird’s-eye perspec- Forewarned is forestalled. You’re free to do it yourselfie… tive. Clever, don’t you think? LUMIX G LUMIX G DSLM BENEFITS 100 % field of view + 100 % field of view + All image effects shown LUMIX G DSLM BENEFITS + The white balance and EV correction are immediately visible + Shoot from any angle + Aspect ratios 4:3, 3:2, 1:1, 16:9 can be shown + All settings are shown directly + Focus assist when focusing manually + Intuitive Touch operation via the touchscreen

DSLR <100 % field of view

*Free-angle display: GH5, GX8, G80, G7; Tiltable display: GX800, GX80, GF7 Page 08 LUMIX G TECHNOLOGY Page 09 LUMIX G TECHNOLOGY

AUTOFOCUS & TOUCH DISPLAY

FOCUS ON THE AUTOFOCUS MODES – OVERVIEW TINIEST DETAILS

Frame up, focus, shoot – in some situations you’ve got to be TOUCH DISPLAY – GET IN TOUCH WITH INTUITIVE OPERATION quick otherwise you’ll miss the ideal picture. Do you share our vision that a camera should be complex but not LUMIX G cameras have a super fast and precise autofocus. complicated? That’s why every LUMIX G model has a big touchscreen. How does it work? It gives you a complete overview, and operating it is wonderfully intuitive.

While DSLR cameras still work with a separate autofocus sensor – Focus on details of your picture or make use of our practical auto- Pinpoint AF Manual focusing Select spot autofocus from the menu and tap the area of the image Focusing can be done automatically or manually. Manual fine fo- which can easily produce inaccuracies – the LUMIX G sensor performs focus tracking – this feature follows your subject as it moves. area you want to focus on. Next, enlarge the picture to define exactly cusing is also possible in autofocus mode. Either way, a moveable autofocus as well. That’s how LUMIX G cameras achieve superb results Oh yes, and you can shoot using the display as well. One touch is where you want to focus. Now all you have to do is shoot. touchscreen focus assist (picture in picture) makes precision focusing easier. in video and photography. enough – and click.

DEPTH FROM DEFOCUS (DFD) TECHNOLOGY – PRECISION AND CLARITY, ONLY QUICKER The Depth from Defocus (DFD) technology achieves optimised focus within a split of a second. To achieve this, Panasonic has further developed its contrast autofocus.

© Daniel Cox 2016 The processor calculates the distance from the subject from two as-yet unfocused images with different depths of focus. Working together with AF tracking 1-Area / 49-Area AF the LUMIX G lens, the camera will then calculate the correct distance, focus When this function is active, autofocus will follow the details of the In 1 field mode, the autofocus focuses on an area of the field of view. In 49 subject which you have touched (the bird in this example). This is field AF, the LUMIX G automatically selects one or more of 49 fields. on it and perform fine-tuning. especially useful when shooting a video.

LUMIX G BENEFITS + Fast and precise autofocus + No delay in Live View + Focus anywhere in the image + Intuitive focusing by using the touchscreen Face / Eye detection Focus peaking – the ultimate focus test Your LUMIX G doesn’t just recognise faces. With a tap of the finger The new LUMIX G helps you wherever it can – including when you focus the camera can also focus on details – now even eye recognition is manually. The edges of the picture area you have selected are highlighted possible. in colour on the display so that you can see straight away whether the right details are in focus. Now that’s what we call a good photographic assistant… Page 10 LUMIX G TECHNOLOGY Page 11 LUMIX G TECHNOLOGY

4K / 6K PHOTO & 4K VIDEO POST FOCUS © Jonas Borg 2016

4K / 6K PHOTO – CAPTURE POST FOCUS – SHOOT THE PERFECT MOMENT NOW, FOCUS LATER REC

4K RESOLUTION – 4K isn’t just attractive to filmmakers, this revolutionary quality also offers The Post Focus feature allows you to focus on any number of different areas new possibilities to photographers. Its high-resolution allows you to extract of an image – even after the picture has been taken. Serial exposures in 4K high quality still images and save them as JPEGs. With frame rates of up to resolution are taken at 30 images per second, and the focus moves through THE KEY TO 60 frames per second, you can be sure to capture that perfect moment. as many as 49 areas with different focal points – from near to far. After that you simply touch the area you want to focus on and the image is focused PERFECT VIDEOS The new 6K PHOTO mode that comes with the new LUMIX GH5 at 30 frames automatically. As soon as the focused and unfocused areas of the image are per second allows you to capture the perfect moments at a stunning the way you want them, you can save the shot as a separate photograph. 18-megapixel high-resolution JPEG. Feel for a great documentary? Then why not film one yourself? You can But all the other LUMIX G models are great at shooting That means you can decide later about where your focal plane (or planes) record 4K videos in up to 3840 × 2160 pixels and 60 frames per second. We movies, too – just like you. Simply press the Direct Video should lie. This feature also provides assurance when photographing difficult know that the ultra-clear video quality of LUMIX G cameras will bowl you button and they take brilliant 4K picture quality videos subjects, such as macro shots. over from the very first scene. With its intuitive operation and extraordinary almost by themselves. professionalism, the LUMIX G will make you a star director in a flash. An intelligent automatic mode immediately recognises the situation Choose between formats like MOV, MP4 and AVCHD as well as lots of differ- and selects a suitable image program. Stop limiting your creativity – LUMIX G BENEFITS 4K / 6K PHOTO ent frame rates. Pros will love the fact that the GH5 can even show pictures the LUMIX G certainly doesn’t. + Extract a still image from a Video on an external monitor or send them to a hard drive in real time using a HDMI + Faster frame rate than in burst shooting cable while you shoot. + Never miss a perfect moment again

LUMIX G POST FOCUS BENEFITS + Select the ideal focal plane, Post Focus Focused up front or further back? later on after shooting Post Focus opens up completely + More creative freedom and perfect photographs new possibilities. LUMIX G BENEFITS 4K VIDEO + Higher resolution, realistic image on 4K TVs + Fantastic picture on Full HD TVs as well + Video editing with lots of benefits: Full HD cut-out from 4K image, subject tracking, zooming, balancing skew horizons

4K vs. Full HD Whether you watch videos or edit your own, 4K offers the sharpest viewing experience you have ever had. 4K Ultra HD resolution achieves four times the quality of Full HD. That means more details, more colours and more depth of focus. © Jonas Borg 2016 Page 12 LUMIX G TECHNOLOGY Page 13 LUMIX G TECHNOLOGY TECHNICAL OPERATION COMPARISON

GH5 G80 G7 GX8 GX80 GX800 GF7 SOUNDLESS, WIRELESS, SENSOR FAULTLESS – Micro Four Thirds Sensor 20,3MP 16MP 16MP 20,3MP 16MP 16MP 16MP VIEWFINDER

THE LUMIX EXPERIENCE Viewfinder OLED OLED OLED OLED LCD VIEWFINDER VIEWFINDER VIEWFINDER VIEWFINDER VIEWFINDER

DISPLAY DUAL IMAGE STABILISER (DUAL I.S.) SILENT SHUTTER FREE-ANGLE- FREE-ANGLE- FREE-ANGLE- FREE-ANGLE- TILTING TILTING TILTING This technology is the first to combine image stabilising features in the lens Every LUMIX G model comes with the Silent Shutter feature. It’s great if Free-angle / Tiltable display DISPLAY DISPLAY DISPLAY DISPLAY DISPLAY DISPLAY DISPLAY and the sensor to better compensate for camera shake. Many LUMIX G lenses you don’t want to disturb the scenery with annoying clicks or draw unwanted are already equipped with optical image stabilisers, which allows every attention to yourself. Think, for example, of formal moments at a wedding. Touch operation LUMIX G camera to take more stabilised images especially in telephoto shots. Animal photography is also much easier because there are no unwanted In GH5 and G80 the new DUAL I.S. 2 (5-Axis) achieves even better photography noises to unsettle the subject. It’s details like these that can make an AUTOFOCUS results and shake-free shots. The astonishing power of the 5-axis Body I.S. extraordinary difference – the difference between an almost perfect photo corrects shake for all lenses, including classic lenses not equipped with O.I.S. and an absolutely perfect one. Autofocus DFD-AF DFD-AF DFD-AF DFD-AF DFD-AF DFD-AF

Focus Peaking

4K FUNCTIONS

4K Video

6K / 4K PHOTO

Conventional Image Stabilisation Dual Image Stabilisation Post Focus

OPERATION WI-FI AND NFC™ – WIRELESSLY CONNECTED INTELLIGENTLY AUTOMATIC LUMIX G cameras are smart devices which suit your networked lifestyle They say the first step is always the hardest, but it isn’t with the LUMIX G. Wi-Fi perfectly. With integrated Wi-Fi they offer some great features and make Its intelligent automatic mode (iA) relieves beginners of every complicated photography wonderfully flexible. For example, you can control your LUMIX G camera setting. NFC™ fully using your mobile device.

That means face recognition, ISO control, contrast and autofocus tracking of Intelligent automatic mode Upload your holiday images straight onto social networks or archive them on moving subjects are all regulated by the LUMIX G on its own. If you just want your mobile phone. All LUMIX G cameras have built-in Wifi connectivity which to take things step by step, you can change functions such as depth of field, makes use of you home network or in case a Wifi network is out of reach brightness and colour using the touchscreen or the menu cross. As you can Silent shutter directly connect with your smartphone. see, professional photography can be child’s play. Image Stabiliser

Hot shoe

LUMIX G BENEFITS + Effectively prevents shaky images Built-in flash + Connects wirelessly to external devices + Silent photography without annoying clicks Splash-, dust-, freezeproof + Beginner-friendly fully automatic option Scene recognition: macro LUMIX Ambassadors Logo Update V1 | Wednesday 24th June PRIMARY LOGO / OPTION 1

Page 14 IMAGE GALLERY Page 15 IMAGE GALLERY White Background Black Background

On the following pages you can discover stunning images taken by our Ambassadors LUMIX Ambassadors showcasing their creative skills who benefit from all the functions and features of Panasonic’s LUMIX G range of cameras.Ambassadors Ambassadors

Ambassadors Ambassadors

LUMIX GX8 Daimon Xanthopolous

LUMIX GX80 Olivier Lavielle

LUMIX GX8 LUMIX GH5 Marco Crupi Daniel Berehulak Page 16 IMAGE GALLERY Page 17 IMAGE GALLERY

LUMIX G80 Mitchell Kanashkevich

LUMIX GX8 LUMIX GX80 Mikolaj Nowacki Joseph Linaschke Page 18 LUMIX G MODELS Page 19 LUMIX G MODELS GX8 THE ONE THE ONE FOR YOU TAKING INCREDIBLE IMAGES

PAGE 26–27

GH5 GX80 THE ONE THE ONE WINNING AWARDS CAPTURING LIFE ON THE MOVE

PAGE 20–21 PAGE 28–29

G80 GX800 THE ONE THE ONE FOR THE ADVENTURE THAT GETS THE MOST LIKES

PAGE 22–23 PAGE 30–31

G7 GF7 THE ONE THE ONE INTRODUCING 4K TO EVERYONE THAT’S GOT THE LOOK

PAGE 24–25 PAGE 32–33 Page 20 GH5 Page 21 GH5

GH5 FOR PROFESSIONAL 4K VIDEO AND PHOTO REQUIREMENTS Say Hello to the LUMIX GH5. Our latest addition to the NEW LUMIX G family. It has all it needs for ambitious photographers and film makers.

4K 60p / 50p Smooth Quality Video Ultra Fast Motion Detection & Focus Never Miss A Shot with 6K / 4K PHOTO THE ONE WINNING AWARDS

The LUMIX GH5 takes professional Panasonic’s innovative DFD (Depth Shoot with unlimited burst, then shooting performance to another level From Defocus) technology is constantly choose and extract the exact frames with high-precision, silky smooth 4K evolving and its just got even better. DFD you want to keep. The new 6K PHOTO 60p / 50p (QFHD 4K: 3840 × 2160 / MOV allows the LUMIX GH5 to calculate focal mode at 30fps allows you to capture TECHNICAL HIGHLIGHTS OF THE LUMIX GH5 or MP4) video recording capability. lens movement by comparing depth of the perfect moments at a stunning Faster frame rates mean excellent field values of two images at incredibly approx. 18-megapixel high-resolution. 20,3 MP Digital Live MOS sensor – without low pass filter motion compensation plus you can slow high speed. A newly adopted motion The Ultra-high-speed 4K PHOTO mode down footage inside your video editing detector accurately tracks fast moving at 60fps freezes even faster motion Dual I.S.2 (5-axis) – combining body and lens stabilisation timeline without losing detail. subjects, and enables smooth 4K PHOTO / which is simply not possible in VIDEO & 6K PHOTO recording. conventional cameras. Perfect rendering – Internal 4:2:2 10-bit 4K video recording

4K Video – Unlimited 4K Video recording in 50p / 60p

The LUMIX GH5 in brief Available in the Professional Connectors – full-sized HDMI port, optional following colours battery grip and XLR mic adaptor

Depth from Defocus (DFD) Autofocus – fast and precise

6K & 4K PHOTO – extract up to 18 MP JPEG from video

Free-angle Touchscreen – 8 cm large display with 1.6 MP

Splash-, dust- and splashproof – built to withstand 1 3 2 4 5 6 7 8 9 10

Live Viewfinder (LVF) –perfectly frame your shots 1: External mic-in 2: OLED Viewfinder3: HDMI Type-A connector 4: Free-angle 3.2-inch LCD touchscreen 5: Joystick Controller 6: Thumb control dial Smart storage – Dual S.D. card slot 7: Hot shoe 8: Index finger dial9: Wi-Fi access indicator 10: Direct access buttons for white balance ISO setting and exposure compensation

G80 THE ONE FOR THE ADVENTURE When life’s adventures take you places, you need a camera that can keep up. Perfect for outdoor shooting, the Dual Image Stabiliser helps you take crisper, clearer images in difficult or fast-moving environments, while the splash and dust proofed compact body and kit lens allow for huge flexibility wherever your trip takes you.

DUAL I.S. image stabiliser 4K PHOTO Splash and dust proof THE ONE FOR THE ADVENTURE

The LUMIX G80 integrates DUAL I.S.2 The 4K PHOTO feature on the LUMIX G80 Rugged enough to withstand even the (Image Stabiliser)*1, combining body and allows you to capture the perfect mo- most challenging environments, the lens stabilisation to gain more powerful ment by selecting a frame from a video LUMIX G80 boasts a splash / dustproof handshake correction and compensating sequence (shot at 30fps) in camera, and body and kit lens. With the latest your shots up to 5 F-Stops*2 . The 5-axis saving it as an individual high-res image. features condensed into a compact and stabilisation works in both wide and tel- Simply shoot, select and save, to make mobile design, it gives you the flexibility ephoto photography and motion picture those fleeting moments unmissable in and freedom to never stop exploring. recording including 4K Video. every sense. *1 DUAL I.S.2 available with lens firmware upgrade. TECHNICAL HIGHLIGHTS OF THE LUMIX G80 *2 Based on the CIPA standard.

16MP Live MOS Sensor – without low pass filter

DUAL I.S.2 (5-axis) – combining body and lens stabilisation The LUMIX G80 in brief Available in the following colours 4K Video – recording in ultra high res

4K PHOTO – never miss the perfect moment

Post Focus – Shoot now, focus later

Depth from Defocus (DFD) Autofocus – fast and precise

Free-angle Touchscreen – 7,5 cm large display with 1.04 MP 1 2 3 4 6 5 6 7 4

Live Viewfinder (LVF) –perfectly frame your shots

Splash and dust proof – uncompromising in every situation 1: Popup flash release2: OLED Viewfinder3: Free-angle 3-inch LCD touchscreen 4: Thumb control dial 5: Hot shoe 6: Mode dials 7: Index finger dial

G7 FOR A NEW ALLIANCE BETWEEN PHOTO AND VIDEO The LUMIX G7 takes photography a step further. It combines photo and video at a new level of quality. And with its 4K resolution it offers the stuff that photographic dreams are made of. Discover the LUMIX G family’s multi-talented member today.

4K PHOTO and Video OLED Viewfinder and touchscreen Fast autofocus (DFD) THE ONE INTRODUCING 4K TO EVERYONE

Now you’ll never miss the perfect shot Like a bit of clarity? 2.4 million pixels Fast and accurate – that’s how we all again. Thanks to the 4K PHOTO function, in the G7’s Viewfinder will help you get want autofocus to be. But the hybrid you can extract a still image from a video it. This is enabled by OLED technology. contrast autofocus is even quicker and sequence. That means you’re accessing The backside display ensures that when more precise. This is because of Depth a wealth of pictures taken at 30 images you seek, you also find. The reproduced from Defocus (DFD), which reduces per second – any of which could make image automatically switches between focusing time and achieves a shooting a dazzling 8 megapixel image for your the Viewfinder and display by means of delay of no more than 0.07 seconds. The photo album. an eye sensor. As you can see, the G7 G7’s speed is of course especially useful adjusts itself to you in every sense. when your aperture goes up.

TECHNICAL HIGHLIGHTS OF THE LUMIX G7

16MP Live MOS sensor – for brilliant picture quality The LUMIX G7 in brief Available in the following colours 4K Video – for the very best detailed clarity

4K PHOTO – never miss the perfect moment

Depth from Defocus (DFD) Autofocus – fast and precise

Live Viewfinder (LVF) – perfectly frame your shots

Free-angle Touchscreen – 7,5 cm large display with 1.04 MP 1 2 3 4 5 7 6 8

Burst Shooting at 8 f / s and full resolution – for faster shots 1: External microphone input 2: OLED Viewfinder3: Free-angle 3-inch LCD touchscreen 4: Hot Shoe; 5: Mode dials 6: Thumb control dial 7: Index finger dial Wi-Fi functionality – smart control via your smartphone or tablet 8: Video record button Page 26 GX8 Page 27 GX8

GX8 FOR 4K EXCELLENCE AND CONSTANT READINESS You don’t get a second chance to make a first impression. Not that the GX8 needs a second chance: its appealing retro look quickly gets heads turning. Thanks to its new 20 megapixel sensor and dual image stabilisers, what begins with fascination will quickly turn to delight once you’ve taken your first photographs.

DUAL I.S. image stabiliser 20,3 megapixel sensor 4K PHOTO and Video THE ONE TAKING INCREDIBLE IMAGES

Stability means strength – and that The GX8’s picture quality is breathtaking. 4K resolution produces pictures of a applies to photography as well. The A new 20,3 megapixel MOS sensor will completely new quality. But this DUAL I.S. image stabiliser means that an have in you raptures. And together with camera’s photo and video features are unsteady camera doesn’t impact the shot our newly developed Venus Engine also pioneering. You can choose from negatively. This is the first time processor, it forms a genuine dream team, various continuous shooting modes, that an image stabiliser has been united achieving exceptionally true colours and depending on the subject. And better in the lens and sensor-shift so as to enormously detailed clarity. In short: still, shoot in video mode then extract better compensate for wobbling. moving pictures. your dream photo from the movie.

TECHNICAL HIGHLIGHTS OF THE LUMIX GX8

20MP Live MOS sensor – for our very best picture quality The LUMIX GX8 in brief Available in the following colours DUAL I.S. – combining body and lens stabilisation

4K Video – for the very best detailed clarity

4K PHOTO – never miss the perfect moment

Depth from Defocus (DFD) Autofocus – fast and precise

Tiltable Live Viewfinder (LVF) –perfectly frame your shots 1 2 3 4 5 6 7 8 9 Free-angle Touchscreen – 7,5 cm large display with 1.04 MP 1: HDMI, AV OUT / DIGITAL, remote / mic socket 2: Free-angle 3-inch OLED touch display 3: Tiltable OLED Viewfinder4: Thumb finger dial5: Hot shoe Splash and dust proof – uncompromising in every situation 6: Double mode dial 7: Thumb control dial 8: Index finger dial9: Video record button Page 28 GX80 Page 29 GX80

GX80 CAPTURING LIFE ON MOVE When searching the streets for inspiration, the LUMIX GX80 reacts as quickly as you do. Dual Image Stabiliser helps you take crisper, clearer images in difficult or fast-moving environments, while the Post Focus function gives you the freedom to choose the focus point even after you have taken the shot.

THE ONE CAPTURING 4K PHOTO DUAL I.S. image stabiliser Tiltable display LIFE ON MOVE

Our 4K PHOTO feature lets you capture Ideal for capturing life on the go, the Thanks to its tiltable LCD display on the perfect moment by selecting a frame LUMIX GX80 integrates DUAL I.S. the backside of the camera, you can from a video sequence (shot at 30fps) combining body and lens stabilisation to control your shots and set focus without in camera, and saving it as an individual gain more powerful handshake correction looking trough the viewfinder. high-res image. Simply shoot, select and and compensating your shots. The 5-axis This makes the camera perfect for save, to make those fleeting moments DUAL I.S. works in both wide and unnoticed street photography. unmissable in every sense. telephoto photography and motion picture recording including 4K Video. TECHNICAL HIGHLIGHTS OF THE LUMIX GX80

16MP Live MOS Sensor – without low pass filter The LUMIX GX80 in brief Available in the following colours DUAL I.S. (5-axis) – combining body and lens stabilisation

4K Video – recording in ultra high res

4K PHOTO – never miss the perfect moment

Post Focus – Shoot now, focus later

Depth from Defocus (DFD) Autofocus – fast and intuitive focusing 1 2 3 4 5 7 6 Tiltable Touchscreen – 7,5 cm large display with 1.04 MP

Live Viewfinder (LVF) –perfectly frame your shots 1: LCD Viewfinder2: Tiltable 3-inch LCD touchscreen 3: Thumb control dial 4: Hot shoe 5: Video record button 6: Mode dial 7: Index finger dial Page 30 GX800 Page 31 GX800

GX800 LOTS OF PERFORMANCE IN A SMALL PACKAGE Can a compact body produce outstanding picture quality? NEW The LUMIX GX800 proves it can. It also boasts extraordinary features in a very small space. It’s perfect for social bloggers and photographers who want to stay connected and share their lifestyle.

Big image sensor Wi-Fi and Easy Upload Selfie Modes THE ONE THAT GETS THE MOST LIKES

Some like sunshine, others like dusk Put your next post online with ease Get the perfect selfie in stunning quality and candlelight. But the GX800 likes and inspire your followers. With Wi-Fi with a 180 degree tiltable screen and every kind of light. A 16-megapixel connectivity, you can instantly upload advanced selfie functions, including Live MOS Sensor without low pass and share your pictures on social media hands-free modes (Face Shutter, Buddy filter keeps track of every single using the ‘Panasonic Image App’ on Shutter and Jump Snap) and the new detail – even when you’re filming. It’s a your smartphone or tablet. Beauty Retouch, Panorama Selfie and revelation for high-end photography. Background Control features. You can even use 4K Photo in selfie mode to capture awesome selfies in action at 30 frames per second.

TECHNICAL HIGHLIGHTS OF THE LUMIX GX800 The LUMIX GX800 in brief Available in the following colours 16 MP Live MOS Sensor – without low pass filter

Depth from Defocus (DFD) Autofocus – fast and precise

Wifi Connection & Easy Upload –for instant posting

4K Video – recording in ultra high res

4K PHOTO – never mitss the perfect moment

LCD Touchscreen – 3-inch monitor for intuitive touch operation 1 2 3 4 7 6 5

4K Selfie –advanced selfie functions 1: Live Viewfinder2: Tiltable 3-inch LCD touchscreen 3: Flash release button 4: Video record button 5: Mode dial 6: 4K PHOTO mode button 7: Second Shutter for Selfies

GF7 EFFORTLESS CONVENIENCE AND PERFECT TECHNOLOGY The LUMIX GF7 is picture-perfect in a dual sense. It boasts exceptional clarity, low noise and lots of details. And it’s great to look at. With a folding display, you can take selfies, too.

Wi-Fi control & NFC™ technology 180° tilt display Built-in pop-up flash THE ONE THAT’S GOT THE LOOK

Smartphone or tablet as a photo assistant? A large LCD display lets you keep tabs There are numerous technical features Of course – thanks to its Wi-Fi module and of everything. It shows you the entire behind the compact exterior of the NFC™ technology (Near Field Commu- image you’re shooting, and with 1.04 LUMIX GF7. That includes a foldout nication). Put the devices together and million pixels it boasts top resolution. flash which only appears when you want they talk. You can make settings such as Because it can fold 180° upwards and 45° it to and gives you scope for creative aperture, shutter speed, focusing, exposure downwards, you can take in any direction photographs. compensation and more using your mobile you like – including perfect selfies any device – and you can send photos, too. time and any place.

The LUMIX GF7 in brief Available in the following colours TECHNICAL HIGHLIGHTS OF THE LUMIX GF7

16 MP Live MOS sensor – for excellent picture quality

High-speed autofocus – with 0.06 sec. shot delay and silent mode

Tiltable Touchscreen – 7,5 cm large display with 1.04 MP

50p Full HD video recording – with continuous autofocus 1 2 3 4 5 6 Wi-Fi and NFC™ – for comprehensive functionality

Fast Burst Shooting – 5.8 f / s at full resolution (40 f / s at 4 MP) 1: Tiltable 3-inch LCD touchscreen 2: Flash release button 3: Video record button 4: Second Shutter for Selfies5: iA mode button 6: Mode dial Page 34 LENS TECHNOLOGY Page 35 LENS TECHNOLOGY LENSES

LENSES AND THEIR FOCAL LENGTHS – A COMPARISON To help you find your way around, here is a list of all our lenses and their focal lengths. Take your time to compare them.

20 30 40 50 60 70 80 90 100 200 300 600 900 FOCAL LENGTH (35mm camera equivalent) ULTRA WIDE-ANGLE H-F007014 7–14 mm F4.0 ASPH. HIGH ZOOM H-FS14140 14–140 mm F3.5–5.6 ASPH. POWER O.I.S. STANDARD ZOOM H-FS12032 12–32 mm F3.5–5.6 ASPH. MEGA O.I.S. H-HSA12035 12–35 mm F2.8 ASPH. POWER O.I.S. H-FS12060 12–60 mm F3.5–5.6 ASPH. POWER O.I.S. H-ES12060 12–60 mm F3.5–4.0 ASPH. POWER O.I.S. H-PS14042 14–42 mm F3.5–5.6 ASPH. POWER O.I.S. H-FS1442A 14–42 mm F3.5–5.5 II ASPH. MEGA O.I.S. H-FS014045 14–45 mm F3.5-5.6 ASPH MEGA O.I.S. TELE ZOOM H-FS35100 35–100 mm F4.0–5.6 ASPH. MEGA O.I.S. H-HSA35100 35–100 mm F2.8 ASPH. POWER O.I.S. H-FS45150 45–150 mm F4.0–5.6 ASPH. MEGA O.I.S. LUMIX G VARIO 7–14 mm F4.0 YOUR FREEDOM. H-PS45175 45–175 mm F4.0–5.6 ASPH. POWER O.I.S. H-FSA45200 45–200 mm F4.0–5.6 ASPH. POWER O.I.S. OUR LENSES H-FSA100300 100–300 mm F4.0–5.6 MEGA O.I.S. H-RS100400 100–400 mm F4.0–6.3 POWER O.I.S. FIXED FOCAL LENGTH H-X012 12 mm F1.4 ASPH. H-H014A 14 mm F2.5 ASPH. H-X015 15 mm F1.7 ASPH. There’s no such a thing as one single lens for every occasion. But there are lenses for every kind of H-H020A 20 mm F1.7 II ASPH. application. LUMIX G has precisely the lens you need. Conventional LEICA DG or compact LUMIX G ‘X’ H-H025 25 mm F1.7 ASPH. lenses – you’re sure to find what you are looking for. H-X025 25 mm F1.4 ASPH. H-HS043 43 mm F1.7 ASPH. POWER O.I.S. The MICRO-FOUR-THIRDS standard makes things much easier. These lenses weigh very little indeed H-NS043 43 mm F1.2 ASPH. POWER O.I.S. but they don’t impair light intensity or quality. Free of burden, you can enjoy everything professional MACRO photography has to offer. You can completely redefine what flexibility means to you. H-HS030 30 mm F2.8 ASPH. MEGA O.I.S. H-ES045 45 mm F2.8 ASPH. MEGA O.I.S. That special moment has arrived, the time is just right – so capture it with a LUMIX G lens. FISHEYE Discover the thrilling vicissitudes of photography and the ideal LUMIX G companion to deal with them. H-F008 8 mm F3.5 3D H-FT012 12 mm F12 Page 36 LENS TECHNOLOGY Page 37 LENS TECHNOLOGY

PERFORMANCE LIES IN THE DETAILS

HIGH-END LENSES FOR PICTURE-PERFECT RESULTS exclusively in clean-room environments to guarantee absolute flawlessness. When you develop a lens, the smallest of details matter. That’s why the very We have also developed a dedicated instrument for final approval: the ‘UA3P’ LENS highest quality standards are applied in the production of LUMIX G and LEICA conducts objective and numerical assessments with extreme precision. lenses. All of our lenses are manufactured using a production system developed This allows us to check the lenses for criteria such as colour coating and TECHNOLOGY by Panasonic. From manufacture, to quality control, to packaging, we work flaring effects. Three steps to the outstanding LUMIX G lens

Multi-coating Nano surface coating Aspherical lenses IF YOU’RE LOOKING FOR LENS The multi-coating process functions like a sealant. In a Put an end to troublesome reflections – the nano surface Panasonic lenses offer outstanding picture quality in a multi-coating procedure, nanostructures which suppress the coating developed by Panasonic applies a special, ultra-thin small format. The secret lies in their aspherical design. formation of shadows and glare are applied to the lens. This is film to the lens. This reduces bothersome reflections across A single aspherical lens has the same effect as multiple DIVERSITY, YOU’LL LOVE PANASONIC especially useful on lenses with pronounced curvature (such as the entire light spectrum and eliminates effects such as spherical lenses, but requires less space and weighs less wide-angle lenses) whose curved exterior is subject to incident ghosting. That means crystal-clear pictures even if you’re as well. Panasonic has perfected this sophisticated light from all kinds of angles. The coating simply screens out photographing a light source in the dark. production process and applies it in a wide range of lenses. such interference. LUMIX G has got what you’re looking for. We offer a total of 26 lenses, ranging from the traditional LEICA DG lenses, to our, super-compact LUMIX G ‘X’ lenses, all the way to standard lenses. Whatever equipment you need, we can offer it to you.

POWERZOOM LENSES – LITTLE POWERHOUSES IMAGE STABILISER – BRINGING BALANCE TO YOUR PHOTOGRAPHY LUMIX G Powerzoom lenses are ahead of their time – the Pancake and Tele LUMIX G lenses have a good sense of balance because of their built-in image LEICA DG LENSES Powerzoom lens have a fully automatic motor incorporated into drive the stabilisers. They immediately eliminate the kind of minor movements and If you’re looking for ultimate quality then you’ll opt for LEICA. Their aspherical zoom, and the Tele Powerzoom has manual zoom as well. Because the lever vibrations that can so easily happen in photography. lenses and specialised, multi-treated surfaces comply with the rigorous for operating the Powerzoom is located on the lens itself, zooming is almost standards of LEICA Camera AG. automatic. But you won’t notice any of it happening. In the end, you will be able to enjoy levelled horizons and wonderfully crisp images. You and your LUMIX G will The sophisticated design of these lenses produces brilliant clarity all the way This has benefits, especially when filming: for example you can determine have everything in a steady hand. to the edges, while reproducing lines with precision and avoiding the kind of the speed of the zoom so that you can capture subjects precisely even when distortions that usually occur in wide-angle photography. That means ideal zooming slowly. Or you can use the step-by-step zoom function to close in conditions for top-level images without reflections or scatter-losses. elegantly on the position you require. Now you can also focus quickly using a lever on the Pancake Powerzoom, and using the ring on the Tele Powerzoom. And you can monitor all of this in full size on your LCD display.

26,8 mm 90 mm

POWER ON POWER OFF Zoom lever Manual zoom ring Page 38 LENSES Page 39 LENSES

ULTRA WIDE-ANGLE FIXED FOCAL LENGTH

PAGE 40 PAGE 46–48

HIGH ZOOM MACRO

PAGE 41 PAGE 49

STANDARD ZOOM FISHEYE

PAGE 42–43 PAGE 50

TELE ZOOM 3D

PAGE 44–45 PAGE 51 Page 40 LENSES Page 41 LENSES

LUMIX G VARIO 7-14 mm F4.0 LUMIX G VARIO 14-140 mm F3.5-5.6 ASPH.

ULTRA WIDE-ANGLE HIGH ZOOM When you find yourself in a breathtaking landscape and wish to capture Creativity requires freedom. That’s what the High Zoom lens offers you. Its the moment, this compact lens will enable you to do so. A picture angle 28 to 280 mm range (35 mm equivalent) will inspire your creativity and is of 114° diagonal maximum facilitates fantastic shots. complemented perfectly by an ultra-fast, high-precision autofocus system.

Picture angle: 114°–75° Picture angle: 75°–8,8° Closest focusing distance: 0,25 m Closest focusing distance: 0,3 m Max. enlargement: 0,08× (= 0,15× equivalent) Max. enlargement: 0,25× (= 0,5× equivalent) Lens construction: 16 elements in 12 groups Lens construction: 14 elements in 12 groups Available in the Available in the following colours Dimensions: ø 70 × 83,1 mm following colours Filter size: 58 mm Weight: 300g Dimensions: ø 67 × 75 mm; Weight: 265g Page 42 LENSES Page 43 LENSES

H-ES12060 | LEICA DG VARIO-ELMARIT| 12–60 MM | F2.8-4.0 ASPH. | POWER O.I.S.

Picture angle: 84°–20° STANDARD ZOOM Closest focusing distance: 0,2 m These lenses are fantastic for experimenting with angle Max. enlargement: 0,17× (= 0,34× equivalent) Lens construction: 14 elements in 12 groups of view, focal length, perspective and depth of focus. Available in the following colours Filter size: 62 mm They offer enormous flexibility. Dimensions: ø 68,4 × 86mm mm; Weight: 320g

LUMIX G VARIO 12–35 mm F2.8

Picture angle: 84°–34° Picture angle: 75°–29° Closest focusing distance: 0,25 m Closest focusing distance: 0,2 m Max. enlargement: ca. 0,17× (= 0,34× equivalent) Max. enlargement: 0,17× (= 0,34× equivalent) Lens construction: 14 elements in 9 groups Lens construction: 9 elements in 8 groups Available in the Available in the following colours Filter size: 58 mm following colours Filter size: 46 mm Dimensions: ø 67,6 × 73,8 mm; Weight: 305g Dimensions: ø 56 × 49 mm; Weight: 110g

Picture angle: 84°–37° Picture angle: 75°–29° Closest focusing distance: 0,2 m Closest focusing distance: 0,2 m Max. enlargement: ca. 0,13× (= 0,26× equivalent) Max. enlargement: ca. 0,17× (= 0,34× equivalent) Available in the following colours Lens construction: 8 elements in 7 groups Lens construction: 9 elements in 8 groups Available in the Filter size: 37 mm following colours Filter size: 37 mm Dimensions: ø 55,5 × 24 mm; Weight: 70g Dimensions: ø 61 × 26,8* mm; Weight: 95g * Lens retracted.

H-FS12060 | LUMIX G VARIO | 12–60 MM | F3.5–5.6 ASPH. | POWER O.I.S. H-FS014045 | LUMIX G VARIO | 14–45 MM | F3.5–5.6 ASPH. | O.I.S.

Picture angle: 84°–20° Picture angle: 75°–27° Closest focusing distance: 0,2 m Closest focusing distance: 0,3 m Max. enlargement: 0,27× (= 0,54× equivalent) Max. enlargement: 0,17× (= 0,34× equivalent) Lens construction: 11 elements in 9 groups Lens construction: 12 elements in 9 groups Available in the Available in the following colours Filter size: 58 mm following colours Filter size: 52 mm Dimensions: ø 66 × 71 mm; Weight: 210g Dimensions: ø 60 × 60 mm; Weight: 195g Page 44 LENSES Page 45 LENSES

H-PS45175 | LUMIX G X VARIO PZ | 45–175 MM | F4.0–5.6 ASPH. | POWER O.I.S.

Picture angle: 27°–7,1° TELE ZOOM Closest focusing distance: 0,9 m Sports journalism, wildlife shots, people photography… Max. enlargement: ca. 0,2× (= 0,40× equivalent) Available in the With their wide focal length range and low weight, these following colours Lens construction: 14 elements in 10 groups lenses offer the full package. Filter size: 46 mm Dimensions: ø 61,6 × 90 mm; Weight: 210g

LUMIX G VARIO 45–150 mm F4.0-5.6

H-HSA35100 | LUMIX G X VARIO | 35–100 MM | F2.8 | POWER O.I.S. H-FSA45200 | LUMIX G VARIO | 45-200 MM | F4.0–5.6 | POWER O.I.S.

Picture angle: 34°–12° Picture angle: 27°–6,2° Closest focusing distance: 0,85 m Closest focusing distance: 1,0 m Max. enlargement: 0,1× (= 0,2× equivalent) Max. enlargement: ca. 0,19× (= 0,38× equivalent) Available in the Lens construction: 18 elements in 13 groups following colours Lens construction: 16 elements in 13 groups Available in the following colours Filter size: 58 mm Filter size: 52 mm Dimensions: ø 67,4 × 99,9 mm; Weight: 357g Dimensions: ø 70 × 100 mm; Weight: 370g

H-FSA100300 | LUMIX G VARIO | 100–300 MM | F4.0–5.6 | POWER O.I.S. H-FSA35100 | LUMIX G VARIO | 35–100 MM | F4.0-5.6 ASPH. | O.I.S. Picture angle: 12°–4,1° Picture angle: 34°–12° Closest focusing distance: 1,5 m Closest focusing distance: 0,9 m Max. enlargement: 0,21× (= 0,42× equivalent) Max. enlargement: 0,11× (= 0,22× equivalent) Available in the Lens construction: 17 elements in 12 groups following colours Lens construction: 12 elements in 9 groups Available in the following colours Filter size: 67 mm Filter size: 46 mm Dimensions: ø 73,6 × 126 mm; Weight: 520g Dimensions: ø 55,5 × 50 mm Weight: 135g

H-RS100400 | LEICA DG VARIO-ELMAR | 100 – 400 MM | H-FS45150 | LUMIX G VARIO | 45–150 MM | F4.0–5.6 ASPH. | O.I.S. F4.0-6.3 ASPH. | POWER O.I.S.

Picture angle: 27°–8,2° Picture angle: 12°–3,1° Closest focusing distance: 0,9 m Closest focusing distance: 5,0 m Max. enlargement: 0,17× (= 0,34× equivalent) Max. enlargement: 0,25× (= 0,50× equivalent) Available in the following colours Lens construction: 12 elements in 9 groups Lens construction: 20 elements in 13 groups Available in the Filter size: 52 mm following colours Filter size: 72 mm Dimensions: ø 62 × 73 mm; Weight: 200g Dimensions: ø 83 × 171,5 mm; Weight: 985g Page 46 LENSES Page 47 LENSES FIXED FOCAL LENGTH With their high luminosity fixed focal lengths, accurate focusing and high contrast, these lenses will unlock a universe of visual creativity to you and achieve professional illustration quality at the same time.

LUMIX G VARIO 45-150 mm F4.0-5.6 LEICA DG SUMMILUX 15 mm F1.7 LEICA DG SUMMILUX 15 mm F1.7 ASPH.

H-X012| LEICA DG SUMMILUX | 12 MM | F1.4 ASPH. H-X015 | LEICA DG SUMMILUX | 15 MM | F1.7 ASPH.

Picture angle: 84° Picture angle: 72° Closest focusing distance: 0,2 m Closest focusing distance: 0,2 m Max. enlargement: 0,11× (= 0,22× equivalent) Max. enlargement: 0,1× (= 0,2× equivalent) Available in the Lens construction: 15 elements in 12 groups (2 asphärische, 1 ED, 2 UED) following colours Lens construction: 9 elements in 7 groups Splash and dust proof Filter size: 46 mm Available in the following colours Filter size: 62 mm Dimensions: ø 57,5 × 36 mm; Weight: 115g Dimensions: ø 70 × 70 mm, Weight: 335g

H-H014A | LUMIX G | 14 MM | F2.5 ASPH. H-H025 | LUMIX G | 25 MM | F1.7 ASPH.

Picture angle: 75° Picture angle: 47° Closest focusing distance: 0,18 m Closest focusing distance: 0,25 m Max. enlargement: 0,10× (= 0,20× equivalent) Max. enlargement: ca. 0,14× (= 0,28× equivalent) Available in the Available in the following colours Lens construction: 6 elements in 5 groups following colours Lens construction: 8 elements in 7 groups Filter size: 46 mm Filter size: 46 mm Dimensions: ø 55,5 × 20,5 mm; Weight: 55g Dimensions: ø 60,8 × 52 mm; Weight: 125g

H-H020A | LUMIX G | 20 MM | F1.7 II ASPH H-X025 | LEICA DG SUMMILUX | 25 MM | F1.4 ASPH.

Picture angle: 57° Picture angle: 47° Closest focusing distance: 0,2 m Closest focusing distance: 0,3 m Max. enlargement: 0,13× (= 0,25× equivalent) Max. enlargement: 0,11× (= 0,22× equivalent) Available in the following colours Lens construction: 7 elements in 5 groups Lens construction: 9 elements in 7 groups Available in the Filter size: 46 mm following colours Filter size: 46 mm Dimensions: ø 63 × 25,5 mm; Weight: 87g Dimensions: ø 63 × 54,5 mm; Weight: 200g

LEICA is a registered trademark of LEICA Microsystems IR GmbH. ELMARIT is a registered brand name of LEICA Camera AG. LEICA DG lenses are manufactured in compliance with quality standards certified by LEICA Camera AG, and using LEICA measurement instruments and quality assurance systems. Page 48 LENSES Page 49 LENSES

FIXED FOCAL LENGTH MACRO Fixed focal lengths give your creativity wings. Let light intensity These macro lenses bring outstanding image results within and optical interpretation inspire you, and take perfect portraits reach, even if your subject is very close at hand and they can with the H-NS043 or H-HS043. cope with image ratios of up to 1:1.

LEICA DG NOCTICRON 42,5 mm F1.2 LUMIX G MACRO 30 mm F2.8

H-NS043 | LEICA DG NOCTICRON | 42,5 MM | F1.2 ASPH. | POWER O.I.S. H-ES045 | LEICA DG MACRO-ELMARIT | 45 MM | F2.8 ASPH. | O.I.S.

Picture angle: 29° Picture angle: 27° Closest focusing distance: 0,5 m Closest focusing distance: 0,15 m Max. enlargement: 0,1× (= 2,0× equivalent) Max. enlargement: 1,0× (= 2,0× equivalent) Lens construction: 14 elements in 11 groups Lens construction: 14 elements in 10 groups Available in the Splash and dust proof following colours Filter size: 46 mm Available in the following colours Filter size: 67 mm Dimensions: ø 63 × 62,5 mm; Weight: 225g Dimensions: ø 74 × 76,8 mm; Weight: 425g

H-HS043 | LUMIX G | 42,5 MM | F1.7 ASPH. | POWER O.I.S. H-HS030 | LUMIX G MACRO | 30 MM | F2.8 ASPH. | O.I.S.

Picture angle: 29° Picture angle: 40° Closest focusing distance: 0,31 m Closest focusing distance: 0,105 m Max. enlargement: 0,2× (= 0,4× equivalent) Max. enlargement: 1,0× (= 2,0× equivalent) Available in the following colours Lens construction: 10 elements in 8 groups Lens construction: 9 elements in 9 groups Available in the Filter size: 37 mm following colours Filter size: 46 mm Dimensions: ø 74 × 50 mm; Weight: 130g Dimensions: ø 63 × 63,5 mm; Weight: 180g

LUMIX G FISHEYE 8 mm F3.5

FISHEYE 3D Just 10 cm away from the subject – can you get everything in? Big images, little lens. The 3D lens guarantees a new Welcome to the fisheye lens. With an outstanding picture angle dimension of photographic fun. Just 2.5 cm long, it’s of 180 degrees there’s plenty of scope for your creative ideas. always at hand when you wish for a bit of depth.

H-F008 | LUMIX G FISHEYE | 8 MM | F3.5 H-FT012 | LUMIX G | 12,5 MM | F12

Picture angle: 180° Picture angle: 37°* Closest focusing distance: 0,1 m Closest focusing distance: 0,6 m Max. enlargement: 0,20× (= 0,40× equivalent) Max. enlargement: 0,02× (= 0,1×* equivalent)

Lens construction: 10 elements in 9 groups Available in the Lens construction: 2× 4 elements in 3 groups Available in the following colours following colours Filter: filter film holder on the back 22 × 22 mm Dimensions: ø 57 × 20,5 mm; Weight: 45g Dimensions: ø 60,7 × 51,7 mm; Weight: 165g *Taken in 16:9 format with a GH3. Page 52 ACCESSORIES Page 53 ACCESSORIES

MEMORY CARDS

ACCESSORIES NOTHING HAPPENS without them – Genuine Panasonic LUMIX G accessories offer you everything Panasonic SD cards are the memory of your LUMIX G camera. Choose you need to complete your photographic equipment, from microSD Cards 8 / 16 / 32 GB (SMGA) SD Cards 16 / 32 GB (SDUC) SD Cards 32 / 64 / 128 GB (SDUD) SD Cards 64 / 128 GB (SDZA) from 16, 32, 64 and 128 GB. 4K Video support (100mbps) 4K Video support (240mbps) 4K Video support (240mbps) Video Speed Class 90 (V90) external flashes, to extra batteries, to cable releases. UHS Speed Class 1 UHS Speed Class 3 UHS Speed Class 3 UHS Speed Class 3

BAGS

Our neoprene and nylon bags are EXTERNAL FLASH UNITS functional and very stylish.

Provide the perfect lighting, even DMW-PGH68 DMW-PZH76 when shooting close-up subjects Neoprene bag Soft bag with rain guard in the dark.

DMW-FL580L DMW-FL360L DMW-FL200L VW-LED1 BATTERY GRIP Wireless control Wireless control LED video light Our battery grip with shutter release for the LUMIX GH5 and G80 offers

DMW-BGG1 DMW-BGGH5 improved control in portrait mode as (G80) (GH5) well as more staying power. FILTERS

Protect your lenses and accentuate DMW-LPL46E DMW-LND46E DMW-LMC46E the visual impression of your images CABLE RELEASE MICROPHONE ADAPTER Polarising filter available as DMW-LPLA37, DMW- ND filter available as DMW-LND46E MC filter available as DMW-LMC46E, with Panasonic filters. LPL46E, DMW-LPL52E and DMW-LPL62E and DMW-LND52E DMW-LMC52E and DMW-LMCH62E If you want to take long exposure The DMW-XLR1 enables high-grade shots on a tripod, a cable release stereo recording with an attached helps guarantee that your images XLR microphone (2 channels - left won’t blur. and right) for professional video DMW-RSL1 DMW-XLR1 (GH5) production. Hi-Res sound recording at 96kHz / 24bit is also selectable.

MICROPHONE EYECUP ZOOM LEVER Microphones allow you to record ambient sound in much We’ve got it covered – with Zoom in and out easily and higher quality and from a DMW-MS2E DMW-MS1E VW-VMS10 the eyecup you’ll always smoothly when shooting greater distance away. Stereo Shtogun Microphone Stereo directional microphone Stereo microphone enjoy a perfect view of your videos – it’s child’s play with DMW-EC3 DMW-ZL1 (GX8) subject. our optional zoom lever.

BATTERIES

Panasonic batteries simply provide better performance DMW-BLF19E DMW-BLC12E DMW-BLG10E DMW-BLH7E and safety. Discover them for (GH5) (GX8 / G7 / G80) (GX80) (GM5 / GF7) yourself. Page 54 TECHNICAL SPECIFICATIONS Page 55 TECHNICAL SPECIFICATIONS TECHNICAL SPECIFICATIONS

LUMIX DC-GH5 LUMIX DMC-G80 LUMIX DMC-G7 LUMIX DMC-GX8 LUMIX DMC-GX80 LUMIX DC-GX800 LUMIX DMC-GF7 IMAGE SENSOR Total pixels / Effective pixels 21.77 / 20.3 Megapixels 16.84 / 16.00 Megapixels 16.84 / 16.00 Megapixels 21.77 / 20.30 Megapixels 16.84 / 16.00 Megapixels 16.84 / 16.00 Megapixels 16.84 / 16.00 Megapixels Body Image Stabiliser • (5-axis), DUAL I.S 2 • (5-axis), DUAL.I.S.2 – • (4-axis), DUAL I.S. • (5-axis), DUAL I.S. – – RECORDING SYSTEM Recording file format Still image: JPEG (DCF, Exif 2.31), RAW Still image: JPEG (DCF, Exif 2.3), RAW, MPO Still image: JPEG (DCF, Exif 2.3), RAW, MPO1 Still image: JPEG (DCF, Exif 2.3), RAW, MPO1 Still image: JPEG (DCF, Exif 2.3), RAW, MPO Still image: JPEG (DCF, Exif 2.3), RAW, MPO Still image: JPEG (DCF, Exif 2.3), RAW, MPO1 Motion picture: MOV (Audio format: LPCM), MPC (Audio format: AAC 2ch) Motion picture: AVCHD (Audio format: Dolby Digital 2ch), Motion picture: AVCHD (Audio format: Dolby Digital 2ch, Motion picture: AVCHD (Audio format: Dolby Digital 2ch), Motion picture: MP4 (Audio format: AAC 2ch), Motion picture: AVCHD (Audio format: Dolby Audio 2ch), MP4 (Audio format: Motion picture: AVCHD (Audio format: Dolby Digital 2ch), AVCHD ((Audio format: Dolby Audio 2ch) MP4 (Audio format: AAC 2ch) MP4 (Audio format: AAC 2ch) MP4 (Audio format: AAC 2ch) AVCHD (Audio format: Dolby Digital 2ch) AAC 2ch) MP4 (Audio format: AAC 2ch) Aspect ratio 4:3, 3:2, 16:9, 1:1 4:3, 3:2, 16:9, 1:1 4:3, 3:2, 16:9, 1:1 4:3, 3:2, 16:9, 1:1 4:3, 3:2, 16:9, 1:1 4:3, 3:2, 16:9, 1:1 4:3, 3:2, 16:9, 1:1 Colour space sRGB, AdobeRGB sRGB, AdobeRGB sRGB, Adobe RGB sRGB, Adobe RGB sRGB, Adobe RGB sRGB, Adobe RGB sRGB, Adobe RGB Still image size [4:3] 5184 × 3888(L) / 3712 × 2784(M) / 2624 × 1968(S) / 4992 × 3744 / 3328 × 2496 [4:3] 4592 × 3448(L) / 3232 × 2424(M) / 2272 × 1704(S) / 1824 × 1368 [4:3] 4592 × 3448 (L) / 3232 × 2424 (M) / 2272 × 1704 (S) / 1824 × 136811 [4:3] 5184 × 3888 (L) / 3712 × 2784 (M) / 2624 × 1968 (S) / 1824 × 13681 [4:3] 4592 × 3448 (L) / 3232 × 2424 (M) / 2272 × 1704 (S) / 1824 × 1368¹ [4:3] 4592 × 3448 (L) / 3232 × 2424 (M) / 2272 × 1704 (S) / 1824 × 13681 [4:3] 4592 × 3448 (L) / 3232 × 2424 (M) / 2272 × 1704 (S) / 1824 × 13681 [3:2] 5184 × 3456(L) / 3712 × 2480(M) / 2624 × 1752(S) / 5184 × 3456 / 3504 × 2336 [3:2] 4592 × 3064(L) / 3232 × 2160(M) / 2272 × 1520(S) / 1824 × 1216 [3:2] 4592 × 3064 (L) / 3232 × 2160 (M) / 2272 × 1520 (S) / 1824 × 121611 [3:2] 5184 × 3456 (L) / 3712 × 2480 (M) / 2624 × 1752 (S) / 1824 × 12161 [3:2] 4592 × 3064 (L) / 3232 × 2160 (M) / 2272 × 1520 (S) / 1824 × 1216¹ [3:2] 4592 × 3064 (L) / 3232 × 2160 (M) / 2272 × 1520 (S) / 1824 × 12161 [3:2] 4592 × 3064 (L) / 3232 × 2160 (M) / 2272 × 1520 (S) / 1824 × 12161 [16:9] 5184 × 2920(L) / 3840 × 2160(M) / 1920 × 1080(S) / 3840 × 2160 [16:9] 4592 × 2584(L) / 3840 × 2160(M) / 1920 × 1080(S) / 1824 × 1024 [16:9] 4592 × 2584 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 102411 [16:9] 5184 × 2920 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 10241 [16:9] 4592 × 2584 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 1024¹ [16:9] 4592 × 2584 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 10241 [16:9] 4592 × 2584 (L) / 3840 × 2160 (M) / 1920 × 1080 (S) / 1824 × 10241 [1:1] 3888 × 3888(L) / 2784 × 2784(M) / 1968 × 1968(S) / 2880 × 2880 [1:1] 3424 × 3424(L) / 2416 × 2416(M) / 1712 × 1712(S) / 1712 × 1712 [1:1] 3424 × 3424 (L) / 2416 × 2416 (M) / 1712 × 1712 (S) / 1712 × 171211 [1:1] 3888 × 3888 (L) / 2784 × 2784 (M) / 1968 × 1968 (S) / 1712 × 17121 [1:1] 3424 × 3424 (L) / 2416 × 2416 (M) / 1712 × 1712 (S) / 1712 × 1712¹ [1:1] 3424 × 3424 (L) / 2416 × 2416 (M) / 1712 × 1712 (S) / 1712 × 17121 [1:1] 3424 × 3424 (L) / 2416 × 2416 (M) / 1712 × 1712 (S) / 1712 × 17121 Motion picture size MOV e.g.[C4K] 4096 × 2160, 23.98p, 150Mbps / [4K]* 3840 × 2160, 59.94p, 150Mbps / – – – – – – [Full HD]* 1920 × 1080, 59.94p, 200Mbps *available in 59.94Hz / 50.00Hz / 24.00Hz AVCHD e.g. [Full HD]* 1920 × 1080, 59.94p, 28Mbps [Full HD] 1920 × 1080 FHD / 50p: 28Mbps [Full HD] 1920 × 1080 FHD / 50p: 28Mbps [Full HD] 1920 × 1080 FHD / 50p: 28Mbps [Full HD] 1920 × 1080 FHD / 50p: 28Mbps [Full HD] 1920 × 1080 FHD / 50p: 28Mbps [Full HD] 1920 × 1080 FHD / 50p: 28Mbps *available in 59.94Hz / 50.00Hz [Full HD] 1920 × 1080 FHD / 50i: 17Mbps [Full HD] 1920 × 1080 FHD /50i: 17Mbps [Full HD] 1920 × 1080 FHD / 50i: 17Mbps [Full HD] 1920 × 1080 FHD / 50i: 17Mbps [Full HD] 1920 × 1080 FHD / 50i: 17Mbps [Full HD] 1920 × 1080 FHD / 50i: 17Mbps [Full HD] 1920 × 1080 FHD / 50p / 24p: 24Mbps [Full HD] 1920 × 1080 FHD / 25p/24p: 24Mbps [Full HD] 1920 × 1080 FHD / 25p / 24p: 24Mbps [Full HD] 1920 × 1080 FHD / 25p / 24p: 24Mbps [Full HD] 1920 × 1080 FHD / 25p / 24p: 24Mbps [Full HD] 1920 × 1080 FHD / 50i / 24p: 24Mbps MP4 / e.g. [C4K] 4096 × 2160, 23.98p, 400Mbps [4K] 3840 × 2160 4K / 30p / 25p / 24p: 100Mbps [4K] 3840 × 2160 4K / 25p / 24p: 100Mbps [4K] 3840 × 2160 4K / 25p / 24p: 100Mbps [4K] 3840 × 2160 4K / 25p / 24p: 100Mbps [4K] 3840 × 2160 4K / 30p25p / 24p: 100Mbps [Full HD] 1920 × 1080, FHD / 50p: 28Mbps MOTION-JPEG [4K]* 3840 × 2160, 59.94p, 150Mbps [Full HD] 1920 × 1080 FHD / 60p / 50p: 28Mbps [Full HD] 1920 × 1080 FHD / 50p: 28Mbps [Full HD] 1920 × 1080 FHD / 50p: 28Mbps [Full HD] 1920 × 1080 FHD / 50p: 28Mbps [Full HD] 1920 × 1080 FHD / 60p / 50p: 28Mbps [Full HD] 1920 × 1080, FHD / 25p: 20Mbps [Full HD]* 1920 × 1080, 59.94p, 200Mbps [Full HD] 1920 × 1080 FHD / 30p / 25p: 20Mbps [Full HD] 1920 × 1080 FHD / 25p: 20Mbps [Full HD] 1920 × 1080 FHD / 25p: 20Mbps [Full HD] 1920 × 1080 FHD / 25p: 20Mbps [Full HD] 1920 × 1080 FHD / 30p / 25p: 20Mbps [HD] 1280 × 720, HD / 25p: 10Mbps *available in 59.94Hz / 50.00Hz / 24.00Hz [HD] 1280 × 720 HD / 30p / 25p: 10Mbps [HD] 1280 × 720 HD / 25p: 10Mbps [HD] 1280 × 720 HD / 25p: 10Mbps [HD] 1280 × 720 HD / 25p: 10Mbps [HD] 1280 × 720 HD / 30p / 25p: 10Mbps FOCUS Type Contrast AF system (DFD) Contrast AF system (DFD) Contrast AF system (DFD) Contrast AF system (DFD) Contrast AF system (DFD) Contrast AF system (DFD) Contrast AF system Focus Mode AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF AF Mode Face / Eye Detection / Tracking / 225-Area / Custom Multi / 1-Area / Pinpoint Face / Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint Face / Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint Face / Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint Face / Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint Face / Eye Detection / Tracking / 49-Area / Custom Multi / 1-Area / Pinpoint Face / Eye Detection / Tracking / 23-Area / 1-Area / Pinpoint (Full area touch is available) (Scalable AF frame size (by Joystick) and flexible AF (Full area touch is available) (Full area touch is available) (Full area touch is available) (Full area touch is available) (Full area touch is available) (Full area touch is available) position (by front / rear dial)) EXPOSURE CONTROL Light metering mode Multiple / Center Weighted / Spot Multiple / Center Weighted / Spot Multiple / Center Weighted / Spot Multiple / Center Weighted / Spot Multiple / Center Weighted / Spot Multiple / Center Weighted / Spot Multiple / Center Weighted / Spot Exposure mode Program AE, Aperture Priority AE, Shutter Priority AE, Manual Program AE, Aperture Priority AE, Shutter Priority AE, Manual Program AE, Aperture Priority AE, Shutter Priority AE, Manual Program AE, Aperture Priority AE, Shutter Priority AE, Manual Program AE, Aperture Priority AE, Shutter Priority AE, Manual Program AE, Aperture Priority AE, Shutter Priority AE, Manual Program AE, Aperture Priority AE, Shutter Priority AE, Manual ISO sensitivity Still image: Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 Auto / Intelligent ISO / 100 12800 / 25600 (Changeable to 1 / 3 EV step) (Changeable to 1/3 EV step) (Changeable to 1/3 EV step) (Up to ISO6400 in motion picture recording) 6400 / 12800 / 25600 (Changeable to 1 / 3 EV step) 12800 / 25600 (Changeable to 1 / 3 EV step) / 25600 (Changeable to 1 / 3 EV step) (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to Creative Video Mode: Auto / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 (Up to ISO6400 in motion picture recording) (ISO Auto in M mode) (ISO Auto in M mode) (Up to ISO6400 in motion picture recording) (ISO Auto in M mode) (Up to ISO6400 in motion picture recording) (ISO Auto in M mode) 1/3 EV step) (Changeable to 1/3 EV step) (Up to ISO3200 in motion picture recording) Exposure compensation 1/3 EV step ±5EV (±3EV for motion picture) 1/3 EV step ±5EV (±3EV for motion picture) 1/3 EV step ±5EV (±3EV for motion picture) 1/3 EV step ±5EV (±3EV for motion picture) 1/3 EV step ±5EV (±3EV for motion picture) 1 / 3 EV step ±5 / EV (±3 / EV for motion picture) 1 / 3 EV step ±5 / EV (±3 EV for motion picture) AE lock • (AF / AE LOCK button) • (AF / AE LOCK button) Yes (AF/AE lock button) Yes (AF/AE lock button) Yes (AF / AE lock button) Set the Fn button in custom menu to AE lock Set the Fn button in custom menu to AE lock AE bracket 3, 5, 7 images in 1 / 3, 2 / 3 OR 1 EV step, max. ±3 EV, single / burst 3, 5, 7 images in 1 / 3, 2 / 3 or 1 EV step, max. ±3 EV, single / burst 3, 5, 7 frames in 1 / 3, 2 / 3 or 1 EV Step, Max. ±3 EV, single/burst 3, 5, 7 frames in 1/3, 2/3 or 1 EV Step, Max. ±3 EV, single/burst 3, 5, 7 frames in 1 / 3, 2 / 3 or 1 EV Step, Max. ± 3 EV, single / burst 3, 5, 7 images in 1 / 3, 2 / 3 or 1 EV step, max. ±3 EV, single /burst 3, 5, 7 frames in 1 / 3, 2 / 3 or 1 EV Step, Max. ±3 EV, single / burst WHITE BALANCE White balance settings AWB / AWBc / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Auto / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Auto / Daylight / Cloudy / Shade / incandescent / Flash / Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Auto / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Auto / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2 / Colour temperature setting 1, 2, 3, 4 Colour temperature setting Colour temperature setting White Set 1, 2, 3, 4 / Colour temperature setting Colour temperature setting Colour temperature setting Colour temperature setting White balance adjustment Blue / Amber bias, Magenta / Green bias Blue / Amber bias, Magenta / Green bias Blue / Amber bias, Magenta / Green bias Blue / Amber bias, Magenta / Green bias Blue / Amber bias, Magenta / Green bias Blue / Amber bias, Magenta / Green bias Blue / Amber bias, Magenta / Green bias Creative modes e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome e.g. Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome e. g. Expressive / Retro / Old Days / High Key / Low Key / Sepia SHUTTER Shutter Speed Still image: Bulb (Max. 30 minutes), 1/8,000–60; Electronic first curtain shutter: Still image: Bulb (Max. 2 minutes), 1 / 4,000–60; Motion picture: 1 / 16,000–1 / 30; Still image: Bulb (Max. 2 minutes), 1 / 4,000–60 ; Motion picture: 1 / 16,000–1 / 25 Still image: Bulb (Max. 30 minutes), 1 / 8,000~60 Still image: Time (Max. 2 minutes), 1 / 4,000–60; Still image: Time (Max. 60 second), 1 / 16,000–60 (Shutter type Auto) Still image: Time (Max. 60 second), 1 / 16,000~60 Bulb (Max. 30 minutes), 1 / 2,000–60; Electronic shutter: 1 / 16,000 - 1; Electronic shutter: 1 / 16,000 - 1; Electronic first curtain shutter: 1 / 2,000–60 Electronic shutter: 1 / 16,000–1 Motion picture: 1 / 16,000~1/25, Electronic shutter: 1 / 16,000~1 Motion picture: 1 / 16,000–1 / 25; Electronic shutter: 1 / 16,000–1 Motion picture: 1 / 16,000–1 / 25 Motion picture: 1 / 16,000~1 / 25 Motion picture: 59.94Hz: 1/16,000–1 / 30, 50.00Hz: 1 / 16,000–1 / 25, 23.98Hz: 1 / 16,000–1/24 (When using Synchro Scan) Remote Control Remote control with Bulb function by DMW-RSL1 (sold separately) – Remote control with Bulb function by DMW-RSL1 (Optional) Remote control with Bulb function by DMW-RSL1 (Optional) – – – BURST SHOOTING Burst speed Mechanical shutter: AFS / MF: H: 12 frames / sec, M: 7 frames / sec (with Live View), Mechanical shutter: H: 9 frames / sec (with AFS), H: 6 frames / sec (with AFC) M: 6 Mechanical shutter: H: 8 frames / sec (with AFS), 6 frames / sec (with AFC), Mechanical shutter: H: 8 frames / sec (with AFS), 6 frames / sec (with AFC), Mechanical shutter: H: 8 frames / sec (with AFS), 6 frames / sec (with AFC), Mechanical shutter: AFS: H: 5.8 frames / ssec, M: 4 frames / sec (with Live Mechanical shutter: H: 5.8 frames / sec (with AFS), 5 frames / sec (with AFC, L: 2 frames / sec (with Live View), AFF / AFC: H: 9 frames / sec, frames / sec (with Live View), L: 2 frames / sec (with Live View) M: 6 frames / sec (with Liveview), L: 2 frames / sec (with Liveview) M: 5.5 frames / sec (with AFS), 6 frames / sec (with AFC), L: 2 frames / sec M: 6 frames / sec (with Live View), L: 2 frames / sec (with Live View); Electronic View), L: 2 frames / sec (with Live View), AFC: H: 5 frames / sec (in 1-area- in 1-area-focusing AF mode), M: 4 frames / sec, L: 2 frames / sec (all with M: 7 frames / sec (with Live View), L: 2 frames / sec (with Live View), Electronic shutter: SH: 40 frames / sec, H: 10 frames / sec (with AFS), H: 6 frames/sec Electronic shutter: SH: 40 frames / sec, H: 10 frames / sec, M: 6 frames / sec (with Liveview); Electronic shutter: H: 10 frames / sec (with AFS), 6 frames / sec shutter: SH: 40 frames / sec, H: 10 frames / sec (with AFS), 6 frames / sec (with focusing AF mode), M: 5 frames / sec (with Live View), L: 2 frames / sec (with Liveview), Electronic shutter: SH: 40 frames / sec, H: 10 frames / sec, M: 4 Electronic shutter: AFS / MF: H: 12 frames / sec, M: 7 frames / sec (with Live View), (with AFC) M: 6 frames / sec (with Live View); L: 2 frames / sec (with Live View) (with Liveview), L: 2 frames / sec (with Liveview) (with AFC), M: 6 frames / sec (with Liveview), L: 2 frames / sec (with Liveview) AFC), M: 6 frames / sec (with Live View), L: 2 frames / sec (with Live View) Live View); Electronic shutter: AFS: H: 10 frames / sec, M: 4 frames / sec (with frames/sec, L: 2 frames/sec (all with Liveview) L: 2 frames / sec (with Live View), AFF / AFC: H: 9 frames / sec, M: 7 frames / sec Live View), L: 2 frames / sec (with Live View), AFC: H: 6 frames / sec, M: 6 (with Live View), L: 2 frames / sec (with Live View) frames / sec (with Live View), L: 2 frames / sec (with Live View) Number of recordable images More than 60 images (when there are RAW files with the particular speed) (TBD) More than 45 images (when there are RAW files with the particular speed) More than 13 images (when there are RAW files with the particular speed) More than 30 images (when there are RAW files with the particular speed) More than 13 images (when there are RAW files with the particular speed) More than 15 images (when there are RAW files with the particular speed) 7 images (When there are RAW files with the particular speed.) More than 600 images (when there are no RAW files) More than 300 images (when there are no RAW files) More than 100 images (when there are no RAW files) More than 100 images (when there are no RAW files) More than 100 images (when there are no RAW files) More than 100 images (when there are no RAW files) 39 images (SH mode. When there are no RAW files.) 6K Photo / 4K Photo Mode 6K Burst (S / S): 30 frames / sec 4K Pre-Burst: 30 frames / sec, approx. 2 seconds 4K Pre-Burst: 30 frames / sec, approx. 2 seconds 4K Pre-Burst: 30 frames / sec, approx. 2 seconds 4K Pre-Burst: 30 frames / sec, approx. 2 seconds 4K Burst: 30 frames / sec – 4K Burst (S / S): 60 frames / sec, 30 frames / sec 4K Burst: 30 frames / sec, max. 29 minutes 59 seconds 4K Burst: 30 frames / sec, max. 29 minutes 59 seconds 4K Burst: 30 frames / sec, max. 29 minutes 59 seconds 4K Burst: 30 frames / sec 4K Burst (S / S): 30 frames / sec 4K Burst (S / S): 30 frames / sec, max. 29 minutes 59 seconds 4K Burst (S / S): 30 frames / sec, max. 29 minutes 59 seconds 4K Burst (S / S): 30 frames / sec, max. 29 minutes 59 seconds 4K Burst (S / S): 30 frames / sec 4K Pre-Burst: 30 frames / sec, approx. 2 seconds FLASH Flash type TTL External Flash (sold separately) TTL Built-in-Flash, GN9.0 equivalent (ISO200·m) / GN6.2 equivalent (ISO100·m), TTL Built-in-Flash, GN9.3 equivalent (ISO200·m) / GN6.6 equivalent (ISO100·m), TTL External Flash (sold seperatly) TTL Built-in-Flash, GN6.0 equivalent (ISO 200·m) / TTL Built-in-Flash, GN5.6 equivalent (ISO200·m) / GN4.0 equivalent (ISO100 TTL Built-in-Flash, GN5.6 equivalent (ISO 200·m), GN4.0 equivalent Built-in Pop-up (Reference) Built-in Pop-up (Reference) GN4.2 equivalent (ISO 100·m), Built-in Pop-up (Reference) ·m), Built-in Pop-up (Reference) (ISO 100·m), Built-in Pop-up Flash mode Auto*, Auto / Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Auto*, Auto/Red-eye Reduction*, Forced On, Forced On / Red-eye Reduction, Slow Sync., Auto*, Auto / Red-eye Reduction*, Forced On, Forced On / Red-eye Reduction, Slow Auto*, Auto / Red-eye Reduction*, Forced On, Forced On / Red-eye Reduction, Auto*, Auto / Red-eye Reduction*, Forced On, Forced On / Red-eye Reduction, Auto*, Auto / Red-eye Reduction*, Forced On, Forced On / Red-eye Reduction, Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync. / Red-eye Reduction, Forced Off* For iA, iA+ only. Slow Sync./Red-eye Reduction, Forced Off *For iA, iA+ only. Sync., Slow Sync. / Red-eye Reduction, Forced Off *For iA, iA+ only. Slow Sync., Slow Sync. / Red-eye Reduction, Forced Off *For iA, iA+ only. Slow Sync., Slow Sync. / Red-eye Reduction, Forced Off *For iA, iA+ only. Slow Sync., Slow Sync. / Red-eye Reduction, Forced Off * For iA, iA+ only. Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only. Synchronisation speed Less than 1 / 250 second Less than 1 / 160 second Less than 1 / 160 second Less than 1/250 second Less than 1 / 160 second Less than 1 / 50 second Less than 1/50 second Flash output adjustment 1/3EV step ±3EV 1/3EV step ±3EV 1/3EV step ±3EV 1/3EV step ±3EV 1 / 3EV step ±3EV 1 / 3EV step ±2EV 1/3EV step ±2EV Hot shoe • • • • • – – OPERATION Rear monitor TFT LCD monitor with static touch control, Free-angle 3.2-inch (8.0cm) / 3:2 aspect / TFT LCD monitor with static touch control, Free-angle 3-inch (7.5cm) / 3:2 aspect / Wide TFT LCD monitor with static touch control, Free-angle 7.5 cm / 3:2 aspect / Wide viewing OLED monitor with static touch control, Free-angle 7.5 cm / 3:2 aspect / Wide TFT LCD monitor with static touch control, Tiltable 3-inch (7.5 cm) / TFT LCD monitor with static touch control, Tiltable monitor, 3-inch / 3:2 Wide viewing angle, Approx. 1620k dots, Approx. 100% Field of view viewing angle, Approx. 1,040k dots, Approx. 100% Field of view angle, Approx. 1,040k dots, Approx. 100% Field of view viewing angle, Approx. 1,040k dots, Approx. 100% Field of view 3:2 aspect / Wide viewing angle, Approx. 1040k dots, Approx. 100% Field of view aspect / Wide viewing angle, Approx. 1040k dots, Approx. 100% Field of view Viewfinder OLED Live View Finder (3,686k dots) OLED Live Viewfinder (2,360k dots) OLED Live Viewfinder (2,360k dots) OLED Live Viewfinder (2,360k dots) LCD Live Viewfinder (2,765k dots equivalent) – – Wi-Fi IEEE 802.11a / b / g / n / ac* 5GHz Wi-Fi is not available in some countries. IEEE 802.11b / g / n, 2412 MHz–2462 MHz (1–11 ch), Wi-Fi / WPA / WPA2, IEEE 802.11b / g / n, 2412 MHz–2462 MHz (1–11 ch), Wi-Fi / WPA / WPA2, IEEE 802.11b / g / n, 2412 MHz–2462 MHz (1–11 ch), Wi-Fi / WPA / WPA2, IEEE 802.11b / g / n, 2412 MHz–2462 MHz (1–11 ch), Wi-Fi / WPA / WPA2, IEEE 802.11b / g / n, 2412 MHz - 2462 MHz (1-11 ch), Wi-Fi / WPA / WPA2, IEEE 802.11b / g / n, 2412 MHz–2462 MHz (1–11 ch), Wi-Fi / WPA / WPA2, Please refer to “Wi-Fi“ Sheet Infrastructure mode Infrastructure mode Infrastructure mode Infrastructure mode Infrastructure mode Infrastructure mode Dust- / Splash- / Freezeproof • / • / • • / • / – – • / • / – – – – INTERFACE Recording media SD Memory Card, SDHC Memory Card, SDXC Memory Card SD Memory Card, SDHC Memory Card, SDXC Memory Card SD Memory Card, SDHC Memory Card, SDXC Memory Card SD Memory Card, SDHC Memory Card, SDXC Memory Card SD Memory Card, SDHC Memory Card, SDXC Memory Card microSD Memory Card, microSDHC Memory Card, microSDXC Memory Card SD Memory Card, SDHC Memory Card, SDXC Memory Card USB USB Type-C, Super Speed USB3.1 GEN1 USB 2.0 Micro-B USB 2.0 High Speed Multi USB 2.0 High Speed Multi USB 2.0 Micro-B USB 2.0 Micro-B USB 2.0 High Speed Multi HDMI HDMI TypeA / VIERA Link, Audio: Stereo microHDMI TypeD / VIERA Link; Video: Auto / 4K / 1080p / 1080i / 720p / 576p; Audio: microHDMI TypeD / VIERA Link; Video: Auto / 4K / 1080p / 1080i / 720p / 480p microHDMI TypeD / VIERA Link ; Video: Auto / 4K / 1080p / 1080i / 720p / 576p microHDMI TypeD / VIERA Link; Video: Auto / 4K / 1080p / 1080i / 720p / 576p; microHDMI TypeD / VIERA Link; Video: Auto / 4K / 1080p / 1080i / 720p / 576p; microHDMI TypeD / VIERA Link; Video: Auto / 1080p / 1080i / 720p / 480p (576p 59.94Hz: Auto / 4K / 60p / 4K / 30p / 1080p / 1080i / 720p / 480p Stereo; Monitor-through: 4:2:2/8-bit (576p in PAL system); Audio: Stereo Audio: Stereo Audio: Stereo Audio: Stereo in PAL system) ; Audio: Stereo 50.00Hz: Auto / 4K / 50p / 4K / 25p / 1080p / 1080i / 720p / 576p Battery Grip / Remote Input / Flash Sync. DMW-BGGH5 (optional) / Ø 2,5 mm / • DMW-BGG1 (optional) / Ø 2.5 mm / – – / Ø 2,5 mm / – – / Ø 2,5 mm / – - / Ø 2,5 mm / - – / – / – – / – / – Built-in Mic / Built-in Speaker / Audio Jack Stereo, Wind Noise Canceller: OFF / Low / Standard / High / AUTO Stereo, Wind-cut: OFF / Standard / High Stereo, Wind-cut: OFF, Low,Standard, High, AUTO / Monoaural / Ø 3.5mm Stereo, Wind-cut: OFF, Standard, High / Monoaural / Ø 2.5 mm Stereo, Wind-cut: OFF, Standard, High / Monaural Stereo, Wind Noise Canceller: OFF / Standard / High Stereo, Wind-cut: OFF, Low, Standard, High, AUTO / Monaural / – POWER Battery DMW-BLF19 Li-ion Battery Pack (7.2V, 1860mAh, 14Wh) (Included) DMW-BLC12 Li-ion Battery Pack (7.2V, 1200mAh, 8.7Wh) (included) DMW-BLC12 Li-ion Battery Pack (7.2V, 1200mAh, 8.7Wh) (Included), DMW-BLC12 Li-ion Battery Pack (7.2V, 1200mAh, 8.7Wh) (Included), DMW-BLG10 Li-ion Battery Pack (7.2V, 1025mAh, 7.4Wh) (Included) DMW-BLH7 Li-ion Battery Pack (7.2V, 680mAh, 4.9Wh) (included) DMW-BLC12 Li-ion Battery Pack (7.2V, 680mAh, 4.9Wh) (Included), Battery Charger Battery Charger USB power charging Battery Charger Battery life (CIPA standard)** Approx. 410 images (rear monitor), 400 images (LVF), Approx. 330 images (rear monitor), 320 images (LVF) with H-FS12060 (TBD) Approx. 360 images with H-FS1442A, Approx. 350 images with H-FS14140 Approx. 330 images (rear monitor), 310 images (LVF) with H-HS12035 Approx. 290 images (rear monitor), 270 images (LVF) with H-FS12032 / Approx. 210 images with H-FS12032 Approx. 230 images with H-FS12032, Approx. 210 images with H-PS14042 1,000 images (Power Save LVF mode*) with H-FS12060 Approx. 320 images (rear monitor), 310 images (LVF) with H-FS14140 (TBD) Approx. 350 images with H-FS45150 Approx. 340 images (rear monitor), 320 images (LVF) with H-FS1442A H-FS35100 / Approx. 280 images (rear monitor), 260 images (LVF) with Approx. 230 images with H-FS35100 Approx. 410 images (rear monitor), 390 images (LVF), H-H020A / H-FS14140 1,000 images (Power Save LVF mode*) with H-HSA12035 Approx. 400 images (rear monitor), 380 images (LVF), 1,000 images (Power Save LVF mode*) with H-ES12060 Dimensions (W × H × D) 138.5 × 98.1 × 87.4 mm / 5.45 × 3.86 × 3.44 inch (excluding protrusions) 128.4 × 89 × 74.3 mm / 5.06 × 3.50 × 2.93 inch (excluding protrusions) 124.9 × 86.2 × 77.4 mm / 4.92 × 3.39 × 3.05 inch (excluding protrusions) 133.2 × 77.9 × 63.1 mm / 5.24 × 3.07 × 2.48 inch (excluding protrusions) 122 × 70.6 × 43.9 mm / 4.80 × 2.78 × 1.73 inch (excluding protrusions) 106.5 × 64.6 × 33.3 mm / 4.2 × 2.55 × 1.32 inch (excluding protrusions) 106.5 × 64.6 × 33.3 mm / 4.2 × 2.55 × 1.32 inch (excluding protrusions) Weight Approx. 725g / 1.60 lb (SD card, Battery, Body) Approx. 505g / 1.11 lb (SD card, Battery, Body) Approx. 410g / 0.90 lb (SD card, Battery, Body) Approx. 487g / 1.07 lb (SD card, Battery, Body) Approx. 426g / 0.94 lb (SD card, Battery, Body) Approx. 269g / 0.60 lb (microSD card, Battery, Body) Approx. 266g / 0.59 lb (SD card, Battery, Body) STANDARD ACCESSORIES Standard Accessories included Battery Charger (AC Cable included), Battery Pack, Body Cap, Hot Shoe Cover, Eye Cup, Hot Shoe Cover, Body Cap, Battery Pack, Battery Charger, AC Cable, USB Connection Hot Shoe Cover, Body Cap, Battery Pack, Battery Charger, USB Connection Cable, Hot Shoe Cover, Body Cap, Battery Pack, Battery Charger, USB Connection Hot Shoe Cover, Battery Pack, AC Adaptor, USB Connection Cable, DC-GX800K Kit Battery Pack, AC Adaptor, AC Cable, USB Connection Cable, Battery Pack, Battery Charger, USB Connection Cable, Shoulder Strap, DVD- Flash Syncro Socket Cap, Cover for the Battery Grip Connector, USB Connection Cable, Cable, Shoulder Strap Shoulder Strap, DVD, AC Cable2 Cable, Shoulder Strap, DVD, AC Cable2 Shoulder Strap, Body Cap Shoulder Strap, Lens Cap ROM, AC Cable2, Lens Cap Shoulder Strap, Cable Holder, Lens Cap*, Lens Hood*, Lens Rear Cap* *Included with DC-GH5L kit, DC-GH5A kit and DC-GH5M kit.

* About motion picture recording 1 When attaching 3D lens in Micro Four Third system standard 2 Depends on the country or region ** Shooting conditions: 23 °C at 50% air humidity; LCD on; with SD card; shooting begins 30 sec. after switching on the camera; shot taken every 30 sec., every other shot with flash, change between wide angle and telephoto after each shot; camera switched off after every ten shots (long enough for battery temperature to drop). THE ONE FOR YOU