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IN SEARCH of WARMER CLIMES Following a Move to LA, Bonobo Returns to Ninja Tune with New LP, ‘Migration’
MUSIC ONE STOP SHOP February’s tunes reviewed p.106 THE LONG GAME Albums arriving this month p.128 MIX ‘N’ MATCH Compilations not to miss p.132 IN SEARCH OF WARMER CLIMES Following a move to LA, Bonobo returns to Ninja Tune with new LP, ‘Migration’... p.129 djmag.com 105 HOUSE BEN ARNOLD QUICKIES Roberto Clementi Avesys EP [email protected] Pets Recordings 8.0 Sheer class from Roberto Clementi on Pets. The title track is brooding and brilliant, thick with drama, while 'Landing A Man'’s relentless thump betrays a soft and gentle side. Lovely. Jagwar Ma Give Me A Reason (Michael Mayer Does The Amoeba Remix) Marathon MONEY 8.0 SHOT! Showing that he remains the master (and managing Baba Stiltz to do so in under seven minutes too), Michael Mayer Is Everything smashes this remix of baggy dance-pop dudes Studio Barnhus Jagwar Ma out of the park. 9.5 The unnecessarily young Baba Satori Stiltz (he's 22) is producing Imani's Dress intricate, brilliantly odd house Crosstown Rebels music that bearded weirdos 8.0 twice his age would give their all chopped hardcore loops, and a brilliance from Tact Recordings Crosstown is throwing weight behind the rather mid-life crises for. Think the bouncing bassline. Sublime work. comes courtesy of roadman (the unique sound of Satori this year — there's an album dizzying brilliance of Robag small 'r' is intentional), aka coming — but ignore the understatedly epic Ewan Whrume for a reference point, Dorsia Richard Fletcher. He's also Tact's Pearson mixes of 'Imani's Dress' at your peril. -
Low Male Voice Repertoire in Contemporary Musical Theatre: a Studio and Performance Guide of Selected Songs 1996-2020
LOW MALE VOICE REPERTOIRE IN CONTEMPORARY MUSICAL THEATRE: A STUDIO AND PERFORMANCE GUIDE OF SELECTED SONGS 1996-2020 by Jeremy C. Gussin Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2020 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee __________________________________________ Ray Fellman, Research Director __________________________________________ Brian Gill, Chair __________________________________________ Jane Dutton __________________________________________ Peter Volpe December 10, 2020 ii Copyright © 2020 Jeremy Gussin iii Preface This project is intended to be a resource document for bass voices and teachers of low male voices at all levels. For the purposes of this document, I will make use of the established term low male voice (LMV) while acknowledging that there is a push for the removal of gender from voice classification in the industry out of respect for our trans, non-binary and gender fluid populations. In addition to analysis and summation of musical concepts and content found within each selection, each repertoire selection will include discussions of style, vocal technique, vocalism, and character in an effort to establish routes towards authenticity in the field of musical theatre over the last twenty five years. The explosion of online streaming and online sheet music resources over the last decade enable analysis involving original cast recordings, specific noteworthy performances, and discussions on transposition as it relates to the honoring of character and capability of an individual singer. My experiences with challenges as a young low voice (waiting for upper notes to develop, struggling with resonance strategies above a D♭4) with significant musicianship prowess left me searching for a musically challenging outlet outside of the Bel Canto aesthetic. -
Rolph Trouillot MICHEL-ROLPH
TROUILLOT REMIXED THE Michel-Rolph Trouillot MICHEL-ROLPH EditEd by yarimar bonilla, GrEG bEckEtt, and TROUILLOT mayanthi l. FErnando READER TROUILLOT REMIXED TROUILLOT REMIXED THE MICHEL- ROLPH TROUILLOT READER Michel- Rolph Trouillot edited by yarimar bonilla, greg beckett, and mayanthi l. fernando Duke University Press / Durham and London / 2021 0.1 Michel- Rolph Trouillot at his home in Chicago. © 2021 Estate of Michel- Rolph Trouillot All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Designed by Matthew Tauch Typeset in Alegreya Regular by Westchester Publishing Services Library of Congress Cataloging- in- Publication Data Names: Trouillot, Michel- Rolph, [date] author. | Bonilla, Yarimar, [date] editor. | Beckett, Greg, [date] editor. | Fernando, Mayanthi L., [date] editor. Title: Trouillot remixed : the Michel- Rolph Trouillot reader / Michel- Rolph Trouillot ; edited by Yarimar Bonilla, Greg Beckett, and Mayanthi L. Fernando. Other titles: Michel- Rolph Trouillot reader Description: Durham : Duke University Press, 2021. | Includes bibliographical references and index. Identifiers: lccn 2021004433 (print) lccn 2021004434 (ebook) isbn 9781478013310 (hardcover) isbn 9781478014225 (paperback) isbn 9781478021537 (ebook) Subjects: lcsh: Anthropology— Philosophy. | Ethnology— Philosophy. | Po liti cal science— Anthropological aspects. | Ca rib bean Area— History. | Ca rib bean Area— Politics and government. | Ca rib bean Area— Civilization. | bisac: social science / Anthropology / Cultural & Social | history / Ca rib bean & West Indies / General Classification: lcc f2175.t76 2021 (print) | lcc f2175 (ebook) | ddc 972.9— dc23 lc rec ord available at https:// lccn . loc . gov / 2021004433 lc ebook rec ord available at https:// lccn . loc . gov / 2021004434 Cover art: Tomm El‐Saieh, Song and Dance, 2017–18. Acrylic on canvas. -
“O EUCHARI” REMIXED Lisa Colton Abbess Hildegard Von Bingen
7 CHANNELLING THE ECSTASY OF HILDEGARD VON BINGEN: “O EUCHARI” REMIXED Lisa Colton Abbess Hildegard von Bingen (1098–1179) became an unexpected cult figure in the final decades of the twentieth century, when her life and work were used as the stimulus for numerous cultural products, from imagined autobiographies to film. Her adoption as a quasi- featured artist by creators of electronic dance music (EDM) was surprisingly commercially successful, chiming with Michael Embach’s view that: No other medieval figure has been as subject to transitions that have strayed so profoundly from an authentic impression, moving through myth and legend, and finally into pure fiction.1 Hildegard’s reception at this time rested on cultural understandings of her as a visionary, a nun whose spirituality had almost magical qualities. Her mysticism, her isolation as a well-documented female composer of the twelfth century, and her melodic style led to Hildegard’s association with ‘ecstasy’ – both in the meanings found to be inherent to her music, and with the interpretation of her works in performance and re-composition. This chapter will examine the ways in which notions of female ecstasy also informed the use of Hildegard’s music in ambient house and New Age tracks that sampled the song “O Euchari”: The Beloved’s “The Sun Rising” (1989), Orbital’s “Belfast” (1991), and Richard Souther’s “Vision (O Euchari in Leta Via)” (1994). 1 Michael Embach, “Hildegard of Bingen (1098–1179): A History of Reception,” A Companion to Hildegard of Bingen: Companion to Hildegard of Bingen, ed. Beverly Kienzle, George Ferzoco, and Debra Stoudt (Leiden: Brill, 2013), 273–304. -
Enigma1:::::MCMXC A
: : : : : : : Raghunandan : : : : : : : [email protected] : : : : : : : www.geocities.com/enigmaa77 :::::::Enigma1:::::::MCMXC A.D. The Voice of Enigma Good evening This is the voice of Enigma In the next hour We will take you with us Into another world ... Into the world of music, spirit, and meditation Turn off the light Take a deep breath And relax Start to move slowly Very slowly Let the rhythm be your guiding light _________________________________________________________ Principles of Lust Sadeness: Procedamus in pace In nomine Christi, Amen Cum angelis et pueris, fideles inveniamur Attollite portas, principes, vestras Et elevamini, portae aeternales Et introibit Rex gloriae Qius est iste Rex gloriae? Sade, dites-moi Sade, donnes-moi Procedamus in pace In nomine Christi, Amen Sade, dites-moi: Qu'est-ce que tu vas cherche? Le bien par le mal? La vertu par le vice? Sade, dites-moi: Pourquoi l'evangile du mal? Quelle est ta religion? Ou sont tes fideles? Si tu es contre Dieu, tu es contre l'homme. Sade, es-tu diabolique, ou divin? Sade, dites-moi Hosanna Sade, donnes-moi Hosanna Sade, dites-moi Hosanna Sade, donnes-moi Hosanna (Procedamus in pace) In nomine Christi, Amen : : : : : : : Raghunandan : : : : : : : [email protected] : : : : : : : www.geocities.com/enigmaa77 ________________________________________________________ Find love The principles of lust Are easy to understand Do what you feel Feel until the end The principles of lust Are burned in your mind Do what you want Do it until you find love... The principles of lust Are easy to understand Do what you feel Feel until the end The principles of lust Are burned in your mind Do what you want Do it until you find love.. -
Xx Factor Story Geography
WINTER 2016 MAGAZINE THE THE POWER OF MUSICAL XX FACTOR STORY GEOGRAPHY ON THE COVER: In 1968 Holland Hall was renovated to serve the needs of the social sciences; today, this iconic campus building is undergoing a new renovation to bring it into the 21st century. PHOTO BY TOM ROSTER 8 ST. OLAF MAGAZINE Winter 2016 · Volume 63 · No. 1 EDITOR: Carole Leigh Engblom ART DIRECTOR: Don Bratland ’87 COPY EDITOR: Laura Hamilton Waxman CONTRIBUTING WRITERS: Sophie Breen ’17, Jan Hill, Marla Hill Holt ’88, Joel Hoekstra ’92, Erin Peterson, Jeff Sauve, Andy Steiner CONTRIBUTING PHOTOGRAPHERS: Jon Brage Svenning (Norway), Natan Dvir (New York City), Curt Fissel (Italy), Rick Friedman (Cape Cod), Arun Janardhanan (India), Bill Kelley (Minneapolis), Nancy Pastor (Los Angeles), Tom Roster (Northfield) Readers may send name/address changes and corrections to: Advancement Services, St. Olaf College, 1520 St. Olaf Ave., Northfield, MN 55057; email: [email protected] or call 507-786-3330 Class Notes Submission Deadlines: Spring issue: Feb. 1; Fall issue: June 1; Winter issue: Oct. 1. Contact the Office of Alumni and Parent Relations, 507-786-3028 or 888-865-6537; email: alum-offi[email protected] St. Olaf Magazine is published three times annually (Winter, Spring, Fall) by St. Olaf College, with editorial offices at the Office of Marketing and Communications, 507-786-3032; email: [email protected] CURT FISSEL CURT M A G A Z I N E WINTER 2016 2 Letter to Oles From President David R. Anderson ’74 6 Spotlight Justice O. Nwigwe ’18, Ole Cup entrepreneur, launches a business with a purpose that goes beyond profits. -
Popxport Ranking – the List the Most Successful Music Titles from Germany | Editorial Deadline: 1 July 2016
Page 1 PopXport Ranking – The List The Most Successful Music Titles from Germany | Editorial Deadline: 1 July 2016 Position Year Artist Title Single or Highest chart position Highest chart position Highest chart position Highest chart position Points Album in Germany in the UK in the USA in another country Position Points Position Points Position Points Position Country Points Total 1 2015 Felix Jaehn Cheerleader (OMI / Felix Jaehn Remix) S 1 108,9 1 118,8 1 128,7 1 Australia 99 455,4 2 1983 Nena 99 Luftballons / 99 Red Balloons S 1 108,9 1 118,8 2 127,4 1 New Zealand 99 454,1 3 1989 Milli Vanilli Girl I’m Gonna Miss You S 2 107,8 2 117,6 1 128,7 1 Netherlands 99 453,1 4 1990 Snap! The Power S 2 107,8 1 118,8 2 127,4 1 Netherlands 99 453 5 1999 Lou Bega Mambo No. 5 (A little bit of…) S 1 108,9 1 118,8 3 126,1 1 France 99 452,8 6 1989 Milli Vanilli Girl You Know It’s True S 1 108,9 3 116,4 2 127,4 2 Netherlands 98 450,7 7 1985 Harold Faltermeyer Axel F (OST “Beverly Hills Cop I”) S 2 107,8 2 117,6 3 126,1 1 Ireland 99 450,5 8 1991 Scorpions Wind of Change S 1 108,9 2 117,6 4 124,8 1 France 99 450,3 9 1990 Enigma Sadeness (Part 1) S 1 108,9 1 118,8 5 123,5 1 France 99 450,2 10 1992 Snap! Rhythm Is a Dancer S 1 108,9 1 118,8 5 123,5 1 France 99 450,2 Page 2 Position Year Artist Title Single or Highest chart position Highest chart position Highest chart position Highest chart position Points Album in Germany in the UK in the USA in another country Position Points Position Points Position Points Position Country Points Total 11 1996 No Mercy Where Do You Go S 3 106,7 2 117,6 5 123,5 1 Canada 99 446,8 12 1977 Donna Summer I Feel Love S 3 106,7 1 118,8 6 122,2 1 Netherlands 99 446,7 13 1990 Enigma MCMXC a.D. -
Pilot Earth Skills Earth Kills Murphy's Law Twilight's Last Gleaming His Sister's Keeper Contents Under Pressure Day Trip Unity
Pilot Earth Skills Earth Kills Murphy's Law Twilight's Last Gleaming His Sister's Keeper Contents Under Pressure Day Trip Unity Day I Am Become Death The Calm We Are Grounders Pilot Murmurations The Dead Don't Stay Dead Hero Complex A Crowd Of Demons Diabolic Downward Spiral What Ever Happened To Baby Jane Hypnos The Comfort Of Death Sins Of The Fathers The Elysian Fields Lazarus Pilot The New And Improved Carl Morrissey Becoming Trial By Fire White Light Wake-Up Call Voices Carry Weight Of The World Suffer The Children As Fate Would Have It Life Interrupted Carrier Rebirth Hidden Lockdown The Fifth Page Mommy's Bosses The New World Being Tom Baldwin Gone Graduation Day The Home Front Blink The Ballad Of Kevin And Tess The Starzl Mutation The Gospel According To Collier Terrible Swift Sword Fifty-Fifty The Wrath Of Graham Fear Itself Audrey Parker's Come And Gone The Truth And Nothing But The Truth Try The Pie The Marked Till We Have Built Jerusalem No Exit Daddy's Little Girl One Of Us Ghost In The Machine Tiny Machines The Great Leap Forward Now Is Not The End Bridge And Tunnel Time And Tide The Blitzkrieg Button The Iron Ceiling A Sin To Err Snafu Valediction The Lady In The Lake A View In The Dark Better Angels Smoke And Mirrors The Atomic Job Life Of The Party Monsters The Edge Of Mystery A Little Song And Dance Hollywood Ending Assembling A Universe Pilot 0-8-4 The Asset Eye Spy Girl In The Flower Dress FZZT The Hub The Well Repairs The Bridge The Magical Place Seeds TRACKS TAHITI Yes Men End Of The Beginning Turn, Turn, Turn Providence The Only Light In The Darkness Nothing Personal Ragtag Beginning Of The End Shadows Heavy Is The Head Making Friends And Influencing People Face My Enemy A Hen In The Wolf House A Fractured House The Writing On The Wall The Things We Bury Ye Who Enter Here What They Become Aftershocks Who You Really Are One Of Us Love In The Time Of Hydra One Door Closes Afterlife Melinda Frenemy Of My Enemy The Dirty Half Dozen Scars SOS Laws Of Nature Purpose In The Machine A Wanted (Inhu)man Devils You Know 4,722 Hours Among Us Hide.. -
Taylor Swift
Taylor Swift Taylor Swift Swift performing in St. Louis, Missouri, during the 2013 Red Tour Background information Birth name Taylor Alison Swift Born December 13, 1989 (age 25) Reading, Pennsylvania, U.S. Country Genres pop pop rock Singer-songwriter Occupation(s) record producer actress philanthropist Vocals Instruments guitar banjo ukulele piano Years active 2004–present Labels Big Machine Website taylorswift.com Taylor Alison Swift (born December 13, 1989) is an American singer-songwriter. Raised in Wyomissing, Pennsylvania, Swift moved to Nashville, Tennessee, at the age of 14 to pursue a career in country music. She signed with the independent label Big Machine Records and became the youngest songwriter ever hired by the Sony/ATV Music publishing house. The release of Swift's self-titled debut album in 2006 established her as a country music star. Her third single, "Our Song," made her the youngest person to single-handedly write and perform a number-one song on the Hot Country Songs chart. She received a Best New Artist nomination at the2008 Grammy Awards. Swift's second album, Fearless, was released in 2008. Buoyed by the pop crossover success of the singles "Love Story" and "You Belong with Me," Fearless became the best-selling album of 2009 in the United States. The album won four Grammy Awards, with Swift becoming the youngest ever Album of the Year winner. Swift's third and fourth albums, 2010's Speak Now and 2012's Red, both sold over one million copies within the first week of their U.S release. Speak Now won two Grammy Awards, while Red's singles "We Are Never Ever Getting Back Together" and "I Knew You Were Trouble" were worldwide hits. -
Space in the Ambience: : Is Ambient Music Socially Relevant?
This is a repository copy of Space In The Ambience: : Is Ambient Music Socially Relevant?. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/153237/ Book Section: Field, Ambrose Edmund orcid.org/0000-0003-1778-166X (2019) Space In The Ambience: : Is Ambient Music Socially Relevant? In: Adkins, Monty and Cummings, Simon, (eds.) Music Beyond Airports. The University of Huddersfield , Huddersfield , pp. 21-50. https://doi.org/10.5920/beyondairports.fulltext Reuse This article is distributed under the terms of the Creative Commons Attribution (CC BY) licence. This licence allows you to distribute, remix, tweak, and build upon the work, even commercially, as long as you credit the authors for the original work. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ MUSIC BEYOND AIRPORTS APPRAISING AMBIENT MUSIC Edited by Monty Adkins & Simon Cummings 10.5920/beyondairports.fulltext Published by University of Huddersfield Press University of Huddersfield Press The University of Huddersfield Queensgate Huddersfield HD1 3DH Email enquiries [email protected] First published 2019 This work is licensed under a Creative Commons Attribution 4.0 International License Images © as attributed Every effort has been made to locate copyright holders of materials included and to obtain permission for their publication. The publisher is not responsible for the continued existence and accuracy of websites referenced in the text.