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Jew Taboo: Jewish Difference and the Affirmative Action Debate
The Jew Taboo: Jewish Difference and the Affirmative Action Debate DEBORAH C. MALAMUD* One of the most important questions for a serious debate on affirmative action is why certain minority groups need affirmative action while others have succeeded without it. The question is rarely asked, however, because the comparisonthat most frequently comes to mind-i.e., blacks and Jews-is seen by many as taboo. Daniel A. Farberand Suzanna Sherry have breached that taboo in recent writings. ProfessorMalamud's Article draws on work in the Jewish Studies field to respond to Farberand Sherry. It begins by critiquing their claim that Jewish values account for Jewish success. It then explores and embraces alternative explanations-some of which Farberand Sheny reject as anti-Semitic-as essentialparts of the story ofJewish success in America. 1 Jews arepeople who are not what anti-Semitessay they are. Jean-Paul Sartre ha[s] written that for Jews authenticity means not to deny what in fact they are. Yes, but it also means not to claim more than one has a right to.2 Defenders of affirmative action today are publicly faced with questions once thought improper in polite company. For Jewish liberals, the most disturbing question on the list is that posed by the comparison between the twentieth-century Jewish and African-American experiences in the United States. It goes something like this: The Jews succeeded in America without affirmative action. In fact, the Jews have done better on any reasonable measure of economic and educational achievement than members of the dominant majority, and began to succeed even while they were still being discriminated against by this country's elite institutions. -
CVAN Open Letter to the Secretary of State for Education
Press Release: Wednesday 12 May 2021 Leading UK contemporary visual arts institutions and art schools unite against proposed government cuts to arts education ● Directors of BALTIC, Hayward Gallery, MiMA, Serpentine, Tate, The Slade, Central St. Martin’s and Goldsmiths among over 300 signatories of open letter to Education Secretary Gavin Williamson opposing 50% cuts in subsidy support to arts subjects in higher education ● The letter is part of the nationwide #ArtIsEssential campaign to demonstrate the essential value of the visual arts This morning, the UK’s Contemporary Visual Arts Network (CVAN) have brought together leaders from across the visual arts sector including arts institutions, art schools, galleries and universities across the country, to issue an open letter to Gavin Williamson, the Secretary of State for Education asking him to revoke his proposed 50% cuts in subsidy support to arts subjects across higher education. Following the closure of the consultation on this proposed move on Thursday 6th May, the Government has until mid-June to come to a decision on the future of funding for the arts in higher education – and the sector aims to remind them not only of the critical value of the arts to the UK’s economy, but the essential role they play in the long term cultural infrastructure, creative ambition and wellbeing of the nation. Working in partnership with the UK’s Visual Arts Alliance (VAA) and London Art School Alliance (LASA) to galvanise the sector in their united response, the CVAN’s open letter emphasises that art is essential to the growth of the country. -
“Museum Visionary” by Smithsonian Magazine, a Silicon Valley
Nina Simon Nina Simon has been called a “museum visionary” by Smithsonian Magazine, a Silicon Valley Business Journal “40 under 40,” and Santa Cruz County Woman of the Year for her innovative community leadership. She is the Executive Director of the Santa Cruz Museum of Art & History and the founder/CEO of the OF/BY/FOR ALL movement. Nina is the best-selling author of The Participatory Museum (2010), The Art of Relevance (2016) and the popular Museum 2.0 blog. She lives off the grid in the Santa Cruz mountains with 20 people, 24 chickens, 5 dogs, and 1 zipline. Esme Ward Esme Ward was appointed Director of the Manchester Museum, the UK’s largest university museum, in April 2018 and is the first woman to hold the role in its 125-year history. Prior to this, she was Head of Learning and Engagement at Manchester Museum and the Whitworth, where she worked alongside Maria Balshaw on the £15 million redevelopment of the Whitworth. She is leading a significant capital development at Manchester Museum, renewing the creative and civic mission of the organisation with the ambition to become the most inclusive, imaginative and caring museum. In 2016/17 she was a fellow on the Clore Cultural Leadership Programme, exploring social and civic purpose, leadership and the future of museums. Her career has been driven by these values and a longstanding commitment to make museums more inclusive and relevant to the communities they serve. In 2018 Esme was awarded Honorary Professor of Heritage Futures from the University of Manchester. Esme is also the Culture Strategic Lead for Age Friendly Manchester and the Greater Manchester Ageing Hub, which heavily influences her work at the museum, ensuring culture in the city is accessible to all generations. -
Contents Curating Film
Issue # 03/10 : Curating Film Freely distributed, non - commercial, digital publication an artwork. The sound track (where it exists) often clashes in a disturbing manner with the other works on view in the same room. The typical cinema ar- rangement, consisting of a dark room, a film, a projection, and the audience, is so closely associated with the act of watching a film that is virtually seems like a must, and, unsur- prisingly, large, international art institutions are increas- ingly having their own cinemas built for the purpose of showing these works. The distinguished media theorist Christian Metz associates the space of the imagination, the space of pro- jection, with the present economic order: “It has often rightly been claimed that cinema is a technique of the imagin- ation. On the other hand, this technique is characteristic of a historical epoch (that of capitalism) and the state of a society, the so-called indus- trial society.”1 Scopophilia (pleasure in looking) and voyeurism are deeply inscribed in our society; in a cinema, the audience is placed at a voyeuristic distance and can unashamedly satisfy his cur- iosity. Passiveness, a play with identifications and a CONTENTS CURATING consumption-oriented attitude constitute the movie-watchers’ 01 Introduction position. Laura Mulvey moreover FILM calls attention to the fact that 02 The Cinema Auditorium the visual appetite is as much Interview with Ian White dominated by gender inequality as the system we live in.2 Natu- 04 The Moving Image rally, (experimental) films and Interview with Katerina Gregos INTRODUCTION the various art settings in which they are presented can 07 Unreal Asia and will violate the conventions Interview with Gridthiya Gaweewong and David Teh Siri Peyer of mainstream cinema from case to case. -
What Gordon Parks Witnessed
What Gordon Parks Witnessed The injustices of Jim Crow and the evolution of a great American photographer Tenement residents in Chicago in 1950. (Courtesy of and © the Gordon Parks Foundation) Story by David Rowell DECEMBER 3, 2018 Photos by Gordon Parks When 29-year-old Gordon Parks arrived in Washington, in 1942, to begin his prestigious job as a photographer at the Farm Security Administration, his first assignment was to shoot: nothing. The government agency, which was born of President Franklin D. Roosevelt’s New Deal, had originally intended to highlight rural suffering and the plight of farmers, but that mission quickly expanded to producing a vast visual record of American life. Overseen by Roy Stryker, chief of the photography unit within the agency’s historical section, the collection was a stunning, often sobering artistic vehicle for depicting the ways the government was both serving and failing its citizens. Parks had come to the FSA on a fellowship after being a staff photographer for the St. Paul Recorder newspaper and doing commercial freelance work, but he also hadn’t bought his first camera until 1937, and Stryker knew the photographer still had much to learn. First, as Parks recounted in his 1966 memoir “A Choice of Weapons,” Stryker had Parks show him his cameras — a Speed Graphic and a Rolleiflex — and promptly locked them in a cabinet. “You won’t be needing those for a few days,” the boss said. Instead, he asked his new photographer — who was raised in Kansas but also lived in Minnesota and later in Chicago — to eat in some restaurants, shop in stores, take in a movie. -
Report About the Project Director: Factory Manchester and Structural
Manchester City Council Item 7 Personnel Committee 2 March 2016 Manchester City Council Report for Resolution Report to Personnel Committee - 2 March 2016 Subject: Project Director: Factory Manchester and structural changes in Strategic Development Report of: Chief Executive ___________________________________________________________________ Purpose This report seeks to establish a new fixed term role of Project Director for Factory Manchester for a period of up to 4 years to cover the period between June 2016 and January 2020. Recommendations: The Personnel Committee is recommended to: 1. Approve the creation of a position of Project Director for Factory Manchester at a salary of up to £140,000 for a period of up to 4 years and make a recommendation to Council on the remuneration for the post in line with the Council’s Pay Policy. 2. To appoint a subcommittee of four members to act as the appointment panel for the appointment of this position, with a quorum of three of the members for a meeting of the subcommittee. 3. To appoint a member as the Chair of the subcommittee. 4. To co-opt onto the subcommittee, as a non-voting member, a nominee of the Arts Council England so they may attend meetings of the subcommittee and be present during the consideration of any confidential business. 5. To delegate authority to the Deputy Chief Executive (Growth and Neighbourhoods), in consultation with the Chair of the subcommittee, to progress all aspects of the recruitment of the Project Director: Factory Manchester up to the point where a meeting of the appointment panel is necessary. 6. Approve an amendment to structural reporting lines for the Strategic Director (Strategic Development) and the structural position of the City Centre Growth and Regeneration team. -
The Television Project: Some of My Best Friends
The Television Project: Some of My Best Friends Highlights from the National Jewish Archive of Broadcasting Examine Anti-Semitism Through Classic TV Beginning March 18, 2016 New York, NY – With the second installment of its new, ongoing exhibition series, the Jewish Museum will continue introducing visitors to a dynamic part of its collection: the National Jewish Archive of Broadcasting (NJAB). The Television Project: Some of My Best Friends will be on view from March 18 through August 14, 2016 exploring the full range of the medium’s approach to anti-Semitism, from the satire and humor of the situation comedy to serious dramas that dissect the origins, motivations, and consequences of prejudice. Clips from such programs as All in the Family, Downton Abbey, Mad Men, Gunsmoke, and The Mary Tyler Moore Show will be featured. Some of My Best Friends features Mary Richards standing up to an anti- Semitic friend in The Mary Tyler Moore Show, “Some of My Best Friends Are Rhoda;” Jews fighting to prevent neo-Nazis from holding a rally in a predominantly Jewish town in Skokie; and Jewish emigrants confronting hatred in the Old West in the Gunsmoke episode, “This Golden Land” (featuring a young Richard Dreyfuss) and Little House on the Prairie, “The Craftsman.” Also included are clips from the first episode of the acclaimed Mad Men, where Roger Sterling suggests to Don Draper that their ad agency hire a Jew prior to meeting with a new Jewish-owned client; an LA Law segment, “Rohner vs. Gradinger,” depicting a confrontation between a Jewish lawyer and his Jew-hating WASP mother-in-law and her close friend; the bigoted Archie Bunker looking for a “Jew lawyer” because Jews are “smarter and shrewder” in Norman Lear’s groundbreaking All in the Family, “Oh, My Aching Back;” and a scene from Downton Abbey showing the family matriarch (Maggie Smith) expressing displeasure at news of a cousin romantically involved with a Jew. -
2010 Breakthrough Fund Funding for Exceptional Cultural Entrepreneurs
2010 Breakthrough Fund Funding for exceptional cultural entrepreneurs Maria Balshaw – Whitworth Art Gallery Stewart Laing – Untitled Projects Matt Peacock – Streetwise Opera Simon Pearce – The Invisible Dot Ltd Gavin Wade – Eastside Projects The Breakthrough Fund A successful arts economy requires not only great artists, but also Nominations process talented and visionary people who can enable these artists to make The Breakthrough Fund identified potential applicants through a process of great things happen. Paul Hamlyn Foundation set up the Breakthrough confidential nominations, asking a range of nominators to help spot talent Fund, over an initial period of three years, to support exceptional and share their intelligence across regions and art forms. Whilst art form and cultural entrepreneurs. This year sees the third and final funding round regional spread are not criteria for support, we believe that a balance has of the initiative as it was originally devised. PHF will now evaluate the emerged over the three years of the Fund. programme and start to assess its impact, with a view to reviewing This year, 15 nominators were chosen for their expertise and experience. findings in 2011/12 – and sharing them as widely as possible. They gave their personal recommendations without the nominees’ Cultural entrepreneurs may appear in a range of roles and with various titles – knowledge. Over 40 nominees were put forward and invited to enter the producers, artistic or executive directors, curators, chief executives – but they application process. each possess a pressing and persuasive vision, a drive and a strong track Paul Hamlyn Foundation gratefully acknowledges the invaluable contribution record of making things happen. -
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Download Music for Free.] in Work, Even Though It Gains Access to It
Vol. 54 No. 3 NIEMAN REPORTS Fall 2000 THE NIEMAN FOUNDATION FOR JOURNALISM AT HARVARD UNIVERSITY 4 Narrative Journalism 5 Narrative Journalism Comes of Age BY MARK KRAMER 9 Exploring Relationships Across Racial Lines BY GERALD BOYD 11 The False Dichotomy and Narrative Journalism BY ROY PETER CLARK 13 The Verdict Is in the 112th Paragraph BY THOMAS FRENCH 16 ‘Just Write What Happened.’ BY WILLIAM F. WOO 18 The State of Narrative Nonfiction Writing ROBERT VARE 20 Talking About Narrative Journalism A PANEL OF JOURNALISTS 23 ‘Narrative Writing Looked Easy.’ BY RICHARD READ 25 Narrative Journalism Goes Multimedia BY MARK BOWDEN 29 Weaving Storytelling Into Breaking News BY RICK BRAGG 31 The Perils of Lunch With Sharon Stone BY ANTHONY DECURTIS 33 Lulling Viewers Into a State of Complicity BY TED KOPPEL 34 Sticky Storytelling BY ROBERT KRULWICH 35 Has the Camera’s Eye Replaced the Writer’s Descriptive Hand? MICHAEL KELLY 37 Narrative Storytelling in a Drive-By Medium BY CAROLYN MUNGO 39 Combining Narrative With Analysis BY LAURA SESSIONS STEPP 42 Literary Nonfiction Constructs a Narrative Foundation BY MADELEINE BLAIS 43 Me and the System: The Personal Essay and Health Policy BY FITZHUGH MULLAN 45 Photojournalism 46 Photographs BY JAMES NACHTWEY 48 The Unbearable Weight of Witness BY MICHELE MCDONALD 49 Photographers Can’t Hide Behind Their Cameras BY STEVE NORTHUP 51 Do Images of War Need Justification? BY PHILIP CAPUTO Cover photo: A Muslim man begs for his life as he is taken prisoner by Arkan’s Tigers during the first battle for Bosnia in March 1992. -
Iraq: Options for U.S
THE WASHINGTON INSTITUTE POLICY FOCUS IRAQ: OPTIONS FOR U.S. POLICY LAURIE MYLROIE RESEARCH MEMORANDUM NUMBER TWENTY-ONE MAY 1993 Cover and title page illustrations from windows of the tom Bi-AmnW Mosque. 990-1013 THE AUTHOR Laurie Mylroie is Arab Affairs Fellow at The Washington Institute. She has previously taught in the Department of Government at Harvard University and at the U.S. Naval War College. Among Dr. Mylroie's many published works on Iraq are Saddam Hussein and the Crisis in the Gulf (with Judith Miller), and The Future of Iraq (Washington Institute Policy Paper Number 24). The views expressed in this Policy Focus are those of the author and should not necessarily be construed as representing those of The Washington Institute for Near East Policy, its Board of Trustees, or its Board of Advisors. EXECUTIVE SUMMARY The Clinton administration inherited a flawed Iraq policy from the Bush administration, but, in formulating a new policy, it has failed to accurately define those flaws. Its emphasis on "depersonalizing" the conflict with Iraq by shifting the focus from Saddam Hussein to Baghdad's compliance with relevant UN resolutions may mean that the Clinton administration will eventually, if reluctantly, come to terms with Saddam's dogged hold on power and accept a diluted form of Iraqi compliance with the resolutions. Although that may be far from the administration's intent, the present formulation of U.S. policy may weaken the coalition and lead to that result nonetheless. The Clinton administration has stated that it will enforce all UN resolutions, including Resolution 687, which, inter alia, provides for stripping Iraq of weapons of mass destruction, and Resolution 688, which demands that Baghdad cease to repress its population. -
Common Sense Common Sense
CCOMMONOMMON SSENSEENSE GGOVERNMENTOVERNMENT WWORKSORKS BBETTERETTER &C&COSTSOSTS LLESSESS Vice President Al Gore Third ReportReport of of thethe National Performance Performance Review Review Common Sense Government Works Better and Costs Less Vice President Al Gore Third Report of the National Performance Review Contents Introduction.................................................................................................1 Calling in the Real Experts............................................................................1 There’s a Wrong Way and a Right Way .........................................................2 Reclaiming Government “For the People”.....................................................2 Delivering the Goods at Last.........................................................................6 It’s Never Finished.........................................................................................6 1. A Government That Makes Sense........................................11 The Real Business of Government ..............................................................12 Americans Want a Government That Works Better, Costs Less...................13 Why We Have a Federal Government.........................................................14 How Things Got Out of Hand...................................................................16 Failing to Change With a Changing World.................................................16 Going By the Book .....................................................................................18 -
Congressional Record—Senate S5386
S5386 CONGRESSIONAL RECORD — SENATE April 11, 2003 (c) EFFECT ON ENTITLEMENT.—Nothing in from oral and pharyngeal cancers each The Samuel D. Harris National Mu- this Act shall be construed to change the year. seum of Dentistry has been endorsed by total acreage of land to which Newtok is en- The report called for the develop- the American Dental Association, the titled under ANCSA. ment of a National Oral Health Plan, American Association of Dental (d) EFFECT ON NEWTOK LANDS.—The Newtok Lands shall be included in the and recommended that actions be Schools, Oral Health America, the Yukon Delta National Wildlife Refuge as of taken to ‘‘change perceptions regard- Pierre Fauchard Academy, the Amer- the date of acceptance of the conveyance of ing oral health and disease so that oral ican College of Dentists, the Inter- those lands from Newtok, except that resi- health becomes an accepted component national College of Dentists, and the dents of the Village of Newtok, Alaska, shall of general health.’’ By designating an American Academy of the History of retain access rights to subsistence resources official national museum and learning Dentistry. I ask unanimous consent on those public lands as guaranteed under center dedicated to dentistry, this leg- ANILCA section 811 (16 U.S.C. 3121), and to that the text of a letter from the subsistence uses, such as traditional subsist- islation takes an important step to- American Dental Association in sup- ence fishing, hunting and gathering, con- ward the achievement of this goal. port of this legislation be printed in sistent with ANILCA section 803 (16 U.S.C.