Forthcoming Functions at the Sydney Institute
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I Should Say, at the Outset of This Function on the Senate Side Of
I should say, at the outset of this function on the Senate side of Parliament House, that my subject today—former Tasmanian premier and Australian prime minister Joseph Lyons—was not all that enamoured with upper houses for much of his political career. As a Labor premier of Tasmania, he stood up to the Tasmanian Legislative Council in the 1920s over its financial powers. On a couple of occasions he even managed to by- pass the Council entirely. (How many prime ministers would like to be able to do that these days?) As well, during Lyons’ first two years as a federal minister in the Scullin Government, he faced strong opposition from the Nationalist Party dominated Senate. But then Joseph Lyons moved to stand with the conservatives in 1931. Thereafter, upper houses became more to his liking. Of course—that’s a long time ago and upper houses today cannot be relied upon so easily to reflect the conservative side of politics. As we know well … I am here to discuss one of Australia’s longest serving and most popular prime ministers. And, yet, it has taken some seventy years to get to a point of acknowledging this in the national record. As I discovered on researching his biography, Lyons has been shoved off to some remote region of forgetfulness— thought of as a prime minister who achieved little and was merely used by stronger forces to win elections. This legacy has stalked the memory of J. A. Lyons—as he was wont to sign on documents. Yet, nothing could be further from the truth. -
Recognizing Women in the Church
Recognizing Women in the Church Anne Henderson Author and Deputy Director Sydney Institute Address to the St. Thomas More Forum 7 September 2011 Thank you Bill, and the St Thomas More Forum, for the invitation to speak here tonight. Perhaps the first woman of faith I should be recognising tonight is journalist Angela Shanahan, who started this forum with a handful of others a few years back. As someone who has helped to run a Sydney forum – The Sydney Institute – for 23 years, I know how hard these activities are to maintain. So, well done. We probably all remember learning about the theological virtues at one time or another. The three great virtues – faith, hope and charity, or love as it is now more often called. We may also have been told that the greatest of these virtues is “love”. But today it’s not love per se I am going to focus on, but the first of the virtues – faith. And in many ways it is faith that leads to the other two. On a very material level, faith seems to be all around us these days with the coming of the carbon tax – a faith in the ranks of Labor that has possibly now moved more into the realms of “hope”– hope that imposition of a carbon tax in Australia will work out and that the government’s faith in its new policy direction will soon enough be accepted by a majority of Australians. We shall watch with interest at this exposition of one – if not two – of the great theological virtues. -
Poetry and Public Speech: Three Traces
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The University of Sydney: Sydney eScholarship Journals online Poetry and Public Speech: Three Traces DAVID McCOOEY Deakin University Contemporary poetry is routinely seen as ‘marginal’ to public culture. As Simon Caterson wrote in the Sunday Age in 2005, ‘Poets have never been more numerous, and never less visible’ (31). The simultaneous ubiquity and marginality of poets is usually noted in terms of poetry having lost its status as a form of public speech. The American critic Dana Gioia, in his oft-cited essay ‘Can Poetry Matter?’ (1991), asserts that ‘Without a role in the broader culture…talented poets lack the confidence to create public speech’ (10). Such a condition is often noted in nostalgic terms, in which a golden era—bardic or journalistic—is evoked to illustrate contemporary poetry’s lack. In the bardic model, the poet gains status by speaking for the people in a form that is public but not official. Gioia evokes such a tradition himself when he describes poets as ‘Like priests in a town of agnostics’ who ‘still command a certain residual prestige’ (1). In the Australian context, Les Murray has most often been associated with such a bardic role (McDonald, 1976; Bourke, 1988). In the journalistic model, one evoked by Jamie Grant (2001), the poet is presented as a spokesperson, authoritatively commenting on public and topical events. This model is supported by Murray in his anthology The New Oxford Book of Australian Verse (1986). In the introduction to this work, the only historical observation Murray makes is that ‘most Australian poetry in the nineteenth and early twentieth centuries first saw the light of day in newspapers’ (xxii), before poetry became marginalised in small literary magazines. -
Papers on Parliament Lectures in the Senate Occasional Lecture Series, and Other Papers
Papers on Parliament Lectures in the Senate Occasional Lecture Series, and other papers Number 58 August 2012 Published and printed by the Department of the Senate Parliament House, Canberra ISSN 1031–976X Published by the Department of the Senate, 2012 ISSN 1031–976X Papers on Parliament is edited and managed by the Research Section, Department of the Senate. Edited by Paula Waring All editorial inquiries should be made to: Assistant Director of Research Research Section Department of the Senate PO Box 6100 Parliament House CANBERRA ACT 2600 Telephone: (02) 6277 3164 Email: [email protected] To order copies of Papers on Parliament On publication, new issues of Papers on Parliament are sent free of charge to subscribers on our mailing list. If you wish to be included on that mailing list, please contact the Research Section of the Department of the Senate at: Telephone: (02) 6277 3074 Email: [email protected] Printed copies of previous issues of Papers on Parliament may be provided on request if they are available. Past issues are available online at www.aph.gov.au/senate/pops. Contents Joseph Lyons—Australia’s Depression Prime Minister 1 Anne Henderson Minority Report: Lessons from Canada’s Minority Parliaments 17 Andrew Banfield The Strange Case of Privileges and Immunities 39 William Buss Forecasting Presidential Elections: Obama, Romney, or What? 53 Kenneth Mayer Media Reporting of the Next Federal Election: What Can We Expect? 73 Sally Young ‘This Is a Procedure on Which We Should Not Lightly Embark’: Orders for the Production of Documents in the Australian Senate, 1901 to 1988 89 Paula Waring iii Contributors Anne Henderson is an author and editor and Deputy Director of the Sydney Institute. -
Recognition for Two Doyens of Intellectual Leadership
Media Release 07/10/20 Recognition for two doyens of intellectual leadership Gerard and Anne Henderson have been recognised with honorary doctorates from Australian Catholic University (ACU) for their influence on how Australian history and contemporary public policy issues are understood and debated. The award, presented by ACU Vice-Chancellor Professor Greg Craven AO GSGC, in a small ceremony in Sydney on Tuesday 6 October 2020, honours the Hendersons’ contribution to Australian history, public affairs and civil discourse. The Hendersons’ establishment and work with The Sydney Institute, and their involvement in public debate through other media outlets, has allowed Australians to understand some of the great people who have shaped our story and their legacy. Born and educated in Melbourne, Dr Gerard Henderson began his academic career with a Bachelor of Arts and a Bachelor of Laws at the University of Melbourne, and a Doctor of Philosophy from La Trobe University, where he subsequently worked in the Politics Department and the Department of Political Science, then as a teacher and scholar at the University of Tasmania. Outside of academia, Dr Henderson’s career has seen him work extensively in politics and governance. He held the position of private secretary to the Hon. Kevin Newman and later was senior private secretary to the Hon. John Howard MP. Dr Henderson has also served with the Commonwealth Department of Employment and Industrial Relations. His political activities have involved participation in the Australia 2020 Summit in 2008 and the Australian History Summit in 2006. Also a Melbourne native, Anne Henderson has long played a role in the education of young Australians and refugees. -
Michael Leunig the Night We Lost Our Marbles Sans.Fm
M ICHAEL LEUNIG T HE NIGHT WE LOST OUR MARBLES D ESERT JOY 2016 Acrylic on canvas 106 × 122 cm T HE NIGHT WE LOST OUR MARBLES II 2016 Acrylic on linen 76 × 92 cm T HE TIDE COMES IN 2016 Acrylic on canvas 91 × 76 cm P ILGRIM 2016 Acrylic on linen 92 × 71 cm F RIENDLY FACES 2016 Acrylic on linen 91 × 66 cm U NDERSTORY 2016 Acrylic on linen 71 × 81 cm C LIMBING UP THE FENCE 2016 Acrylic on linen 66 × 76 cm P SYCHE 2016 Acrylic on linen 76 × 66 cm P IXIE TEA 2016 Acrylic on canvas 70 × 60 cm E ARTHSCAPE 2016 Stabilised earth on linen 70 × 60 cm M AN WITH DOG 2016 Acrylic on linen 66 × 51 cm M E AND YOU 2016 Acrylic on canvas 51 × 61 cm N OCTURNAL DANCE 2016 Acrylic on canvas 50 × 60 cm T HE NIGHT WE LOST OUR MARBLES 2016 Acrylic on canvas 51 × 60 cm H OLY FOOL IN TREE 2016 Acrylic on wood 50 × 45 cm E BB AND FLOW 2016 Acrylic on linen 51 × 41 cm H OLY FOOL WITH BIRDS 2016 Acrylic on canvas 50 × 40 cm H OLY FOOL 2016 Acrylic on canvas 40 × 50 cm L IFEBOAT 2016 Acrylic on linen 51 × 40 cm A FFINITY 2016 Acrylic on linen 42 × 45 cm T HE ESCAPEE 2016 Acrylic on linen 36 × 46 cm E ACH OTHER 2016 Acrylic on wood 40 × 35 cm F AMILY TREE 2015 Acrylic on canvas 35 × 28 cm B EE BIRD 2016 Acrylic on linen 26 × 31 cm M ICHAEL LEUNIG— T HE NIGHT WE LOST OUR MARBLES Michael Leunig is an Australian cartoonist, writer, painter, philosopher and poet. -
Michael Leunig
Michael Leunig Bio Leunig, was born in East Melbourne, Victoria, grew up in the Melbourne suburb of Footscray and went to Maribyrnong High School before entering an arts degree at Monash University. His first cartoons appeared in the Monash University student newspaper, Lot's Wife, in the late 1960s. He was conscripted in the Vietnam War call-up, but he registered as a conscientious objector; in the event he was rejected on health grounds when it was revealed that he was deaf in one ear. After university Leunig enrolled at the Swinburne Film and Television School and then began his cartoon career. He has noted that he was at first interested in making documentaries. In the early 1970s his work appeared in the satirical magazine Nation Review, Woman's Day, London's Oz magazine and also various newspapers of that era. The main outlet for Leunig's work has been the daily Fairfax press, The Sydney Morning Herald and The Age (Melbourne) newspapers published in Australia. In recent years he has focused mainly on political commentary, sometimes substituting his simple drawings with reproduced photographic images with speech balloons attached. The Australian Broadcasting Corporation has also provided airtime to Leunig to discuss his views on a range of political and philosophical issues. Leunig's drawings are done with a sparse, quavering line, usually in black and white with ink wash, the human characters always drawn with exaggerated features. This style served him well in his early years when he gained a loyal following for his quirky take on social issues. He also made increasingly frequent forays into a personal fantasy world of whimsy, featuring small figures with teapots balanced on their heads, grotesquely curled hair and many ducks. -
Download Thesisadobe
Celebrations for Personal and Collective Health and Wellbeing (Leunig 2001, p. 6) Julieanne Hilbers Doctor of Philosophy Faculty of Education University of Technology, Sydney 2006 Certificate of Authorship/Originality I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Signature of Candidate ________________________________________ ii I am grateful to Michael Leunig for permission to include a selection of his cartoons and poems in this thesis. Michael Leunig is an Australian cartoonist, poet and philosopher. He has been declared a national living treasure by the National Trust of Australia. Through his work Leunig often gives voice to the voiceless and uses the every day to explore the inner self and the wider world we live in. iii Undertaking this thesis has allowed me the space to listen, explore, reflect and to find voice. This journey has been supported, frustrated and celebrated by a number of people along the way. I extend my gratitude and thanks to: Judyth and Beverley for the inspiration and being such great ‘play’ mates. Everyone who gave took the time to share their thoughts and experiences. To my lovely friends who provided me with emotional support along the way. -
Earle Page and the Imagining of Australia
‘NOW IS THE PSYCHOLOGICAL MOMENT’ EARLE PAGE AND THE IMAGINING OF AUSTRALIA ‘NOW IS THE PSYCHOLOGICAL MOMENT’ EARLE PAGE AND THE IMAGINING OF AUSTRALIA STEPHEN WILKS Ah, but a man’s reach should exceed his grasp, Or what’s a heaven for? Robert Browning, ‘Andrea del Sarto’ The man who makes no mistakes does not usually make anything. Edward John Phelps Earle Page as seen by L.F. Reynolds in Table Talk, 21 October 1926. Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760463670 ISBN (online): 9781760463687 WorldCat (print): 1198529303 WorldCat (online): 1198529152 DOI: 10.22459/NPM.2020 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode This publication was awarded a College of Arts and Social Sciences PhD Publication Prize in 2018. The prize contributes to the cost of professional copyediting. Cover design and layout by ANU Press. Cover photograph: Earle Page strikes a pose in early Canberra. Mildenhall Collection, NAA, A3560, 6053, undated. This edition © 2020 ANU Press CONTENTS Illustrations . ix Acknowledgements . xi Abbreviations . xiii Prologue: ‘How Many Germans Did You Kill, Doc?’ . xv Introduction: ‘A Dreamer of Dreams’ . 1 1 . Family, Community and Methodism: The Forging of Page’s World View . .. 17 2 . ‘We Were Determined to Use Our Opportunities to the Full’: Page’s Rise to National Prominence . -
Men's and Fathers' Family Friendly Policy Forum
Men’s and Fathers' Family Friendly Policy Forum 20th June 2007 Parliament House, Canberra Fatherhood and Families Forum Welcome from the Fatherhood Foundation We welcome you as a delegate, or parliamentarian, to rail around the top of the cliff to prevent people the Men's /Fathers' Family Friendly Policy Forum. falling over, than it is to run an ambulance service for Your presence here today is open testimony to the those who fall to the bottom of the cliff. Placing a rail need to turn the tide of fat herlessness in Australia. around the top of the cliff is a win-win scenario for mothers, fathers and especially the children. Our challenge today will be for us to be very open and honest with each other, to hear not only each We appreciate the sacrifices made in coming to this other's words but also each other's hearts. The 12pt forum; we all lead very busy lives. We look forward Plan and National Strategic Conference on to your contribution to the restoration of fatherhood Fatherhood (August 2003) were bor n out of the in Australia. For those of you who are reading this ability to listen and walk in one another's shoes, to policy document for the first time we hope you find show honour and respect for one another. it inspiring. We encourage you to do what can to change your world. These are the keys to the positive outcomes we wish to achieve for the mothers, fathers and children of The Fatherhood Foundation is not a lobby group. -
Southern Star Booklet
Southern Star 476 6349 WILLCOCK k SOUTHERN STAR BRITTEN k A CEREMONY OF CAROLS CHRISTOPHER WILLCOCK b. 1947 BENJAMIN BRITTEN 1913-1976 Southern Star [25’14] A Ceremony of Carols [21’34] 1 I. Love is Born 2’08 % I. Procession 1’32 2 II. Christmas 2’01 ^ II. Wolcum Yole! 1’21 3 III. Gratitude and Grief 3’21 & III. There is no Rose 2’27 4 IV. The Holy Child 1’54 * IVa. That Yongë Child 1’34 5 V. Gul Gul Dja Mardji 3’28 ( IVb. Balulalow 1’24 6 VI. Hold the Baby Jesus 2’34 ) V. As Dew in Aprille 1’00 7 VII. Southern Star 4’00 ¡ VI. This Little Babe 1’22 8 VIII. What Did You Get? 1’46 ™ VII. Interlude 3’29 9 IX. Real and Right and True 4’01 # VIII. In Freezing Winter Night 3’30 Suzanne Shakespeare soprano 2, 4, 7 ¢ IX. Spring Carol 1’15 ∞ X. Adam Lay i-Bounden 1’07 JOHN RUTTER b. 1945 § XI. Recession 1’33 0 Mary’s Lullaby 4’06 Kristy Biber soprano I (, #, ¢, Clare Kenyon soprano II *, #, ¢ Jonathan Bradley organ Total Playing Time 63’11 MICHAEL LEIGHTON JONES b. 1947 ! Jesus Christ the Apple Tree 2’46 Marshall McGuire harp @ That Lord that Lay in Assë Stall 2’31 Choir of Trinity College, University of Melbourne WILLIAM KIRKPATRICK 1838-1921 arr. DONALD HUNT b. 1930 Michael Leighton Jones director £ Away in a Manger 3’18 ANDREW CARTER b. 1939 $ Mary’s Magnificat 3’42 Siobhan Stagg soprano, Jonathan Bradley organ 2 3 As one of the highest holy-days of the church – as is Benjamin Britten’s A Ceremony of Carols, was ordained a Jesuit priest in 1977 and Leunig’s art and poetry explore how his private and thus now one of secular society’s most thus making the two works obvious and pursued doctoral studies in sacramental and notions of innocence and of the sacred can exist observed holidays – Christmas has always been intended companion pieces. -
Melbourne-Metropolitan-Tramways-Board-Building- 616-Little-Collins-Street-Melbourne
Melbourne Metropolitan Tramway Study Gary Vines 2011 List of surviving heritage places Contents Horse Tramways ...................................................................................................... 2 Cable Tram engine houses..................................................................................... 2 Cable Tram car sheds ............................................................................................. 6 Electric Tram Depots .............................................................................................. 8 Waiting Shelters ...................................................................................................... 12 Substations .............................................................................................................. 20 Overhead and electricity supply ............................................................................ 24 Sidings and trackwork ............................................................................................ 26 Bridges ..................................................................................................................... 29 Workshops ............................................................................................................... 32 Offices ...................................................................................................................... 32 Recreation buildings ............................................................................................... 33 Accommodation