Enlightening Disillusionments
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Australian SF News 28
NUMBER 28 registered by AUSTRALIA post #vbg2791 95C Volume 4 Number 2 March 1982 COW & counts PUBLISH 3 H£W ttOVttS CORY § COLLINS have published three new novels in their VOID series. RYN by Jack Wodhams, LANCES OF NENGESDUL by Keith Taylor and SAPPHIRE IN THIS ISSUE: ROAD by Wynne Whiteford. The recommended retail price on each is $4.95 Distribution is again a dilemna for them and a^ter problems with some DITMAR AND NEBULA AWARD NOMINATIONS, FRANK HERBERT of the larger paperback distributors, it seems likely that these titles TO WRITE FIFTH DUNE BOOK, ROBERT SILVERBERG TO DO will be handled by ALLBOOKS. Carey Handfield has just opened an office in Melbourne for ALLBOOKS and will of course be handling all their THIRD MAJIPOOR BOOK, "FRIDAY" - A NEW ROBERT agencies along with NORSTRILIA PRESS publications. HEINLEIN NOVEL DUE OUT IN JUNE, AN APPRECIATION OF TSCHA1CON GOH JACK VANCE BY A.BERTRAM CHANDLER, GEORGE TURNER INTERVIEWED, Philip K. Dick Dies BUG JACK BARRON TO BE FILMED, PLUS MORE NEWS, REVIEWS, LISTS AND LETTERS. February 18th; he developed pneumonia and a collapsed lung, and had a second stroke on February 24th, which put him into a A. BERTRAM CHANDLER deep coma and he was placed on a respir COMPLETES NEW NOVEL ator. There was no brain activity and doctors finally turned off the life A.BERTRAM CHANDLER has completed his support system. alternative Australian history novel, titled KELLY COUNTRY. It is in the hands He had a tremendous influence on the sf of his agents and publishers. GRIMES field, with a cult following in and out of AND THE ODD GODS is a short sold to sf fandom, but with the making of the Cory and Collins and IASFM in the U.S.A. -
Anarchy Alive! Anti-Authoritarian Politics from Practice to Theory
Anarchy Alive! Anti-authoritarian Politics from Practice to Theory URI GORDON Pluto P Press LONDON • ANN ARBOR, MI GGordonordon 0000 pprere iiiiii 225/9/075/9/07 113:04:293:04:29 First published 2008 by Pluto Press 345 Archway Road, London N6 5AA and 839 Greene Street, Ann Arbor, MI 48106 www.plutobooks.com Copyright © Uri Gordon 2008 The right of Uri Gordon to be identifi ed as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Hardback ISBN-13 978 0 7453 2684 9 ISBN-10 0 7453 2684 6 Paperback ISBN-13 978 0 7453 2683 2 ISBN-10 0 7453 2683 8 Library of Congress Cataloging in Publication Data applied for This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. 10 9 8 7 6 5 4 3 2 1 Designed and produced for Pluto Press by Chase Publishing Services Ltd, Fortescue, Sidmouth, EX10 9QG, England Typeset from disk by Stanford DTP Services, Northampton, England Printed and bound in the European Union by CPI Antony Rowe Ltd, Chippenham and Eastbourne, England GGordonordon 0000 pprere iivv 225/9/075/9/07 113:04:293:04:29 Contents Acknowledgements vi Introduction 1 1 What Moves the Movement? Anarchism as a Political Culture 11 2 Anarchism Reloaded Network Convergence and Political Content 28 3 Power and Anarchy In/equality + In/visibility in Autonomous Politics 47 4 Peace, Love and Petrol Bombs Anarchism and Violence Revisited 78 5 Luddites, Hackers and Gardeners Anarchism and the Politics of Technology 109 6 HomeLand Anarchy and Joint Struggle in Palestine/Israel 139 7 Conclusion 163 Bibliography 165 Index 180 GGordonordon 0000 pprere v 225/9/075/9/07 113:04:293:04:29 Acknowledgements This book began its unlikely life as my doctoral project at Oxford University. -
Noumenon 41 Outside the Theatre
EDITORIAL “Yes, Brian Thurogood from Waiheke here. You were going to send out that information two weeks ago.” Noumenon is published 10 times per year, hopefully "Yes, Brian. I'm sorry but we've had a terrible at 5-weekly intervals. week. In fact, a terrible fortnight — the worst I've Subscriptions are: ever had. I think. Although the air strike has been . S5.7S/10 issu es NZ [incl. postage] over for two weeks we're still drastically affected S12.25/10 issues | Surface ] S7.00/I0 issues by ” "Oh. I'm sorry to hear that.” S13.25/10 issues Britain [Airmail] . "Well, we've had to borrow equipment hack, . S7.00/I0 issues [Surface] . even go to other suppliers — honestly, it's been Retail |New Zealand] 7 5c/copy diabolical.” Trade Discount . Less ‘6 "In a way it's good to hear we're not the only ones with weeks like that.” Noum mon Is edited end published by: "No, you're not — not by a long shot.” Brian Thurogood “Okay, we'll hear from you soon.” 40 Korora Road, Oneroa "Yes, I'll finish it tonight, or at the latest, to Waiheke Island, HaurakiGulf morrow morning.” NEW ZEALAND Phone WH 8502 Art Consultant: Colin Wlbon Hello again. But let me tell you the good news. Typesetting & Assistance: Kath Alber Next issue, gods and demons willing, will see the Subscription cheques, postal notes or Bank drafts should be introduction of the marvelous made payable to Noumenon and sent to the above address. High Tech, Silicon Chip, Laser Generated We welcome unsolicited contributions. -
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Arts Council OF GREAT BRITAI N Patronage and Responsibility Thirty=fourth annual report and accounts 1978/79 ARTS COUNCIL OF GREAT BRITAIN REFERENCE ONLY DO NOT REMOVE fROwI THE LIBRARY Thirty-fourth Annual Report and Accounts 1979 ISSN 0066-813 3 Published by the Arts Council of Great Britai n 105 Piccadilly, London W 1V OAU Designed by Duncan Firt h Printed by Watmoughs Limited, Idle, Bradford ; and London Cover pictures : Dave Atkins (the Foreman) and Liz Robertson (Eliza) in the Leicester Haymarket production ofMy Fair Lady, produced by Cameron Mackintosh with special funds from Arts Council Touring (photo : Donald Cooper), and Ian McKellen (Prozorov) and Susan Trac y (Natalya) in the Royal Shakespeare Company's small- scale tour of The Three Sisters . Contents 4 Chairman's Introductio n 5 Secretary-General's Report 12 Regional Developmen t 13 Drama 16 Music and Dance 20 Visual Arts 24 Literature 25 Touring 27 Festivals 27 Arts Centres 28 Community Art s 29 Performance Art 29 Ethnic Arts 30 Marketing 30 Housing the Arts 31 Training 31 Education 32 Research and Informatio n 33 Press Office 33 Publications 34 Scotland 36 Wales 38 Membership of Council and Staff 39 Council, Committees and Panels 47 Annual Accounts , Awards, Funds and Exhibitions The objects for which the Arts Council of Great Britain is established by Royal Charter are : 1 To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; and 3 To co-operate with government departments, local authorities and other bodies to achieve these objects . -
Gavin Selerie – Jumping the Limits
Jumping the Limits: the interaction of art forms at Black Mountain & beyond, including UK practice - Gavin Selerie I Fielding Dawson says Black Mountain “had no sides (literally). It was wide open in the mountain.”1 This is a useful reminder that physical space can influence or determine thought. It was significant that the kinds of exploration associated with the college occurred far from recognized centres of learning. You could call it the permission of outlaws, and Ed Dorn, a son of the Prairie, perhaps brings this to fruition with the cinematic-linguistic slides of Gunslinger. On the other hand, no space is definitive, and a key aspect of the Black Mountain community was its willingness to bring people in to work on projects for a limited period. The corollary of this is that skills or modes of inquiry were susceptible of translation to other spheres. Geographically, the dispersal, both before and after the closure of the college, was significant, allowing Bauhaus and related approaches to be taken up in other parts of North America, and finally circulated back to Europe. New York City had a particular cluster of Black Mountain-affiliated artists and San Francisco also, but the small community or individually focused endeavour could happen anywhere. Charles Olson returned to Gloucester but kept ideas afloat through correspondence, appearances in Berkeley, Vancouver and London, and via his two-year teaching stint at Buffalo. What links figures as disparate as the weaver Anni Albers, the writer Robert Creeley and the designer Buckminster Fuller? Olson, in an unsent letter of 1952, describes Black Mountain as an “assembly point of acts”.2 The key elements are a possibility for intersection and the physical shaping of ideas. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
The Performance Culture of Burning Man
ABSTRACT Title of Document: THE PERFORMANCE CULTURE OF BURNING MAN Wendy Ann Clupper, PhD, 2007 Directed By: Dr. Franklin J. Hildy, Department of Theatre and Performance Studies Theatre in the United States for the last twenty years has been evolving in scope by way of a cultural phenomenon known as Burning Man. In 2006, this festival attracted over forty thousand participants to the Black Rock Desert in Northwestern Nevada to a flat dusty Playa surrounded by mountain ranges. While the natural environment there is hostile, the creative atmosphere is welcoming and invites a broad scope of performative behaviors and genres to be exhibited there, the entire week the festival takes place. Make-shift stages and theme camps, as well as large- scale interactive art pieces play host to participants who dress up in fanciful costumes to perform in all manner of imagining. This dissertation maps out the cultural terrain of Burning Man in order to explain how performing there is form of identity-making and cultural commodity. As one of a handful of North American festivals which expressly discourage commercialism and commodification, theatricality takes the place of significance for entertainment and communication. Performance forms of all kinds historically are represented at Burning Man and this dissertation will investigate and theorize how a new performance culture has emerged from the festival itself and by its presence as a theatrical event, has exposed and expanded performance and theatre forms. This dissertation offers a critical framework through which to consider performance and performers within the Burning Man community as applied to Mikhail Bakhtin’s concept of Carnival and the Schema for Theatrical Eventness proposed by the International Federation for Theatre Research Theatrical Events Working Group. -
Who's Who Im World Jewry First International Conference Jerusalem Founders Assembly the Jewish Hall of Fame
WHO'S WHO IM WORLD JEWRY FIRST INTERNATIONAL CONFERENCE JERUSALEM FOUNDERS ASSEMBLY THE JEWISH HALL OF FAME PATRON The Honorable Ephraim Katzir December 20 1976 President of the State of Israel Office of the President and EDITORIAL BOARD Chairman of the Editorial Board Dr. I. J. Carmin Karpman I. J. Carmin Karpman Chairman Mr. Artur Rubinstein,Pianist Virtuoso General Editor 22 Sq de L’Avenue Foch, The Standard Jewish Encyclopedia Paris, I6l eme, Anatole A. Yaron Executive Director, Who's Who in World Jewry France Dr. Avraham Avi-hai, Jerusalem Lecturer, Political Science Bar Ilan University Mr. Irving Bernstein, New York Executive' Vice Chairman United Jewish Appeal Dear Sir: Dr. Israel Bilecky, Tel Aviv Lecturer, Yiddish Literature Tel Aviv University Mr. Solon Myles Chadabe, New York Member, Board of Directors You are cordially invited to join the Honorary Advisory Board of National Federations of Temple Brotherhoods the proposed JEWISH HALL OF FAME to be established in Jerusalem Mr. Bernard Cherrick, Jerusalem Vice President under the auspices of WHO’S WHO IN WORLD JEWRY. Panels of experts Hebrew University are being constituted to plan the monumental JEWISH HALL OF FAME Mr. Seymour Fishman, New York Executive Vice President as a repository of Jewish heritage and knowledge and as an expression American Friends of the Hebrew University of the Jewish contribution to the progress of mankind in all fields Mr. Arnold Forster, New York General Counsel, Anti-Defamation of human endeavor. League of B'nai B'rith Mr. Bertram H. Gold, New York The President of Israel, the Honorable Professor Ephraim Katzir, Executive Vice President The American Jewish Committee Patron of WHO’S WHO IN WORLD JEWRY, endorsed the project, stating: Mr. -
The Case of Israeli Disability Policy
University of Haifa From the SelectedWorks of Sagit Mor December, 2005 Imagining the Law: The onC struction of Disabiltiy in the Domains of Rights and Welfare – The asC e of Israeli Disability Policy Sagit Mor Available at: http://works.bepress.com/sagitmor/5/ IMAGINING THE LAW THE CONSTRUCTION OF DISABILITY IN THE DOMAINS OF RIGHTS AND WELFARE THE CASE OF ISRAELI DISABILITY POLICY Sagit Mor J.S.D. Thesis Submitted to NYU School of Law Advisors: Oscar Chase Jerome Bruner Christine Harrington November 2005 CONTENTS === PART I: INTRODUCING THE PROJECT === INRODUCTION................................................................................................... 6 CHAPTER ONE: Enter Disability Legal Studies: A New Theoretical Framework ........................................................................... 19 A. Disability Studies - A Paradigm Shift ................................................. 19 a. The Social Construction of Disability...................................................... 23 b. The Cultural Production of Disability...................................................... 25 c. Transforming the Academia ..................................................................... 28 B. Introducing Disability Legal Studies ....................................................... 30 a. What is Missing in Contemporary Writing on Disability and the Law....... 30 b. Methodological Directions....................................................................... 35 c. Constitutive Theory................................................................................. -
The Outcast Dead, by Paul Slade
The Outcast Dead, by Paul Slade. © Paul Slade 2013, all rights reserved. This book first appeared on http://www.PlanetSlade.com. The Outcast Dead by Paul Slade Contents Introduction 2 Chapter 1: The Romans 4 Chapter 2: Arriving at the vigil 7 Chapter 3: Laying siege 10 Chapter 4: Samhain at the gates 12 Chapter 5: Birth of the Liberty 15 Chapter 6: Emily’s plaque 23 Chapter 7: The Black Death 27 Chapter 8: The Invisible Gardener 34 Chapter 9: Farewell to the stews 38 Chapter 10: The Southwark Mysteries 43 Chapter 11: Bardic Bankside 45 Chapter 12: Going underground 51 Chapter 13: Puritans and plagues 56 Chapter 14: Crossbones Girl 61 Chapter 15: The stink industries 64 Chapter 16: Say my name 66 Chapter 17: Resurrection men 69 Chapter 18: John Crow’s megaphone 75 Chapter 19: Seeking closure 78 Chapter 20: What happens next? 89 Appendices 92 Sources & footnotes 117 © Paul Slade, 2013, all rights reserved. This book first appeared on www.PlanetSlade.com. 1 The Outcast Dead, by Paul Slade. © Paul Slade 2013, all rights reserved. This book first appeared on http://www.PlanetSlade.com. Introduction “I have heard ancient men of good credit report that these single women were forbidden the rites of the church so long as they continued their sinful life and were excluded from Christian burial. And therefore, there was a plot of ground, called the single woman’s churchyard, appointed for them far from the parish church.” - John Stow’s Survey of London, 1598. “Sleep well, you winged spirits of intimate joy.” - Note taped to Cross Bone’s fence, 2011. -
Camp Canada in Israel 0'
, Page Nine THE JEWISH POST Thursday, January 15, 1970' Page Eight THE JEWISH POST Thursday, January 15, 1970 subject of, the Lexin rink" the only 'Manny Bricker after each shot was Senensky breaking the "sliding rule" ,--~------------------------~~~~~~--~--------------~~~~~ one rotind when they handed out crying something about "I should so often. It seems that Harry con to be applied on the purchase 'of St• B 0 niface F Iorists - one dozen Thelma Corsetry - a beautifully The immediate, problem was IAI 0 ' h tinually kept going over the hog line solved 'b'ecause the Minister without IVa BEHIND the prizes was Jack. Overh"ard on Ihave stayed home." Most of the any ,dress or gown.' roses to the mother of the first. fitted brassiere for the mother of News sheet one the night of the finals. gallery were awed ,to: see Harry with his long, graceful delivery. y Portfolio, Israel Galili, was recov- 11 Duffy's Taxi _ free taxi ride helm,a,! ==J:::e=W=i=s=h_h_a_b_.____ ..c...-c ____ th_e_fi_r_st_J_e_w_i_sh_b_a_b..:y_. _____ ering from an auto accident and As the largest proportion of Olim THE from the, hospital. , , Foreign Minister 1I:bba Eban and from Canada and the United States Minister of Labor Yosef Almogi ,has been and continues to be Pro Fidelity Trust - will open a savings "PEARLS GLASS ; were fortunately abroad. I account with $5.00, along with a fessional people, it is encouraging • 'It is all right to smile at the ! free Book Bank to help baby make to hear that there are 2,000 job open Israeli overcrowding as long as we a right start in life. -
Books Fall 2017
The MIT Press Fall 2017 The MIT Press TRADE history | technology The Chinese Typewriter A History Thomas S. Mullaney Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters—in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and suc- cesses in the century-long quest for a workable Chinese typewriter. The earliest Chinese typewriters, Mullaney tells us, were figments of popular imagination, sensational accounts of twelve-foot keyboards with 5,000 keys. One of the first Chinese typewriters actually constructed was invented by a Christian missionary, who organized characters by common usage (but promoted the less-common characters for “Jesus” to the common usage level). Later came typewriters manufactured for use in Chinese offices, and typewriting schools that turned out trained “typewriter girls” and “typewriter boys.” Still later was the “Double Pigeon” typewriter produced by the Shanghai Calculator and Typewriter Factory, the typewriter of choice under Mao. Clerks and secretaries in this era experimented with alternative ways of organizing characters on their tray beds, inventing an input method that was the first instance of How Chinese characters “predictive text.” triumphed over the QWERTY Today, after more than a century of resistance against the alphabetic, keyboard and laid the not only have Chinese characters prevailed, they form the linguistic foundation for China’s substrate of the vibrant world of Chinese information technology.