Chapter-Iii Review of Related Literature
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Project Information Brief
Assam Tourism Development Corporation Limited REQUEST FOR PROPOSAL (RFP) Volume II: Project Information Brief SELECTION OF DEVELOPER FOR DEVELOPEMNT/UPGRADTION, OPERATION AND MANAGEMENT OF MAJULI CLUSTER OF TOURISM PROPERTIES IN ASSAM August, 2017 Managing Director Assam Tourism Development Corporation Limited Asom Paryatan Bhawan, A K Azad Road, Paltan Bazar, Guwahati- 781008, Assam, India Phone: +91-361- 2633654 Fax: +91-361- 2738620 Website: www.assamtourismonline.com Email: [email protected] / [email protected] CLUSTERING OF TOURISM PROPERTIES OF ASSAM 1. Background Assam is known for its bountiful wildlife, archeological sites and tea plantation. The lush green nature, heritage, wildlife and rich cultural background has vast potential for the sustainable development of tourism industry. The state offers ample opportunities for adventure loving tourists and random visitors because of its undulating tea gardens and green forests, natural scenery, rich wildlife and places of pilgrimage in and around the state. Apart from these, the state is a store house of medicinal herbs and plants, ornamental fishes, exotic plants along with serene and idyllic places However, there seems to be a gap between the existing potential and the actual being tapped. The Government of Assam as such has declared ‘Tourism as an Industry’ and has brought out a Tourism Policies with package of incentives, concessions and subsidies for development of tourism infrastructure in the State. The focus is to develop tourism infrastructure so as to attract tourist to the state and make tourism one of the leading industry of the state by dint of its potential The onus of promoting and developing tourism has been entrusted on Assam Tourism Development Corporation (ATDC) which was set up in June 1988 under the Companies Act of 1956 with the objective to boosting tourism in the state has been developing and managing infrastructures and tourist amenities across the state. -
Numbers in Bengali Language
NUMBERS IN BENGALI LANGUAGE A dissertation submitted to Assam University, Silchar in partial fulfilment of the requirement for the degree of Masters of Arts in Department of Linguistics. Roll - 011818 No - 2083100012 Registration No 03-120032252 DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGE ASSAM UNIVERSITY SILCHAR 788011, INDIA YEAR OF SUBMISSION : 2020 CONTENTS Title Page no. Certificate 1 Declaration by the candidate 2 Acknowledgement 3 Chapter 1: INTRODUCTION 1.1.0 A rapid sketch on Assam 4 1.2.0 Etymology of “Assam” 4 Geographical Location 4-5 State symbols 5 Bengali language and scripts 5-6 Religion 6-9 Culture 9 Festival 9 Food havits 10 Dresses and Ornaments 10-12 Music and Instruments 12-14 Chapter 2: REVIEW OF LITERATURE 15-16 Chapter 3: OBJECTIVES AND METHODOLOGY Objectives 16 Methodology and Sources of Data 16 Chapter 4: NUMBERS 18-20 Chapter 5: CONCLUSION 21 BIBLIOGRAPHY 22 CERTIFICATE DEPARTMENT OF LINGUISTICS SCHOOL OF LANGUAGES ASSAM UNIVERSITY SILCHAR DATE: 15-05-2020 Certified that the dissertation/project entitled “Numbers in Bengali Language” submitted by Roll - 011818 No - 2083100012 Registration No 03-120032252 of 2018-2019 for Master degree in Linguistics in Assam University, Silchar. It is further certified that the candidate has complied with all the formalities as per the requirements of Assam University . I recommend that the dissertation may be placed before examiners for consideration of award of the degree of this university. 5.10.2020 (Asst. Professor Paramita Purkait) Name & Signature of the Supervisor Department of Linguistics Assam University, Silchar 1 DECLARATION I hereby Roll - 011818 No - 2083100012 Registration No – 03-120032252 hereby declare that the subject matter of the dissertation entitled ‘Numbers in Bengali language’ is the record of the work done by me. -
Class-8 New 2020.CDR
Class - VIII AGRICULTURE OF ASSAM Agriculture forms the backbone of the economy of Assam. About 65 % of the total working force is engaged in agriculture and allied activities. It is observed that about half of the total income of the state of Assam comes from the agricultural sector. Fig 2.1: Pictures showing agricultural practices in Assam MAIN FEATURES OF AGRICULTURE Assam has a mere 2.4 % of the land area of India, yet supports more than 2.6 % of the population of India. The physical features including soil, rainfall and temperature in Assam in general are suitable for cultivation of paddy crops which occupies 65 % of the total cropped area. The other crops are wheat, pulses and oil seeds. Major cash crops are tea, jute, sugarcane, mesta and horticulture crops. Some of the crops like rice, wheat, oil seeds, tea , fruits etc provide raw material for some local industries such as rice milling, flour milling, oil pressing, tea manufacturing, jute industry and fruit preservation and canning industries.. Thus agriculture provides livelihood to a large population of Assam. AGRICULTURE AND LAND USE For the purpose of land utilization, the areas of Assam are divided under ten headings namely forest, land put to non-agricultural uses, barren and uncultivable land, permanent pastures and other grazing land, cultivable waste land, current fallow, other than current fallow net sown area and area sown more than once. 72 Fig 2.2: Major crops and their distribution The state is delineated into six broad agro-climatic regions namely upper north bank Brahmaputra valley, upper south bank Brahmaputra valley, Central Assam valley, Lower Assam valley, Barak plain and the hilly region. -
AN ENGLISH to ASSAMESE, BENGALI and HINDI MULTILINGUAL E-DICTIONARY Md
AN ENGLISH TO ASSAMESE, BENGALI AND HINDI MULTILINGUAL E-DICTIONARY Md. Saiful Islam Department of Computer Science Assam University, Silchar, Assam, India E-mail:[email protected] Abstract alphabetically with their meaning, synonyms, Dictionary is a very demandable components phonetics, POS, and examples [5][6]. It is one of of Natural Language Processing system the important tools to assist students in nowadays. A dictionary is one of the understanding as well as enlightening the skill of important tools that can be used for learning reading. There are two types of dictionary, new languages. A word is basically an namely Paper dictionary which is also known as association of linguistic sound and meaning. hard or printed dictionary and Electronic The spelling does not always easily correlate dictionary which is also known as digital or with the sound of a word. A dictionary helps Internet dictionary. us both with the spelling and pronunciation of such words. Electronic dictionaries are very Electronic Dictionary (E-Dictionary) is one kind popular nowadays. It can be accessed by many of dictionary whose data exists in digital form users simultaneously on online. The main and can be accessed through a number of objective of this paper is to develop an English different media. The E-Dictionary is a very to Assamese, Bengali and Hindi (E-ABH) important and powerful tool for any person who multilingual electronic dictionary in such a is learning a new language using computer on way that it is user friendly dictionary and user both online and offline. It has the advantage of can easily look up the meaning of word and providing the user to access much larger database other related information of the word like than a single book. -
Leadership Lessons from Satra Institutions of Assam and Their Applicability in Modern Organisations
International Journal of Engineering Research and Technology. ISSN 0974-3154, Volume 12, Number 12 (2019), pp. 2262-2268 © International Research Publication House. http://www.irphouse.com Leadership Lessons from Satra Institutions of Assam and their Applicability in Modern Organisations Satyakam Dutta1*, Dr. Monoj Kumar Chowdhury2 1Research Scholar, Department of Business Administration, Gauhati University, India. ORCID: 0000-0002-4117-8791 2Professor, Department of Business Administration, Gauhati University, India. Abstract Mahapurush Srimanta Sankardeva along with his most decorated pupil Shrishri Madhavadeva and was propagated The Satras have been the bed-rock of Assamese civilization after their deaths, through the distinctively unique institutions for more than 400 years now and have continuously provided of the Satra (Vaishnavite monasteries, literally meaning, the various communities and tribes that comprise the land and “Holy areas”) and its offshoot, the Namghar (community people of Assam, a unifying heritage, tradition, and a common prayer halls). These institutions have become bedrock of culture. The Satras have evolved over a long time and have Assamese culture and heritage, uniting the Assamese people their ideologies refined over the period. And therefore it across castes and tribes. The Neo-Vaishnavite movement becomes pertinent to analyse leadership lessons that can be brought about renaissance in Assam. The movement was relevant to the Satra institutions and their longevity. Modern unique in the sense that unlike other reformers in the rest of organisations, with all their pomp and show, cannot usually India during those times, Srimanta Sankardeva’s Neo- survive beyond hundred years, but Satras have existed for a Vaishnavism rested not on a discursive reasoning and abstract much more extended period. -
The Great Indian Epic : Mahabharat in Orissa, Assam and Bengal (Part-I) Dr
Orissa Review * November - 2008 The Great Indian Epic : Mahabharat in Orissa, Assam and Bengal (Part-I) Dr. Satyabrata Das Dr. Uday Nath Sahu Our ancient literature was essentially pan-Indian During his reign a celebrated Assamese poet in Character. As such, all Indian languages Madhava Kandali translated Valmiki's Ramayana descend from only two sources : the Indo-Aryan into Assamese while the versions of Ramayana in and the Dravidian. Obviously, both Oriya and Hindi, Bengali and Oriya appeared about a century Assamese share their common origin from the and a half later. Indo-Aryan stream. Further, as Dr. Grierson But as far as the regionalization of Vyasa's argues, Oriya, Bengali and Assamese are the three magnum opus, the Mahabharata, is concerned, languages those have emerged from one common the scenario changes sharply. While Sarala Dasa source: the Magadhan element, called Magadhi renders the original Mahabharata in Sanskrit into Apabhramsa. As Grierson asserts: Oriya in 15th Century; Rama Saraswati, the Each of the three descendants of Magadhi earliest and the foremost Vaisnavite poet in Apabhramsa (Oriya, Modern Bengali and Assam, translated the major portion (not Assamese) is equally and directly connected with complete) of the Mahabharata a full century later the common immediate parent. (Linguistic Survey i.e. in 16th Century. Both the Oriya and the of India, Vol. I, Part-I, quoted by B. Barua, 56). Assamese version of the Mahabharata by Sarala If we examine, we find "the vocabulary of Dasa and Rama Saraswati show brilliant parallels Assamese is largely derived from that of Sanskrit at multiple levels. -
3.Maheswar-Kalita-Article.Pdf
www.TLHjournal.com Literary Herald ISSN: 2454-3365 An International Refereed/Peer-reviewed English e-Journal Impact Factor: 4.727 (SJIF) Influence of Ramayana on Modern Assamese Poetry Dr. Maheswar Kalita Associate Professor in Assamese Cotton University, Guwahati, Assam Abstract The great Indian epic Ramayana was the origin source of the great tradition i.e. culture, not only of India but also of Nepal, Sri Lanka, Philippines, Thailand, Java, Cambodia and Indonesia. It is to be noted that the ‘culture’ may be described as the characteristics of a society. The ‘characteristics’ consist of every good work carried out by the human beings, i.e. language, literature, music, art, religion, cuisine and social habits. There are deep influences of Ramayana on Indian culture. Indian writers of different ages were influenced by the great epic. That was also seen in the writings of Assamese writers. Madhava Kandali, a famous Assamese poet of 14th century rendered the Ramayana to Assamese. That was not the beginning of the said influence on Assamese literature, as we have seen the influence on the Assamese oral literature also. The romantic and the modern poets had also great respect to Valmiki and to the Ramayana. The influential Assamese literary magazine Ramdhenu was republished in 1952 under the editorial leadership of Dr. Birendra Kumar Bhattacharya and had set trends in Assamese literature. Poets of Ramdhenu tried to combine the western literary styles with Indian ideals. They collected poetic elements from the Ramayana, Mahabharata and other Puranas. Thus, they were deeply influenced by the epics. This paper aims to analysis the influences of the Ramayana on the poetry of Ramdhenu age (1951-60) of Assamese literature. -
Positioning of Assam As a Culturally Rich Destination: Potentialities and Prospects
International Journal of Humanities and Social Science Invention (IJHSSI) ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org ||Volume 9 Issue 3 Ser. IV || Mar, 2020 || PP 34-37 Positioning Of Assam as a Culturally Rich Destination: Potentialities and Prospects Deepjoonalee Bhuyan ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 22-03-2020 Date of Acceptance: 08-04-2020 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION Cultural tourism has a special place in India because of its past civilisation. Among the various motivating factors governing travel in India, cultural tourism is undoubtedly the most important. For any foreigner, a visit to India must have a profound cultural impact and in its broader sense, tourism in India involves quite a large content of cultural content. It also plays a major role in increasing national as well as international good will and understanding. Thousands of archaeological and historical movements scattered throughout the country provide opportunites to learn about the ancient history and culture. India has been abundantly rich in its cultural heritage. Indian arts and crafts, music and dance, fairs and festivals, agriculture and forestry, astronomy and astrology, trade and transport, recreation and communication, monumental heritage, fauna and flora in wildlife and religion play a vital role in this type of tourism. Thus, it can be very well said that there remains a lot of potential for the progress of cultural tourism in India. Culturally, North East represents the Indian ethos of „unity in diversity‟ and „diversity in unity‟. It is a mini India where diverse ethnic and cultural groups of Aryans, Dravidians, Indo-Burmese, Indo Tibetan and other races have lived together since time immemorial. -
The Charismatic Authority of Sankardeva and Routinization of His Charisma: a Weberian Analysis
INTERNATIONAL JOURNAL OF SCIENTIFIC & TECHNOLOGY RESEARCH VOLUME 9, ISSUE 03, MARCH 2020 ISSN 2277-8616 The Charismatic Authority Of Sankardeva And Routinization Of His Charisma: A Weberian Analysis Bedanta Bikash Bora Abstract: The theory of authority is at the heart of the sociology of Max Weber where he focusses on the historical shifts in the exercise of power. The third type of authority explained by Weber is the theory of charismatic authority where he talks about the charismatic powers of different personalities like prophets, heroes in wars, religious leaders etc; by dint of which they are considered superior to the ordinary people. This paper attempts to experiment this celebrated theory in the life and legacy of Sankardeva, a 15th century polymath who founded the vaishnavism in Assam and propounded a reformed version of Hinduism. His eternal charisma on the Assamese society in many ways corresponds to the theory of Weber. The notion of the recognition of validity of charisma, the concept of felt duty, the emancipator and revolutionary spirit of charisma and repudiation of the past- can be very easily attributed to the charismatic personality of Sankardeva. Weber also talks about the routinization of charismatic personality i.e. the demands placed on the charismatic personality while settling the crisis of succession, validation of the positions of authority, social status and the economic priviledges of the subjects, and the demand of giving it an administrative apparatus; which clearly corresponds to the routinization of charisma of Sankardeva after his death in the form of shifting of the authority to his favourite disciple Madhavdeva and in increasing bureaucratization of the Sattra institutes. -
Namghar’ with Monuments in South East Asia
ISVS e-journal, Vol. 5, no.2, June, 2018 A Comparative Visual Study of Design Elements of Social Cultural Institutions, ‘Namghar’ with Monuments in South East Asia Charu Monga, Amarendra Kumar Das Department of Design, Indian Institute of Technology, Guwahati, India Abstract Namghar is an important socio-cultural institution, which plays a significant role in bringing together diverse communities especially from urban and rural areas as well as those who had fled to Assam from different South East Asian countries in the past. Many studies have shown the influence of East Asian Countries in Assamese music and culture. However, studies looking at the influences of other countries on the design elements of Namghar are hard to find. The objectives of this study are to provide visual documentation of design elements of Namghar and other institutions in South East Asia and to compare and discuss any differences in forms among them. One monument each from Vietnam, Indonesia and Thailand was selected for a comparative study. Field observations using a high-resolution camera were made. It was found that though the outer forms of design elements of these social- cultural institutions are different, their symbolism and significance have profound similarities. Moreover, the influence on design elements of Namghar is related to Hinduism and also historical movement of tribes from Nagaland and Ahom kingdoms. While monuments in Indonesia are closely related to Hinduism, those in Bangkok and Vietnam appear to be influenced by Buddhist and Chinese architecture respectively. This comparison will help to preserve heritage, respect and promote culture and also any further re-design under rapid urbanization. -
Gayan-Bayan of the Mayamara Satra
Volume-04 ISSN: 2455-3085 (Online) Issue-02 RESEARCH REVIEW International Journal of Multidisciplinary February -2019 www.rrjournals.com [UGC Listed Journal] Gayan-Bayan of the Mayamara Satra Jayanta Gogoi Independent Researcher, Bihpuria, Assam (India) ARTICLE DETAILS ABSTRACT Article History The origin of the Gayan-Bayan in the Mayamara Satra might be traced back to its founder Published Online: 10 February 2019 Sri Sri Aniruddhadeva (1553-1626), who composed more than one hundred and eighty two gits (lyrics) giving for each of them the particular raga or melody in which it is to be Keywords performed. But the present form of performing the gits through dance and playing of Gayan-Bayan ,Sri Sri Krishnadeva, Mridarga‟ (a kind of drum), and Bhortal (cymbal) is said to have been introduced by the Mayamara Satra, Phulam Namghar and second Adhikar Sri Sri Krishnadeva. This saint founded a religious establishment popularlly Mridarga. known as Phulam Namghar within the campus of his Khutiapota Satra near Jorhat. After a * few years, the Phulam Namghar became famous as the centre of learning of Mayamara Corresponding Author Gayan-Bayan. In couse of time, this type of Satriya music and dance began to spread to all Email: srgjg59[at]gmail.com Mayamara societies consisting of different castes, communities and tribes of Assam. So, it can be assumed that the Gayan Bayan had originally started in Satra and hence it can be accepted as an element of Satriya culture of Assam. 1. Introduction tals (rhythms) and mats (tone), it is not easy to participate in The orchestral band or Gayan-Bayan of the Mayamara the Gayan- Bayan of Mayamara Satra without proper Satra performed in certain religious functions of the Mayamara knowledge and practice under the full guidance of a well Vaishnava societies has its owm importance in the field of experienced oja. -
A Critical Review of Saint Madhavadeva's Nam-Ghosa
Journal of Xi'an University of Architecture & Technology ISSN No : 1006-7930 A CRITICAL REVIEW OF SAINT MADHAVADEVA’S NAM-GHOSA Bhupen Gogoi Reseach Scholar, Dept. of M.I.L. & L.S., Gauhati University, Assam. India, 781014 Abstract : Nam-Ghosa is the best writing by Madhavadeva. It contains thousand (according to some books of collections thousand and one) verses. Nam-Ghosa has made a remarkable contribution in the context of propagation and spreading of the New Vaishnavism or Ek Sarana Nam Dharma. Nam-Ghosa can be divided into three parts as the gospel of Nam-Dharma or the New Vaishnavism, poetic expression of detached devotional feelings and the appreciation of the qualities of Lord Vishnu and his various names. Madhavadeva got true savour of devotion by the grace of his preceptor Sankardeva. Madhavadeva has offered his honour and devote to Sankardeva for several times in Nam-Ghosa. In this book Madhavadeva has suggested easy way to offer devotion to Lord Krishna or Vishnu. The main philosophy of Nam-Ghosa is based on Vedanta Philosophy. According to Nam-Ghosa people should be devoted to Lord Krishna only when he can be able to come out from selfishness and after that he can be able to reach Krishna Dham - the final destination of a soul. Key words : Madhavadeva, Nam-Ghosa, Devotion, Guru, God, Philosophy. INTRODUCTION : Madhavadeva was an ardent disciple of his preceptor Sankardeva. Sankardeva introduced the new vaishnavism in the 15th century in Assam. For spreading the religion Madhavadeva worked very hard to help his preceptor and he became as a shadow of Sankardeva.