Debates of the Senate
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Rapport Annuel 18/19
RAPPORT ANNUEL 2018-2019 SOMMAIRE TABLE OF CONTENTS LES GRANDS BALLETS 4 LES GRANDS BALLETS MOT DU PRÉSIDENT 6 MESSAGE FROM THE PRESIDENT HISTORIQUE DES GRANDS BALLETS 8 HISTORY OF LES GRANDS BALLETS LES GRANDS BALLETS EN CHIFFRES 12 LES GRANDS BALLETS AT A GLANCE SAISON 2018-2019 16 2018-2019 SEASON MUSIQUE ET CHANT 18 MUSIC AND SONG LE BALLET NATIONAL DE POLOGNE 21 THE POLISH NATIONAL BALLET RAYONNEMENT INTERNATIONAL 23 INTERNATIONAL CELEBRITY LA FAMILLE CASSE-NOISETTE 26 THE NUTCRACKER FAMILY CENTRE NATIONAL DE DANSE-THÉRAPIE 28 NATIONAL CENTRE FOR DANCE THERAPY LES STUDIOS 30 GALA-BÉNÉFICE 2018 35 2018 ANNUAL BENEFIT GALA LES JEUNES GOUVERNEURS 36 THE JEUNES GOUVERNEURS COMMANDITAIRES ET PARTENAIRES 38 SPONSORS AND PARTNERS REMERCIEMENTS 39 SPECIAL THANKS Photo: Sasha Onyshchenko • Danseuse / Dancer: Maude Sabourin DANSEURS 45 DANCERS 3 LES GRANDS BALLETS FAIRE BOUGER LE MONDE. AUTREMENT. Depuis plus de 60 ans, Les Grands Ballets Canadiens de Montréal sont une compagnie de création, de production et de diffusion internationale qui se consacre au développement de la danse sous toutes ses formes, en s’appuyant sur la discipline du ballet classique. Les danseuses et danseurs des Grands Ballets, sous la direction artistique d’Ivan Cavallari, interprètent des chorégraphies de créateurs de référence et d’avant-garde. Les Grands Ballets, reconnus pour leur excellence, leur créativité et leur audace, sont pleinement engagés au sein de la collectivité et rayonnent sur toutes les scènes du monde. MOVING THE WORLD. DIFFERENTLY. For over 60 years, Les Grands Ballets Canadiens de Montréal has been a creation, production and international performance company devoted to the development of dance in all its forms, while always staying faithful to the spirit of classical ballet. -
A Capital Occasion
WP10 nationalpost.com NATIONAL POST, SatURDAY, MAY 31, 2014 nationalpost.com WP11 Jean-Philippe Fortier-Lazure, citylife tenor and 2014 protégé for Roxanna Benoit, VP of the GGPAA government and aboriginal affairs, Mentorship Program, and Jim Treliving, Enbridge, D’Arcy Levesque, VP, chairman and enterprise communications, brand & mentor and renowned bass founder of Boston Sheila McCarthy community partners, Enbridge, and Pizza Restaurants, Brent Trepel, and Brent Carver, Joseph Rouleau. Guillaume Côté, principal Sonya Savage, manager, public and and Sandi president & GGPAA dancer with the National government affairs, Enbridge. Treliving (both CEO, Ben Moss recipient for life- Ballet of Canada, Anik GGPAA National Jewellers, time achievement Bissonnette, GGPAA recipi- Committee and Brenlee in theatre. A CAPITAL Carrington Trepel. ent for lifetime achievement members). in dance, and Karen Kain, C.C., artistic director of the National Ballet of Canada. OCCASION Governor General’s Performing Arts Awards draw a talented crowd to Ottawa AMORYN ENG E L t was a sight to behold as captains of industry from across the country and some of Canada’s finest artists I made their way to the National Arts Centre in Ottawa for Ann McCaig, Alison Jackson the Governor General’s Performing Arts Awards. As always, C.M., A.O.E., and Tom Jackson, the evening would exceed expectation with all of the pomp LL.D. and Jian daughter Jane Rick Mercer, 2004 NAC GGPAA recipi- W. Galen Weston, The Hon. Hilary M. Weston, and circumstance that our capital city has to offer. Created Award recipient, Jim Cuddy ent for lifetime in 1992, the Governor General’s Performing Arts Awards are Ghomeshi and McCaig. -
Debates of the Senate
Debates of the Senate 1st SESSION . 42nd PARLIAMENT . VOLUME 150 . NUMBER 52 OFFICIAL REPORT (HANSARD) Friday, June 17, 2016 The Honourable GEORGE J. FUREY Speaker CONTENTS (Daily index of proceedings appears at back of this issue). Debates Services: D'Arcy McPherson, National Press Building, Room 906, Tel. 613-995-5756 Publications Centre: Kim Laughren, National Press Building, Room 926, Tel. 613-947-0609 Published by the Senate Available on the Internet: http://www.parl.gc.ca 1207 THE SENATE Friday, June 17, 2016 The Senate met at 9 a.m., the Speaker in the chair. quarantine of Iranian society so that they may more firmly hold it in their grip. Prayers. Honourable senators, newspaper reports suggest that our federal government is ``actively engaged'' in this case and SENATORS' STATEMENTS working closely with allies to assist Homa Hoodfar. It is my hope that their efforts to free both Saeed Malekpour and Homa Hoodfar from the malign and criminal Iranian regime IRAN will be successful. DETENTION OF HOMA HOODFAR In the meantime, I know that all honourable senators will continue to follow their cases with deep concern as we continue to Hon. Linda Frum: Honourable senators, as I rise today, I note condemn the brutal regime that has seen fit to take them hostage. that it has been almost exactly one month to this day since the Senate of Canada conducted its inquiry into the plight of innocently detained political prisoners in Iran. Today, I wish to remind us all that holding Iran accountable for PAUL G. KITCHEN its flagrant abuses of human rights cannot solely take place during a two-day inquiry, or even an annual Iran Accountability Week; it ROTHESAY NETHERWOOD SCHOOL— must take place every single day, because, sadly, there is great CONGRATULATIONS ON RETIREMENT cause for vigilance on this matter. -
SPRING 2008 Full Circle
News from the Donors’ Circle and Corporate Club The National Arts Centre Foundation’s Annual Giving Clubs SPRING 2008 Full Circle Celebrating the th 10 Summer Music Institute Inside Message from the CEO |2 March Break Theatre Workshop |3 e can hardly believe the phenomenal growth of the providing a valuable opportunity Manhattan on the Rideau |4 NAC’s Summer Music Institute (SMI) since its inception for orchestral conductors to Making Giving Easy |5 inW the summer of 1999. Nine summers ago, the Young Artist develop under the expert guidance Donor Profile |5 Programme (YAP) – the first branch of the SMI programme – of accomplished orchestra leaders; was created, which 10 Canadian students participated. In June the Composers Programme – Shakespeare in the Lobby |6 2008, we’ll be celebrating the 10th anniversary of SMI, and the designed for composers preparing Diavolo Dance Theatre |7 programme has grown by leaps and bounds under the vision for a professional career in composi- Calendar of Activities |8 of Maestro Pinchas Zukerman. tion; and the original component, the The First Season |8 Young Artists Programme. Since 1999, the SMI has grown into a world-renowned magnet for the best young Canadian and international classical artists, The Young Artists Programme identifies and providing world-class instruction for especially gifted young fosters young, exceptional musical talent through musicians, conductors and composers. To date, we have welcomed intensive instruction led by Pinchas Zukerman close to 500 participants from 10 Canadian provinces, and and an internationally-renowned faculty. This year, 26 countries around the world. 65 highly-talented students from across Canada and around the globe will have the opportunity 85 students take part The excitement generated by the success of the YAP in the along with 25 faculty to take part in two levels of technical study early years led to the expansion of SMI which now comprises and staff in the Summer during three and a half weeks in June. -
Master Plan for Professional Dance in Quebec 2011–2021 Is the Fruit of a Similar Creative Process
MASTERdance PLAN FOR PROFESSIONAL IN QUEBEC 2011~2021 REGROUPEMENT QUÉBÉCOIS DE LA DANSE C2 RQD Master Plan for Dance in Quebec 2011-2021 MASTERdance PLAN FOR PROFESSIONAL IN QUEBEC 2011~2021 REGROUPEMENT QUÉBÉCOIS DE LA DANSE 2 RQD Master Plan for Dance in Quebec 2011-2021 Message from the Minister of Culture, Communications and the Status of Women Dance is a universal art that touches our deepest emotions. Hidden from view in their studios, dancers, choreographers and teachers put together steps, movements and stylistic touches with great sensitivity. Out of this hard work is born a unique choreography, unveiled before an enraptured audience. The Master Plan for Professional Dance in Quebec 2011–2021 is the fruit of a similar creative process. It is the result of an extended period of reflection and consultation between the Regroupement québécois de la danse and a great many dance professionals. I extend my warm congratulations to the entire Regroupement team, who have done everything possible to ensure optimal conditions for the practice of dance. I also offer my sincere thanks for this valuable contribution to the promotion of Quebec culture. It is a big step forward for our dance professionals—one I am certain they will take with grace, elegance and success. Christine St-Pierre Minister of Culture, Communications and the Status of Women 3 RQD Master Plan for Dance in Quebec 2011-2021 Message from the Conseil des arts et des lettres du Québec The Conseil des arts et des lettres du Québec is pleased to pay tribute to the launching of the first Master Plan for Professional Dance in Quebec 2011–2021. -
University Musical Society
UNIVERSITY MUSICAL SOCIETY Les Grands Ballets Canadians COPPELIA(1870) Saturday Evening, October 17, 1992, at 8:00 Sunday Afternoon, October 18, 1992, at 3:00 Power Center for the Performing Arts Ann Arbor, Michigan Choreography: Enrique Martinez after Marius Petipa Music: Leo Delibes Sets and Costumes: Peter Home Costumes Design Collaborator: Lydia Randolph Lighting: Nicholas Cernovitch Act I A village square The action evolves around Coppelia, the beautiful but enigmatic young daughter of Dr. Coppelius. Swanilda suspects her fiance, Frantz, of harboring a secret love for Coppelia. The burgermeister announces that tomorrow he will distribute dowries to the engaged couples of the village and urges Swanilda to wed Frantz. But possessed by jealousy, Swanilda breaks off the engagement. Night falls and the crowd disperses. As Coppelius leaves his house, he is jostled by a group of young men and drops his key. Swanilda finds the key and enters the forbidden house with her friends. Frantz, too, is attempting to enter the house when Coppelius returns unexpectedly. Act II Coppelius' workshop peopled with curious figures The young women overcome their initial timidity and boldly make their way through the house. Swanilda quickly discovers to her joy that Coppelia is only a mechanical doll. At this point, Coppelius suddenly appears and chases out the intruders, all but Swanilda who, hidden behind the curtain, takes the place of Coppelia. Coming upon Frantz, who has finally gotten into the house, Coppelius makes him drink a potion intended to pull the young man's vital force from his body and transfer it to the doll. -
Debates of the Senate
CANADA Debates of the Senate 3rd SESSION . 40th PARLIAMENT . VOLUME 147 . NUMBER 17 OFFICIAL REPORT (HANSARD) Thursday, April 15, 2010 ^ THE HONOURABLE NOËL A. KINSELLA SPEAKER CONTENTS (Daily index of proceedings appears at back of this issue). Debates Services: D'Arcy McPherson, National Press Building, Room 906, Tel. 613-995-5756 Publications Centre: David Reeves, National Press Building, Room 926, Tel. 613-947-0609 Published by the Senate Available from PWGSC ± Publishing and Depository Services, Ottawa, Ontario K1A 0S5. Also available on the Internet: http://www.parl.gc.ca 303 THE SENATE Thursday, April 15, 2010 The Senate met at 2 p.m., the Speaker in the chair. time remaining after tributes may be used for other Senators' Statements? Prayers. [Translation] Hon. Senators: Agreed. Hon. Claudette Tardif (Deputy Leader of the Opposition): POLAND—VICTIMS OF TRAGEDY Honourable senators, it is an honour and a privilege to pay tribute to our former colleague, the Honourable Senator SILENT TRIBUTE Jean-Robert Gauthier, for whom I had great admiration and respect. The Hon. the Speaker: I would ask honourable senators to rise and observe one minute of silence in memory of the tragic loss sustained by the Republic of Poland with the death, on I can say unequivocally that francophone communities always April 10, 2010, of its President, Lech Kaczyński, along with found a treasured ally in Jean-Robert Gauthier. As the Polish political, military and civil society leaders. Honourable Marie Poulin said in December, the Honourable Jean-Robert Gauthier -
Canadians at the Centre
national arts Centre Canadians at the Centre annual report 2008–2009 table of Contents 2 Profiles 14 Message from the Board Chair 15 Message from the President and CEO 16 Report on Strategic Goals 20 Year in Review 34 Western Canada Tour 36 BC Scene 38 Board of Trustees 39 Artistic and Creative Leadership 39 Senior Management 40 Management Discussion and Analysis 45 Financial Statements 66 National Arts Centre Foundation 70 Donor contributions national arts Centre 53 Elgin Street P.O. Box 1534, Station B Ottawa, Ontario K1P 5W1 Canada T: 613-947-7000 www.nac-cna.ca ArtsAlive.ca Printing: The Lowe-Martin Group Design: Parable Communications 2 When Canada’s national arts Centre published its new strategic plan at the beginning of the 2008–2009 season, we added a new goal to complement our existing efforts to foster artistic excellence, to increase our national reach, to make arts education more prominent and to find creative ways to finance the ambitious five-year plan. this new goal was putting audiences—one of our most important stakeholders—at the centre of everything we do. from subscribers to donors, from artists to creative collaborators, we looked far and wide for contributors who spoke to the impact of the arts in their lives. the contributors were interviewed candidly and responded enthusiastically when we asked them to send us photos of themselves in whatever medium or location they so desired. the result is unpolished and organic. it’s honest and genuine. it’s real people talking passionately about the artistic experience. We couldn’t have said it better ourselves. -
National Arts Centre, Ottawa, April 27 Centre National Des Arts, Ottawa, 27 Avril 27 Ottawa, Arts, Des National Centre
NATIONAL ARTS CENTRE, OTTAWA, APRIL 27 CENTRE NATIONAL DES ARTS, OTTAWA, 27 AVRIL 27 OTTAWA, ARTS, DES NATIONAL CENTRE THE ARTS ENGAGE AND INSPIRE US PREMIUM SERVICE THAT STRIKES A CHORD At Air Canada, we strive to perform at the highest level in everything we do. That’s why we’ve put so much care into our premium products and services. Book Air Canada Signature Class to enjoy a range of enhanced amenities and exclusive onboard products. Settle into a fully lie-fl at seat, while savouring a delicious meal by chef David Hawksworth and premium wine selection by sommelier Véronique Rivest. Air Canada Signature Service is available on select fl ights aboard our Boeing 787, 777 and 767 aircraft and our Airbus A330 aircraft. Learn more at aircanada.ca/signatureservice Air Canada is proud to be the Presenting Sponsor of the 2019 Governor General’s Performing Arts Awards and to recognize the outstanding Canadian talent contributing to culture in Canada and abroad. PREMIUM SERVICE THAT STRIKES A CHORD At Air Canada, we strive to perform at the highest level in everything we do. That’s why we’ve put so much care into our premium products and services. Book Air Canada Signature Class to enjoy a range of enhanced amenities and exclusive onboard products. Settle into a fully lie-fl at seat, while savouring a delicious meal by chef David Hawksworth and premium wine selection by sommelier Véronique Rivest. Air Canada Signature Service is available on select fl ights aboard our Boeing 787, 777 and 767 aircraft and our Airbus A330 aircraft. -
Standing Committee on Canadian Heritage
Standing Committee on Canadian Heritage CHPC Ï NUMBER 048 Ï 2nd SESSION Ï 41st PARLIAMENT EVIDENCE Monday, May 25, 2015 Chair Mr. Gordon Brown 1 Standing Committee on Canadian Heritage Monday, May 25, 2015 Ï (1530) It's exactly the same thing that we are advocating now. Over these [English] 12 years, we have tested this experience. I didn't really think that The Chair (Mr. Gordon Brown (Leeds—Grenville, CPC)): 12 years later, I myself would be able to talk about the success and, Good afternoon, everyone. above all, the results that we have achieved through this program which, fundamentally brings about what I call cultural knowledge We'll call to order meeting number 48 of the Standing Committee transfer, which would not have happened otherwise without the on Canadian Heritage. Today we are continuing our study of dance artistic work to compel them, by testifying and testing them. in Canada. For the first hour we have with us three different groups. That's what we did by addressing this from a philosophic and First we have Zab Maboungou, artistic director of Zab technical perspective, in that we had to put forward a technique for Maboungou/Compagnie Danse Nyata Nyata. movement that could operate these transfers. Today, there are trained [Translation] individuals who are working and who choose, while continuing their We also have with us Anik Bissonnette, artistic director, and artistic career, to seek professional development in the arts of health, Alix Laurent, executive director, of the École supérieure de ballet du reflection, and arts management, and other fields. -
Debates of the Senate
Debates of the Senate 1st SESSION . 42nd PARLIAMENT . VOLUME 150 . NUMBER 88 TRIBUTES The Honourable Nancy Ruth, C.M. Statement by: The Honourable Diane Bellemare Wednesday, December 14, 2016 2124 THE SENATE Wednesday, December 14, 2016 TRIBUTES of Rights and Freedoms. She is also a big supporter of the arts and has been the benefactor of several galleries. THE HONOURABLE NANCY RUTH, C.M. She is the kind of person who would sell her Harris or Emily Hon. Diane Bellemare (Legislative Deputy to the Government Carr paintings to help community groups that had lost their Representative in the Senate): Dear colleagues, being Nancy Ruth, government funding. I think it was the Kairos Group, in that as in Being John Malkovich, it's difficult to get into Nancy Ruth's case. mind, who, as she said, loves to dance, go to theatre and clown around. She was appointed to the Order of Canada in 1994, and to the Senate in 2005 as an independent Progressive Conservative. Not many people know that before she became a senator, much Independent she has been in all her years in the Senate, and she before, Nancy Ruth was a United Church minister and has a remains a Red Tory. diploma in theology. I don't know much about Nancy Ruth, but I know enough to Aside from Bill C-210, An Act to amend the National Anthem stand up today, honourable senators, to tell you how much I Act (gender), one of her last battles in the Senate was the appreciated working with her in the Senate and how much I like assisted-dying bill. -
Rapport Annuel 2019-2020
RAPPORT ANNUEL 2019-2020 SOMMAIRE TABLE OF CONTENTS LES GRANDS BALLETS 4 LES GRANDS BALLETS MOT DU PRÉSIDENT 6 MESSAGE FROM THE PRESIDENT HISTORIQUE DES GRANDS BALLETS 8 HISTORY OF LES GRANDS BALLETS 2019-2020 EN UN COUP D'ŒIL 12 2019-2020 AT A GLANCE UN RETOUR SUR LA SAISON 16 A LOOK BACK AT THE SEASON LA COMPAGNIE DURANT LA PANDÉMIE 18 THE COMPANY DURING THE PANDEMIC TOURNÉES ET RAYONNEMENT INTERNATIONAL 21 TOURS AND INTERNATIONAL IMPACT MUSIQUE ET CHANT 22 MUSIC AND SONG LA FAMILLE CASSE-NOISETTE 26 THE NUTCRACKER FAMILY CENTRE NATIONAL DE DANSE-THÉRAPIE 28 NATIONAL CENTRE FOR DANCE THERAPY LES STUDIOS 30 GALA ANNUEL 34 ANNUAL GALA LES JEUNES GOUVERNEURS 35 THE JEUNES GOUVERNEURS COMMANDITAIRES ET PARTENAIRES 36 SPONSORS AND PARTNERS REMERCIEMENTS 37 SPECIAL THANKS Photo: Melika Dez • Danseuse/Dancer: Myriam Simon DANSEURS 43 DANCERS 3 LES GRANDS BALLETS Depuis plus de 60 ans, Les Grands Ballets Canadiens sont une compagnie de création et de production internationale qui se consacre au développement de la danse sous toutes ses formes, en s’appuyant sur la discipline du ballet classique. Les danseuses et danseurs des Grands Ballets, sous la direction artistique d’Ivan Cavallari, interprètent des chorégraphies de créateurs de référence et d’avant-garde. Établis au cœur du Quartier des spectacles à Montréal, Les Grands Ballets proposent des activités de loisirs avec ses STUDIOS et soutiennent le Centre national de danse-thérapie qui fait la promotion de tous les bienfaits que procure la danse. La vocation de la compagnie est également d’assurer un accès à l’art pour tous et c’est en ce sens qu’elle dote, entre autres, le Fonds Casse-Noisette qui permet à des milliers d'enfants d'être initiés au ballet chaque année.