DOCSLIB.ORG

Press & Industry Guide

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Press & Industry Guide PRESS & INDUSTRY GUIDE TORONTO INTERNATIONAL FILM FESTIVAL SEPTEMBER 8–18 TIFF.NET Canada Toronto Table of 2016 Contents Directors’ Welcome 3 Press & Industry Venue Policies 33 Festival Village Map 4 Festival Programmes & Programmers 35 Meet us at the Industry Centre Map 6 How to Read the Schedule 37 Canada Lounge – Press Office 11 TIFF Industry Centre FESTIVAL Catch one of our INDUSTRY CONFERENCE Talent to Watch SCREENING SCHEDULE sessions – TIFF Industry Industry Conference Overview 13 Thursday, September 8 38 Conference Indsutry Conference Sessions 14 Friday, September 9 40 Follow the news on Industry Conference Schedule 26 Saturday, September 10 42 the fi lms and talent Sunday, September 11 44 #TIFF16 Monday, September 12 46 Tuesday, September 13 48 Wednesday, September 14 50 Thursday, September 15 52 Friday, September 16 54 Saturday, September 17 56 Sunday, September 18 58 Index by Film Titles 61 Index by Country 67 See Big. Voir grand. TORONTO INTERNATIONAL FILM FESTIVAL DIRECTORS’ WELCOME Welcome to the 41st Toronto International Film Festival! Join us as we celebrate the infinite spirit of creativity and the boundless possibilities of storytelling over the next 11 days. As home to the largest public film festival in the world, Toronto sets the perfect stage for the world to embrace the power of cinema. Multicultural, inclusive, and engaging, our city provides a sense of place and belonging for thousands of people who travel across the globe to experience the PIERS HANDLING Festival as one community. Director & TIFF, like Toronto, is a kaleidoscope of diverse people, cultures, and stories woven Chief Executive Ocer into moving images that have the ability to transform, unite, and move us. The form TIFF these stories take continues to evolve — shape-shifting through a multitude of mediums and platforms. Expanding beyond the frame and living within it, cinema oers endless perspectives. The Festival continues to bring you the evolution of storytelling as it travels from film and installations to television and new media, and now into virtual reality. This year we are thrilled to shine the spotlight on Lagos, Nigeria, for our City to City programme. Nigeria has one of the most prolific film industries in the world, with a new generation of ambitious, complex, and bold filmmakers. These burgeoning, electric voices are challenging norms and advancing artistic expression, and we are excited to share Lagos’ boom of inspiring storytellers as part of the Festival’s international cinematic landscape. As we come together to share and experience extraordinary artistic works from around the world, and as Toronto buzzes with visionary artists, industry icons, and MICHÈLE MAHEUX engaged audiences, we wish to thank all those who made it possible: our tireless sta, Executive Director & passionate Volunteers, and dedicated Board of Directors, as well as our generous Chief Operating Ocer donors, Members, sponsors, partners, and supporters who share our commitment in TIFF celebrating the best in moving images. The Festival welcomes you to discover infinite views with us! Outfitting for Mr. Handling & Mr. Bailey provided by Hugo Boss. Outfitting for Ms. Maheux generously provided by Birks, Zanesha Gowrali Designs, Mark Belford Couture and Kala Scarves. Whichever side of the camera you want CAMERON BAILEY Artistic Director Toronto International to be on, get there with IMDbPro Film Festival The most complete entertainment resource • Showcase your talent • Stay informed • Get connected • Discover new opportunities Start your 30-day free trial today at IMDbPro.com Free trial offer limited to 1 per new customer & account, is non-transferable, may not be resold, & may not be combined with other offers. 3 Ryerson Theatre HOSPITALITY PARTNERS Bathurst Spadina St. George Bay Yo nge/Bloor 7 11 43 Gerrard Street East Blowfish Bloor St. W. Bloor St. E. Bathurst St Chur Bathurst St Chur Spadina FESTIVAL 38 Spadina Scotiabank Theatre 668 King Street West 4 ch St 259 Richmond Street West ch St Buonanotte 37 VILLAGE 39 Av TIFF Bell Lightbox 19 Mercer Street Av Museum . 2 . e. e. Reitman Square, 350 King Street West . Byblos N Visa Screening Room, Elgin Theatre 40 11 Duncan Street 8 PRESS & INDUSTRY VENUES 12 189 Yonge Street Canteen W E TIFF Industry Centre 1 Winter Garden Theatre 2 TIFF Bell Lightbox, 1st floor Hyatt Regency 13 189 Yonge Street 350 King Street West S 370 King Street West • Business Centre Dog & Bear 57 • Breakfast at TIFF 41 1100 Queen Street West PARTNER HOTELS 41 • Brokers Corner The Everleigh Queen St. W. • Credential Printing Oce Hyatt Regency Ocial Host Hotel Wellesley Wellesley St. E. 1 42 580 King Street West Abell St.Abell St. Lisgar St.Lisgar St. Dovercourt rd.Dovercourt rd. • Food & Beverage 370 King Street West Figo • Industry Pass Pickup Chelsea Toronto 43 295 Adelaide Street West Sudbury St. • Information Desk 14 33 Gerrard Street West • Industry Registration The Hoxton • Message Centre Delta Toronto 44 15 69 Bathurst Street • Meeting Space 75 Lower Simcoe Street 20 • National Agency Stands Luma Doubletree by Hilton Toronto Downtown 2 • Press & Industry Box Oce 16 TIFF Bell Lightbox, 2nd floor CollegeCollege SStt. Queen’s Park College Carlton St. Bay St Bay St 108 Chestnut Street Univ Yo • Protocol Oce 350 King Street West 55 Fairmont Royal York ng • Press & Industry Screening Library er 17 Maison Mercer e St sity . 100 Front Street West . • TIFF Talent Lounge 45 15 Mercer Street King St. W. TIFF Bell Lightbox Hilton Garden Inn Toronto Downtown Av 2 18 Malaparte Reitman Square, 350 King Street West 92 Peter Street 2 e. TIFF Bell Lightbox, 5th floor N Gerrard St. • Festival Programming Oce Hilton Toronto 350 King Street West • Media Lounge (3rd Floor) 19 145 Richmond Street West 14 11 • Press Conferences in the HSBC Gallery Marben 46 • Press Oce (3rd Floor) Holiday Inn Toronto 488 Wellington Street West 20 30 Carlton Street • Press Pass Pickup (3rd Floor) Momofuku Toronto • Private Screenings Intercontinental Toronto Centre 47 190 University Avenue St. Patrick Dundas 21 225 Front Street West Dundas St. W. Dundas St. E. 3 Glenn Gould Studio and Parts & Labour CBC Conference Centre 48 9 Le Germain Toronto Mercer 507 Queen Street West 16 250 Front Street West 22 30 Mercer Street • Doc Conference Patria 35 49 • Happy Hours Le Germain Toronto Maple Leaf Square 478 King Street West 12 23 75 Bremner Boulevard • Industry Conference Portland Variety 13 • Industry Lounge Novotel Toronto Centre 50 587 King Street West 24 Queen St. W. Osgoode Queen Queen St. E. John StJohn St Simcoe StSimcoe St YoYo 45 The Esplanade 48 PePe Scotiabank Theatre The Shore Club 32 rk Strk St 4 ter Stter St 259 Richmond Street West Omni King Edward Hotel 51 155 Wellington Street West • Buyers’ Lounge 25 37 King Street East .. Richmond St. W. Richmond St. E. • Press and Industry Screenings The Spoke Club 52 . One King West Hotel & Residencies 600 King Street West 4 19 31 Varda 26 1 King Street West 47 5 301 Adelaide Street West Storys Building Radisson Admiral Toronto Harbourfront 40 11 Duncan Street Adelaide St. W. Adelaide St. E. • Filmmaker's Lounge 27 5 43 • Food & Beverage 249 Queen’s Quay West 18 42 Weslodge 56 40 • Guest Pass Pickup Renaissance Toronto Downtown 53 480 King Street West 52 53 49 1 2 6 28 • Lounge & Meeting Space 1 Blue Jays Way 38King St. W. FESTIVAL STREET St. Andrew King King St. E. 50 Blue Jays WaBlue Jays Wa Residence Inn Toronto Downtown 22 39 54 10 26 25 44 33 45 29 FESTIVAL AND MEMBERS BOX OFFICES 36 46 PRESS & INDUSTRY SCREENING VENUES 255 Wellington Street West Wellington St. W. Wellington St. E. The Ritz-Carlton, Toronto Metro Centre 51 Princess of Wales Theatre 54 29 30 34 6 30 225 King Street West yy 300 King Street West 181 Wellington Street West 28 3 17 Shangri-La Hotel Toronto Front St. W. Front St. E. Scotiabank Theatre 31 188 University Avenue WAVELENGTHS INSTALLATIONS Union 4 259 Richmond Street West 21 Sheraton Centre Toronto Albert Serra 24 32 123 Queen Street West 55 23 Singularity PUBLIC SCREENING VENUES SoHo Metropolitan 99 Sudbury 33 15 Glenn Gould Studio at CBC 318 Wellington Street West 99 Sudbury Street 3 250 Front Street West The Strathcona Hotel Ana Mendieta 34 56 Hot Docs Ted Rogers Cinema 60 York Street Silueta Series 7 Contact Gallery Lake Shore Blvd./Gardiner Expressway 506 Bloor Street West Super 8 Downtown 35 80 Spadina Avenue, suite 205 222 Spadina Avenue 8 Isabel Bader Theatre Cyprien Gaillard Thompson Toronto 2 93 Charles Street West Nightlife 36 550 Wellington Street West 27 Queens Quay Jackman Hall, Art Gallery of Ontario TIFF Bell Lightbox 9 Windsor Arms Hotel 317 Dundas Street West 350 King Street West 37 18 St. Thomas Street Princess of Wales Theatre Sharon Lockhart 6 57 300 King Street West Rudzienko Gallery TPW Roy Thomson Hall 10 170 Saint Helens Avenue 60 Simcoe Street 4 Bloor/Danforth Line Yonge/University/Spadina Line Union Subway Station MAP IS NOT TO SCALE Floor 1 INDUSTRY CENTRE 10 22 21 11 20 Services 8 19 7 Business Centre Registration/Pass Pick-up 18 6 Industry Box Office Restaurant 17 16 TIFF Talent Lounge 5 Industry Conference Live Stream Rising Stars, Studio, Talent Lab, Telefilm Canada Pitch This! Information Desk Washrooms 4 1 12 3 Press & Industry Screening Library Cafe 2 13 14 Protocol Office King St W National Agencies Lower Level 7 Argentina 22 Jamaica 13 Australia 16 Korea 3 Canada and Ontario 6 Mexico 8 Chile 19 New Zealand 17 China 21 Nigeria European Film Promotion 11 Austria, Croatia, Czech Republic, Estonia, Flanders, Greece, Ireland, 12 Russia Lithuania, Luxembourg, Netherlands, Poland, Portugal, Slovenia Scandinavia 14 France 2 Denmark, Finland, Iceland, Norway, Sweden 5 Germany and Switzerland 18 South Africa 20 Israel 4 Spain 1 Italy 10 Turkey King St W 6 7 STAY CONNECTED WITH #TIFF16 t e e tr S e g n o DOWNLOAD THE TIFF APP , Y AD QU E S CID Browse films, create your own custom SUI schedule, and check out daily Festival highlights.
Load more

Recommended publications
  • 9780367508234 Text.Pdf
    Development of the Global Film Industry The global film industry has witnessed significant transformations in the past few years. Regions outside the USA have begun to prosper while non-traditional produc- tion companies such as Netflix have assumed a larger market share and online movies adapted from literature have continued to gain in popularity. How have these trends shaped the global film industry? This book answers this question by analyzing an increasingly globalized business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry, such as production, distribution and screening, this study takes a “big picture” view, encompassing the transnational integration of the cultural and entertainment industry as a whole, and pays more attention to the coordinated develop- ment of the film industry in the light of influence from literature, television, animation, games and other sectors. This volume is a critical reference for students, scholars and the public to help them understand the major trends facing the global film industry in today’s world. Qiao Li is Associate Professor at Taylor’s University, Selangor, Malaysia, and Visiting Professor at the Université Paris 1 Panthéon- Sorbonne. He has a PhD in Film Studies from the University of Gloucestershire, UK, with expertise in Chinese- language cinema. He is a PhD supervisor, a film festival jury member, and an enthusiast of digital filmmaking with award- winning short films. He is the editor ofMigration and Memory: Arts and Cinemas of the Chinese Diaspora (Maison des Sciences et de l’Homme du Pacifique, 2019).
    [Show full text]
  • Videography and Photography: Critical Thinking, Ethics and Knowledge-Based Practice in Visual Media
    Videography and photography: Critical thinking, ethics and knowledge-based practice in visual media Storytelling through videography and photography can form the basis for journalism that is both consequential and high impact. Powerful images can shape public opinion and indeed change the world, but with such power comes substantial ethical and intellectual responsibility. The training that prepares journalists to do this work, therefore, must meaningfully integrate deep analytical materials and demand rigorous critical thinking. Students must not only have proficient technical skills but also must know their subject matter deeply and understand the deeper implications of their journalistic choices in selecting materials. This course gives aspiring visual journalists the opportunity to hone critical-thinking skills and devise strategies for addressing multimedia reporting’s ethical concerns on a professional level. It instills values grounded in the best practices of traditional journalism while embracing the latest technologies, all through knowledge-based, hands-on instruction. Learning objectives This course introduces the principles of critical thinking and ethical awareness in nonfiction visual storytelling. Students who take this course will: Learn the duties and rights of journalists in the digital age. Better understand the impact of images and sound on meaning. Develop a professional process for handling multimedia reporting’s ethical challenges. Generate and translate ideas into ethically sound multimedia projects. Understand how to combine responsible journalism with entertaining and artistic storytelling. Think and act as multimedia journalists, producing accurate and balanced stories — even ones that take a point of view. Course design This syllabus is built around the concept of groups of students going through the complete process of producing a multimedia story and writing journal entries about ethical concerns that surface during its development and execution.
    [Show full text]
  • Recommended Movies and Television Programs Featuring Psychotherapy and People with Mental Disorders Timothy C
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenKnowledge@NAU Recommended Movies and Television Programs Featuring Psychotherapy and People with Mental Disorders Timothy C. Thomason Abstract This paper provides a list of 200 feature films and five television programs that may be of special interest to counselors, psychologists and other mental health professionals. Many feature characters who portray psychoanalysts, psychiatrists, psychologists, counselors, or psychotherapists. Many of them also feature characters who have, or may have, mental disorders. In addition to their entertainment value, these videos can be seen as fictional case studies, and counselors can practice diagnosing the disorders of the characters and consider whether the treatments provided are appropriate. It can be both educational and entertaining for counselors, psychologists, and others to view films that portray psychotherapists and people with mental disorders. It should be noted that movies rarely depict either therapists or people with mental disorders in an accurate manner (Ramchandani, 2012). Most movies are made for entertainment value rather than educational value. For example, One Flew Over the Cuckoo’s Nest is a wonderfully entertaining Academy Award-winning film, but it contains a highly inaccurate portrayal of electroconvulsive therapy. It can be difficult or impossible for a viewer to ascertain the disorder of characters in movies, since they are not usually realistic portrayals of people with mental disorders. Likewise, depictions of mental health professionals in the movies are usually very exaggerated or distorted, and often include behaviors that would be considered violations of professional ethical standards. Even so, psychology students and psychotherapists may find some of these movies interesting as examples of what not to do.
    [Show full text]
  • The Kid Stays in the Picture Discussion Guide
    www.influencefilmclub.com The Kid Stays in the Picture Discussion Guide Directors: Nanette Burstein, Brett Morgen Year: 2002 Time: 93 min You might know these directors from: Going the Distance (2010) American Teen (2008) On the Ropes (1999) FILM SUMMARY Based on his best-selling autobiography, Oscar-nominated film, THE KID STAYS IN THE PICTURE, takes us through the extraordinary life and career of boy wonder film producer, Robert Evans. Despite his reputation of being a bullshitter’s bullshitter, Evans exposes his highs and lows with all honesty, along with large doses of self- reflection and deprecation. Evans was the driving force behind some of the greatest films to ever come out of Hollywood, including Chinatown, Rosemary’s Baby, Godfather I and II, Harold and Maude, and a jaw-droppingly impressive list of others. To hear his tales about how these films were made - and the drama behind the scenes - is riveting. Unique in documentary filmmaking, Evans speaks ‘to’ the camera, narrating the story in his distinctive old- Hollywood style while liberally employing the use of out-dated hipsterisms such as ‘dame’, ‘broad’ and ‘buckeroos’. His remarkable collection of photographs become almost film-like, giving the viewer a unique view into his life, as well as into some of Hollywood’s golden periods. It is the friends, enemies, lovers, haters, admirers and many others in Evans’ network who create the fabric of this story. Everyone made their mark on him in some way, and by the film’s end, we understand why the kid was able to stay in the picture, despite some extraordinary falls from grace.
    [Show full text]
  • New Docs. Fall 2016/ Winter 2017
    New Docs. Fall 2016/ Winter 2017 A Bastard Child After Inez Belonging The Borneo Case Citizen Schein I Called Him Morgan The Inertia Variations Kiki Letters to a Serial Killer Loving Lorna Ouaga Girls The Pearl of Africa Prison Sisters Reflections The Return Stronger than a Bullet This special edition of Swedish Film presents Welcome to new and upcoming documentaries ready to hit international festivals and markets. Please visit our website sfi.se for updated information on Swedish the world of features, documentaries and shorts. Swedish docs! Swedish Film Institute Publisher Pia Lundberg Festival Manager, International Department ISSN 1654-0050 documentaries P.O. Box 27126 Contributing Editor Josefina Mothander Sara Rüster SE-102 52 Stockholm, Sweden Art Director Markus Edin Phone +46 8 665 11 00 Cover photo I Called Him Morgan, Ben van Acting Festival Manager, Fax +46 8 661 18 20 Meerendonk International Institute for Social documentaries sfi.se History Courtesy of Kasper Collin Produktion Josefina Mothander twitter.com/swedishfilm Print Ineko, Stockholm Phone +46 70 972 93 52 instagram.com/swedishfilm [email protected] A Bastard Child IDFA In 1909, in an undemocratic Sweden, a bastard child is born and given the name Hervor. Her mother is unmarried and driven away from home. Hervor grows up at orphanages, unwanted by society. As an adult she spends her life struggling for social justice. Through hand-painted animated images we get to witness someone being rejected in order to unite others. Original title Horungen Knutte Wester (b. 1977) is educated at the Academy of Director/screenwriter Knutte Wester Fine Arts in Umeå and Johannesburg.
    [Show full text]
  • Read the Excerpt
    Prologue he wins the decisive game, but she has no idea what it means. Nobody has told her what’s at stake, so she just plays, like she Salways does. She has no idea she has qualified to compete at the Olympiad. No idea what the Olympiad is. No idea that her qualifying means that in a few months she will fly to the city of Khanty-Mansiysk in remote central Russia. No idea where Russia even is. When she learns all of this, she asks only one question: “Is it cold there?” She travels to the Olympiad with nine teammates, all of them a decade older, in their twenties, and even though she has known many of them for a while and ljourneys by their side for 27 hours across the globe to Siberia, none of her teammates really have any idea where she is from or where she aspires to go, because Phiona Mutesi is from someplace where girls like her don’t talk about that. 19th sept. 2010 Dear mum, I went to the airport. I was very happy to go to the airport. this was only my second time to leave my home. When I riched to the airport I was some how scared because I was going to play the best chess players in the world. So I waved to my friends and my brothers. Some of them cried 1 COPYRIGHTED MATERIAL Crothers_i-viii_1-232_ptr_cj.indd 1 7/30/12 9:26 AM Prologue because they were going to miss me and I had to go.
    [Show full text]
  • The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
    The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子.
    [Show full text]
  • Feff Press Kit
    PRESS RELEASES, FILM STILLS & FESTIVAL PICS AND VIDEOS TO DOWNLOAD FROM WWW.FAREASTFILM.COM PRESS AREA Press Office/Far East Film Festival 19 Gianmatteo Pellizzari & Ippolita Nigris Cosattini +39/0432/299545 - +39/347/0950890 [email protected] - [email protected] Video Press Office Matteo Buriani +39/345/1821517 – [email protected] 21/29 April 2017 – Udine – Teatro Nuovo and Visionario FAR EAST FILM FESTIVAL 19: THE POWER OF ASIA! The irresistible road movie Survival Family opens the #FEFF19 on Friday the 21 st of April: a packed programme which testifies to the incredible vitality (both productive and creative) of Asian cinema. 83 titles selected from almost a thousand seen, and 4 world premiers, including Herman Yau's high-octane thriller Shock Wave , which will close the nineteenth edition. Press release of the 13 th of April 2017 For immediate release UDINE - Who turned out the lights? Nobody did, and the fuses haven't blown. And no, it's not even a power cut. Electricity has just suddenly ceased to exist, so the Suzuki family must now very quickly learn the art of survival: and facing a global blackout is not exactly a walk in the park! It's with the world screeching to a halt of the irresistible Japanese road movie Survival Family that the highly anticipated Far East Film Festival 19 opens: not just because Yaguchi Shinobu' s wonderful comedy is the festival's starting pistol on Friday the 21 st of April, but also for a question of symmetry: just like the blackout in Survival Family , the FEFF is an interruption .
    [Show full text]
  • Frustrated Redemption: Patterns of Decay and Salvation in Medieval Modernist Literature
    City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2013 Frustrated Redemption: Patterns of Decay and Salvation in Medieval Modernist Literature Shayla Frandsen CUNY City College of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/519 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Frustrated Redemption: Patterns of Decay and Salvation in Medieval and Modernist Literature Shayla Frandsen Thesis Advisor: Paul Oppenheimer Submitted in partial fulfillment of the requirements for the degree of Master of Arts of the City College of the City University of New York Table of Contents Preface 1 The Legend of the Fisher King and the Search for the 5 Modern Grail in The Waste Land, Paris, and Parallax “My burden threatens to crush me”: The Transformative Power 57 of the Hero’s Quest in Parzival and Ezra Pound’s Hugh Selwyn Mauberley Hemingway, the Once and Future King, 101 and Salvation’s Second Coming Bibliography 133 Frandsen 1 Preface “The riddle of the Grail is still awaiting its solution,” Alexander Krappe writes, the “riddle” referring to attempts to discover the origin of this forever enigmatic object, whether Christian or Folkloric,1 yet “one thing is reasonably certain: the theme of the Frustrated Redemption” (18).2 Krappe explains that the common element of the frustrated redemption theme is “two protagonists: a youth in quest of adventures and a supernatural being .
    [Show full text]
  • 1997 Sundance Film Festival Awards Jurors
    1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.
    [Show full text]
  • The Future of Sports Is Digital. It's Also Chinese
    The Future of Sports is Digital. It’s also Chinese. Follow us on WeChat Now Advertising Hotline 400 820 8428 城市漫步北京 英文版 8 月份 国内统一刊号: CN 11-5232/GO China Intercontinental Press ISSN 1672-8025 AUGUST 2017 Feed Your Body Beautiful. TRIBE New Summer Menu Available now Scan QR Code for the latest updates WWW.THATSMAGS.COM | AUGUST 2017 | 1 主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社 地址 : 北京西城月坛北街 26 号恒华国际商务中心南楼 11 层文化交流中心 邮编 100045 Published by China Intercontinental Press Address: 11th Floor South Building, HengHua linternational Business Center, 26 Yuetan North Street, Xicheng District, Beijing 100045, PRC http://www.cicc.org.cn 总编辑 Editor in Chief 慈爱民 Ci Aimin 期刊部负责人 Supervisor of Magazine Department 邓锦辉 Deng Jinhui 编辑 Editor 李靥 Li Ye 发行 / 市场 Distribution / Marketing 黄静，李若琳 Huang Jing, Li Ruolin Editor-in-Chief Noelle Mateer Deputy Editor Dominique Wong National Arts Editor Erica Martin Digital Content Editor Justine Lopez Designer Iris Wang Contributors Dominic Ngai, Sky Thomas Gidge, Jocelyn Richards, Mia Li, Vivian Liu, Nick Mateer, Hawk Lincoln, Jimmy Mi, Zaruf Ezhan, Jesse Pottinger, Allison Bew, Matt Bossons, Christian Gahl, Flynn Murphy HK FOCUS MEDIA Shanghai (Head office) 上海和舟广告有限公司 上海市蒙自路 169 号智造局 2 号楼 305-306 室 邮政编码 : 200023 Room 305-306, Building 2, No.169 Mengzi Lu, Shanghai 200023 电话 : 021-8023 2199 传真 : 021-8023 2190 (From February 13) Beijing 广告代理 : 上海和舟广告有限公司 北京市东城区东直门外大街 48 号东方银座 C 座 9G 邮政编码 : 100027 48 Dongzhimenwai Dajie Oriental Kenzo (Ginza Mall), Building C, Room 9G, Dongcheng District, Beijing 100027 电话 : 010-8447 7002 传真 : 010-8447 6455 Guangzhou 上海和舟广告有限公司广州分公司 广州市越秀区麓苑路 42 号大院 2 号楼 610 房 邮政编码 : 510095 Room 610, No.
    [Show full text]
  • Caribbean Pols React to Guy on the Right
    FREE www.caribbeanlifenews.com BROOKLYN/STATEN ISLAND EDITION Nov. 18–24, 2016 Caribbean pols react to guy on WHO’S the right By Nelson A. King As the American political establishment begins coming to grips with the reality of four years of Donald J. Trump’s WHO? presidency, Caribbean-Ameri- can legislators are still stunned, like many others in New York, across the country and glo- Activist: Stop and frisk data bally, over Trump’s unexpected triumph in the U.S. Presiden- tial Election last Tuesday. ignores Indo-Caribbeans “As I gathered my thoughts, I realized that now, adding salt By Alexandra Simon 2014 and 2015,” said William to the deep wound, are those As far as police are con- Depoo, a leader from Desi’s Ris- trying to downplay the impor- cerned, this community of ing Up and Moving, a South- tance racism, xenophobia, jin- color is totally invisible. Asian community organiza- goism, and misogyny played in Stop and frisk is dispropor- tion. “Depending on how they this election — the very things tionately affecting the Indo- categorize me I can be either that so many of us were con- Caribbean community in Rich- Asian or Latino — there’s no sistently told weren’t a part of mond Hill and Ozone Park, category for Indo-Caribbean. America. And too many deny but the city data does not Our experiences need to be dis- the impact it has on continual- accurately reflect this, because cussed. We can’t pinpoint what ly disenfranchising communi- police mis-classify members of someone’s West Indian iden- ties,” said New York City Coun- the ethno-cultural group as tity is, but we know it exists, cilman Jumaane Williams, the Asian or Latino, according to because we know people going son of Grenadian immigrants.
    [Show full text]