The Fist of God
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Decrypting and [Re-]Building EU Communication: the Quest for Reliable Key-Players
#04 2014 Public communication in Europe | Communication publique en Europe Focus on Decrypting and [re-]building EU communication: The quest for reliable key-players • Being relevant: detecting trends for government communication • Analysing audiences and their motivation • Crisis communication • Communication and social integration • Southern-Eastern Europe: genesis of a new communication culture Club of Venice | Club de Venise Summary Introduction – Editorial 03 Informality and Truth 05 Summer school on European public communication 07 Unity is not whatever failed us yet 11 Outcome Venice Plenary 13 What is the state of the play on European public communication strategy ? 19 Being relevant - Trends for government communication 22 On the eve of the European elections : perspectives and uncertainties 26 To succeed in Strategic Communications, Analyze your audiences and their motivations 30 Public sector communication in South-East Europe 32 Government communication and cooperation with NGO’s 34 World Forum for democracy 36 Open Government – Open Data So this was cyberutopia ? 40 Analysis of Facebook trends (political authorities pages) 46 Greece is changing – News conference – Athens seminar 27-28 March 2014 48 « Europa nelle lingue del mondo » 52 EESC civil society media seminar 56 EuroPCom 2013 58 « ce qu’ils sont devenus » 60 Seminar on digital communication trends 61 Steering Group and Advisory Group new composition 63 Plenary meeting in Riga – 5-6 June 2014 64 Les textes n’engagent que la responsabilité de leurs auteurs. Ils peuvent -
By Way of Deception,” Has Been Produced by Lovers of Freedom
THE MAKING AND IUNMAKING O F A IMOSSAD VICTOR OSTROVSKY C LA I R EL--- -- HOY- This electronic version of “By Way of Deception,” has been produced by lovers of freedom. It has been produced with the understanding that the Israeli Mossad operates within an international Jewish conspiracy (belief in a Jewish Conspiracy does not make one a Nazi, member of the KKK, or Islamist, nor does it make one a hate mongerer) which it aids tremendously. Victor Ostrovsky may or may not be telling all of the truth and the information contained in this book may have been created so as to mislead about the real workings of the Mossad but nonetheless, we feel it contains enough credible information that makes it worth while to read. This book has been provided to you for free via the internet and all that we ask is that you open your mind and educate yourself at the following web sites: www.libertyforum.org www.iamthewitness.com www.prothink.org www.samliquidation.com/lordjesus.htm www.conspiracyworld.com www.judicial-inc.biz www.rense.com www.realjewnews.com By Way of Deception Victor Ostrovsky and Claire Hoy St. Martin’s Press New York ISBN 0-312-05613-3 Contents AUTHOR’S FORWARD vii PROLOGUE: OPERATION SPHINX 1 PART I CADET 16 1 Recruitment 31 2 School Days 51 3 Freshmen 66 4 Sophomores 84 5 Rookies 99 PART II INSIDE AND OUT 6 The Belgian Table 117 7 Hairpiece 137 8 Hail and Farewell 153 PART III BY WAY OF DECEPTION 9 Strella 177 10 Carlos 197 11 Exocet 217 12 Checkmate 230 13 Helping Arafat 246 14 Only in America 267 15 Operation Moses 287 16 Harbor Insurance 302 17 Beirut 310 EPILOGUE 332 ----------------------------------------------------- APPENDICES 337 GLOSSARY of TERMS 357 INDEX 362 BY WAY OF DECEPTION ix names and be open himself, made it much easier over time to conclude that he is the genuine article: a former Mossad katsa. -
Palestinian Groups
1 Ron’s Web Site • North Shore Flashpoints • http://northshoreflashpoints.blogspot.com/ 2 Palestinian Groups • 1955-Egypt forms Fedayeem • Official detachment of armed infiltrators from Gaza National Guard • “Those who sacrifice themselves” • Recruited ex-Nazis for training • Fatah created in 1958 • Young Palestinians who had fled Gaza when Israel created • Core group came out of the Palestinian Students League at Cairo University that included Yasser Arafat (related to the Grand Mufti) • Ideology was that liberation of Palestine had to preceed Arab unity 3 Palestinian Groups • PLO created in 1964 by Arab League Summit with Ahmad Shuqueri as leader • Founder (George Habash) of Arab National Movement formed in 1960 forms • Popular Front for the Liberation of Palestine (PFLP) in December of 1967 with Ahmad Jibril • Popular Democratic Front for the Liberation (PDFLP) for the Liberation of Democratic Palestine formed in early 1969 by Nayif Hawatmah 4 Palestinian Groups Fatah PFLP PDFLP Founder Arafat Habash Hawatmah Religion Sunni Christian Christian Philosophy Recovery of Palestine Radicalize Arab regimes Marxist Leninist Supporter All regimes Iraq Syria 5 Palestinian Leaders Ahmad Jibril George Habash Nayif Hawatmah 6 Mohammed Yasser Abdel Rahman Abdel Raouf Arafat al-Qudwa • 8/24/1929 - 11/11/2004 • Born in Cairo, Egypt • Father born in Gaza of an Egyptian mother • Mother from Jerusalem • Beaten by father for going into Jewish section of Cairo • Graduated from University of King Faud I (1944-1950) • Fought along side Muslim Brotherhood -
Jim Shumate and the Development of Bluegrass Fiddling
JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2018 Center for Appalachian Studies JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING A Thesis by NATALYA WEINSTEIN MILLER May 2018 APPROVED BY: Sandra L. Ballard Chairperson, Thesis Committee Gary R. Boye Member, Thesis Committee David H. Wood Member, Thesis Committee William R. Schumann Director, Center for Appalachian Studies Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by Natalya Weinstein Miller 2018 All Rights Reserved Abstract JIM SHUMATE AND THE DEVELOPMENT OF BLUEGRASS FIDDLING Natalya Weinstein Miller, B.A., University of Massachusetts M.A., Appalachian State University Chairperson: Sandra L. Ballard Born and raised on Chestnut Mountain in Wilkes County, North Carolina, James “Jim” Shumate (1921-2013) was a pioneering bluegrass fiddler. His position at the inception of bluegrass places him as a significant yet understudied musician. Shumate was a stylistic co-creator of bluegrass fiddling, synthesizing a variety of existing styles into the developing genre during his time performing with some of the top names in bluegrass in the 1940s, including Bill Monroe in 1945 and Lester Flatt & Earl Scruggs in 1948. While the "big bang" of bluegrass is considered to be in 1946, many elements of the bluegrass fiddle style were present in Bill Monroe's Blue Grass Boys prior to 1945. Jim Shumate’s innovative playing demonstrated characteristics of this emerging style, such as sliding double-stops (fingering notes on two strings at once) and syncopated, bluesy runs. -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
Page 1 DOCUMENT RESUME ED 335 965 FL 019 564 AUTHOR
DOCUMENT RESUME ED 335 965 FL 019 564 AUTHOR Riego de Rios, Maria Isabelita TITLE A Composite Dictionary of Philippine Creole Spanish (PCS). INSTITUTION Linguistic Society of the Philippines, Manila.; Summer Inst. of Linguistics, Manila (Philippines). REPORT NO ISBN-971-1059-09-6; ISSN-0116-0516 PUB DATE 89 NOTE 218p.; Dissertation, Ateneo de Manila University. The editor of "Studies in Philippine Linguistics" is Fe T. Otanes. The author is a Sister in the R.V.M. order. PUB TYPE Reference Materials - Vocabularies/Classifications/Dictionaries (134)-- Dissertations/Theses - Doctoral Dissertations (041) JOURNAL CIT Studies in Philippine Linguistics; v7 n2 1989 EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS *Creoles; Dialect Studies; Dictionaries; English; Foreign Countries; *Language Classification; Language Research; *Language Variation; Linguistic Theory; *Spanish IDENTIFIERS *Cotabato Chabacano; *Philippines ABSTRACT This dictionary is a composite of four Philippine Creole Spanish dialects: Cotabato Chabacano and variants spoken in Ternate, Cavite City, and Zamboanga City. The volume contains 6,542 main lexical entries with corresponding entries with contrasting data from the three other variants. A concludins section summarizes findings of the dialect study that led to the dictionary's writing. Appended materials include a 99-item bibliography and materials related to the structural analysis of the dialects. An index also contains three alphabetical word lists of the variants. The research underlying the dictionary's construction is -
Why Do They Hate Us?--Geography of the Palestine-Israel Conflict And
“Why Do They Hate Us/U.S.?” and “Why Do We Hate Them?” Is It Because Of “Their” Islam Or Because Of “Our” Support For Israel? Geography of the Palestine-Israel Conflict Presentation to the Association of American Geographers, Boston, MA, April 2008, and Bloomington, IN, November 2008 Mohamed Elyassini, PhD, Associate Professor of Geography, Indiana State University 1. “The bonds between the United States and Israel are unbreakable and the commitment of the United States to the security of Israel is ironclad… I and my administration have made the security of Israel a priority. It’s why we’ve increased cooperation between our militaries to unprecedented levels. It’s why we’re making our most advanced technologies available to our Israeli allies. It’s why, despite tough fiscal times, we’ve increased foreign military financing to record levels. And that includes additional support –- beyond regular military aid -– for the Iron Dome anti-rocket system… So make no mistake, we will maintain Israel’s qualitative military edge… You also see our commitment to our shared security in our determination to prevent Iran from acquiring nuclear weapons. Here in the United States, we’ve imposed the toughest sanctions ever on the Iranian regime… You also see our commitment to Israel’s security in our steadfast opposition to any attempt to de-legitimize the State of Israel. As I said at the United Nations last year, ‘Israel’s existence must not be a subject for debate,’ and ‘efforts to chip away at Israel’s legitimacy will only be met by the unshakeable opposition of the United States.’ So when the Durban Review Conference advanced anti-Israel sentiment, we withdrew. -
“Paul Robert Burton Band”
“PAUL ROBERT BURTON BAND” The “Paul Robert Burton Band” is a musical collaboration, presenting to the public an expanding ensemble of world-class virtuoso musicians from an infinitely wide variety of musical styles and genres. Every player is unique, however they all have something very much in common, commitment and dedication to the Arts. Music can transport the soul to higher realms and these musicians together invoke that feeling. “ We can easily say that Paul Robert Burton and his band were the standout act at this year’s Kiama Jazz & Blues Festival. Where ever he played and in whatever venue (café, outdoor concert, club) or line up (from solo to full on band) the crowds were huge, bopping and excited. Venues were full to capacity and then some! During a sidewalk café appearance, the crowds spilled onto the street & stopped traffic! Apart from his musical gifts, Paul was appreciated by festival management as a source of information regarding other artists, and brought great energy, inspiration and spirit to our Festival. People raved for weeks afterwards, and purchased Paul’s CD’s aplenty, and we have had considerable requests since the festival as to where & when Paul might play again. ” Ross Eggleton, Festival Director Eevi Stein, Festival Coordinator & Publicity Kiama Jazz & Blues Festival April 1- 3 2011 PAUL ROBERT BURTON (Songwriter, Producer, Sound Engineer, Upright Bass, Foot Drums, Guitarlele, Harmonicas, Ocarinas and Vocals) www.paulrobertburton.com www.reverbnation.com/paulrobertburton www.youtube.com/paulrobertburton Paul Robert Burton is a Multi-tasking, Multi-instrumentalist, Singer, Songwriter, Producer and Sound Engineer. Beginning his career some 30 years ago as a session musician, Paul has performed with Elvis Presley’s drummer D J Fontana, James Brown’s drummer Toni Cooke and has an extensive list of musical associations with a veritable “who’s who” of the Australian Music Industry. -
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! NTERNMTIOfvML Mi-Sex, LRB Cop Top Prizes INTERN/4TION/4L D/4TELINE Australia Rotelli will be replaced in his post by liali! MELBOURNE — Festival Records has Roberto Citterio. previously deputy Australian released a limited number of Supertramp's general manager of the M Rock Awards same music ‘ "Breakfast In America” pressed in platinum publishing group. by Allan Webster tist, was named as Most Popular Female. colored vinyl to commemorate the album's Adriano Celentano’s latest album, "Un Other awards went to Terry Britten (Best MELBOURNE — Mi-Sex and The Little one year stay on the Australian charts. Po' Artista Un Po' No,” on Clan label Australian Recorded Songwriter) for his River Band walked away with top honors in Little River Band leaves Australia in May (distributed by CGD), appeared on the work on Christie Allen's debut album; The the inaugural TV Week Rock Music for a world tour that includes a week in market at the end of March. The music for Angels, who received a special award from 13. Awards, held here on April Both groups Japan, three weeks in Europe and five all the songs was written by Toto Cutugno. the producers of Countdown for continued picked up three awards, and Mi-Sex weeks in to the co-operation. enthusiasm and America support band’s winner of the last Sanremo festival. producer Peter Dawkins was honored for recently released “Backstage Pass" album, Ri-Fi Records has signed various agree- professionalism, and to Cold Chisel for for his. work on the group’s debut album a double set recorded live in Australia and ments with foreign independent producers Best Australian Album Cover Design for CBS Records. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
James W. Phillips Collection
JAMES W. PHILLIPS COLLECTION RUTH T. WATANABE SPECIAL COLLECTIONS SIBLEY MUSIC LIBRARY EASTMAN SCHOOL OF MUSIC UNIVERSITY OF ROCHESTER Processed by Gigi Monacchino, spring 2013 Revised by Gail E. Lowther, winter 2019 1 TABLE OF CONTENTS Description of Collection . 3 Description of Series . 5 INVENTORY Sub-Group I: Composer Subdivision Series 1: Irving Berlin . 7 Series 2: George Gershwin, Victor Herbert, and Jerome Kern . 35 Series 3: Jerome Kern and Cole Porter . 45 Series 4: Cole Porter and Richard Rodgers . 60 Series 5: Richard Rodgers . 72 Series 6: Richard Rodgers and Sigmund Romberg . 86 Sub-Group II: Individual Sheet Music Division . 92 Sub-Group III: Film and Stage Musical Songs . 214 Sub-Group IV: Miscellaneous Selections . 247 2 DESCRIPTION OF COLLECTION Accession no. 2007/8/14 Shelf location: C3B 7,4–6 Physical extent: 7.5 linear feet Biographical sketch James West Phillips (b. August 11, 1915; d. July 2, 2006) was born in Rochester, NY. He graduated from the University of Rochester in 1937 with distinction with a Bachelor of Arts in Mathematics; he was also elected to the academic honors society Phi Beta Kappa. In 1941, he moved to Washington, DC, to work in the Army Ordnance Division of the War Department as a research analyst. He left that position in 1954 to restore a house he purchased in Georgetown. Subsequently, in 1956, he joined the National Automobile Dealers Association as a research analyst and worked there until his retirement in 1972. He was an avid musician and concert-goer: he was a talented pianist, and he composed music throughout his life.