“Nineteen Eighty-Four” by George Orwell. Chapter I
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Enotes.Com Inc
1984 by George Orwell Copyright Notice ©2011 eNotes.com Inc. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. All or part of the content in these eNotes comes from MAXnotes® for 1984, and is copyrighted by Research and Education Association (REA). No part of this content may be reproduced in any form without the permission of REA. ©1998-2002; ©2002 by Gale Cengage. Gale is a division of Cengage Learning. Gale and Gale Cengage are trademarks used herein under license. For complete copyright information on these eNotes please visit: http://www.enotes.com/1984/copyright eNotes: Table of Contents 1. 1984: Introduction 2. 1984: The Principles of Newspeak 3. 1984: Overview 4. 1984: George Orwell Biography 5. 1984: Summary 6. 1984: Summary and Analysis ♦ Part 1, Chapter 1 Summary and Analysis ♦ Part 1, Chapter 2 Summary and Analysis ♦ Part 1, Chapter 3 Summary and Analysis ♦ Part 1, Chapters 4 and 5 Summary and Analysis ♦ Part 1, Chapters 6 and 7 Summary and Analysis ♦ Part 1, Chapter 8 Summary and Analysis ♦ Part 2, Chapter 1 Summary and Analysis ♦ Part 2, Chapter 2 Summary and Analysis ♦ Part 2, Chapter 3 Summary and Analysis ♦ Part 2, Chapter 4 Summary and Analysis ♦ Part 2, Chapter 5 Summary and Analysis ♦ Part 2, Chapter 6 Summary and Analysis ♦ Part 2, Chapter 7 Summary and Analysis ♦ Part 2, Chapter 8 Summary and Analysis ♦ Part 2, Chapter 9 Summary and Analysis ♦ Part 2, Chapter 10 Summary and Analysis ♦ Part 3, Chapter 1 Summary and Analysis 1984 1 ♦ Part 3, Chapter 2 Summary and Analysis ♦ Part 3, Chapter 3 Summary and Analysis ♦ Part 3, Chapters 4 and 5 Summary and Analysis ♦ Part 3, Chapter 6 Summary and Analysis 7. -
Orwell's Penultimate Prophecies in Coming up For
Astrolabio. Revista internacional de filosofía Año 2017 Núm. 20. ISSN 1699-7549. pp. 269-287 Orwell’s penultimate prophecies in Coming Up For Air (1939). A comparison with Byung-Chul Han’s works Oriol Quintana «Time is out of joint. Oh, curséd spite, that ever I was born To set it right.» Hamlet, William Shakesperare Abstract: The striking similarities between the novel Coming Up For Air (1939) and Byung- Chul Han’s books on present-day technological society is the object of this paper. Both, the English writer-journalist and the German philosopher, diagnosed and described the same illnesses. The paper focuses mainly on the problem of Entzeitlichung, the disappear- ance of time, and if and how it is possible to regain a contemplative look that prevents time from dissolving. Keywords: George Orwell, Coming Up For Air Byung-Chul Han, Technological Society, Contemplation Resumen: Las sorprendentes similitudes entre la novela Coming Up For Air (1939), de George Orwell y los libros de Byung-Chul Han sobre la actual sociedad tecnológica, son el objeto de este artículo. Tanto el escritor y periodista inglés como el filósofo alemán de- scriben y diagnostican las mismas enfermedades. El artículo se centra principalmente en el problema de la Entzeitlichung, la disolución del tiempo, y sobre cómo y si es posible re- cuperar una mirada contemplativa que evite esta disolución. Palabras clave: George Orwell, Coming Up For Air, Byung-Chul Han, sociedad tecnológi- ca, contemplación. 1. GENERAL INTRODUCTION Byung-Chul Han is a Korean professor who lives and teaches in Germany, where he took his degree in Philosophy and Theology and wrote his Phd. -
George Orwell Nineteen Eighty-Four
George Orwell Nineteen Eighty-Four Objectives 1. Relate the dystopia in 1984 to Stephen Lukes’ three dimensional theory of power. 2. Locate Orwell’s novel in its historical context. 3. Recognize the tension between aesthetics & political activism in art. 4. Relate 1984 to the social tensions in the Western World in 1948, such as the race tensions around the Harlem Renaissance or class tensions in Britain. 5. Relate Orwell’s late modernist British novel to Thoreau and the Harlem Renaissance in America. Reading Assignment Christopher Hitchens & John Rodden on Think Tank, 2002. YouTube, 2002. Web. https://www.youtube.com/watch?feature=player_detailpage&v = uWeLvj7S38E Orwell, George. 1984. Adelaide: Planet eBook, 2012. Commentary 1984 was written during the post-WWII period in 1947-48 (the final manuscript was sent to his publishers on 4 December 1948, hence the title 1984), but it only appeared in print in 1949. It was originally titled “The Last Man in Europe,” which recalls Mary Shelley’s late Romantic novel The Last Man and emphasizes the location, which is Europe and not Soviet Russia, which Orwell has already critiqued in his book Animal Farm. As a novel, 1984 follows after the largest part of his writing career during which he produced satiric critiques of British culture, such as Keep the Aspidistra Flying, which has a very similar ending to 1984, although it is set in an advertising firm that controls people through products and manipulation. In relation to mass media, Orwell worked for the BBC during WWII, but none of his recordings survive. 39 Information Classification: General Orwell was also active as a socialist and unionist. -
Orwell's Painful Childhood
Orwell's painful childhood JEFFREY MEYERS RWELL was always extremely reticent about his personal affairs, so we know virtually nothing about how his O character was formed in his earliest years. He was born in 1903 in Motihari, situated on the bank of a lake in the state of Bihar, between Patna and Katmandu. His father was a sub-deputy agent in the Opium Department of the Indian Civil Service, and Orwell's family was part of that 'upper-middle class, which had its heyday in the eighties and nineties, with Kipling as its poet laureate, and was a sort of mound of wreckage left behind when the tide of Victorian prosperity receded'.1 Like Thackeray, Kipling, and Durrell, he spent his first years in India before he was sent to England at the age of four to begin school. Kipling's Something of Myself gives a lyrical description of a secure Indian childhood, protected by the gentleness and affection of bearer and ayah; and Fraser writes of Durrell that 'The Indian childhood, the heat, the colour, the Kiplingesque social atmosphere, deeply affected his childish imagination'.2 But both Thackeray and Kipling stress the wrenching trauma of leaving India at five years old. In The Newcombes, Thackeray writes : What a strange pathos seems to me to accompany all our Indian story! . The family must be broken up . In America it is from the breast of a poor slave that a child is taken; in India it is from the wife.3 Kipling's 'Baa Baa Black Sheep' describes his sudden and painful departure from servants and parents ('through no fault of their own, they had lost all their world'), and the horrors of an alien family that engulfs him with meanness and cruelty. -
1984 Sparknotes Summary Book 2
1984 SparkNotes Summary Book 2 Summary: Chapter I At work one morning, Winston walks toward the men’s room and notices the dark-haired girl with her arm in a sling. She falls, and when Winston helps her up, she passes him a note that reads “I love you.” Winston tries desperately to figure out the note’s meaning. He has long suspected that the dark-haired girl is a political spy monitoring his behavior, but now she claims to love him. Before Winston can fully comprehend this development, Parsons interrupts him with talk about his preparations for Hate Week. The note from the dark-haired girl makes Winston feel a sudden, powerful desire to live. After several days of nervous tension during which he does not speak to her, Winston manages to sit at the same lunchroom table as the girl. They look down as they converse to avoid being noticed, and plan a meeting in Victory Square where they will be able to hide from the telescreens amid the movement of the crowds. They meet in the square and witness a convoy of Eurasian prisoners being tormented by a venomous crowd. The girl gives Winston directions to a place where they can have their tryst, instructing him to take a train from Paddington Station to the countryside. They manage to hold hands briefly. Summary: Chapter II Executing their plan, Winston and the girl meet in the country. Though he has no idea what to expect, Winston no longer believes that the dark-haired girl is a spy. He worries that there might be microphones hidden in the bushes, but feels reassured by the dark-haired girl’s evident experience. -
Nineteen Eighty-Four
MGiordano Lingua Inglese II Nineteen Eighty-Four Adapted from : http://en.wikipedia.org/wiki/Nineteen_Eighty-Four Nineteen Eighty-Four, sometimes published as 1984, is a dystopian novel by George Orwell published in 1949. The novel is set in Airstrip One (formerly known as Great Britain), a province of the superstate Oceania in a world of perpetual war, omnipresent government surveillance, and public manipulation, dictated by a political system euphemistically named English Socialism (or Ingsoc in the government's invented language, Newspeak) under the control of a privileged Inner Party elite that persecutes all individualism and independent thinking as "thoughtcrimes". The tyranny is epitomised by Big Brother, the quasi-divine Party leader who enjoys an intense cult of personality, but who may not even exist. The Party "seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power." The protagonist of the novel, Winston Smith, is a member of the Outer Party who works for the Ministry of Truth (or Minitrue), which is responsible for propaganda and historical revisionism. His job is to rewrite past newspaper articles so that the historical record always supports the current party line. Smith is a diligent and skillful worker, but he secretly hates the Party and dreams of rebellion against Big Brother. As literary political fiction and dystopian science-fiction, Nineteen Eighty-Four is a classic novel in content, plot, and style. Many of its terms and concepts, such as Big Brother, doublethink, thoughtcrime, Newspeak, Room 101, Telescreen, 2 + 2 = 5, and memory hole, have entered everyday use since its publication in 1949. -
Marxism and Class………………………………………………….…
Durham E-Theses Rethinking Marxist Aesthetics: Race, Class and Alienation in Post-War British Literature BAGLAMA, SERCAN,HAMZA How to cite: BAGLAMA, SERCAN,HAMZA (2017) Rethinking Marxist Aesthetics: Race, Class and Alienation in Post-War British Literature , Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12322/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 1 Rethinking Marxist Aesthetics: Race, Class and Alienation in Post-War British Literature Sercan Hamza Bağlama Thesis submitted in fulfilment of the requirement for the degree of Doctor of Philosophy Department of English Studies Durham University June 2017 2 Table of Contents Statement of Copyright……………………………………………………………….3 Abstract………………………………………………………………………………. 4 Acknowledgments………………………………………………….……………….... 6 Introduction……………………………………………………………………….…. 8 Chapter I: Marxism and Class………………………………………………….…. 15 Chapter II: Alienation…………………………………………………...…….…… 56 Chapter III: Alan Sillitoe…………………………………………………….….…. 87 Chapter IV: Sam Selvon…………………………………………………………… 129 Chapter V: Doris Lessing………………………………………………………….. -
Eileen Maud O'shaughnessy, Mrs Blair
Eileen Maud O’Shaughnessy, Mrs Blair (English Language and Literature, 1924) 1905 – 1945 Profile written by Veronica Lowe (Modern History, 1969), President of the St Hugh’s Alumni Association Eileen O’Shaughnessy is better known to posterity as the first wife of the novelist George Orwell (Eric Blair) though she had intimated to friends that she had her own literary ambitions. This was illustrated in a poem written by Eileen in 1934 entitled ‘End of the Century, 1984’ inspired by reading Aldous Huxley’s Brave New World. It was composed in honour of the fiftieth anniversary of the founding of Sunderland Church High School where Eileen had been Head Girl, and was said to look ahead to its centenary. The poem was long forgotten but there is an uncanny resemblance to certain references in Orwell’s dystopian novel Nineteen eighty-four published in 1949. Critics disagree however on whether Orwell intended the novel to be a homage to his wife who had died 4 years before. Eileen was born in South Shields on 25 September 1905 and was of Irish descent. She matriculated at St Hugh’s in 1924, and her tutors’ reports are still in the College archives. She was frequently complimented on her literary style. The reports show a progression in confidence and in the tutors’ confidence in her. The earlier ones highlighted errors and weakness in preparation but her final report from Trinity 1927 by the Principal Miss Buckhurst states: “Her work . .is pleasant and attractively fresh. She writes with point and edge and with good taste and discrimination”. -
The Roles of Telescreen and Thought Police As the Surveillance Media to Sustain Totalitarian Power in George Orwell's Ninetee
THE ROLES OF TELESCREEN AND THOUGHT POLICE AS THE SURVEILLANCE MEDIA TO SUSTAIN TOTALITARIAN POWER IN GEORGE ORWELL’S NINETEEN EIGHTY-FOUR THESIS BY TRIAN SULAEMAN NIM 0911110269 STUDY PROGRAM OF ENGLISH DEPARTMENT OF LANGUAGES AND LITERATURE FACULTY OF CULTURAL STUDIES UNIVERSITAS BRAWIJAYA 2014 ACKNOWLEDGEMENTS First, all praises are raised to Allah SWT for His blessings during the completion of this study. Special appreciation goes to the supervisor, Dyah Eko Hapsari M.Hum., for her supervision and support. Her invaluable help and guidance throughout the research and writing process have contributed to the success of this thesis. Appreciation is also expressed to the co-supervisor, Arcci Tusita, S.S, M. Hum., for her support during the research. Also, I would like to express my gratitude to the academic advisor of mine, Ni Wayan Swardhani M.A and the examiner M. Andhy Nurmansyah, M.Hum. And also thank to the Faculty of Cultural Studies including all lectures, employees, and friends in the class of 2009 of Study Program of English. I would like to thank my parents, Doddy Setya Rusmayadi and Entin Kartini for their endless support. And also, to my siblings, Reza Wibisana, Restu Prayogi, and Devi Agustini Rahayu who always support me to finish this research. Finally yet importantly, I would love to thank to Virda Andini Putri Diponegoro, Yuna Prajipta, Annisa Anindita, Vania Delicia, Ading Pradani, Adeline, Ayub Tobing, Fikri Haikal, Ahmad Haikal who directly and indirectly contributed in this research, your kindness means a lot to me. Malang, January 06, 2014 The Writer v ABSTRACT Sulaeman, Trian. -
Nineteen Eighty-Four
Nineteen Eighty-Four This article is about the Orwell novel. For other uses, see 1984 (disambiguation). Nineteen Eighty-Four, sometimes published as 1984, is a dystopian novel by English author George Orwell pub- lished in 1949.[1][2] The novel is set in Airstrip One (for- merly known as Great Britain), a province of the super- state Oceania in a world of perpetual war, omnipresent government surveillance and public manipulation, dic- tated by a political system euphemistically named English Socialism (or Ingsoc in the government’s invented lan- guage, Newspeak) under the control of a privileged Inner Party elite, that persecutes individualism and independent thinking as "thoughtcrimes".[3] The tyranny is epitomised by Big Brother, the quasi- divine Party leader who enjoys an intense cult of per- sonality but who may not even exist. The Party “seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power.”[4] The protagonist of the novel, Winston Smith, is a member of the Outer Party, who works for the Ministry of Truth (or Minitrue), which is responsible for propaganda and historical revisionism. His job is to rewrite past newspa- per articles, so that the historical record always supports A 1947 draft manuscript of the first page of Nineteen Eighty- the party line.[5] Smith is a diligent and skillful worker Four, showing the editorial development. but he secretly hates the Party and dreams of rebellion against Big Brother. As literary political fiction and dystopian science-fiction, his unforgiving novel” in 1944, the implications of divid- Nineteen Eighty-Four is a classic novel in content, plot ing the world up into Zones of influence that had been con- and style. -
1984 Final Project Assignment
1984 Final Project George Orwell’s 1984 is so widely read because it raises many interesting and important questions. In a live or recorded presentation, examine (#1) a central theme or issue in Orwell’s fictional 1984, and compare it to (#2) things that have happened, or are happening, in the real world since the novel was written. In choosing your topic, as well as how to present it, you – unlike the characters in 1984 – have a lot of freedom. Most of these topics will be new to you, so ask yourself right away which ones appeal to you. Then, read 1984 with the focus of a researcher. It is important that you begin researching your topic early, as you’ll need your reading notes on 1984 to help you make your case. The sooner in the reading schedule that you narrow down to one or two favorite topics, the better your final project experience will be. A successful presentation: ü follows a design approved by the teacher. ü lasts roughly five minutes. ü explains the topic in 1984 in accurate detail. ü supports your work with specific passages from the text. ü explicitly connects Orwell’s writings with a real-world issue o (“Explicitly” means “don’t just hint at it, come out and say it!”) ü explains the real-world topic, defining terms as necessary. o (Explain similarities and differences to Orwell’s vision.) ü supports your major claim/s with research. Format Every project requires research. Present your findings in a speech, video, song, collage, sculpture, guest speaker or interview, short film, or almost anything other format. -
1984 by George Orwell
AP Literature Reading Questions 1984 by George Orwell. Directions: Answer each in complete sentences on notebook paper. You may need to use more than one sentence for some of the questions. Write as much as needed to fully answer the question PART1: _Chapter 1 1. When does the story begin? 2. What kind of day is it? 3. How have the clocks been changed? 4. Who is the first character introduced? 5. Where does he live? 6. Describe the place (details: smells, conditions) 7. What is the large poster? 8. Why doesn’t Winston take the lift? 9. Why is it difficult for Winston to climb the stairs? 10. What is the caption beneath the large poster on the wall? 11. Where does the “fruity” voice come from? 12. Why can’t the telescreen be completely shut off? 13. How does the telescreen differ from our television? 14. Describe Winston (Be specific) 15. What is the word on the flapping poster? 16. What police bother Winston? 17. What city and country does Winston live in? 18. Can Winston recall the city of his childhood? 19. What can Winston see from his window? 20. What are the 3 slogans of the party etched on Miniture? 21. How many buildings like these can Winston see from his window? What are they? 22. Which is the most frightening? Why? 23. Does Winston have any food? 24. What does he drink? 25. What does he smoke? 26. Where does he sit to write and why? Chapter 2 1. What does Winston realize he has done with his diary? 2.