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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Deutsche Nationalbibliografie 2019 T 10
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2019 T 10 Stand: 02. Oktober 2019 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2019 ISSN 1613-8945 urn:nbn:de:101-201811221908 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
80S 697 Songs, 2 Days, 3.53 GB
80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Vietnam War Literature and the Vietnam
Searching for Closure: Vietnam War Literature and the Veterans Memorial by Charles J. Gaspar That many soldiers returned home from the battlefields of Vietnam only to find themselves mired in another battle in their own country is well recognized now. A vignette which opens the Preface to Frederick Downs' compelling memoir, The Killing Zone, makes this point dramatically: In the fall of 1968, as I stopped at a traffic light on my walk to class across the campus of the University of 3enver, a man stepped up to me and said "Hi." Without waiting for my reply to his greeting, he pointed to the hook sticking out of my left sleeve. "Get that in Vietnam?" I said, "Yeah, up near Tam Ky, in I Corps." "Serves you right." As the man walked away, I stood rooted, too confused with hurt, shame, and anger to react. (n.pag. [vii]) This theme - that there was no easy closure for the trauma of the war experience for the individual soldier - recurs throughout many Vietnam War narratives. "Senator," a wounded veteran in James Webb's Fields of Fire, knows this truth and rebukes his father's cajolery with the assertion that "It'll never be over, Dad. Most of it hasn't even started yet" (392). Similarly, Tim O'Brien's hero in his first novel, Northern Lights, tells his brother only half jokingly, "Glad I didn't wear my uniform. Look plain silly coming home in a uniform and no parade" (24). Indeed, powerful recent narratives such as Larry Heinemann's Paco's Story and Philip Caputo's Indian Country have shifted the focus from the soldier in combat to the soldier as he attempts to reconnect with the mainstream of American society. -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
Songs by Artist
DJU Karaoke Songs by Artist Title Versions Title Versions ! 112 Alan Jackson Life Keeps Bringin' Me Down Cupid Lovin' Her Was Easier (Than Anything I'll Ever Dance With Me Do Its Over Now +44 Peaches & Cream When Your Heart Stops Beating Right Here For You 1 Block Radius U Already Know You Got Me 112 Ft Ludacris 1 Fine Day Hot & Wet For The 1st Time 112 Ft Super Cat 1 Flew South Na Na Na My Kind Of Beautiful 12 Gauge 1 Night Only Dunkie Butt Just For Tonight 12 Stones 1 Republic Crash Mercy We Are One Say (All I Need) 18 Visions Stop & Stare Victim 1 True Voice 1910 Fruitgum Co After Your Gone Simon Says Sacred Trust 1927 1 Way Compulsory Hero Cutie Pie If I Could 1 Way Ride Thats When I Think Of You Painted Perfect 1975 10 000 Maniacs Chocol - Because The Night Chocolate Candy Everybody Wants City Like The Weather Love Me More Than This Sound These Are Days The Sound Trouble Me UGH 10 Cc 1st Class Donna Beach Baby Dreadlock Holiday 2 Chainz Good Morning Judge I'm Different (Clean) Im Mandy 2 Chainz & Pharrell Im Not In Love Feds Watching (Expli Rubber Bullets 2 Chainz And Drake The Things We Do For Love No Lie (Clean) Wall Street Shuffle 2 Chainz Feat. Kanye West 10 Years Birthday Song (Explicit) Beautiful 2 Evisa Through The Iris Oh La La La Wasteland 2 Live Crew 10 Years After Do Wah Diddy Diddy Id Love To Change The World 2 Pac 101 Dalmations California Love Cruella De Vil Changes 110 Dear Mama Rapture How Do You Want It 112 So Many Tears Song List Generator® Printed 2018-03-04 Page 1 of 442 Licensed to Lz0 DJU Karaoke Songs by Artist -
Dog Soldiers 5.Indd
www.elboomeran.com Dog Soldiers Robert Stone Prólogo de Rodrigo Fresán Traducción de Mariano Antolín e Inga Pellisa Miradas Título de la edición original: Dog Soldiers Primera edición en Libros del Silencio: octubre de 2010 © Robert Stone, 1973, 1985 © de la traducción, Mariano Antolín Rato e Inga Pellisa, 2010 © del prólogo, Rodrigo Fresán, 2010 © de la presente edición, Editorial Libros del Silencio, S. L. [2010] Provença, 225, entresuelo 3.ª 08008 Barcelona +34 93 487 96 37 +34 93 487 92 07 www.librosdelsilencio.com Diseño colección: Nora Grosse, Enric Jardí Diseño cubierta: Opalworks ISBN: 978-84-937856-5-9 Depósito legal: B-33.746-2010 Impreso por Romanyà Valls Impreso en España - Printed in Spain Todos los derechos reservados. Quedan rigurosamente prohibidas, sin la autorización es- crita de los titulares del copyright, bajo las sanciones establecidas en las leyes, la reproduc- ción parcial o total de esta obra por cualquier medio o procedimiento, comprendidos la reprografía y el tratamiento informático, y la distribución de ejemplares mediante alquiler o préstamo públicos. Apuntes para una teoría de Vietnam como virus y droga Rodrigo Fresán uno. «Saigon... Shit, I’m still only in Saigon. Everytime, I think I’m gonna wake up back in the jungle»1 es lo primero que oímos —luego de un rumor de helicópteros y un estallido de napalm— en una película magistral llamada Apocalypse Now (1979). Nos lo dice una voz en off —seguimos en Saigón, la jungla crece al otro lado de los párpados cerrados— que es la voz de quien escribió esas palabras para el film de Francis Ford Coppola: la del perio- dista bélico Michael Herr, autor de Despachos (1977), seguramen- te el mejor libro sobre la guerra de Vietnam e incuestionable obra maestra del Nuevo Periodismo. -
Wayne Karlin
Writing the War Wayne Karlin Kissing the Dead …I have thumped and blown into your kind too often, I grow tired of kissing the dead. —Basil T. Paquet’s (former Army medic) “Morning, a Death” in Winning Hearts and Minds: War Poems by Vietnam Veterans n November 2017, the old war intruded again onto America’s consciousness, at least that portion of the population that still watches PBS and whose conception of an even older I war was informed by the soft Southern drawl of Shelby Foote, sepia images of Yankees and Confederates, and the violin lamentations of Ashokan Farewell, all collaged by Ken Burns in his 1990 landmark documentary about the Civil War. Burns’ and Lynn Novick’s new series on the Vietnam War evoked arguments among everyone I knew who watched it; their reactions to it were like conceptions of the war itself: the nine blind Indians touching different parts of the elephant, assuming each was the whole animal. Three words tended to capture my own reaction to the series: “the Walking Dead,” a phrase that these days connotes a TV show about zombies but was the name given to what we Marines call One-Nine, meaning the First Battalion of the Ninth Marines, meaning the ungodly number of Marines killed in action from that battalion, which fought, as one of its former members interviewed by Burns and Novick recalled, along the ironically-named Demilitarized Zone, the DMZ. The Dead Marine Zone, as the veteran interviewed more accurately called it, and what I saw after I watched his segment was the dead I’d seen piled on the deck of the CH-46 War, Literature & the Arts: an international journal of the humanities / Volume 31 / 2019 I flew in as a helicopter gunner during operations in that area. -
War and American Literature Edited by Jennifer Haytock Frontmatter More Information
Cambridge University Press 978-1-108-49680-3 — War and American Literature Edited by Jennifer Haytock Frontmatter More Information WAR AND AMERICAN LITERATURE This volume examines representations of war throughout American literary history, providing a firm grounding in established criticism and opening up new lines of inquiry. Readers will find accessible yet sophisticated essays that lay out key questions and scholarship in the field. War and American Literature offers a comprehensive synthesis of the literature and scholarship of US war writing, illuminates how themes, texts, and authors resonate across time and wars, and pro- vides multiple contexts in which texts and a war’s literature can be framed. By focusing on American war writing, from the wars with the Native Americans and the Revolutionary War to the recent wars in Iraq and Afghanistan, this volume illuminates the unique role repre- sentations of war have in the US imagination. is professor of English at SUNY Brockport. She has published At Home, At War: Domesticity and World War I in American Literature () and the Routledge Introduction to American War Literature () as well as works on twentieth- century American women writers. She is Brockport’s winner of the SUNY Chancellor’s Award for Excellence in Scholarship. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-49680-3 — War and American Literature Edited by Jennifer Haytock Frontmatter More Information Twenty-first-century America puzzles many citizens and observers. A frequently cited phrase to describe current partisan divisions is Lincoln’s “A house divided against itself cannot stand,” a warning of the perils to the Union from divisions generated by slavery. -
Multilingualism in Guizi Lai Le (Devils on the Doorstep)
Takeda, K. (2014). The interpreter as traitor: Multilingualism in Guizi lai le (Devils on the Doorstep ). Linguistica Antverpiensia, New Series. Themes in Translation Studies, 13 , 93–111. The interpreter as traitor: Multilingualism in Guizi lai le (Devils on the Doorstep )1 Kayoko Takeda Rikkyo University [email protected] This paper discusses ways in which multilingualism is represented in an award-winning Chinese film, Guizi lai le , and its subtitling. Known as Devils on the Doorstep in English, the movie approaches its multilingual setting realistically: Chinese villagers speak in Chinese, Japanese soldiers in Japanese, and interpreters mediate their communication. In examining the Chinese, Japanese and English subtitles of the film, the study focuses on the different strategies used by the translators to represent multilingualism and to subtitle offensive language. The behavior and fate of the Chinese interpreter in the film is also explored, with special attention to the power interpreters possess for controlling and manipulating information and the notion of the interpreter as traitor and war criminal in the context of conflict. Findings of this research invite further investigation into how the audience views multilingualism in cinema and how the identity and loyalty of interpreters is depicted in war-themed movies. Collaborative work by researchers from different language and cultural backgrounds should also be encouraged. 1. Introduction Multilingualism in movies is not a new phenomenon, as Gambier (2012, p. 46) and