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Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama
e Interdisciplinary Journal of Popular Culture and Pedagogy Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama Courtney Watson, Ph.D. Radford University Roanoke, Virginia, United States [email protected] ABSTRACT Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eve Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 37 Watson From the recent popularity of the anti-heroine in novels and films like Gone Girl to the treatment of complicit women and crime-as-rebellion in Hulu’s adaptation of The Handmaid’s Tale to the cultural watershed moments of the #TimesUp and #MeToo movements, there has been a groundswell of support for women seeking justice both within and outside the law. Behavior that once may have been dismissed as madness or instability—Beyoncé laughing wildly while swinging a baseball bat in her revenge-fantasy music video “Hold Up” in the wake of Jay-Z’s indiscretions comes to mind—can be examined with new understanding. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
OMC | Data Export
Amanda Potter, "Entry on: The Sarah Jane Adventures (Series): Eye of the Gorgon by Phil Ford", peer-reviewed by Susan Deacy and Elżbieta Olechowska. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2018). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/550. Entry version as of September 25, 2021. Phil Ford The Sarah Jane Adventures (Series): Eye of the Gorgon United Kingdom (2007) TAGS: Gorgons Greek mythology Medusa Perseus We are still trying to obtain permission for posting the original cover. General information Title of the work The Sarah Jane Adventures (Series): Eye of the Gorgon Country of the First Edition United Kingdom Country/countries of popularity United Kingdom Original Language English First Edition Date 2007 Phil Ford. The Sarah Jane Adventures: Eye of the Gorgon. First Edition Details London: Penguin, 2007. ISBN 978-1-40590-399-8 Official Website Official BBC website (accessed: October 17, 2018) Genre Adaptations, Fantasy fiction, Illustrated works, Novels Children (Children’s Science Fiction television novelization, with Target Audience large print and colour photographs from the television episodes) Amanda Potter, Open University, Author of the Entry [email protected] Susan Deacy, University of Roehampton, [email protected] Peer-reviewer of the Entry Elżbieta Olechowska, University of Warsaw, [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. -
UC Merced UC Merced Undergraduate Research Journal
UC Merced UC Merced Undergraduate Research Journal Title Gender, Sexuality, and Inter-Generational Differences in Hmong and Hmong Americans Permalink https://escholarship.org/uc/item/29q2t238 Journal UC Merced Undergraduate Research Journal, 8(2) Author Abidia, Layla Publication Date 2016 DOI 10.5070/M482030778 Undergraduate eScholarship.org Powered by the California Digital Library University of California Differences in Hmong and Hmong Americans Gender, Sexuality, and Inter-Generational Differences in Hmong and Hmong Americans Layla Abidia University of California, Merced Author Notes: Questions and comments can be address to [email protected] 1 Differences in Hmong and Hmong Americans Abstract Hmong American men and women face social and cultural struggles where they are expected to adhere to Hmong requirements of gender handed down to them by their parents, and the expectations of the country they were born in. The consequence of these two expectations of contrasting values results in stress for everyone involved. Hmong parents are stressed from not having a secure hold on their children in a foreign environment, with no guarantee that their children will follow a “traditional” route. Hmong American men are stressed from growing up in a home environment that grooms them to be a focal point of familial attention based on gender, with the expectation that they will eventually be responsible for an entire family; meanwhile, they are living in this American national environment that stresses that the ideal is that gender is irrelevant in the modern world. Hmong American women are stressed and in turn hold feelings of resentment that they are expected to adhere to traditional familial roles by their parents in addition to following a path to financial success the same as men. -
Adele When We Were Young Solo Cello Sheet Music
Adele When We Were Young Solo Cello Sheet Music Download adele when we were young solo cello sheet music pdf now available in our library. We give you 1 pages partial preview of adele when we were young solo cello sheet music that you can try for free. This music notes has been read 2949 times and last read at 2021-09-29 10:59:57. In order to continue read the entire sheet music of adele when we were young solo cello you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Cello Solo Ensemble: Mixed Level: Advanced [ READ SHEET MUSIC ] Other Sheet Music When We Were Young F Major By Adele Piano When We Were Young F Major By Adele Piano sheet music has been read 2564 times. When we were young f major by adele piano arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-30 07:40:32. [ Read More ] When We Were Young By Adele Piano When We Were Young By Adele Piano sheet music has been read 2366 times. When we were young by adele piano arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-26 22:19:11. [ Read More ] When We Were Young Adele Piano When We Were Young Adele Piano sheet music has been read 4929 times. When we were young adele piano arrangement is for Intermediate level. The music notes has 3 preview and last read at 2021-09-30 20:31:28. -
THE MODERATE SOPRANO Glyndebourne’S Original Love Story by David Hare Directed by Jeremy Herrin
PRESS RELEASE IMAGES CAN BE DOWNLOADED HERE Twitter | @ModerateSoprano Facebook | @TheModerateSoprano Website | www.themoderatesoprano.com Playful Productions presents Hampstead Theatre’s THE MODERATE SOPRANO Glyndebourne’s Original Love Story By David Hare Directed by Jeremy Herrin LAST CHANCE TO SEE DAVID HARE’S THE MODERATE SOPRANO AS CRITICALLY ACCLAIMED WEST END PRODUCTION ENTERS ITS FINAL FIVE WEEKS AT THE DUKE OF YORK’S THEATRE. STARRING OLIVIER AWARD WINNING ROGER ALLAM AND NANCY CARROLL AS GLYNDEBOURNE FOUNDER JOHN CHRISTIE AND HIS WIFE AUDREY MILDMAY. STRICTLY LIMITED RUN MUST END SATURDAY 30 JUNE. Audiences have just five weeks left to see David Hare’s critically acclaimed new play The Moderate Soprano, about the love story at the heart of the foundation of Glyndebourne, directed by Jeremy Herrin and starring Olivier Award winners Roger Allam and Nancy Carroll. The production enters its final weeks at the Duke of York’s Theatre where it must end a strictly limited season on Saturday 30 June. The previously untold story of an English eccentric, a young soprano and three refugees from Germany who together established Glyndebourne, one of England’s best loved cultural institutions, has garnered public and critical acclaim alike. The production has been embraced by the Christie family who continue to be involved with the running of Glyndebourne, 84 years after its launch. Executive Director Gus Christie attended the West End opening with his family and praised the portrayal of his grandfather John Christie who founded one of the most successful opera houses in the world. First seen in a sold out run at Hampstead Theatre in 2015, the new production opened in the West End this spring, with Roger Allam and Nancy Carroll reprising their original roles as Glyndebourne founder John Christie and soprano Audrey Mildmay. -
Bad Girls to the Rescue an Exhibition of Feminist Art from the 1990S Has Much to Teach Us Today
PERSPECTIVES Bad Girls to the Rescue An exhibition of feminist art from the 1990s has much to teach us today By Maura Reilly n my new book Curatorial Activism: Towards an Ethics did just that—and within a lineage worth revisiting as the present of Curating (Thames & Hudson), I devoted a chapter to adjusts for oversights of the past. I exhibitions that have lingered in the historical record for their Though most commonly associated with a notorious run at the commitment to “Resisting Masculinism and Sexism.” As what New Museum in 1994—in a tradition that would directly influence constitutes sexual prejudice continues to evolve, it’s imperative “Trigger” decades later—the first iteration of a series of shows titled that curators continually query and challenge the gender norms “Bad Girls” was organized separately the year before for the Institute by which we are all confined. “Trigger: Gender as a Tool and a of Contemporary Arts in London (followed by a presentation at the Weapon,” a recent exhibition at the New Museum in New York, Centre for Contemporary Arts in Glasgow). Curated by Kate Bush, NEW YORK. ART, NEW MUSEUM OF CONTEMPORARY FRED SCRUTON/COURTESY THIS PAGE: RIGHTS SOCIETY/ARS ARTIST OPPOSITE: ©DEBORAH KASS/PHOTO COURTESY 32 ARTNEWS Perspectives.indd 1 2/16/18 5:12 PM Emma Dexter, and Nicola White, the exhibition celebrated a new spirit of playfulness, tactility, and perverse humor in the work of six British and American women artists: Helen Chadwick, Dorothy Cross, Nicole Eisenman, Rachel Evans, Nan Goldin, and Sue Williams—each of whom was represented by several works. -
![Sexuality Is Fluid''[1] a Close Reading of the First Two Seasons of the Series, Analysing Them from the Perspectives of Both Feminist Theory and Queer Theory](https://docslib.b-cdn.net/cover/4839/sexuality-is-fluid-1-a-close-reading-of-the-first-two-seasons-of-the-series-analysing-them-from-the-perspectives-of-both-feminist-theory-and-queer-theory-264839.webp)
Sexuality Is Fluid''[1] a Close Reading of the First Two Seasons of the Series, Analysing Them from the Perspectives of Both Feminist Theory and Queer Theory
''Sexuality is fluid''[1] a close reading of the first two seasons of the series, analysing them from the perspectives of both feminist theory and queer theory. It or is it? An analysis of television's The L Word from the demonstrates that even though the series deconstructs the perspectives of gender and sexuality normative boundaries of both gender and sexuality, it can also be said to maintain the ideals of a heteronormative society. The [1]Niina Kuorikoski argument is explored by paying attention to several aspects of the series. These include the series' advertising both in Finland and the ("Seksualność jest płynna" - czy rzeczywiście? Analiza United States and the normative femininity of the lesbian telewizyjnego "The L Word" z perspektywy płci i seksualności) characters. In addition, the article aims to highlight the manner in which the series depicts certain characters which can be said to STRESZCZENIE : Amerykański serial telewizyjny The L Word stretch the normative boundaries of gender and sexuality. Through (USA, emitowany od 2004) opowiada historię grupy lesbijek this, the article strives to give a diverse account of the series' first two i biseksualnych kobiet mieszkających w Los Angeles. Artykuł seasons and further critical discussion of The L Word and its analizuje pierwsze dwa sezony serialu z perspektywy teorii representations. feministycznej i teorii queer. Chociaż serial dekonstruuje normatywne kategorie płci kulturowej i seksualności, można ______________________ również twierdzić, że podtrzymuje on ideały heteronormatywnego The analysis in the article is grounded in feminist thinking and queer społeczeństwa. Przedstawiona argumentacja opiera się m. in. na theory. These theoretical disciplines provide it with two central analizie takich aspektów, jak promocja serialu w Finlandii i w USA concepts that are at the background of the analysis, namely those of oraz normatywna kobiecość postaci lesbijek. -
REALLY BAD GIRLS of the BIBLE the Contemporary Story in Each Chapter Is Fiction
Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page i Praise for the Bad Girls of the Bible series “Liz Curtis Higgs’s unique use of fiction combined with Scripture and modern application helped me see myself, my past, and my future in a whole new light. A stunning, awesome book.” —R OBIN LEE HATCHER author of Whispers from Yesterday “In her creative, fun-loving way, Liz retells the stories of the Bible. She deliv - ers a knock-out punch of conviction as she clearly illustrates the lessons of Scripture.” —L ORNA DUECK former co-host of 100 Huntley Street “The opening was a page-turner. I know that women are going to read this and look at these women of the Bible with fresh eyes.” —D EE BRESTIN author of The Friendships of Women “This book is a ‘good read’ directed straight at the ‘bad girl’ in all of us.” —E LISA MORGAN president emerita, MOPS International “With a skillful pen and engaging candor Liz paints pictures of modern sit u ations, then uniquely parallels them with the Bible’s ‘bad girls.’ She doesn’t condemn, but rather encourages and equips her readers to become godly women, regardless of the past.” —M ARY HUNT author of Mary Hunt’s Debt-Proof Living Higg_9781601428615_xp_all_r1_MASTER.template5.5x8.25 5/16/16 9:03 AM Page ii “Bad Girls is more than an entertaining romp through fascinating charac - ters. It is a bona fide Bible study in which women (and men!) will see them - selves revealed and restored through the matchless and amazing grace of God.” —A NGELA ELWELL HUNT author of The Immortal “Liz had me from the first paragraph. -
Michael Jackson the Perform a N C
MICHAEL JACKSON 101 THE PERFORMANCES MICHAEL JACKSON 101 THE PERFORMANCES &E Andy Healy MICHAEL JACKSON 101 THE PERFORMANCES . Andy Healy 2016 Michael gave the world a wealth of music. Songs that would become a part of our collective sound track. Under the Creative Commons licence you are free to share, copy, distribute and transmit this work with the proviso that the work not be altered in any way, shape or form and that all And for that the 101 series is dedicated to Michael written works are credited to Andy Healy as author. This Creative Commons licence does not and all the musicians and producers who brought the music to life. extend to the copyrights held by the photographers and their respective works. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. This special Performances supplement is also dedicated to the choreographers, dancers, directors and musicians who helped realise Michael’s vision. I do not claim any ownership of the photographs featured and all rights reside with the original copyright holders. Images are used under the Fair Use Act and do not intend to infringe on the copyright holders. By a fan for the fans. &E 101 hat makes a great performance? Is it one that delivers a wow factor? W One that stays with an audience long after the houselights have come on? One that stands the test of time? Is it one that signifies a time and place? A turning point in a career? Or simply one that never fails to give you goose bumps and leave you in awe? Michael Jackson was, without doubt, the consummate performer. -
Allie X - Biography
Allie X - Biography With over a quarter billion streams globally, Allie X has amassed a cult following for her glassine goth-pop style. Her latest album, "Cape God,” is continuing to soar with hit tracks like “Love Me Wrong (feat. Troye Sivan)" and “Susie Save Your Love (feat. Mitski ).” Latest release, the critically acclaimed, "Cape God" has received positive reviews from NME, Vice, The Guardian and Pitchfork. “Cape God” has also been nominated for a Polaris Music Award in her home country of Canada. She’s played sold out shows across North America, Latin America, and Europe and toured the world with pop-star counterparts like Dua Lipa, Charli XCX, and MARINA. Known for her bold visual style and her gaudy-goth-pop sound, Allie X is a master curator, creative directing every aspect of her project from hand picking her photographers, directors, fashion and glam teams, to editing her own videos. This singularity has attracted much attention from the fashion world, where she has attended Paris Fashion Week, been covered by Vogue, and formed relationships with some of the world's most incredible designers (Iris Van Herpen, Margiela, Olivier Theyskens, Lanvin). Allie continues to be an outspoken ally for the LGBTQ+ community, sponsoring and spearheading charity events, playing pride festivals across the globe, and continuing to speak out and use her platform to fight injustices and empower LGBT youth. Allie also appeared as the guest judge on Canada's Drag Race (Season 1) . . -
EASE on DOWN Choreographed by Rachael Mcenaney, JP & Bracken Ellis Potter
EASE ON DOWN Choreographed by Rachael McEnaney, JP & Bracken Ellis Potter Description: 64 Count, 4 Wall, Novelty Level : Intermediate Music : “Ease On Down The Road’ by Michael Jackson & Diana Ross (120BPM) Official UCWDC competition dance description Date of usage 21 August 2009 1-8: DOUBLE SYNCOPATED VINE LEFT, STEP CLOSE, CROSS 1-2 Step left to left side (1), cross right behind left (2) &3-4 Step left to left side (&), cross right over left (3), step left to left side (4) 5&6 Cross right behind left (5), step left to left side (&), cross right over left (6), &7-8 Step left to left side (&), step right next to left (7) (angle body to 1:30), cross left over right towards 1.30 (8) 9-16: 2 WALKS FORWARD, ½ PIVOT TURN, RIGHT SHUFFLE FORWARD, FULL TURN (all on diagonals) 1-2 Step forward on right (toward 1:30) (1), step forward on left (2 3-4 Step forward on right (3), pivot ½ turn left (4) (weight ends left) 5&6 Step forward on right (7:30) (5), step left next to right (&), step forward on right (6), 7-8 Make ½ turn right stepping back on left (7), make ½ turn right stepping forward on right (8) 17-24: CROSS ROCK, SIDE LEFT SHUFFLE, CROSS, ¼ TURN STEPPING BACK, RIGHT COASTER STEP 1-2 Cross rock left over right (1), recover weight to right (2) 3&4 Step left to left side (3), step right next to left (&), step left to left side (4) (you will square up to face the back walk as you do the left side shuffle )(face 6:00) 5-6 Cross right over left (5), make ¼ turn right stepping back on left (6)(face 9:00) 7&8 Step back on right (7), step left