Fernando BOTERO (B

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Fernando BOTERO (B Fernando BOTERO (b. 1932) Education 1955 Studied fresco techniques and art history, Florence, Italy 1952 Studied, San Fernando Academy and the Prado Museum, Madrid, Spain 1950 Graduated from Medellin University Awards 1960 Guggenheim National Prize, Colombia Exhibitions 2014 Envisioning Human Rights: The Next Generation, Berkeley Art Museum & Pacific Film Archive, Berkeley, USA 2013 Dream Visions: Ernst, Magritte, Dali, Picasso, etc, The Wormland Bequest, Pinakothek der Moderne, Munich, Germany Fernando Botero: Botero Sutra, Galerie Gmurzynska, St. Moritz, Switzerland Art For Human Rights, Berkeley Art Museum & Pacific Film Archive, Berkeley, USA Fernando Botero: It Is All About Volume, Galerie Gmurzynska, Zurich, Switzerland Paintings and Sculptures, Marlborough Monaco, Monte-Carlo, Monaco Solo Show, Galerie Thomas, Munich, Germany The Armory Show, New York, USA 2012 Botero, Kunstforum, Vienna Art For Human Rights, Berkeley Art Museum & Pacific Film Archive, Berkeley, USA 2011 Avant Première, Art Plural Gallery, Singapore Speaking with Hands: Photographs and Sculptures from the Buhl Collection, Macau Museum of Art, Macau The Baroque World of Fernando Botero, Toledo Museum of Art, Toledo, USA 2010 Art is deformation, Solo Exhibition, Nassau County Museum of Art, Roslyn Harbor, NY Inaurgural Exhibition: Fernando Botero, Solo Exhibition, David Benrimon Gallery, New York, NY Latinas!, Nassau County Museum of Art, Roslyn Harbor, NY The Baroque World of Fernando Botero, Glenbow Museum, Calgary Botero, Pera Museum, Istanbul 2009 El Dolor de Colombia, Pinacoteca Diego Rivero, Xalapa, Veracruz, Mexico Art Basel Miami Beach, Miami, USA 2008 The Baroque World of Fernando Botero, Brooks Museum of Art, Memphis, TN; New Orleans Museum of Art, New Orleans, LA; Delaware Art Museum, Wilmington, DE 2007 The Baroque World of Fernando Botero, Solo Exhibition, Musée National des Beaux- Arts du Québec Delaware Art Museum, Solo Exhibition, Wilmington, DE New Orleans Museum of Art, Solo Exhibition, New Orleans, LA Latin Masters, Nassau County Museum of Art, Roslyn Harbor, New York, NY 2005 Palazzo Venezia, Rome, Italy ArtAndOnly SA 47, avenue Blanc T +41 22 900 1257 www.artandonly.com CH – 1202 Geneva – Switzerland [email protected] 2004 Singapore Art Museum, Singapore 2003 The Gemeente Museum, Aja The Maillol Museum, Paris, France 2002 Museum of Modern Art, Copenhagen, Denmark 2001 Moderna Musset, Stockholm, Sweden 2000 The Museum of Antioquìa, Medellìn, Colombia 1999 San Paolo Museum of Art, San Paolo, Brazil The National Museum of Fine Arts, Rio de Janeiro, Brazil The Monterey Museum of Contemporary Art, Monterey, CA The Art Museum, Tel Aviv, Israel 1997 The Modern Art Museum of Lugano, Lugano, Switzerland The National Musuum of Fine Arts, Santiago, Chile 1996 The Israel Museum, Jerusalem, Israel The Art Museum of the Americas, Washington, DC Niigata Prefectoral Modern Art Museum, Niigata, Japan Sonje Museum of Contemporary Art, Kyongju, South Korea The Sofia Imber Museum of Contemporary Art, Caracas, Venezuela 1995 Museo of Art, Takamatsu City, Japan Shinjuku Mitsukoshi Museum of Art, Tokyo, Japan Iwaki City Art Museum, Iwaki, Japan 1994 Helsinki City Art Museum, Helsinki, Finland The National Museum of Fine Arts, Buenos Aires, Argentina Paseo de Recolet, Madrid, Spain Museo Nacional de Bellas Artes, Buenos Aires, Argentina Paseo de Recoletes, Madrid, Spain Museum of Art, Fort Lauderdale, FL 1992-1993 Montecarlo Kunsthaus, Vienna, Austria Champs-Elysées, Paris, France The Hermitage Museum, Saint Petersburg, Russia 1991 Exhibition Palace, Rome, Italy 1989 The Coro Museum of the Arts, Coro, Venezuela The Contemporary Museum of Art, Caracas, Venezuela The Rufino Tamayo Museum, Oaxaca, Mexico 1987 The Queen Sofia Center for the Arts, Madrid, Spain 1986 The Contemporary Art Museum, Caracas, Venezuela Municipal Art Museum, Niigata, Japan Museum of Art, Albany, NY 1985 The National Museum, Bogota, Colombia The Ponce Museum, Puerto Rico 1984 The Munson-Williams-Proctor Museum of Art, Ithaca, NY The Everhard Museum, Scranton, PA The Herbert F. Johnson Museum, Cornell University, Ithaca, NY 1983 The Veranneman Foundation, Belgium ArtAndOnly SA 47, avenue Blanc T +41 22 900 1257 www.artandonly.com CH – 1202 Geneva – Switzerland [email protected] 1981 The Civic Museum of Art, Osaka, Japan The Seibu Museum of Art, Tokyo, Japan 1979 The d’Ixelles Museum, Brussels, Belgium The Hirschorn Museum and Sculpture Garden, Washington, DC The South Texas Museum of Art, Corpus Christi, TX 1978 Sculpture Museum of the city of Marl, Marl, Germany 1977 The Medellìn Museum of Art, Medellìn, Colombia 1976 The Museum of Comtemporary Art, Caracas, Venezuela 1975 The Boymans van Beuningen Museum, Rotterdam, The Netherlands 1972 Marlborough Gallery, New York, NY Buchholz, Munich, Germany Claude Bernard, Paris, France 1970 Fernando Botero: Bilder 1962-1969, Staatliche Kunsthalle, Baden-Baden, Germany; Traveled to: Haus am Waldsee, Berlin, Germany; Stadtische Kunsthalle, Dusseldorf, Germany; Kunstverein, Hamburg, Germany; and Kunsthalle, Bielefeld, Germany Botero, Galerie Buchholz, Munich, Germany Fernando Botero, Hanover Gallery, London, UK 1969 Fernando Botero, Center for Inter-American Relations, New York, NY Botero: Peintures, pastels, fusains, Galerie Claude Bernard, Paris, France Inflated Images, Museum of Modern Art, New York, NY 1968 Botero, Galería Juana Mordó, Madrid, Spain Botero, Galerie Buchholz, Munich, Germany 1966 Fernando Botero, Staatliche Kunsthalle, Baden-Baden, Germany; Traveled to: Galerie Buchholz, Munich, Germany, Galerie Brusberg, Hanover, Germany Fernando Botero: Recent Works, Milwaukee Art Center, Milwaukee, WI 1965 Botero: Recent Works, Zora Gallery, Los Angeles, CA 1964 Cordoba Bienale, Argentina Fernando Botero: Bosquejos realidades, Galería Arte Moderno, Bogotá, Colombia Fernando Botero: Obras recientes, Museo de Arte Moderno, Bogotá, Colombia 1962 7 Contemporary Painters, Museum of Modern Art, Bogota Botero, The Contemporaries, New York, NY 1961 Botero, Galería de Arte El Callejón, Bogotá, Colombia 1960 Botero, Gres Gallery, Washington, DC 1959 Botero: Obras recientes, Biblioteca Nacional de Colombia, Sala Gregorio Vásquez, Bogotá, Colombia 1958 Fernando Botero: Recent Oils, Watercolors, Drawings, Gres Gallery, Washington, DC 1957 Pan American Union, Washington, DC 1955 Biblioteca Nacional, Bogota, Colombia ArtAndOnly SA 47, avenue Blanc T +41 22 900 1257 www.artandonly.com CH – 1202 Geneva – Switzerland [email protected] .
Recommended publications
  • Exhibition: Fernando Botero. Abu Ghraib – the Circus IVAM Institut
    Exhibition: Fernando Botero. Abu Ghraib – The Circus IVAM Institut Valencià d’Art Modern 20 May 2008 – 6 July 2008 Organized by: Institut Valencià d’Art Modern Curator: Fernando Castro In collaboration with: Itinerary: IVAM (May – July 2008) Casa das Artes, Vigo (October – December 2008) - - - - - - - - - - - - - - - - - - - - - The IVAM, in collaboration with Fundación Caixa Galicia, has organized the exhibition Fernando Botero. Abu Ghraib – The Circus , which presents two recent series by this Colombian artist. The exhibition consists of a total of 95 works: 25 paintings and 24 drawings belonging to the series Circus , and 24 paintings and 22 drawings from the series Abu Ghraib . The first of these two series derives from Botero’s interest in the circus world, which in the past inspired other artists such as Calder, Picasso, Léger and Chagall. Botero portrays people traditionally associated with this activity, giving them the special monumental physiognomy characteristic of his style. In the second series, Abu Ghraib , Botero represents the tortures to which prisoners of war were subjected in the infamous prison in Iraq. After reading a critical article published in The New Yorker which attracted worldwide attention, Botero worked for a year to express his denunciation of the drama of the torture suffered by the prisoners. The catalogue published to accompany the show contains illustrations of the works exhibited and includes texts by the director of the IVAM, Consuelo Císcar, the president of Fundación Caixa Galicia, Mauro Varela Pérez, the art historian Ángel Kalenberg and the critic Fernando Castro Flórez, curator of the exhibition. The Colombian painter and sculptor Fernando Botero (Medellín, Colombia, 1932) is considered one of the most important living Latin American artists and the most highly valued.
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  • Fernando Botero Selected Solo Exhibitions 2019 Fernado Botero
    Fernando Botero Selected solo exhibitions 2019 Fernado Botero - Online Exclusive, Galería Duque Arango Botero, David Benrimon Fine Art, New York 2018 Fernando Botero: A Still Life Retrospective, Custot Gallery Dubai, Dubai Botero, David Benrimon Fine Art 2017 Botero: Paintings, Sculptures & Drawings, David Benrimon Fine Art Fernando Botero, Galerie Thomas, Munich Fernando Botero - Everyday's Poetry - Scenes from the fullness of life, Anna Laudel, Istanbul 2016 Summer Exhibition: Fernando Botero, David Benrimon Fine Art Fernando Botero: Larger Than Life, Rosenbaum Contemporary, Boca Raton 2015 Botero Beauty in Volume II, David Benrimon Fine Art Fernando Botero "Santas", Galerie Gmurzynska, Zurich Fernando Botero, Opera Gallery, London 2014 Fernando Botero: Beauty in Volume, David Benrimon Fine Art Selected group exhibitions 2019 Collecting by Color: Green, Alpha 137 Gallery Summer Selections, Rosenbaum Contemporary, Boca Raton #ArtWiseUP: Designer Series — Superstars for High Impact, ArtWise Selections from Maman Fine Art Gallery, MAMAN Fine Art Gallery Master Drawings New York: Latin American Master Drawings, Leon Tovar Gallery, New York 2018 Collection Highlights, MALBA #ArtWiseUP: Art On Dancing, ArtWise Faces: from Warhol to Chun Kyung-ja, Jason Haam, Seoul Nationalism and Identity in Latin American Art. Excerpts from Gary Nader Collection., Gary Nader, MIAMI Vente au Yacht Club Juillet 2018 Art Moderne & Contemporain, Hôtel des Ventes de Monte- Carlo, MONACO #ArtWiseUP: Latin American Artists, ArtWise 2017 Fernando Botero & Antonio
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  • The Botero Museum and Bogotá: Branding History and Place
    The Botero Museum and Bogotá: Branding History and Place. Abstract Place branding is an increasingly important driver of local, regional and national positioning and economic prosperity. Key to the success of place branding is a strong, identifiable, recognisable and sustainable focal point of interest or experiential value add. The current study reports on the Botero Museum in Bogota Colombia that is dedicated to the country’s most famous and internationally successful artist. We report on a series of qualitative interviews that explored tourists’ perceptions of Colombia in general and Bogota in particular as a result of their museum experience. Results showed a positive change of country and city perception. 1. Introduction One of the most visited museums in Bogotá is the Museo Botero (Botero Museum). Located in a renovated colonial house in the heart of Bogotá’s historical center, it offers visitors a collection of unique quality. The museum is one of the highlights of the city and a popular tourist attraction. The quality of the collection includes, not only Botero´s pieces, but it also several works by Picasso, Chagall, Renoir, Monet, Pissarro, Dali and Miró. This paper examines the impact and effect of the museum on tourists’ perception of the city of Bogotá and more broadly, Colombia. It investigates whether the museum has a direct impact on the city’s place branding. Place branding, the process of image communication to a target market regarding aspects of a place, can be seen as public administration’s efforts to facilitate, create and develop place brands or harness and consolidate these networks of place associations in a target group’s mind.
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  • Fernando Botero's "Abu Ghraib" As a Response to Affect Theory and the Moral Utopia of Human Rights." MLN 129, No
    Washington and Lee University No Strings Attached: Fernando Botero’s Boy Playing Guitar in Context by Darcy L. Olmstead On my honor, I have neither given nor received any unacknowledged aid on this thesis. 5 April 2021 Acknowledgements: I would like to start by thanking Professor Andrea Lepage for not only advising me on this year-long project, but being a supportive and understanding friend in an especially tumultuous period in all of our lives. I never expected to be writing my senior thesis over Zoom, but Professor Lepage made the process feel organic and engaging. I cannot thank you enough for being such an amazing mentor. I would also like to thank Lindsey Hewitt, one of my best friends and my favorite art historian. There is no other person I’d rather commiserate with over thesis deadlines and general senior year stress. If the Leyburn librarians hadn’t put our locked study rooms next to each other, I would probably have given up on this thesis in October. Thanks for always believing in me and laughing at, with, and despite me. Another big thank you to my friend Gabriela Gomez-Misserian, her father Carlos Gomes Uribe, and his father Marcos Gomez-Agnoli for helping me with important connections to all things Fernando Botero and Bogotá. In a time when travel was impossible, your contribution to this thesis was enormous. I would also love to thank Patricia Hobbs and the Museums at Washington and Lee University for giving me access to the University's collection and its archives. Ms. Hobbs and Richard Kramer both were extremely helpful in helping me to understand Boy Playing Guitar and its provenance.
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  • UC Berkeley CLAS Working Papers
    UC Berkeley CLAS Working Papers Title The Art of Fernando Botero Permalink https://escholarship.org/uc/item/0363f8r0 Author Botero, Juan Carlos Publication Date 2012-05-01 eScholarship.org Powered by the California Digital Library University of California W O R Center for Latin American Studies K University of California, Berkeley I The Art of N Fernando Botero G Juan Carlos Botero Journalist and Author May 2012 P Paper No. 31 A P E R S clas.berkeley.edu 2334 Bowditch Street Berkeley, CA 94720 Copyright © 2012, the Regents of the University of California. All rights reserved by the Regents of the University of California. No part of this publication may be reproduced or transmitted in any form or by any means without prior permission in writing from the publisher. ISSN #1552-7786. CONTENTS The Secret of His Success ..............................................................................................................1 The Major Themes of Fernando Botero .........................................................................................8 I. Latin America ..................................................................................................................... 8 II. The Bullfight .................................................................................................................... 12 III. Violence .......................................................................................................................... 14 IV. The Circus ......................................................................................................................
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  • OBRA TEMPRANA EL Joven MAESTRO
    HOMENAJE NACIONAL EL JOVEN MAESTRO. COLOMBIA BOTERO OBRA TEMPRANA (1948–1963) DE MUSEO NACIONAL DE COLOMBIA NACIONAL MUSEO (1948–1963) TEMPRANA OBRA BOTERO . MAESTRO organizan apoyan JOVEN GOBIERNO DE COLOMBIA MINC ULTU RA EL | Fotografía: Hernán Díaz | Agradecimientos Adriana Gómez Alexandra Gauthier Andrés Felipe Ortiz Beatriz González Camilo Akl Camilo Chico Camilo Páez Carlos Uribe Catalina Bautista Claudia Hakim Daniel Bermúdez Diego Llorente Elizabeth Duggal Emma Araújo Ernesto Azuero Ernesto Monsalve Familia Ossa Gómez Felipe Grimberg Felipe Echeverri Fernando Botero Gilda Azuero Gina Restrepo Gloria Zea Guillermo Angulo Halim Badawi Helena Llorente Jader Cartagena Jenna Shaw José Darío Gutiérrez Juan Camilo Castaño Juan Carlos Pachón Juan Darío Restrepo Leonor Uribe Lina Botero Luis Fernando Pradilla María Eugenia Castro María Cecilia Álvarez Óscar Monsalve Pablo Zuloaga Pilar Castaño Rafael Moure Rodrigo Cortés Tanya Capriles Bancolombia Biblioteca Luis Ángel Arango Biblioteca Nacional de Colombia Christie’s Fundación Arkhé Fundación Proyecto Bachué Hirshhorn Museum and Sculpture Garden MoMA Museo de Antioquia Museo de Arte Moderno de Barranquilla Museo de Arte Moderno de Bogotá Universidad de los Andes EL JOVEN MAESTRO. BOTERO OBRA TEMPRANA (1948–1963) Del 4 de agosto al 28 de octubre de 2018 CURADURÍA Y TEXTOS CHRISTIAN PADILLA PEÑUELA MUSEO NACIONAL DE COLOMBIA Al ser el Museo Nacional de Colombia una de las primeras entidades que conservan un conjunto importante de sus obras y, con él, ejemplos sumamente significativos de esos primeros momentos de búsqueda y exploración, vemos muy propicio dedicar este homenaje al maestro Botero, quien ha honrado a esta institución con un Botero conjunto de donaciones de su producción en tres encuentra momentos diferentes: 1960, 1985 y finalmente en el año 2004.
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  • Ferdinando Botero Bibliography 2015 Via Crucis, La Pasion De Cristo
    Ferdinando Botero Bibliography 2015 Via Crucis, la Pasion de Cristo, Palazzo Reale di Palermo, Italia 2014 Botero a Parma, Palazzo del Governatore di Parma, Italia 2012 Fernando Botero: disegnatore e scultore , Pietrasanta, Italia Circus – paintings and drawings on paper, Glitterati, New York - London 2011 Botero, Pinacoteca Casa Rusca, Locarno, Ticino, Switzerland 2010 Fernando Botero: Exposition de sculptures monumentales, THe City of Saint- Tropez & MarlborougH Monaco, Saint-Tropez, Monaco Botero in LA: Drawings, Paintings, Sculpture, Tasende Gallery, West Hollywood, California, USA Botero, Pera Museum, Istanbul, Turkey. Botero, Galeria Mundo, Bogotá, Colombia. 2009 El Dolor de Colombia, Pinacoteca Diego Rivero, Xalapa, Veracruz, Mexico Fernando Botero, Galerie THomas, Munich, Germany Fernando Botero, National Museum of Contemporary Art in Deoksu Palace, Seoul, Korea Fernando Botero: Gente del circo, Contini Art Gallery, Venezia, Italia Fernando Botero: THe Abu GHraib Series, THe Berkeley Art Museum & Pacific Film Archive, Berkeley, California, USA Fernando Botero: THe Circus, James Goodman Gallery, Inc., New York, USA Testimonios de la barbarie, El Museo Nacional de Mexico, Tlaxcala, Mexico. THe Baroque World of Fernando Botero, THe Colorado Springs Fine Arts Center, Colorado Springs, Colorado, USA Botero, Gente del Circo, Galleria Contini, Catalogo della Mostra, Venezia 2008 Abu GraHib – El circo: IVAM, Istituto d’Arte Moderna di Valencia, Spain Dubai, R29 Bluewaters Boulevard, Bluewaters Island. Forte dei Marmi, Via Carducci 14, 55047, Lucca, Italy. Tel. +971 4 232 2071 +39 0584 300290 www.oblongcontemporary.com 2007 THe Baroque World of Fernando Botero, Musée National des Beaux-Arts du Québec, Québec, Canada Botero in Berlin, Lustgarten on tHe Museumsinsel, Berlin, Germany Fernando Botero, KunstHalle WürtH, Künzelsau, Baden-Würrtemberg, Germany Botero - Oeuvres récentes, MarlborougH Monte Carlo, Monte Carlo Abu Graib, MalborougH Gallery, New York Gente del Circo, Milano, ed.
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  • Fernando Botero
    FERNANDO BOTERO Biography, Bibliogrphy, Exhibition Biography Fernando Botero Angulo was born on April 19, 1932, in Medellín, a regional centre in the province of Antioquia, high up in the Colombian Andes. Fernando attends primary school and is awarded a scholarship that enables him to continue his education at the secondary school in Medellín. His uncle, a passionate devotee of bullfighting, sends him at age twelve to a school of tauromachy, where he remains for the next two years. The bullring is the main subject of Fernando’s early drawings; his first recorded painting is a watercolour of a toreador. In 1948 Botero shows his works in public for the first time in an exhibition in Medellín of work by artists from the province of Antioquia. At age eighteen, he begins to draw illustration for the Sunday supplement of “El Colombiano”, Medellín’s principal newpaper. In January 1951, Botero moves to Bogotá, the capital of Colombia, where he quickly gains access to the avant-garde circle that meet at the Cafè Automatica. Only five months after his arrival in Bogotá, Botero holds his first one-man exhibition at the Leo Matiz Gallery. In 1952, his painting “On the Coast” earns him second prize in he Ninth Salon of Colombian Artists, held at the Biblioteca Nacional in Bogotá. The prize money of 7,000 pesos enables Botero to travel to Europe. Botero moves to Madrid, where he enrolls at the Academia San Fernando. In the Prado he encounters the works of the Spanish masters Velásquez and Goya, which he uses as models for his paintings.
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  • RECENT PAINTINGS Fernando BOTERO Pinturas Recientes
    BOTERO RECENT PAINTINGS Fernando BOTERO Pinturas recientes Marlborough Madrid: 21 febrero - 30 marzo, 2019 Marlborough Barcelona: 11 abril - 18 mayo, 2019 BOTERO RECENT PAINTINGS October 11 -November 24, 2018 ON THE COVER: Eva, 2017 oil on canvas 39 1/4 x 61 3/8 in, 100 x 156 cm 40 WEST 57TH STREET | NEW YORK | 10019 212 541 4900 | MARLBOROUGHGALLERY.COM FERNANDO BOTERO Born in Medellín, Colombia, 1932 The artist lives and works in Monte Carlo and Pietrasanta, Italy. SELECTED PUBLIC COLLECTIONS Birmingham Museum of Art, Birmingham, Alabama Museo Nacional de Bellas Artes, Santiago, Chile Blanton Art Museum, University of Texas at Austin, Austin, Texas Ateneumin Taidemuseo, Helsinki, Finland Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kansas Kunsthalle Nuremberg, Nuremberg, Germany Guild Hall Museum, East Hampton, New York Neue Pinakothek, Munich, Germany Hanover Museum of Art, Dartmouth College, Hanover, Staatgalerie Moderne Kunst, Munich, Germany New Hampshire Wallraf-Richartz-Museum, Cologne, Germany Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. Hungarian National Museum, Budapest, Hungary Hood Museum of Art, Dartmouth College, Hanover, New Hampshire Israel Museum, Jerusalem, Israel Lowe Art Museum, University of Miami, Coral Gables, Tel Aviv Museum of Art, Tel Aviv, Israel Florida Meadow Brook Art Gallery, Oakland University, Collezione d’Arte Religiosa Moderna, Monumenti, Rochester, Michigan Musei e Gallerie Pontificie, Vatican City, Italy Milwaukee Art Museum, Milwaukee, Wisconsin
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  • Figures in Light and Shadow Photo by Jan S Turmann
    38 Botero at Berkeley: Figures in Light and Shadow Photo by Jan Photo by S turmann. Professor Harley Shaiken shows Fernando Botero around the Berkeley campus. BOTERO AT BERKELEY Figures in Light and Shadow By Daniel Coronell he news was wonderful for both Fernando Botero and Paseo de los Recoletos in Madrid and in many other cities. the Center for Latin American Studies. For the artist Such an impressive background should have been Tbecause for the first time a U.S. public institution recommendation enough for any museum in the world was exhibiting his series on torture at Abu Ghraib prison in to want to exhibit his work. However, Botero’s series on Iraq, and for the Center because the exhibition was the best the torture of Iraqi prisoners by American soldiers at Abu possible occasion to invite reflection on human rights and Ghraib prison did not receive that response in the United the war in Iraq. States. Fernando Botero, the Colombian painter and sculptor, “The truth was that in Europe, this exhibition had is the most famous living Latin American artist in the enormous repercussions,” recalls Fernando Botero. “It was world. His masterpieces, full of stout characters interpreting in Rome, and it was exhibited at the National Museum the world’s powerful leaders with colorful irony, have of Athens. However, when the exhibition was offered been exhibited at New York’s Museum of Modern Art, through an institution in Washington called Arts Service the Grand Palais in Paris, and the Hermitage Museum in International, I was told they had not received a positive Saint Petersburg, to mention just a few.
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  • Fernando Botero
    Fernando Botero 12 October 2011 to 15 January 2012 Bank Austria Kunstforum, Vienna PRESS PORTFOLIO Status: 11 October 2011 Seite 1 von 13 Contents Facts & Figures ................................................................................................ 3 Press Release: Fernando Botero ..................................................................... 5 Biography ........................................................................................................ 7 Quotes .......................................................................................................... 10 The Exhibition Catalogue .............................................................................. 12 Exhibition Preview: Rudolf Goessl ................................................................ 13 Seite 2 von 13 Facts & Figures Curators: Evelyn Benesch, Lisa Kreil Exhibition organisation: Barbara Gilly, Lisa Kreil We would like to thank Fatalin von Reviczky and the Association for Austrian-Hungarian Cultural Cooperation for the initiative and support of this exhibition project. Duration: 12 October 2011 – 15 January 2012 Opening hours: Daily 10 am – 7 pm, Friday 10 am – 9 pm Address: 1010 Vienna, Freyung 8 Website: www.fernando-botero.at Catalogue: Edited by Evelyn Benesch and Ingried Brugger. With contributions by Evelyn Benesch, Ingried Brugger, Conny Habbel, Mariana Hanstein, Lisa Kreil, Mario Vargas Llosa and an interview with the artist. 176 pages, 148 illustrations. Published in October 2011 by Hatje Cantz Verlag, Ostfildern/Ruit.
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  • Facultad De Filosofía Y Letras Departamento De Historia Del Arte
    Facultad de Filosofía y Letras Departamento de Historia del Arte Programa de Doctorado Estudios Artísticos Literarios y de la Cultura Coleccionismo público de arte moderno en Colombia (1948- 1965): los casos del Museo Nacional y el Museo de Arte Moderno de Bogotá Por Alexandra Mesa Mendieta Dra. María Dolores Jiménez Blanco Directora Dra. Patrícia Mayayo Bost Tutora 2018 Dedicada a Marina y Gabriela Agradecimientos Durante el tiempo de investigación y escritura de esta tesis, muchas personas contribuyeron a que las cosas salieran bien, a todos ellos ofrezco mi gratitud. A mis profesoras María Dolores Jiménez Blanco, Patricia Mayayo y Carmen María Jaramillo por creer, apoyar mi trabajo y ayudarme a crecer como investigadora. A mis amigos Alejandro Garay, Constanza Velasco, Yamili Muñoz, Ángela López, Luisa Navarro, Carmen López, Mariana Ortiz, Alberto Luque, Tatiana García, Lorena Danisi, Johana Mejía, Juan David Enciso, Elizabeth Claro y Catalina Alvarado; por escuchar mis alegrías y penas, celebrar cada paso, leer mis textos, ayudarme con trámites y alojarme en sus casas durante los viajes. A mis compañeros y amigos de trabajo e investigación en el Centro de Estudios de Posgrados de la Universidad Autónoma de Madrid, la Universidad Agustiniana de Bogotá, el Museo Nacional de Colombia: Talía Gómez, Julián Serna, William Contreras, Ana María Sánchez, Samuel León, Ángela Gómez, Rodrigo Trujillo, Milena Ortiz, Javier Zambrano, Fabian Oliveros, Rafael García. También a Alejandro Garay por ser mi lector y crítico constante y a Slenka Botello por su valiosa ayuda con la escritura de las primeras versiones de algunos de los textos que acá se presentan. A William López, Silvia Suárez, Miguel Cabañas, Alessandro Armato, Fernando Rodríguez, y todos los profesores e investigadores que amablemente 3 respondieron a mis mensajes, me recibieron en sus casas u oficinas, compartieron ejemplares de sus publicaciones y me guiaron hacia archivos, documentos y libros que enriquecieron el panorama documental de esta tesis.
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