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The Magazine for Music Listeners 6O CENTS High lidelity JANUARY The Magazine for Music Listeners 6o CENTS www.americanradiohistory.com kr141 Ampex Ampro Bell Bell & Howell BerlantConcertone Columbia C nt f- r i- "Crestwood" "Crown" De Jur DuKane "Educorder Dual" "Ekotape" "Electro -Dual" r r r EMC Fairchild FME Livingston Mag d "Magnemité" "Masco" 4- 4- "Memocorder" "Midgetape" Mitchell Pentron Presto Rangertone "Reporter" r r r Stancil- Hoffman 'Synchrotone" "Tapák" "Tapesonic" TDC "Stereotone" "Telectrotape" r Viking V-M Warren "Webtor" gives you these important advantages BALANCED FREQUENCY RESPONSE for most cles for higher sensitivity, lower dis- life -like reproduction throughout the tortion and improved output. complete range of audible sound. LOWER BACKGROUND NOISE through im- MOISTURE -REPELLENT BINDER assures proved dispersion of finer oxide par- smooth, silent tape travel even un- ticles. der hot, humid conditions. These Audiotape features, devel- STANDARD PLASTIC -BASE AUDIOTAPE ANTI -TACK AGENT prevents sticking on oped and perfected through years of the standard of quality the world over hot erase and record heads. Espe- research and production experience, cially important on older type ma- assure the finest recording and re- "LR" AUDIOTAPE ON 1 -MIL MYLAR- chines. production on any type of machine. It .SOcJo more recording time per reel is this performance which has made SPECIAL DRIER -TYPE FORMULA greatly re- Audiotape the first choice of so AUDIOTAPE ON 1 1/4-MIL "MYLAR" duces danger of oxide rub -off, even many critical professional recordists super- strength professional tape on dirty heads. throughout the world. Join the trend "SUPER- THIN" AUDIOTAPE ON Vs-MIL "MYLAR" MAGNETIC ORIENTATION of oxide parti- to Audiotape. IT SPEAKS FOR ITSELF! 2400 It on a 7 -inch reel For condensed data on all tape recorders, send for your Trodemork, DuPont polyester film free copy of Our 1955 -1956 TAPE RECORDER DIRECTORY 444 MADISON AVE., NEW YORK 22, N. Y. IN HOLLYWOOD: 1006 N. Fairfax Ave. IN CHICAGO: 6571 N. Olmsted Ave AUDIO DEVICES, Inc. Export Dept.: 13 East 40th St., New York 16, N. Y., Cables "ARLAB" www.americanradiohistory.com . 917e éelieve it'6 lime Q examene high fidelity loudspeaker values. For example when you are asked to spend from $40 to $130 for a loudspeaker you are entitled to the advantages of all of these features: A compression driver horn -loaded tweeter A multi -cell horn in the tweeter H-222 A high frequency balance control as an integral part of the speaker system A true two -way system -two separate and distinct loudspeakers with expertly coordinated performance. H -222 Jensen 12" coaxial speaker at $54.50 meets all these requirements. H -520 Jensen 15" coaxial speaker at $79.50 meets all these requirements. H -530 Jensen 15" coaxial speaker at $129.50 meets all these requirements. Meeting all of these requirements cor- rectly is of course the final test of maximum performance and value. In these Jensen authentic high fidelity coaxial loudspeakers H-520 the maximum combination of performance and value is guaranteed by the recognition accorded Jensen products for more than a quarter century as the world's quality standard. Other Jensen coaxial speakers are priced from $24.85; Jensen G -610 TRIAXIAL* at $252.75 and complete systems in enclo- sures from $49.50 to $525.00. 2 and 3 -way Speaker Kits from $10.50 to $184.50. Write for Folder HH. * TRIAXIAL is a Registered Trademark of Jensen Manufacturing Company. MANUFACTURING COMPANY JensenDivision The Muter Company H-530 6601 South Laramie Avenue, Chicago 38, Illinois JANUARY 1956 www.americanradiohistory.com f the first really new pickup in a decade 4 i Made by perfectionists -for perfectionists. retain their top "sheen" indefinitely, The FLUXVALVE is literally the exhibiting no increase in noise .. cartridge of the future, its unique Even a perfect stylus can't prevent design meets the demands of all a pickup with poor frequency char- presently envisioned recording acteristics from permanently dam- developments, including those utiliz- aging your "wide range" recordings. ing less than 1 mil styli. With this revolutionary new pickup, There is absolutely nothing like it! The tracking distortion, record and stylus FLUXVALVE Turnover Pickup pro- wear are reduced to new low levels. vides the first flat frequency re- The FLUXVALVE will last a lifetime! is hermetically sealed, virtually The FLUXVALVE has easily replaceable styli. sponse beyond 20kc! Flat response It The styli for standard and microgroove record assures undistorted high frequency impervious to humidity, shock and playing can be inserted or removed by hand, reproduction - and new records wear...with no internal moving parts. without the use of tools. the but you will hear it! For a new listening experience, ask your dealer to demonstrate the new FLUXVALVE...words cannot describe difference... "FOR THOSE WHO CAN PICKERING & CO., INC. , I A N D , N . Y . HEAR THE O C E A N 5 I D E L O N G S L DIFFERENCE" P I O N E E R S I N H I G H F I D E L I T Y write Dept. H.9 ... Demonstrated and sold by Leading Radio Parts Distributors everywhere. For the one nearest you and for detailed literature: HIGH FIDELITY MAGAZINE www.americanradiohistory.com IHiyh 3idelity T H E AI A G A Z. I . fE F O R M U S I C L I S T E N E R S This Issue. Obstetrics and pediatrics were Volume 6 Number I January 1956 medical arts not well understood in the eighteenth century. In consequence, of six children born to Johann Georg Leopold Roland Gelatt served as special editor of this Mozart memorial issue. Mozart and his wife Anna Maria, only two lived. One sixth of this pathetic vital statistic is what music lovers the world AUTHORitatively Speaking 4 over are celebrating in 1956. Wolfgang Amadeus Mozart was born January 27, The Listener's Bookshelf, by R. D. Darrell xo 1756, and managed to survive through 24 thirty-five years of exciting but certainly not Noted With Interest very happy existence, in the course of which Letters ... .... 33 he contributed to scores of millions of people yet unborn the moments of greatest Swap -a- Record 46 pure beauty in their lives. When Mozart was five years old, the Emperor Francis I At the Thought of Mozart, by Aaron Copland 53 called him "der kleine Hexenmeister" - A Guest Editorial the little magician - which may have been the most penetrating remark the Emperor The Miracle of Mozart, by Sacheverell Sitwell 54 ever made. The Little Magician grew to An appreciation across two centuries. be a Great Magician, as is evidenced in the 56 potency of his magic. The spells he cast Would Mozart Have Been a Hi -Fi Fan ?, by R. D. Darrell have not waned in two centuries: this year A question not so silly as - the author admits - it sounds they will cause many thousands of people to cross oceans, many millions of money Mozart's Beecham in Action, by Robert Charles Marsh 58 to change hands, many a troubled human What makes an interpreter great? mind to shed its pettiness for a space of 61 minutes or hours. This latter success, at On First Hearing Mozart, by Gerald Abraham least, Mozart would have wanted; the want Only now are some smaller- scaled masterpieces being made to our ears. is written in his music. available It would be pretentious for this or any The Tapes are Twirling, by Simon Bourgin .. 63 other twentieth -century magazine to set All across the Old World, microphones are soaking up Mozart. out to honor Mozart. The intent of the staff of HIGH FIDELITY, in assembling this Twenty Analysts in Search of a Soul, by Nathan Broder 65 Mozart memorial issue, has been simply to The temptation to evaluate and explain a genius is irresistible. express a devotion. Portraits of a Genius, by Otto Erich Deutsch 67 The problem: what did the man really look like? CHARLES FOWLER, Publisher W. A. Mozart - A Pictorial Essay 69 -84 JOHN M. CONLY, Editor Edited by Roland Gelatt, with the assistance of Simon Bourgin, ROY H. HOOPES, JR., Managing Editor O. E. Deutsch and Roy Lindstrom. J. GORDON HOLT, Assistant Editor Europe's Mozart Festival Year, by Simon Bourgin 85 ROY F. ALLISON, Associate Editor Music Makers, by Roland Gelatt 89 ROY LINDSTROM, Art Director Editorial Assistants Record Section ._ 93-137 MIRIAM D. MANNING; JOAN GRIFFITHS Records in Review; Dialing Your Disks; Building Your Record library; Mozart on Records, A Selective Discography, by ROLAND GELATT, New York Editor C. G. Burke. Contributing Editors 158 C. G. BURKE Trader's Marketplace JAMES HINTON, JR. Professional Directory 16o CORA R. HOOPES ROBERT CHARLES MARSH FM Directory 161 WARREN B. SYER, Business Manager SEAVER B. BUCK, JR., Circulation Advertising Index 163 Director High Fidelity Magazine is published monthly by Audiocom, Inc.. at Great Barrington, Mass. Telephone: Great Barrington 1300. Editorial publication. and circulation offices at: The Publishing House, Great Branch Offices (Advertising only): New York: Barrington. Mass. Subscriptions: $6.00 per year in the United States and Canada. Single copies: 60 rents Room 600, 6 East 39th Street. Telephone: each. Editorial contributions will he welcomed by the editor. Payment for articles accepted will he arranged Murray Hill 5 -6332. Fred C. Michalove, Eastern prior to publication. Unsolicited manuscripts should he accompanied by return postage. Entered as Manager.-Chicago: John R. Rutherford and Assoc- second -class matter April 27. 1951 at the post office at Great Barrington, Mass., under the act of March 3; iates, 230 East Ohio St., Chicago. III. Telephone: 1679. Additional entry at the poet office. Pittsfield, Mass. Member Audio Bureau of Circulation. Printed Whitehall 4 -6715.
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