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Recreation, Sport and the Arts
374 Chapter 19 Recreation, Sport and the Arts Hong Kong people are hard working by nature but they also know how to relax and enjoy themselves through many different sports, cultural and recreational activities. A growing array of programmes and facilities enables people of all ages and abilities to participate and improve their quality of life. Government policies on matters concerning sports, recreation, culture and heritage are co-ordinated by the Home Affairs Bureau. Organisations that help to draw up these policies include the Sports Commission, the Hong Kong Arts Development Council and the Antiquities Advisory Board. The Hong Kong Sports Institute Limited helps develop sports in Hong Kong with special emphasis on training athletes for high performance sports, while in January 2005 the Government established the Sports Commission to advise on all matters related to sports development. The commission oversees the Elite Sports, the Major Sports Events, and the Community Sports Committees which give advice on different aspects of sporting activities. The Leisure and Cultural Services Department (LCSD), an executive arm of the Home Affairs Bureau, provides the community with services to preserve its cultural heritage, enhance its physical environment, and foster co-operative interaction between sports, cultural and community organisations. During 2009, the LCSD organised several large-scale exhibitions, some of which were in celebration of the 60th Anniversary of the Founding of the People’s Republic of China. It also organised cultural performances, ranging from music and dance to opera and sporting events. The LCSD co-ordinates the provision of high quality recreational and sports facilities and supports and organises training programmes and activities to promote community sports, identify sporting talent and raise sporting standards. -
2016/18 Biennial Report
Hong Kong Cultural Centre Biennial Report 2016–2018 Contents 2 Vision • Mission • Values 3 Message from the Chief Manager 4 Facilities 6 Organisation Chart 8 Programme Highlights 12 Venue Support 12 Striving for Excellence 14 Venue Partners 16 Building Awareness 17 Statistical Information 19 Financial Statements 20 Major Event Calendar • Vision Message from the Chief Manager We aim to be the premier arts centre in Asia commensurate with Hong Kong’s development as Overlooking the Victoria Harbour waterfront, the Hong Kong Cultural Centre (HKCC) is a prime a world-class city and events capital. performance venue in Hong Kong. Ever since its inauguration in 1989, the HKCC has been providing quality cultural facilities and services to the general public and artists alike. I am indeed greatly honoured to join my colleagues in running the city’s prestigious performing arts • Mission venue. The year 2017 saw the 20th Anniversary of the Establishment of the Hong Kong Special Serving our Hirers Administrative Region. In celebration of this occasion, an array of artistic feasts was presented By providing quality facilities and services to meet the needs and artistic requirements of local in HKCC to feature top-notch artists from around the world, our venue partners, namely the Hong and visiting performing artists/groups. Kong Philharmonic Orchestra, the Hong Kong Chinese Orchestra, the Hong Kong Ballet and Zuni Icosahedron, as well as local arts groups. Achieving a High Level of Customer Satisfaction By creating a welcoming and friendly environment, offering high-quality services and making After a two-year facelift, the HKCC now has a refurbished foyer, electronic display panels, and a sure that all our audience and visitors are fully satisfied with our services. -
Over 100 Opera Makers
#OPERAHARMONY CREATING OPERAS IN ISOLATION 1 3 WELCOME TO #OPERA HARMONY FROM FOUNDER – ELLA MARCHMENT Welcome to #OperaHarmony. #Opera Harmony is a collection of opera makers from across the world who, during this time of crisis, formed an online community to create new operas. I started this initiative when the show that I was rehearsing at Dutch National Opera was cancelled because of the lockdown. Using social media and online platforms I invited colleagues worldwide to join me in the immense technical and logistical challenge of creating new works online. I set the themes of ‘distance’ and ‘community’, organised artist teams, and since March have been overseeing the creation of twenty new operas. All the artists involved in #OperaHarmony are highly skilled professionals who typically apply their talents in creating live theatre performances. Through this project, they have had to adapt to working in a new medium, as well as embracing new technologies and novel ways of creating, producing, and sharing work. #OperaHarmony’s goal was to bring people together in ways that were unimaginable prior to Covid-19. Over 100 artists from all the opera disciplines have collaborated to write, stage, record, and produce the new operas. The pieces encapsulate an incredibly dark period for the arts, and they are a symbol of the unstoppable determination, and community that exists to perform and continue to create operatic works. This has been my saving grace throughout lockdown, and it has given all involved a sense of purpose. When we started building these works we had no idea how they would eventually be realised, and it is with great thanks that we acknowledge the support of Opera Vision in helping to both distribute and disseminate these pieces, and also for establishing a means in which audiences can be invited into the heart of the process too . -
Week 15 Barber Shostakovich Dvorák
bso andris nelsons music director week 15 barber shostakovich dvorˇák seiji ozawa music director laureate bernard haitink conductor emeritus Lead Sponsor Supporting Sponsor thomas adès artistic partner season sponsors Better Health, Brighter Future There is more that we can do to help improve people’s lives. Driven by passion to realize this goal, Takeda has been providing society with innovative medicines since our foundation in 1781. Today, we tackle diverse healthcare issues around the world, from prevention to life-long support and our ambition remains the same: to find new solutions that make a positive difference, and deliver better medicines that help as many people as we can, as soon as we can. With our breadth of expertise and our collective wisdom and experience, Takeda will always be committed to improving the future of healthcare. Takeda Pharmaceutical Company Limited www.takeda.com Table of Contents | Week 15 7 bso news 1 5 on display in symphony hall 16 bso music director andris nelsons 18 the boston symphony orchestra 21 a brief history of symphony hall 2 7 unmusical chairs by gerald elias 3 4 this week’s program Notes on the Program 36 The Program in Brief… 37 Samuel Barber 43 Dmitri Shostakovich 51 Antonín Dvorákˇ 63 To Read and Hear More… 68 sponsors and donors 78 future programs 82 symphony hall exit plan 8 3 symphony hall information the friday preview on january 24 is given by composer/pianist jeremy gill. program copyright ©2020 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover photo by Winslow Townson cover design by BSO Marketing BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617) 266-1492 bso.org Abstraction on a Massive Scale Through February 23, 2020 Left: Jackson Pollock, Mural, 1943. -
Press Release the 2018/2019 Season of The
Press Release The 2018/2019 Season of the Hamburg State Opera and the Hamburg Ballet John Neumeier Hamburg, March 27, 2018 - Georges Delnon, Artistic Director of the Hamburg State Opera, and Professor John Neumeier, Artistic Director and Chief Choreographer of the Hamburg Ballet, presented the 2018/2019 season of the Hamburg State Opera at today’s press conference. The Hamburg State Opera opens the fourth season under the artistic directorship of Georges Delnon on September 8, 2018 with Mozart’s Così fan tutte in a new production by Herbert Fritsch conducted by Sébastien Rouland. “During our fourth season, we continue our aesthetic line, examine great, important works of opera literature and create new musical theatre works. As we are intent on continuity, this season will be marked by the explicit desire to give the artistic profile of our theatre an unmistakable outline and notable sharpening. We renew our encounter with the theatrical magician Achim Freyer, who directs Robert Schumann’s fragment Szenen aus Goethes Faust. John Neumeier presents his perspective of Gluck’s opera Orphée et Eurydice. We look forward eagerly to the world premiere of Lessons in Love and Violence – the new opera by George Benjamin, directed by Katie Mitchell and keenly anticipated on the international opera scene. The Italian Opera Weeks, a format we successfully established last season, will be continued. For its opening, the Russian director Kirill Serebrennikov will present a new staged interpretation of Verdi’s liberation opera Nabucco,” thus Artistic Director Georges Delnon describes the programmatic design of the 2018/2019 season. For his 46th season at the helm of the Hamburg Ballet, John Neumeier has put together a personally meaningful programme. -
Boston Symphony Orchestra Concert Programs, Season 129, 2009-2010
1HP .. --^r^ 2009-2010 s James Bernard Haitink Conductor Emeritus Seiji Ozawa |Mu^H5llt§£or laureate ^ Silk twill scarves. Boston 320 Boylston Street (617) 482-8707 Hermes.com HERMES PARIS RME S, & V\£ UFE AS A Table of Contents Week 21 15 BSO NEWS 23 ON DISPLAY IN SYMPHONY HALL 25 BSO MUSIC DIRECTOR JAMES LEVINE 28 THE BOSTON SYMPHONY ORCHESTRA 31 A BRIEF HISTORY OF THE BOSTON SYMPHONY ORCHESTRA 36 THIS WEEK'S PROGRAM Notes on the Program 39 Mendelssohn's "Elijah" 49 To Read and Hear More... 52 Text and Translation Guest Artists 69 Rafael Fruhbeck de Burgos 71 Shenyang 72 Christine Brewer 72 Stephanie Blythe 73 Aleksandrs Antonenko 79 Tanglewood Festival Chorus 82 John Oliver 84 SPONSORS AND DONORS 88 FUTURE PROGRAMS 90 SYMPHONY HALL EXIT PLAN 91 SYMPHONY HALL INFORMATION THIS WEEKS PRE-CONCERT TALKS ARE GIVEN BY BSO DIRECTOR OF PROGRAM PUBLICATIONS MARC MANDEL. program copyright ©2010 Boston Symphony Orchestra, Inc. design by Hecht Design, Arlington, MA cover photograph by Michael J. Lutch BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617) 266-1492 bso.org alt] I ing yo The more you get to know us, the more you'll know why the bond we have with our clients is so long-lasting. It's because we create deep and trusting relationships with each client. After all, weVe been right here in the heart of Boston for nearly two centuries, personally guiding both old and new generations of New Englanders with conservative, yet forward-thinking, investment management advice and sophisticated tax, trust and estate planning. -
CHAPTER 6 Hong Kong Arts Festival Society Limited
CHAPTER 6 Home Affairs Bureau Leisure and Cultural Services Department Hong Kong Arts Festival Society Limited Audit Commission Hong Kong 1 April 2019 This audit review was carried out under a set of guidelines tabled in the Provisional Legislative Council by the Chairman of the Public Accounts Committee on 11 February 1998. The guidelines were agreed between the Public Accounts Committee and the Director of Audit and accepted by the Government of the Hong Kong Special Administrative Region. Report No. 72 of the Director of Audit contains 8 Chapters which are available on our website at https://www.aud.gov.hk Audit Commission 26th floor, Immigration Tower 7 Gloucester Road Wan Chai Hong Kong Tel : (852) 2829 4210 Fax : (852) 2824 2087 E-mail : [email protected] HONG KONG ARTS FESTIVAL SOCIETY LIMITED Contents Paragraph EXECUTIVE SUMMARY PART 1: INTRODUCTION 1.1 – 1.14 Audit review 1.15 General response from 1.16 Hong Kong Arts Festival Society Limited Acknowledgement 1.17 PART 2: PROGRAMME MANAGEMENT 2.1 – 2.4 Procurement of goods and services 2.5 – 2.7 Audit recommendations 2.8 Response from Hong Kong Arts Festival Society Limited 2.9 Management of programme crews 2.10 – 2.17 Audit recommendations 2.18 Response from Hong Kong Arts Festival Society Limited 2.19 Ticketing matters 2.20 – 2.30 Audit recommendations 2.31 – 2.32 Response from Hong Kong Arts Festival Society Limited 2.33 Response from the Government 2.34 — i — Paragraph PART 3: FUNDING OF THE HONG KONG ARTS 3.1 FESTIVAL SOCIETY LIMITED Income of the Hong Kong Arts Festival -
Guest Appearance in Swan Lake Chun Wai Chan Principal, Houston Ballet Born in Guangdong, China, Chun Wai Chan Trained at Guangz
Guest Appearance in Swan Lake ©Houston Ballet | Photography: Amitava Sarkar Chun Wai Chan Principal, Houston Ballet Born in Guangdong, China, Chun Wai Chan trained at Guangzhou Art School and joined Houston Ballet in 2012, becoming Principal in 2017. He danced Prince Siegfried in Stanton Welch’s Swan Lake and lead roles in William Forsythe’s In the Middle, Somewhat Elevated and many other classical and contemporary repertoire by renowned choreographers. Chan has had many successes, including being featured in Dance Magazine’s “Top 25 (Dancers) to Watch” in 2016 and Pointe Magazine’s “The Standouts of 2017” and performing in the Ninjinsky-Gala XLI in Hamburg, Germany, New York’s 2015 Fall for Dance Festival and 2018 Jacob’s Pillow Dance Festival, among others. Guest Appearances in China Everbright Ltd. Proudly Presents International Gala of Stars 2019 Osiel Gouneo Principal Dancer, Bavarian State Ballet Born in Matanzas, Cuba, Osiel Gouneo trained at Cuban National Ballet School and joined Cuban National Ballet in 2008, becoming Principal Dancer in 2011. Afterwards, he danced with Norwegian National Ballet for three years and then joined Barvarian State Ballet as Principal Dancer in 2016. Gouneo also guest performs as a principal dancer with English National Ballet and Royal Danish Ballet and at numerous international dance festivals and galas. His accolades include gold medals at Cuban Grand Prix and Beijing International Ballet Competition, a silver medal at Varna International Ballet Competition and Best Newcomer at the Positano Awards. ©Chris Mann Marcelo Gomes International Ballet Star Former Principal Dancer, American Ballet Theatre Born in Manaus, Brazil, Marcelo Gomes studied at The HARID Conservatory.