Socio-Technical Change and the Politics of Urban Infrastructure: Managing Energy in Berlin Between Dictatorship and Democracy

Total Page:16

File Type:pdf, Size:1020Kb

Socio-Technical Change and the Politics of Urban Infrastructure: Managing Energy in Berlin Between Dictatorship and Democracy View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Dokumenten-Publikationsserver der Humboldt-Universität zu Berlin 51(7) 1432–1448, May 2014 Special issue article: Urban energy transitions: Places, processes and politics of socio-technical change Socio-technical Change and the Politics of Urban Infrastructure: Managing Energy in Berlin between Dictatorship and Democracy Timothy Moss [Paper first received, May 2011; in final form, April 2012] Abstract This paper reconstructs the trajectory of energy efficiency policies in Berlin from the 1920s to today in order to illustrate how the shifting political and socioeconomic conditions of a city can shape urban energy provision and consumption. Taking a long-term perspective on the relationship between urban transitions and energy policy, it investigates how the geo-political turbulence, regime diversity and socio- economic volatility experienced by 20th-century Berlin influenced strategies of elec- tricity generation and use in the city. Drawing on different ways of conceptualising change to socio-technical systems in the literature, the paper’s findings present a more differentiated picture of urban energy transitions than notions of path depen- dency and transition pathways imply, highlighting the importance of non-linear trends, political contestation and crisis discourses in and beyond the city and their relevance for reconfiguring urban energy systems today. Keywords: Berlin, energy transitions, socio-technical change, urban infrastructure 1. Introduction The shift to a low-carbon society has paradigm is for a world which is energy effi- become a clarion call for decision-makers cient and independent of fossil fuels. across the globe. Whether to combat cli- Experiences in pursuing this policy goal mate change, peak oil, energy insecurity or suggest that the notion of changing track rising energy prices, the new policy from a fossil-based to a post-fossil economy Timothy Moss is in the Leibniz Institute for Regional Development and Structural Planning (IRS), Flakenstraße 28–31, Erkner 15537, Germany. Email: [email protected]. 0042-0980 Print/1360-063X Online Ó 2013 Urban Studies Journal Limited DOI: 10.1177/0042098013500086 MANAGING ENERGY IN BERLIN 1433 is grossly simplistic. Energy transitions are, volatility experienced by 20th-century in practice, highly complex, non-linear, Berlin influence strategies of electricity gen- contested and spatially diverse phenomena eration and use in the city? The paper inves- requiring a sound understanding of the tigates what changed—and what did not structures and dynamics which shape sys- change—in the city’s energy policy as a tems of energy provision and use. Scholars result of radical and repeated re-ordering of have made significant contributions to its political economy. It explores how energy deconstructing oversimplistic notions of policy in general—and energy efficiency in energy transitions. Three of these—relating particular—was enrolled to protect the to the importance of socio-technical sys- city’s diverse political systems and respond tems, cities and historical experience—are to socioeconomic shifts. It seeks to illustrate, central to this paper. Firstly, changes to further, how the ‘urban’ of Berlin’s energy energy provision and use are understood not policies was bound up in wider national and simply as the application of a new technology, international geo-political contexts. but as a reordering of the multiple political, Rather than focus on a particular energy organisational, financial, material and cul- technology or socio-technical innovation tural components which constitute a socio- introduced at one point in time, the paper technical system for energy (Summerton, investigates energy efficiency as a more suit- 1994; Star, 1999). Secondly, cities are today able issue for revealing shifts and continuities widely acknowledged as important loci of in energy policy over a long period. It (future) energy consumption and key players explores in particular the underlying tension of energy and climate change policy, gen- between the efficient use of energy resources erating keen interest in the relationship on the one hand and the efficient use of between socio-technical and urban transi- energy infrastructures on the other, demon- tions (Bulkeley and Betsill, 2003; McFarlane strating when and why energy efficiency was and Rutherford, 2008; Hodson and Marvin, taken up (and discarded) as a policy priority. 2010a, 2010b; Bulkeley et al., 2011b). The case for selecting Berlin is essentially Thirdly, research into the historical develop- two-fold. Firstly, Berlin had by the 1930s ment of our (urban) energy systems has come to symbolise the networked city of revealed the importance of path dependen- Europe. By virtue of its huge electrical cies, discarded alternatives and contingency industry Berlin became known as the in forming today’s socio-technical systems ‘Elektropolis’ (Hughes, 1983, p. 177), repre- (Tarr, 1979; Hughes, 1983; Tarr and Dupuy, senting a model of urban modernity. 1988; Melosi, 2000). Secondly, in the course of the 20th century, Much of this literature is targeted at Berlin came to represent less a model than explaining how energy systems change, over an exceptional case, characterised by radical time and in specific contexts (see section 2). political ruptures and multiple crises. Each The focus is on specific energy transitions: of these crises—whether the Depression, how they emerge, are promoted or con- the Nazi seizure of power, wartime destruc- strained in urban contexts. Conversely, this tion or political division into East and West paper looks at urban transitions and how Berlin and subsequent reunification—had a they influence energy policy. Taking the city far-reaching impact on the city’s energy of Berlin as an example, it poses the key systems (for historical overviews see question: how did the geo-political turbu- Bewag, 1984; Varchmin and Schubert, lence, regime diversity and socioeconomic 1988). Exploring how infrastructure 1434 TIMOTHY MOSS systems—generally renowned for their 2. Conceptualising Change to inherent stability and path dependency— Urban Infrastructure Systems were affected by the political turbulence and diversity of 20th-century Berlin throws into The infrastructure systems which provide sharp relief attributes and dynamics of these cities with energy, water and wastewater socio-technical systems often hidden in services have long become symbols of stabi- other cities by the patina of familiarity (see lity and durability. Designed for decades, Summerton, 1994). embedded in the urban substrata and sus- In line with the other contributions to tained by complex institutional arrange- this Special Issue, the paper explores the ments, these systems conjure up notions of evolving relationship between cities, urban immobility, obduracy and resilience change and energy policies. Within this (Summerton, 1994; Hommels, 2005). Since broad programme, its particular function the 1980s, historians of technology have lies in addressing three core themes in the come a long way in providing explanations following way. Firstly, it confronts studies for the emergence and subsequent stabilisa- of current transitions with experiences from tion of so-called large technical systems the past to illustrate the non-linear, multi- (LTS), from their early beginnings in the ple and fluid pathways of urban energy hands of inventors, entrepreneurs and policy in history (see Hughes, 1983; Melosi financiers to the large urban networks and Pratt, 2007). Secondly, it highlights the familiar to urban landscapes today (Tarr, highly political nature of urban energy, 1979; Hughes, 1983, 1987; Tarr and Dupuy, both reflecting and reinforcing power con- 1988; Melosi, 2000). Central to the obdu- figurations and institutional arrangements racy of these systems, recent research in the city and beyond (see McFarlane and agrees, are their socio-technical characteris- Rutherford, 2008; Coutard and Rutherford, tics. A socio-technical system, such as an 2010). Thirdly, it analyses the urban contex- electricity supply network, comprises not tualisation of energy policy, in particular merely a series of physical artefacts and the ways in which city politics and urban technologies, but also the actors involved in development shape energy provision and providing and using the services, institu- use and, conversely, energy infrastructure tional rules and norms for operating the systems influence urban life (see Bulkeley systems, cultural values and the economic et al., 2011a, 2011b). resources to construct and maintain them The paper is structured into three sections. (Hughes, 1987; Summerton, 1994; Star, The first section assesses the strengths and 1999). These attributes interact in a ‘seam- weaknesses of various ways of conceptualis- less web’ to create, stabilise and, subse- ing change to urban infrastructure systems in quently, sustain a particular socio-technical the literature. The second section explores configuration. Socio-technical systems the discourses and policies surrounding become thereby particularly prone to path energy efficiency in Berlin from 1920 to the dependency: once established, they prove present, tracing continuities and change intrinsically resistant to radical change. across highly diverse political and socioeco- The high degree of path dependency gen- nomic contexts. The paper concludes with erally attributed to socio-technical systems reflections on how
Recommended publications
  • CHAPTER 2 the Period of the Weimar Republic Is Divided Into Three
    CHAPTER 2 BERLIN DURING THE WEIMAR REPUBLIC The period of the Weimar Republic is divided into three periods, 1918 to 1923, 1924 to 1929, and 1930 to 1933, but we usually associate Weimar culture with the middle period when the post WWI revolutionary chaos had settled down and before the Nazis made their aggressive claim for power. This second period of the Weimar Republic after 1924 is considered Berlin’s most prosperous period, and is often referred to as the “Golden Twenties”. They were exciting and extremely vibrant years in the history of Berlin, as a sophisticated and innovative culture developed including architecture and design, literature, film, painting, music, criticism, philosophy, psychology, and fashion. For a short time Berlin seemed to be the center of European creativity where cinema was making huge technical and artistic strides. Like a firework display, Berlin was burning off all its energy in those five short years. A literary walk through Berlin during the Weimar period begins at the Kurfürstendamm, Berlin’s new part that came into its prime during the Weimar period. Large new movie theaters were built across from the Kaiser Wilhelm Memorial church, the Capitol und Ufa-Palast, and many new cafés made the Kurfürstendamm into Berlin’s avant-garde boulevard. Max Reinhardt’s theater became a major attraction along with bars, nightclubs, wine restaurants, Russian tearooms and dance halls, providing a hangout for Weimar’s young writers. But Berlin’s Kurfürstendamm is mostly famous for its revered literary cafés, Kranzler, Schwanecke and the most renowned, the Romanische Café in the impressive looking Romanische Haus across from the Memorial church.
    [Show full text]
  • The Crisis Manager the Jacobsohn Era, 1914 –1938 INTRODUCTION
    CHRONICLE 05 The crisis manager The Jacobsohn era, 1914 –1938 INTRODUCTION From the First World War to National Socialism A world in turmoil “Carpe diem” – seize the day. This Latin motto is carved over their positions. Beyond the factory gates, things on the gravestone of Dr. Willy Jacobsohn in Los Angeles were also far from peaceful: German society took a long and captures the essence of his life admirably. Given time to recover from the war. The period up until the the decades spanned by Jacobsohn’s career, this out- end of 1923 was scourged by unemployment, food and look on everyday life made a lot of sense: after all, housing shortages, and high inflation. The “Golden his career at Beiersdorf took place during what was Twenties” offered a brief respite, but even in the heyday arguably the most turbulent period in European history. of Germany’s first democracy, racist and anti-Semitic In fact, there are quite a few historians who describe feelings were simmering below the surface in society the period between 1914 and 1945 as the “second and politics, erupting in 1933 when the National Socia- Thirty Years War.” lists came to power. Jewish businessman Jacobsohn The First World War broke out shortly after Jacob- was no longer able to remain in Germany and, five years sohn joined the company in 1914. Although the war later, was even forced to leave Europe for America. ended four years later, Beiersdorf continued to suffer However, by then he had succeeded in stabilizing the crisis after crisis. Dr. Oscar Troplowitz and Dr.
    [Show full text]
  • A Study of the Space That Shaped Weimar Berlin Carrie Grace Latimer Scripps College
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2014 The lotP s of Alexanderplatz: A Study of the Space that Shaped Weimar Berlin Carrie Grace Latimer Scripps College Recommended Citation Latimer, Carrie Grace, "The lotsP of Alexanderplatz: A Study of the Space that Shaped Weimar Berlin" (2014). Scripps Senior Theses. Paper 430. http://scholarship.claremont.edu/scripps_theses/430 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. THE PLOTS OF ALEXANDERPLATZ: A STUDY OF THE SPACE THAT SHAPED WEIMAR BERLIN by CARRIE GRACE LATIMER SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR MARC KATZ PROFESSOR DAVID ROSELLI APRIL 25 2014 Latimer 2 TABLE OF CONTENTS Acknowledgements 3 Introduction 4 Chapter One: Berlin Alexanderplatz: The Making of the Central Transit Hub 8 The Design Behind Alexanderplatz The Spaces of Alexanderplatz Chapter Two: Creative Space: Alfred Döblin’s Berlin Alexanderplatz 23 All-Consuming Trauma Biberkopf’s Relationship with the Built Environment Döblin’s Literary Metropolis Chapter Three: Alexanderplatz Exposed: Rainer Werner Fassbinder’s Film 39 Berlin from Biberkopf’s Perspective Exposing the Subterranean Trauma Conclusion 53 References 55 Latimer 3 Acknowledgements I wish to thank all the people who contributed to this project. Firstly, to Professor Marc Katz and Professor David Roselli, my thesis readers, for their patient guidance, enthusiastic encouragement and thoughtful critiques.
    [Show full text]
  • German Culture 1910- Music
    German Culture 1910- Music During the mid 1920s, cabaret was a popular entertainment within cities Berlin and Munich, as the lift of censorship and hedonism of a society which had “lost everything” was lived out within these cabaret shows. Pre- viously under an authoritarian government, both entertainment and social activities were tightly regulated, causing many citizens to love the relaxed social attitudes of Weimar. The first cabaret in Germany dated back to 1901, however in the rule of Kaiser Wilhelm II, German cabarets were strictly forbidden to perform and promote its bawdy humour, provocative dancing and political satire. After the Weimar governments lifting of cen- sorship, cabarets began to transform and flourish, with entertainment in berlin through cabarets and nightclubs dominated by sex and politics, (with stories, jokes, songs and dancing all laced with sexual innuendo, also following no political line, meaning any party or leader was open to criti- cism or mockery). Especially after decades of restrictive, authoritarian gov- ernment, Weimar was a period of social liberalisation. Post 1924 economic revival saw many people seeking new forms of leisure activities, one being cabaret. Cabaret led to people being more open about their sexuality and gender too. Photos show Josephine Baker, an American dancer naked on stage and a revue at the Apollo theatre in Berlin, with chorus girls only covering themselves partly by flowers. This is significant in Germany con- sidered the previous culture of the Kaiser, this was unheard of. However Weimar Germany and the culture of cabaret also led to social divisions be- tween families and of classes in Germany too.
    [Show full text]
  • Downloaded for Personal Non-Commercial Research Or Study, Without Prior Permission Or Charge
    Hobbs, Mark (2010) Visual representations of working-class Berlin, 1924–1930. PhD thesis. http://theses.gla.ac.uk/2182/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Visual representations of working-class Berlin, 1924–1930 Mark Hobbs BA (Hons), MA Submitted in fulfillment of the requirements for the Degree of PhD Department of History of Art Faculty of Arts University of Glasgow February 2010 Abstract This thesis examines the urban topography of Berlin’s working-class districts, as seen in the art, architecture and other images produced in the city between 1924 and 1930. During the 1920s, Berlin flourished as centre of modern culture. Yet this flourishing did not exist exclusively amongst the intellectual elites that occupied the city centre and affluent western suburbs. It also extended into the proletarian districts to the north and east of the city. Within these areas existed a complex urban landscape that was rich with cultural tradition and artistic expression. This thesis seeks to redress the bias towards the centre of Berlin and its recognised cultural currents, by exploring the art and architecture found in the city’s working-class districts.
    [Show full text]
  • Soundscapes of the Urban Past
    Sounds Familiar Intermediality and Remediation in the Written, Sonic and Audiovisual Narratives of Berlin Alexanderplatz Andreas Fickers, Jasper Aalbers, Annelies Jacobs and Karin Bijsterveld 1. Introduction When Franz Biberkopf, the protagonist of Alfred Döblin’s novel Berlin Alexanderplatz steps out of the prison in Tegel after four years of imprisonment, »the horrible moment« has arrived. Instead of being delighted about his reclaimed liberty, Biberkopf panics and feels frightened: »the pain commences«.1 He is not afraid of his newly gained freedom itself, however. What he suffers from is the sensation of being exposed to the hectic life and cacophonic noises of the city – his »urban paranoia«.2 The tension between the individual and the city, between the inner life of a character and his metropolitan environment is of course a well established topic in the epic litera- ture of the nineteenth century, often dramatized by the purposeful narrative confronta- tion between city life and its peasant or rural counterpoint.3 But as a new literary genre, the Großstadtroman, or big city novel, only emerges in the early twentieth century, and Döblin’s Berlin Alexanderplatz is often aligned with Andrei Bely’s Petersburg (1916), James Joyce’s Ulysses (1922) or John Dos Passos’s Manhattan Transfer (1925) as an outstanding example of this new genre.4 What distinguishes these novels from earlier writings dealing with the metropolis is their experimentation with new forms of narra- tive composition, often referred to as a »cinematic style« of storytelling. At the same time, however, filmmakers such as David W. Griffiths and Sergei Eisenstein developed 1 Döblin 1961, 13.
    [Show full text]
  • Review of Walking in Berlin: a Flaneur in the Capital by Franz Hessel
    eTropic 16.2 (2017): ‘Bold Women Write Back’ Special Issue | 185 Review of Walking in Berlin: A Flaneur in the Capital by Franz Hessel Michael Ackland James Cook University erlin ist einer Reise wert—Berlin is worthy of a trip. With this slogan the former B Bundesrepublik encouraged travellers to visit the then isolated, divided city. Since die Wende, or the turning-point and reunification of city and nation state in 1989, Berlin has long ceased to require special pleading. Attracted by its vibrancy, youth culture and history, visitors are not in short supply. They teem around sites associated with the Cold War, the Third Reich and the Hohenzollern imperial capital, and fondly reimagine the 1920s, when Berlin was a key centre of modernism, experimentation and sexual emancipation. But Allied bombers and attacking Soviet armies have left few traces of this notorious period—which makes Franz Hessel’s Walking in Berlin: A Flaneur in the Capital (1929) both a valuable guide to actual times since elevated into legend and a last glimpse, as it were, of a world destined that very year to be shattered by the Wall Street Crash and the ineluctable rise to power of the Nazi Party. Divided into chapters conceived of as separate walks, Hessel adopts a variety of vantage- points to describe his native city. This enables him to reminisce, intermix memories from childhood and youth, adopt a persona like that of the tourist or largely ignorant outsider, and to shift between simple external descriptions and personalised minutiae. The perspective often seems that of a candid, objective observer, but this can camouflage more subtle purposes.
    [Show full text]
  • Interim Report January–September 2020
    Interim report January–September 2020 Business highlights, July–September 2020 Financial highlights, January–September 2020 • Unusually high hydrological balance puts pressure on Nordic • Net sales decreased by 4% (-5% excluding currency effects) electricity prices to SEK 114,815 million (120,181) • Inauguration of Princess Ariane wind farm in the Netherlands • Underlying operating profit1 of SEK 17,802 million (16,889) • Participation in auction for closure of Moorburg power plant in • Operating profit1 of SEK 10,030 million (19,715) Hamburg • Profit for the period of SEK 1,989 million (14,373) • Tendering process for the electricity grid in Berlin rejected by Financial highlights, July–September 2020 the Higher Regional Court. After the end of the quarter, • Net sales decreased by 2% (0% excluding currency effects) Vattenfall offered to sell the company Stromnetz Berlin to the to SEK 35,375 million (35,938) State of Berlin • Underlying operating profit1 of SEK 4,818 million (3,594) • Inauguration of pilot plant for HYBRIT, a partnership project • Operating profit1 of SEK 4,743 million (8,677) for fossil-free steel production • Profit for the period of SEK 3,583 million (6,700) • Anna Borg named as new President and CEO, effective 1 November KEY DATA Jan-Sep Jan-Sep Jul-Sep Jul-Sep Full year Last 12 Amounts in SEK million unless indicated otherwise 2020 2019 2020 2019 2019 months Net sales 114 815 120 181 35 375 35 938 166 360 160 994 Operating profit before depreciation, amortisation and 1 impairment losses (EBITDA) 34 387 33 601 9
    [Show full text]
  • Press Kit Jeanne Mammen 4.10.17
    Jeanne Mammen. The Observer. Retrospective 1910–1975 06.10.2017–15.01.2018 PRESS KIT CONTENTS Press release Selected works of the exhibition Biography Jeanne Mammen Exhibition texts Exhibition catalogue Film “Write Me Emmy!” Education programme Online campaign #JeanneMammenBG Press images 0 WWW.BERLINISCHEGALERIE.DE BERLINISCHE GALERIE LANDESMUSEUM FÜR MODERNE ALTE JAKOBSTRASSE 124-128 FON +49 (0) 30 –789 02–600 KUNST, FOTOGRAFIE UND ARCHITEKTUR 10969 BERLIN FAX +49 (0) 30 –789 02–700 STIFTUNG ÖFFENTLICHEN RECHTS POSTFACH 610355 – 10926 BERLIN [email protected] PRESS RELEASE Ulrike Andres Head of Marketing and Communications Tel. +49 (0)30 789 02-829 [email protected] Contact: Smith –Agentur für Markenkommunikation Felix Schnieder-Henninger Tel. +49 (0)30 609 809 711 Mobile +49 (0)163 2515150 [email protected] Berlin, October 2017 Jeanne Mammen. The Observer Retrospective 1910–1975 06.10.2017–15.01.2018 Press conference: 4.10, 11 am, Opening: 5.10, 7 pm Jeanne Mammen (1890-1976), painter and illustrator, is one of the most colourful characters in recent German art history, and yet one of the hardest to unravel. This Berlin artist experienced war, destruction, poverty and the rise from ruins in her own very personal, productive way. By staging one of the biggest Mammen retrospectives to date, the Berlinische Galerie has initiated a rediscovery of her iconic works from the 1920s, her “degenerate” experiments and her magically poetic abstractions. Jeanne Mammen’s œuvre, with all its fierce fault lines, is a significant reflection of political and aesthetic upheavals in the last century. Art scholars have long valued Mammen as a distinctive figure in the art of the Weimar Republic and the post-war years, rare far beyond the confines of Berlin and Germany.
    [Show full text]
  • Kiez Kieken: Observations of Berlin, Vol. 1, Spring 2012 Maria Ebner Fordham University, [email protected]
    Fordham University Masthead Logo DigitalResearch@Fordham Modern Languages and Literatures Student Modern Languages and Literatures Department Publications Spring 2012 Kiez Kieken: Observations of Berlin, Vol. 1, Spring 2012 Maria Ebner Fordham University, [email protected] Annie Buckel Fordham University James Hollingsworth Fordham University Caroline Inzucchi Fordham University Matthew Kasper Fordham University See next page for additional authors Follow this and additional works at: https://fordham.bepress.com/modlang_studentpubs Part of the German Language and Literature Commons, Modern Languages Commons, and the Modern Literature Commons Recommended Citation Ebner, Maria, ed. Kiez Kieken: Observations of Berlin. Vol. 1, Spring 2012. Bronx, NY: Modern Languages and Literatures Department, Fordham University. Web. This Book is brought to you for free and open access by the Modern Languages and Literatures Department at DigitalResearch@Fordham. It has been accepted for inclusion in Modern Languages and Literatures Student Publications by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Authors Maria Ebner, Annie Buckel, James Hollingsworth, Caroline Inzucchi, Matthew Kasper, Kingsley Lasbrey, Alexander MacLeod, Sean Maguire, Leila Nabizadeh, Kathryn Reddy, Peter Scherer, and Kelsey Taormina This book is available at DigitalResearch@Fordham: https://fordham.bepress.com/modlang_studentpubs/1 ii k i k i zz nn KKK Observations of Berlin k Martyrs & Memories: Seeing Grün:
    [Show full text]
  • The European Court of Justice and the Development of EU Environmental Policy
    Greening the EU: The European Court of Justice and the Development of EU Environmental Policy Renée Gagné Greening the EU: The European Court of Justice and the Development of EU Environmental Policy Since the European Union was founded, it has expanded its involvement to environmental policy. The European Court of Justice faces an increasing number of environmental cases in response to uncertainty regarding the appropriate role of the EU in this policy area. Specifically, the ECJ faces questions involving the appropriate balance between European economic and environmental interests, and the rights of EU institutions versus the rights of Member States to implement environmental policy. The ECJ uses tools such as the preliminary reference procedure, the infringement procedure, and the proportionality principle to address these challenges. Based on analysis of key European Court of Justice environmental cases, I find that the ECJ has played an inconsistent, but overall positive role in the development of European environmental policy. 2 Greening the EU: Table of Contents 1. Introduction 2. Review and evaluation of the scholarly literature 3. What is the European Court of Justice? a. Governing treaties b. Comparison with the US Supreme Court c. European constitutional court structure 4. Theories of legal integration a. Neo-functionalism b. Neo-realism c. Neither 5. Tools of legal integration and the horizontal-vertical shift in the EU legal structure a. Preliminary reference procedure b. Direct action/abstract judicial review c. Member state court and ECJ relationship 6. EU environmental policy a. Treaty history b. Issues involved 7. Major ECJ environmental cases a. Landmark case analysis b.
    [Show full text]
  • Berlin History – Down the Centuries Berlin’S Locations Where History Happened
    Berlin History – Down the centuries Berlin’s locations where history happened 1 Berlin History – Down the centuries Berlin’s locations where history happened Since it was founded in the Middle Ages, Berlin has been at the heart of historical events – from the rise of Prussia and the founding of the German Empire to the construction of the Berlin Wall and German reunification. The decisions taken here shaped the fate of the country – and sometimes the entire world. The traces of the past across the city take visitors on an exciting journey through time. Today, Berlin’s eventful history, past and present, is just as fascinating as it always has been. A city in flux In historical terms, Berlin is a young city. Founded in the thirteenth century as Berlin-Cölln, the settlement occupied a major strategic position in what was known as the March of Brandenburg. Soon, it developed into the region’s leading trading and market town. In the early seventeenth century, Berlin was almost entirely destroyed in the Thirty Years War. Afterwards, Friedrich Wilhelm, Elector of Brandenburg and Duke of Prussia, revitalised the town to create a flourishing cultural and economic centre. The rulers who followed, later kings in and then of Prussia, developed the city as their royal residence. In 1871, with the founding of the German Empire, Berlin became the new capital, growing into a major metropolis with an international profile. In the Golden Twenties, the city’s many attractions and vibrant night life drew thousands of visitors, as did the first major trade fairs held here.
    [Show full text]