JB Priestley
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HTC AIC Program
Season 2012 AN INSPECTOR CALLS HTC Artspace Exhibition This year the Artspace celebrates the 60th Anniversary of the Heidelberg Theatre Company, featuring archival posters, programmes, photos and newspaper articles, mapping the history of the theatre and highlighting the wonderful plays presented over the years - as well as a display of interesting and beautiful costumes on the Mezzanine. The display, including costumes, for our first play this year has attracted great interest and comment The display for our second play of 2012 covers the third decade of the Company, the 1970s. These documents have been collected by various members of the theatre over many years and we thank them for being aware of the importance of preserving our history. We hope you enjoy the journey with us through the sixty memorable years of Heidelberg Theatre Company HEIDELBERG THEATRE COMPANY (HTC) BOOKINGS 03 9457 4117 ENQUIRIES 03 9455 3039 EMAIL [email protected] WEB www.htc.org.au HTC is a member of the Victorian Drama League. HTC acknowledges financial assistance from the City of Banyule. 2 HEIDELBERG THEATRE COMPANY 3 May - 193 May 2012 About the author J.B. Priestley was born in Bradford, in England’s industrial midlands. He left school at age sixteen to work for a local wool merchant, and in 1914 enlisted in the army. In his subsequent writing, Priestley often drew on his wartime experiences and memories of pre-war England. In 1919, Priestley spent three years at Cambridge, taking honours in English literature, modern history, and political science. As a fiction writer, he became a household name with ‘The Good Companions’ (1929), a comic novel about an itinerant group of music-hall entertainers that sold almost a million copies in hardcover. -
An Inspector Calls Is Recommended for the Artistic Team Students in Grade 8 Director……………………….JIM MEZON and Higher
An Inspector by J.B. Priestley Calls ONNECTIONS Shaw Festival CStudy Guide The Shaw Story 2 The Players 3 The Story 4 Who’s Who 5 The Playwright 6-7 Director’s Notes 8 Designer’s Notes 9 Production History 10 World of the Play 11-15 Did You Know? 16 Say What? 17 Sources 18 Activities 18-29 Response Sheet 30 THE SHAW STORY MANDATE The Shaw Festival is the only theatre in the world which exclusively focuses on plays by Bernard Shaw and his contemporaries, including plays written or about the period of Shaw’s lifetime (1856 – 1950). The Shaw Festival’s mandate also includes: • Uncovered Gems – digging up undiscovered theatrical treasures, or plays which were considered major works when they were written but which have since been unjustly neglected • American Classics – we continue to celebrate the best of American theatre • Musicals – rarely-performed musical treats from the period of our mandate are re- discovered and returned to the stage WHAT MAKES • Canadian Work – to allow us to hear and promote our own stories, our own points SHAW SPECIAL of view about the mandate period. MEET THE COMPANY — OUR ENSEMBLE • Our Actors: All Shaw performers contribute to the sense of ensemble, much like the players in an orchestra. Often, smaller parts are played by actors who are leading performers in their own right, but in our “orchestra,” they support the central action helping to create a density of experiences that are both subtle and informative. • Our Designers: Every production that graces the Shaw Festival stages is built “from scratch,” from an original design. -
Read Ebook {PDF EPUB} Victoria's Heyday by J.B. Priestley Victoria's Heyday by J.B
Read Ebook {PDF EPUB} Victoria's Heyday by J.B. Priestley Victoria's Heyday by J.B. Priestley. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 660d1f96a8de2bdd • Your IP : 116.202.236.252 • Performance & security by Cloudflare. Bibliography. 1931 The Good Companions (adaption with Edward Knoblock) 1932 Dangerous Corner 1933 The Roundabout 1934 Laburnum Grove 1934 Eden End 1935 Duet in Floodlight 1936 Cornelius 1936 Spring Tide (with George Billam) 1936 Bees on the Boatdeck 1937 Time and the Conways 1937 Mystery at Greenfingers 1937 I Have Been Here Before 1937 People at Sea 1938 Music at Night (published 1947) 1938 When We Are Married 1939 Johnson Over Jordan 1940 The Long Mirror (published 1947) 1942 Good Night Children 1944 They Came to a City 1944 Desert Highway 1945 How Are They at Home? 1946 Ever Since Paradise 1947 An Inspector Calls 1947 The Rose and Crown 1948 The Linden Tree 1948 The Golden Fleece 1948 The High Toby (for Toy Theatre) 1949 The Olympians (opera, music by Arthur Bliss) 1949 Home is Tomorrow 1950 Summer Day’s Dream 1950 Bright Shadow 1952 Dragon’s Mouth (with Jacquetta Hawkes) 1953 Treasure on Pelican 1953 Try It Again 1953 Private Rooms 1953 Mother’s Day 1954 A Glass of Bitter 1955 Mr Kettle and Mrs Moon 1956 Take the Fool Away 1958 The Glass Cage 1963 The Pavilion of Masks 1964 A Severed Head (with Iris Murdoch) 1974 The White Countess (with Jacquetta Hawkes) FICTION. -
The Casualty Estimate for World War I, Both Military and Civilian, Was Over 40 Million – 20 Million Deaths and 21 Million Wounded
The casualty estimate for World War I, both military and civilian, was over 40 million – 20 million deaths and 21 million wounded. This includes 9.7 million military deaths and about 10 million civilian deaths. The Entente Powers lost more than 5 million soldiers and the Central Powers about 4 million. Then just a few short years later, World War II began, and racked up an even more impressive list; roughly 72 million. The civilian toll was around 47 million, including 20 million deaths due to war-related famine and disease. So it was a stunned and exhausted world that received John Boynton Priestley’s newest play, AN INSPECTOR CALLS. BY NEIL MUNRO Priestley by the end of the war was already a figure of some renown. His novel The Good Companions had become world famous, and his voice had become second in popularity to none other than Winston Churchill. Priestley wrote and delivered a personal view of the war for BBC Radio, chronicling the trials and tribulations of the ordinary working man and woman. The carnage, the courage, not to mention the optimism of the English people, seemed to need the popularity of an ordinary voice (rather than that of a professional politician) to soothe the daily wounds inflicted by Hitler’s buzz bombs and the massive battles being fought overseas. 10 Shaw Magazine / Spring 2008 Benedict Campbell, who will play Inspector Goole in the 2008 production of AN INSPECTOR CALLS (Photo by Shin Sugino). 11 This kind of destruction on such a grand scale Priestley wanted to write a play that focused on the profoundly affected Priestley’s views of both socialism terrible problems that could develop between people and and capitalism. -
Full Length Plays
Full Length Plays Author Title Item Class Copies Abbot, Rick June groom 20185898 DR:FL 9 Abbot, Rick Play on! 18246494 DR:FL 10 Abbot, Rick Turn for the nurse 20185901 DR:FL 10 Albee, Edward Delicate balance 18847471 DR:FL 6 Albee, Edward Who's afraid of Virginia Woolf? 18392571 DR:FL 4 Anouilh, Jean Lark. Translated by Christopher Fry 20186185 DR:FL 21 Rehearsal. English version by Pamela Anouilh, Jean 18389325 DR:FL 6 Hansford Jo Anouilh, Jean Traveller without luggage 18398804 DR:FL 13 Archer, Jeffrey Beyond reasonable doubt 18392628 DR:FL 14 Arden, John Sejeant Musgrave's dance 20178891 DR:FL 14 Arden, John Three Plays 20178913 DR:FL 10 Aron, Geraldine Same old moon 18393756 DR:FL 12 Ayckbourn, Alan Absent friends 18383750 DR:FL 6 Ayckbourn, Alan Absurd person singular 2547572X DR:FL 6 Ayckbourn, Alan Bedroom farce 18383394 DR:FL 8 Ayckbourn, Alan Chorus of disapproval 18385524 DR:FL 13 Ayckbourn, Alan Comic potential 26891166 DR:FL 10 Ayckbourn, Alan Confusions 18847293 DR:FL 5 Ayckbourn, Alan Henceforward... 18383645 DR:FL 7 Ayckbourn, Alan How the other half loves 18848311 DR:FL 6 Ayckbourn, Alan Intimate exchanges. Vol 1 18383386 DR:FL 2 Ayckbourn, Alan Intimate exchanges. Vol. 2 1838336X DR:FL 2 Ayckbourn, Alan Invisible friends 18383440 DR:FL 7 Ayckbourn, Alan It could be any one of us 2254190X DR:FL 6 Ayckbourn, Alan Joking apart 18383378 DR:FL 8 Ayckbourn, Alan Just between ourselves 18383777 DR:FL 5 Ayckbourn, Alan Living together 18847889 DR:FL 6 Ayckbourn, Alan Man of the moment 18383718 DR:FL 10 Ayckbourn, Alan Mr A's amazing -
An Inspector Calls by J.B
An Inspector Calls by J.B. Priestley Directed by Jim Mezon “After all, y’know, we’re respectable citizens and not criminals.” “Sometimes there isn’t as much difference as you think.” Who killed Eva Smith? That’s the question Inspector Goole wants answered when he calls on the Birling family one spring evening in 1912. The Birlings are in the midst of a celebration dinner. Their daughter Sheila has just become engaged to Gerald Croft, son of the president of Crofts Limited, and rival to Birling and Company. The Birlings are a prosperous family, one that Priestley describes as “pleased with themselves”, and this impending marriage makes this one of the happiest nights of Arthur Birling’s life. Arthur is feeling particularly expansive on this night – it’s 1912 and to him, the progress he sees happening in the world is cause for celebration. A new ship called the Titanic is about to set sail, automobiles and airplanes are making travel easier, and this looming war that people keep talking about will never come to pass. “We can’t let these Bernard Shaws and H.G. Wellses do all the talking”, he tells his family, “We hard-headed practical businessmen must say something sometime.” Then, we hear a ring at the door – an Inspector is calling and he says it’s important. He enters the room and reveals some shocking news: “Two hours ago a young woman died in the Infirmary. She’d been taken there this afternoon because she’d swallowed a lot of strong disinfectant … they did everything they could for her at the Infirmary, but she died. -
National Braille Reserve Collection List June 2007
NATIONAL BRAILLE RESERVE COLLECTION LIST JUNE 2007 The National Library maintains a Reserve Collection of seldom-used braille books of a serious or reference nature. The books have been transferred to the National Library from braille libraries throughout Australia. The ownership of the books in the Reserve Collection has been transferred to the National Library. It is a lending collection of infrequently used braille books which are perceived to have continuing value to braille readers because of their usefulness for education and reference. The material includes standard works, classics, and works the contents of which do not date. Titles which contain obsolete information or which are considered to have no lasting value as information or literature are not accepted for the Collection. The Collection also includes some Australian braille material received by the National Library on deposit. Anyone visiting the Library can use the e-callslip facility to request items for delivery to the reading room. It is first necessary to register to use the Library's Collection and this can be done online at the Register <http://www.nla.gov.au/getalibrarycard/> page on the website. The National Braille Reserve Collection is held offsite so it is advisable to check with the Reading Room staff beforehand about use of the Collection. Various facilities are available in the Reading Room to assist vision impaired readers. For details please see the Accessibility <http://www.nla.gov.au/disabcol.html> page on the website. Braille reading skills are not required to access this material. Normally not more than one copy of any title is retained. -
I. Intersection of Class and Gender in Priestley's an Inspector Calls This Research Critically Analyzes J.B Priestley's Dram
I. Intersection of Class and Gender in Priestley’s An Inspector Calls This research critically analyzes J.B Priestley’s drama An Inspector Calls in the light of how working class people and females are compelled to accept the domination of the capitalists and patriarchs. The capitalist mentality with patriarchal ideologies of the character from the bourgeoisie society dominating proletariat and females is the prime focus of the study. This research will be based on critical analysis of Bryson’s view on capitalism to show how in a patriarchal- capitalist society, the proletariat or working class group and females are dominated or victimized by the bourgeoisie or capitalist people through the presentation of protagonist Eva Smith and her sufferings as well as by portraying the domination of patriarchy cum capitalistic over female character Sheila. This drama dismantles the ideological world of the capitalist and patriarchal reality. It starts in a dining room of a fairly large sub urban house, belonging to a prosperous manufacturer, representative entity of the capitalist cum patriarchal world. The protagonist suffers mentally, emotionally and economically and all the characters those are responsible for her sufferings belong to the capitalist society rooted in patriarchal belief. Eva Smith is victimized and exploited by the capitalist people like the members of Birling’s family and Gerald Croft. The pain and sufferings of working class people makes no change in the feeling and daily life of the patriarch cum capitalists. They are always engaged in their luxurious lifestyle as Birling’s family in the drama. The simple line of the plot can be interpreted in two different levels: on the surface, the play is about the highly individualistic character, Eva Smith who becomes the ideal of resistance to reification of female. -
Featuring Greg Matthew Anderson and Nick Sandys
J. B. Priestley’s An Inspector Calls Field Guide Remy Bumppo, December 2013 Featuring Greg Matthew Anderson and Nick Sandys Greenhouse Theater Center, 2257 N. Lincoln Ave, Chicago www.remybumppo.org / 733-404-7336 Field Guide created by Samantha Bauer 1 J. B. Priestley’s An Inspector Calls Field Guide Remy Bumppo, December 2013 Table of Contents John Boynton Priestley: A Biography…………………………….. 3-5 Priestley’s Postscripts…………………………………………………… 6-7 Priestley’s Parlourmaid…………………………………………………. 8-10 Smith and Suffrage………………………………………………………. 11-15 Playing with Time…………………………………………………………. 16-18 Wartime Britain: A Timeline…………………………………………. 19-22 A Closer Look at 1912…………………………………………………… 23 Tools of the Trade: A Dramaturg’s Sourcebook……………… 24-38 Snackable Sources: Feed Your Brain!................................ 39-43 2 J. B. Priestley’s An Inspector Calls Field Guide Remy Bumppo, December 2013 John Boynton Priestley: A Biography Samantha Bauer, Artistic Intern of Remy Bumppo J. B. Priestley was an accomplished English novelist, playwright and speaker, achieving widespread popularity and critical success in his time. Even today, theatre companies such as Remy Bumppo eagerly take on his works because, to put it simply, they are beloved and reliably entertaining. CHILDHOOD Long before his literary accomplishments, Priestley came from humble roots. Born September 13, 1884, John Priestley would be the only child of Jonathan Priestley, a schoolmaster, and Emma Holt, a mill girl. Despite the early passing of his mother in 1886, Priestley enjoyed a relatively peaceful youth in a small suburb of Bradford, West Yorkshire, England. Though a gifted student, Priestley soon grew bored at school, leaving at age 16 to work as a clerk in one of the many Bradford wool firms. -
Download Publication
1 COUNCI L *Sir Ernest Pooley (Chairman) *Dr. B. Ifor Evans (Vice-Chairman) Mr. Bronson Albery Mr. C. M. Bowra *Sir Kenneth Clark *The Viscount Esher Mrs. B. Ayrton Gould Lord Harlec h Mrs. Cazalet Keir The Lady Keynes Mr. Eric Linklater *Sir Stanley Marchant The Countess of Rosebery Dr. James Welsh Dr. R. Vaughan Williams *Mr . W. E. Williams SCOTTISH COMMITTE E Dr. James Welsh (Chairman ) Dr . Ernest Bullock Mr. James Fergusson Mr. Ian Finla y Mr. W. O . Hutchison Mr. Eric Linklater Mr. George T.McGLashan Dr. O. H. Mavor Sir Frank Mears Mr. J. R. Peddie (James Bridie) The Countess of Rosebery Mr. Neil Shaw WELSH COMMITTE E Lord Harlech (Chainnar) Mr. Haydn Davies Mrs . Emrys Evans Sir Cyril Fox Mr. C. E. Gittim Mr. Wyn Griffith Professor Gwyn Jones Mn . Herbert Jones Dr. Parry Williams Dr. W J, William s ART PANE L Sir Kenneth Clark (Chairman ) Mr. Colin Anderson Sir Leigh Ashton Miss G. V. Barnard Mr. Philip Handy Mr . P. H. Jowett Mr. Edward Le Bas Mr. Henry Moore Air. Ernest Musgrave Mr. Eric Newton Mr. Herbert Read Mr. John Rothenstein Mr. Gordon Russell Mr. Francis Watson DRAMA PANE L The Viscount Esher (Chairman) Miss Peggy Ashcroft Mr. Hugh Beaumont Mr. John Burrell Sir Lewis Casson Mr. Noel Coward Darne Edith Evans Mr. John Gielgud Mr. Tyrone Guthrie Mr. Patrick Henderson Mr. Norman Higgins Mr. Walter Hudd Miss Beatrix Lehmann Mr. Bann Levy Mr. Miles Malleson Mr. J. B. Priestle y Miss Athena Sayler Mr. Alastair Sim Mr. Willard Stoker Mr. Stephen Thomas Mr. -
Index of Authors and Editors
Cambridge University Press 978-0-521-15545-8 - What Shall I Read Next? A Personal Selection of Twentieth Century English Books F. Seymour Smith Index More information INDEX OF AUTHORS AND EDITORS Where authors are referred to in a note the page number is followed by 'n.' Abbott, Edwin A., 29 Baskerville, Geoffrey, 114 Abraham, J. J., 181 Bates, H. E., 16, 52 n., 53, 66, 171, 182 Ackerley, J. R., 170, 181 Bates, Ralph, 66 Ackland, Rodney, 171, 179 n. Bateson, F. W., 30 Adams, Henry, 113 Batho, E. C., 26 n. Adams, J. Q., 21 Baty, R. R. du, see Du Baty Adams, J. T., 113 Bax, Clifford, I, 171 Addison, William, 113 Baynes, Norman H., 114 Agar, Herbert, 113 Beachcroft, T. 0., 53 Agate, James, 1 Beard, C. A. and M. R., 114 A1dington, Richard, 19 n., 29, 50 (ed.), 64, Beebe, William, 182 154 Beerbohm, Max, 30, 31, 66 Alexander, Samuel, 143 Bell, Adrian, 50 (ed.), 66 Allen, Beverley S., 29 Bell, Clive, 31, 114 Allen, C. K., 114 Bell, H. C. F., 20 Allen, G. C. (joint author), see Ashley, Bell, Quentin, 31 William Bellamy, H. S., 144 Allen, Hervey, 20 Belloc, Hilaire, 20 n., 31, 53, 115, 155, 182 Allen, Walter, 30 Benedict, Ruth, 31 Allingham, Margery, 64 Bennett, Arnold (joint author), see Knob- Anderson, J. R.. 154 lock, Edward Anthony, Katherine, 19 n., 114 Bennett, H. S., 115 Archer, William, 171 Bennett, Joan, 16 n Armstrong, Anthony, 171 Benns, F. L., 115 Armstrong, Martin, 50 (ed.), 53, 155 Benson, Theodora, 53 Arnold, Thomas, 114 Bentley, E. -
An Inspector Calls Aim Higher
An Inspector Calls Aim Higher Name: Teacher: Katherine Howard @saysmiss Contents Understanding the Man: • An Inspector Calls and JB Priestley’s political journey, A Cullimgford • Postscript of JB Priestley, BBC, 1940 Putting Things into Context • Four Revelations about the Titanic Disaster by J Kent Layton, Bill Wormstedt and Tad Fitch • Suffragettes, Violence and militancy by Fern Riddell • The Annals of Labour by John Burnett • George Orwell, on the stereotypical modern businessman of the 1930’s Theories and Themes • An Outline of Oupensky’s theory of Eternal Recurrence, through Francis Bass • J.W. Dunne and the popular promise of dreams by Katy Price • Biblical Allusion in An Inspector Calls Audience Reception • JB Priestley's An Inspector Calls, October 1946 by Samantha Ellis, The Guardian • An Inspector Calls is poisonous, revisionist propaganda - which is why the luvvies love it by James Delingpole, The Spectator A Modern Perspective • The BBC’s Steph McGovern is right: posh girls get paid more by Deborah Orr, The Times • Birth in toilets puts a spotlight on Sports Direct conditions by Jeannie Robinson, The Socialist Worker • The Social Media Effect: Are You Really Who You Portray Online? By R. Kay Green • Further debate, discussion and exploration tasks Katherine Howard @saysmiss How to use this booklet As you read each article, use the discussion questions at the end to consider: • How is this relevant to the play? • How could I apply what I have just read to particular characters or themes? • Which particular scene or moment