A 'Phase Error Gives Rise to Colour Errors, but in PAL As a Moving Pattern of Ance of PAL Receivers in T

Total Page:16

File Type:pdf, Size:1020Kb

A 'Phase Error Gives Rise to Colour Errors, but in PAL As a Moving Pattern of Ance of PAL Receivers in T 40 PHILIPS TECHNICAL REVIEW VOLUME 27 The effect of differential phase errors colour yellow, for example, will be alternately too What, then, are the technical reasons that have leadgreen in one line and too orange in the next. A large a number of experts to prefer the PAL or SECAMarea of colour, however, seen from far enough away, system to the longer established, further developedwill nevertheless give the right hue, since the ratio and, as practice has shown, quite satisfactory NTSCbetween R'-Y' and B'-Y' is on average exactly right. system? The main reason is the concern about theThe only ill -effect will be a degree of saturation that phase modulation of the NTSC sub -carrier. As we haveis slightly too low (since cos a < 1), and this in general already said, the phase of the sub -carrier in the NTSCis not very troublesome. system determines the hue. What can go wrong with The above sets out the basic principle of PAL, but this? A phase shift of the complete NTSC sub -carrierunfortunately, in practice things may be a little differ- signal cannot in itself give trouble, since the hue isent. Because of the non -linearity of the picture tube determined by the phase difference from the referencecharacteristic (y 0 1),a 'phase error gives rise to signal (the burst) which is also present in the signal,brightness as well as colour errors and the brightness and not by the absolute phase. Only if the phase shiftserrors are also alternate on successive lines. This for burst and chrominance signal are different willgives a fairly coarse pattern of stripes which moreover colour errors occur. Such distortion in the signal canappears to move in the vertical direction, because of arise in certain unperfected equipment because thethe interlacing. This effect has the result that the sensi- chrominance signal is superimposed on the luminancetivity of the PAL receiver to differential phase errors signal, while the reference signal always is given atis as great as with NTSC, although the effects on the black level (see fig. 5). If a phase shift dependent onpicture are quite different. In NTSC they appear as the level now occurs, there will be colour errors in thecolour errors, but in PAL as a moving pattern of NTSC image. stripes ("Venetian blind effect" or "Hanover bars"). Although it has been found quite easy to keep these Nevertheless it is possible to improve the perform- "differential phase errors" to a minimum with modernance of PAL receivers in this respect. Instead of equipment, a more attractive idea appeared to be to make the system insensitive to such errors. For both R=Y" PAL and SECAM, the basic concept was the avoid- ance of difficulties due to phase shifts dependent on the level. However, "what you gain on the swings you lose on the roundabouts", and so this can only be done at the expense of something else. In the SECAM system, the desired result is achieved by the, use of frequency modulation: in fact in areas where colour is uniform the frequency remains constant and the Fig. 15. Vector diagram of the phase has no effect. Differential phase errors can give chrominancesignalof PAL rise to colour errors only when the brightness varies, for two successive lines, where there is a differential phase error but this effect is only slight and rarely visible in practice.a. The vectors shown in broken The price that has to be paid for this advantage haslines occur instead of the sol- idly -drawn vectors C. Because already been partly explained above: the possibilityq' changes itssign each time, of annoying errors at vertical colour transitions, andwhile a does not, there is a cer- tain amount of phase error com- poorer compatibility. pensation in PAL. In the PAL system, differential phase errors are in the first instance less of a hazard because the colourleaving the averaging out of errors to the eye, a decoder variations are averaged out. If the chrominance signalcan be used which does this for the viewer by directly contains a differential phase error a, then instead ofaveraging the electrical signals. This can be done with the desired signal, e.g. C sin q,, the circuit shown inthe aid of a delay line, of the same type as that used fig. 12 gives the signals C sin(g)-F-a) and C sin(q)-a)in the SECAM receiver, giving a delay of one line for alternate lines in the (R'-Y') direction, see fig 15.interval (64 t.ts) (see fig. 16). The difference between On average, thisis-1-C [(sin(g+ a) + sin(q)-a)] =this scheme and SECAM is, of course, that the delay C sin q, co's a. Likewise, the result will be on averageline is essential to the operation of SECAM, whereas C cos q cos a for the (B'-Y') direction. The colour isit is introduced here purely for correction. The simple therefore incorrect for every line, because the colourPAL decoder is now known as PALs, that with a compon'ents have the phase .9) + a instead of 9), butdelay line being referred to as PALd. the alternate colour errors are in opposite directions. The If the PALd decoder is used, the receiver is not very.
Recommended publications
  • AN9725LG Datasheet
    AN9725LG Analog Logo Inserter System The AN9725LG Logo Inserter system is a complete analog logo insertion The onboard preview allows you to cue your logos for position and content package that will key one, or many, static/animated "bugs" over a composite verifi cation prior to going "On Air". analog video signal. Logos created in BMP, TIF or TGA fi le formats can be imported into the Evertz® Overture™ software and transferred to the The EAS crawl support allows for connection to an existing EAS decoder. This AN9725LG via Ethernet. RS–232 connection allows weekly tests (white text on green), watch alerts (white on yellow) and warnings (white on red) to be scrolled across the analog Logos are stored in fl ash memory and can be quickly accessed via front panel, video with no need for format conversion. The variable height text font can be quick select keys, GPI inputs, automation and Overture™. With the removable positioned anywhere on the screen and rendered with any TrueType font. Compact Flash option you can access up to 4GB of online logo storage space and virtually unlimited archived media storage. The TXT option allows for the creation of custom text messages that can be displayed as crawls or fi xed position fi elds on top of keyed graphic logos. The AN9725LG has been designed to manage and store multiple logos. Each These user–defi ned elements can be dynamically updated by Ethernet using logo size is variable and ranges from 1/25th to full screen. The position of the Overture™ software. Text crawls and fi elds retain display information such the logo, fade rates and animation rates are user–controllable.
    [Show full text]
  • 4430+ Composite Analogue to SDI ADC
    DTL MiniBlox™ 4430+ Composite analogue to SDI ADC Features • Analogue composite to SDI ADC • Dual high speed oversampling 11-bit ADC’s • Digital TBC and jitter filter for greater output stability • Temporal frame recursive noise reduction • Motion adaptive 3D YC separation using a 5 line comb filter • Automatic gain control Description • Differential input to eliminate common mode ‘hum’ up to 6Vp-p The 4430+ is a broadcast quality composite analogue to SDI converter. • Extremely compact and rugged It uses dual 11 bit over sampling ADCs with 5 line • Locking connector for PSU adaptive comb filtering. Temporal noise reduction and Control switches 3D motion adaptive YC separation offer the highest • Pedestal control quality conversion on the market. The unit accepts PAL, • VBI blanking NTSC and SECAM analogue inputs. The input format is • Disable AGC automatically detected. • Disable jitter filter It is housed in an extremely compact and rugged aluminium case ideally suited to both studio and portable • Enable noise reduction applications. • Enable motion adaptive YC separation www.miniblox.com Specifications Analogue input Performance Standards Composite NTSC (J, M, 4.43), PAL (B, D, G, H, I, Differential gain <1.5% M, N, Nc, 60) and SECAM (B, D, G, K, K1, L) Composite PAL, NTSC & SECAM Differential phase <0.4° Connector 75Ω BNCs Power Signal level 1V p-p nominal Voltage 6-12V DC Return loss >40dB to 5.5MHz Current 600mA at 6V CMR >6Vp-p Power connector Locking 2.5mm jack connector (centre +ve) SDI output Other Standards SMPTE 259M 270Mb/s 525/625 SDI LED Shows power and signal Connector 75Ω BNC Temperature range 0˚C to 40˚C Number 2 Dimensions 63.5mm x84mm x30mm (excluding connectors) Signal level 800mV p-p ±10% (terminated) Weight 180g Jitter <0.15UI with colour bars input Return loss >18dB to 270MHz Ordering information 4430+ Composite analogue to SDI ADC 4006 Desktop power supply with IEC320 C14 inlet 4010 1U rack mounting frame for up to 5 units including PSU We reserve the right to change technical specifications without prior notice.
    [Show full text]
  • 4-Channel Video Multiplexers Transmit Four Channels of Full-Frame, • One-Way Transmission of Four Real-Time, Full Frame Video Real-Time Video Over a Single fiber
    GE Fiber Optic Security Video Transmitters and Receivers Overview Standard Features 4-Channel Video Multiplexers transmit four channels of full-frame, • One-way transmission of four real-time, full frame video real-time video over a single fiber. They accept monochrome and channels over one fiber color signals in NTSC and PAL formats. The multiplexers consist of • Single and multimode models available a four-channel transmitter and receiver, with both units available in standalone and rack configurations. S704V models feature • Supports all major video formats multimode operation, while S7704V models operate over one single • 640 TV lines resolution mode fiber. • 60 dB Video SNR • 8 MHz video bandwidth Exceptional Performance • Optical AGC Full-frame, real-time video transmission delivers all the video • 13 dB optical budget captured by the camera. A bandwidth of 8 MHz enable the multiplexers to transmit extremely clear, high-resolution images. FM • Operating distance up to 20 miles (32 km), depending on the modulation assures that the image quality remains high over the model full operating distance. • Standalone or rack configurations Superior Diagnostics The SMARTS™ diagnostic technology provides built-in diagnostic tools including LEDs that monitor the operating status of the video and optical signals. 4-Channel Video Multiplexer S704V and S7704V GE Specifications Security Video S704V (Multimode) S7704V (Single Mode) Channels 4 Format NTSC, PAL, SECAM, EIA, CCIR U.S. Input/Output Signal 1.0 V p-p composite T (561) 998-6100 T 888-GE-SECURITY
    [Show full text]
  • Brighteye 24 SDI to Analog Converter and Disembedder
    BrightEyeTM 24 SDI to Analog Converter and Disembedder User Guide ENSEMBLE DESIGNS Revision 3.0 SW v1.0.8 This user guide provides detailed information for using the BrightEye™24 SDI to Analog Converter and Disembedder unit. The information is organized into the following sections: • Product Overview • Functional Description • Applications • Rear Connectors • Operation • Front Panel Controls Indicators • BrightEye PC • Warranty and Factory Service • Specifications • Glossary BrightEye-1 BrightEye 24 SDI to Analog Converter and Disembedder PRODUCT OVERVIEW BrightEye™ 24 is both a digital to analog video converter as well as an audio dis- embedder. The incoming serial digital video signal is converted to an analog composite signal, while digital audio signals embedded in the digital video signal are extracted and converted to analog outputs. Front panel controls select analog reference level, AES group for disembedding, and provide gain adjustment. Input presence and output VU information are indicated as well. The BrightEye PC Control application is provided to allow more detailed control of the unit from a PC with USB support. A glossary of commonly used video terms is provided at the end of this manual. FUNCTIONAL DESCRIPTION BrightEye 24 combines a video digital to analog converter with an audio dis- embedder (demux) and audio digital to analog converter. The input to the module is a standard definition 601 digital signal (SDI) at either 525 (NTSC) or 625 (PAL) line rate. The SDI input is digitally encoded to composite video and then converted to analog form for output on the Cpst Out BNC connector. The encoder will switch automatically between NTSC and PAL to follow the line standard detected on the SDI input.
    [Show full text]
  • NTSC Specifications
    NTSC Modulation Standard ━━━━━━━━━━━━━━━━━━━━━━━━ The Impressionistic Era of TV. It©s Never The Same Color! The first analog Color TV system realized which is backward compatible with the existing B & W signal. To combine a Chroma signal with the existing Luma(Y)signal a quadrature sub-carrier Chroma signal is used. On the Cartesian grid the x & y axes are defined with B−Y & R−Y respectively. When transmitted along with the Luma(Y) G−Y signal can be recovered from the B−Y & R−Y signals. Matrixing ━━━━━━━━━ Let: R = Red \ G = Green Each range from 0 to 1. B = Blue / Y = Matrixed B & W Luma sub-channel. U = Matrixed Blue Chroma sub-channel. U #2900FC 249.76° −U #D3FC00 69.76° V = Matrixed Red Chroma sub-channel. V #FF0056 339.76° −V #00FFA9 159.76° W = Matrixed Green Chroma sub-channel. W #1BFA00 113.52° −W #DF00FA 293.52° HSV HSV Enhanced channels: Hue Hue I = Matrixed Skin Chroma sub-channel. I #FC6600 24.29° −I #0096FC 204.29° Q = Matrixed Purple Chroma sub-channel. Q #8900FE 272.36° −Q #75FE00 92.36° We have: Y = 0.299 × R + 0.587 × G + 0.114 × B B − Y = −0.299 × R − 0.587 × G + 0.886 × B R − Y = 0.701 × R − 0.587 × G − 0.114 × B G − Y = −0.299 × R + 0.413 × G − 0.114 × B = −0.194208 × (B − Y) −0.509370 × (R − Y) (−0.1942078377, −0.5093696834) Encode: If: U[x] = 0.492111 × ( B − Y ) × 0° ┐ Quadrature (0.4921110411) V[y] = 0.877283 × ( R − Y ) × 90° ┘ Sub-Carrier (0.8772832199) Then: W = 1.424415 × ( G − Y ) @ 235.796° Chroma Vector = √ U² + V² Chroma Hue θ = aTan2(V,U) [Radians] If θ < 0 then add 2π.[360°] Decode: SyncDet U: B − Y = -┼- @ 0.000° ÷ 0.492111 V: R − Y = -┼- @ 90.000° ÷ 0.877283 W: G − Y = -┼- @ 235.796° ÷ 1.424415 (1.4244145537, 235.79647610°) or G − Y = −0.394642 × (B − Y) − 0.580622 × (R − Y) (−0.3946423068, −0.5806217020) These scaling factors are for the quadrature Chroma signal before the 0.492111 & 0.877283 unscaling factors are applied to the B−Y & R−Y axes respectively.
    [Show full text]
  • Newnes Guide to Television & Video Technology.Pdf
    Newnes Guide to Television and Video Technology Newnes Guide to Television and Video Technology Third edition Eugene Trundle, TMIEEIE, MRTS, MISTC OXFORD AUCKLAND BOSTON JOHANNESBURG MELBOURNE NEW DELHI Newnes An imprint of Butterworth-Heinemann Linacre House, Jordan Hill, Oxford OX2 8DP 225 Wildwood Avenue, Woburn, MA 01801-2041 A division of Reed Educational and Professional Publishing Ltd A member of the Reed Elsevier plc group First published 1988 Second edition 1996 Third edition 2001 # Eugene Trundle 1988, 1996, 2001 All rightsreserved.No part of thispublication may be reproduced in any material form (including photocopying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London, England W1P 9HE. Applications for the copyright holder's written permission to reproduce any part of thispublication shouldbe addressed to the publishers. British Library Cataloguing in Publication Data A catalogue record for thisbook isavailable from the BritishLibrary. ISBN 0 7506 48104 Typset by Keyword Typesetting Services Ltd, Wallington, Surrey Printed and bound in Great Britain by MPG BooksLtd, Bodmin, Cornwall Contents Preface to third edition vii 1 Basic television 1 2 Light and colour 15 3 Reading and writing in three colours21
    [Show full text]
  • Bc-00593-C.Pdf
    NTSC TM Betacam SX™ System — a New Generation of ENG and EFP Format When Sony introduced U-maticTM video cassette recording in 1972, the age of electronic news To realize these dramatic benefits, Sony introduces the Betacam SX system: the total solution for gathering was launched. In the 1980’s, Sony gave the world BetacamTM and then Betacam SP TM optimized digital acquisition and production. formats — workhorse formats that introduced such radical improvements in picture quality that The Betacam SX format is designed to achieve superior picture quality, faster editing, increasing they were quickly adopted throughout the broadcast community. Developed to take full advantage system flexibility, and greater productivity in every aspect of news gathering and production. The of the Betacam and Betacam SP formats, the BVW range of Sony VTRs has, for over a decade, Betacam SX system combines extraordinary advantages: an advanced compression algorithm, set the standard for reliability and performance in the demanding worlds of ENG and EFP. dramatic reductions in equipment size and operating costs, the speed and creativity of non-linear Now, in the 1990’s, digital technology is bringing revolutionary changes to the broadcast industry disk-based editing, and the power of a total digital network. — changes that are accompanied by benefits and advantages that can be applied throughout the The Betacam SX format complies with MPEG-2 4:2:2 Profile at Main Level (MPEG-2 4:2:2P@ML) entire broadcast operations. to maintain broadcast-quality pictures from camera through post production. Using the robust compression algorithm that achieves higher picture quality at a reduced bit- rate, the Betacam SX format is the key to superior digital acquisition, high- speed transmission from the field to the broadcast station, high-speed material upload to server, non-linear editing, cost-effective archival storage, and server-based playout.
    [Show full text]
  • Channel R PERFORMANCE MULTI-ROOM VIDEO Warranty Modulator Multiplex Technology, Inc
    Channel R PERFORMANCE MULTI-ROOM VIDEO Warranty Modulator Multiplex Technology, Inc. warrants this product to be free from defects in materials and workmanship for a period of Installation Manual one year from the date of purchase or MTI will repair, or at its option, replace the defective product. To obtain warranty service, call MTI for a return material authorization (RMA) number and return the product prepaid to Multiplex Technology, Inc., 3001 Enterprise Street, Brea, CA 92821, Attention: Customer Service. Please put the RMA number on the outside of the carton. ® model 5645 quad mts stereo surround sound modulator Any implied warranty arising from the sale of the product select program BA C D STEREO including implied warranties of merchantability and fitness dbx noise reduction for purpose are limited to the warranty stated above. MTI shall not be responsible for losses or damages or expenses, whether direct, consequential or incidental arising from the use of or the inability to use this product. Some states do not Frequency-Agile allow limitations on how long the implied warranty lasts or the exclusion or limitation or incidental or consequential MTS Stereo damages, so the above limitations and exclusions may not apply to you. This warranty gives you specific legal rights, Multi-channel Modulators and you may have other rights which may vary from state to state. Models 5615/5625/5645 This device complies with the FCC's Part 15 Rules for TV interface devices. Any change or modification to this device without the permission of Multiplex Technology, Inc. may void the user's authority to operate this equipment.
    [Show full text]
  • D4E Serial Digital Encoder User Manual
    D4E Serial Digital Encoder User Manual December 5, 2003 P/N 101634-00 2 Trademarks AJA, Io, and Kona are trademarks of AJA Video, Inc. All other trademarks are the property of their respective holders. Notice Copyright © 2003 AJA Video, Inc. All rights reserved. All information in this manual is subject to change without notice. No part of the document may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopying or recording, without the express written permission of AJA Inc. FCC Emission Information This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense. Changes or modifications not expressly approved by AJA Video can effect emission compliance and could void the user’s authority to operate this equipment. Contacting Support To contact AJA Video for sales or support, use any of the following methods: 443 Crown Point Circle, Grass Valley, CA. 95945 USA Telephone: +1.800.251.4224 or +1.530.274.2048 Fax: +1.530.274.9442 Web: http://www.aja.com Support Email: [email protected] Sales Email: [email protected] When calling for support, have all information on the product (serial number etc.) at hand prior to calling.
    [Show full text]
  • IQDMSES Multi-Standard (PAL, PAL-N, PAL-M, NTSC, SECAM) Encoder with Synchronizer - 12 Bit
    IQDMSES Multi-standard (PAL, PAL-N, PAL-M, NTSC, SECAM) Encoder with Synchronizer - 12 bit The IQDMSES provides full broadcast quality serial 4:2:2 to composite analog encoding. Full genlock and gamut limiter as standard. A 12-bit oversampled DAC ensures highest quality reconstruction. Does this module suit your application? • EDH checking on SDI input • PAL/NTSC-M/NTSC-J/PAL-M/PAL-N/SECAM broadcast • RollCall™ compatible quality encoding • RollTrack™ link to tracking audio delays • 12-bit oversampled, DAC with 601 quality reconstruction Why should you choose this module? • Full genlock and minimum delay operation • Broadcast quality encoding for • Full Frame Synchronizer PAL/NTSC-M/NTSC-J/PAL-M/PAL/SECAM broadcast • Gamut limiting using optimal hue and intensity modification applications • Internal pattern and VITS generation • Full genlock and minimum delay functions ensure accurate timing of composite video • Pass or blank vertical interval data • Vertical interval data can be passed or blanked as required NTSC pedestal control • by the downstream system • Tolerant of SMPTE RP168 serial switching • RollCall ensures the control capability required by any • Selectable SECAM Bottles systems • SECAM Genlock to PAL switch or SECAM • 12-bit oversampling DAC ensures optimum analog quality • SECAM dynamic notch • Gamut limiting using optimal hue and intensity modification • Up to 5 x composite outputs • Up to 2 x serial 4:2:2 reclocked outputs © Snell & Wilcox 2005 www.snellwilcox.com IQDMSES Multi-standard (PAL, PAL-N, PAL-M, NTSC, SECAM) Encoder with Synchronizer - 12 bit Order codes for IQH3A enclosures Order codes for other enclosures IQDMSES-1A-S 12-bit Multi-standard IQDMSES-1-S 12-bit Multi-standard (PAL/PAL-N/PAL-M/NTSC/SECAM) Encoder with Synchronizer.
    [Show full text]
  • OA-24 Measuring and Improving Differential Gain and Differential Phase for Video
    OBSOLETE Application Report SNOA370B–March 1994–Revised April 2013 OA-24 Measuring and Improving Differential Gain and Differential Phase for Video ..................................................................................................................................................... ABSTRACT Differential gain (DG) and differential phase (DP) are two specifications that designers of composite video systems use everyday. We will define them here just to be sure we are all speaking the same language, and to ensure understanding of the rationale of the test technique used by Texas Instruments. Contents 1 Basic Information ............................................................................................................ 2 2 How We Do It ................................................................................................................ 3 3 Look Carefully at How DG, DP are Specified In Data Sheets ........................................................ 5 4 Summary ..................................................................................................................... 9 5 References ................................................................................................................. 10 List of Figures 1 Positive Video Waveform .................................................................................................. 2 2 R/T Test Set ................................................................................................................. 5 3 DG and DP Appear More Like
    [Show full text]
  • SDI to Analog Converter with Frame Sync/Genlock and Audio Disembedder User Guide
    SDI to Analog Converter with Frame Sync/Genlock and Audio Disembedder User Guide ENSEMBLE DESIGNS Revision 4.0 SW v1.0.2 This user guide provides detailed information for using the BrightEye™16 SDI to Analog Converter with Frame Sync/Genlock with Audio Disembedder. The information is organized into the following sections: • Product Overview • Functional Description • Applications • Rear Connectors • Operation • Front Panel Controls and Indicators • Using The BrightEye Control Application • Warranty and Factory Service • Specifications • Glossary BrightEye-1 BrightEye 16 D-to-A Converter TBC/FS and Disembedder PRODUCT OVERVIEW BrightEye™ 16 provides digital to analog conversion with a timeable output. It is perfect for feeding composite analog switchers and routers where timing to a reference is required. It also disembeds audio from the SDI input and converts it to four analog audio outputs. The BrightEye 16 has an SDI video and a reference input. The input signal is converted to analog composite and synchronized (genlocked) to the reference signal. The analog composite output is fully timed with respect to the reference including ScH phase. Embedded audio from the SDI input is disembedded and converted with 24 bit precision to analog audio. Basic controls are accessed on the front panel. The BrightEye Control application provides access to video proc functions and built-in audio mixer controls not available from the front panel. A glossary of commonly used video terms is provided at the end of this user guide. FUNCTIONAL DESCRIPTION As shown in the functional block diagram below, serial digital video input is fed to the converter unit on a single BNC connector.
    [Show full text]