DOCSLIB.ORG

Monday July 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Monday July 1 6:00 BIG WILSON NEWS,MUSIC,TALK 9:00 DR. JOYCF °DITHERS DlRcussloN 1 10:00 STERLING YATES SWAP SAN MONDAY JULY 11:00 *PETITE SYMPHONY HAYDN:SrM NO.53 IN D(VIENINNIIA ORCH/SACHER); SCHUBERT:srM 7:00 IN THE BEGNINING NO.5 IN BV(ROYAL PHIL/BEECHAM) 9:00 MEDIEVAL MUSIC HALLE: 12 NOON LE JEU DE ROBIN ET MARION; 12:05 *CONCERTO J.S.BACH:coNc No.7 IN G - 13 RONDEAU(PRO MUSICA ANTIGUA/ OF FOR HARPS ICCÇiHORD & ORCH(MARLOWE/BAROQUE CAPE); CHANSONS & MOTETS CENTURY BY VENTADORN/ INDICATE CHAMB ORCH); KHACHATURIAN:coNc FOR VLN THE 13TH STEREO AS RUDEL/RIQUIER/ANON(PRo MUSICA 6:uu BRIGHT AND EARLY GEORGE EDWARDS WEATHER,NEWS,TIME,BUSINESS & ORCH(KOGAN/BOSTON SYM ORCH/MONTEUR) ORCHESTRA ELGAR:" OCKAIGNE" ANTIQUA/cAPE); 17 FRENCH DANCES 8:00 NEW YORK TIMES MORNING NEWS ROUNDUP 1:05 ESSAY ZOR ORCH/BARBIROLLI.; OF THE 13TH & 14TH CENTURIES 9:07 PIANO PERSONALITIES OVT,OP.40(PHILH WALTON: ORCH/WALTON); 0:15 A SATIRICAL VIEW 10:07 LISTENERS' CHOICE PARTITA FOR ORCH(PHILH 0:30 COMMENTARY BISHOP JAMES A. PIKE 12 NOON VAUGHAN-WILLIAMS: FANTASIA ON A THEME BY 0:45 COMMENTARY 12:15 MUSIC A LA CARTE GEORGE EDWARDS THOMAS TALLIS(SINF OF LON/BARBIROLLI) -BALLET THEATRE DONIZETTI: 1:00 CONVERSATIONS JULIUS LESTER 1:07 ßL MY GUEST7(( BOB LEWIS *ROZSA:ovT TO A SYM CONC RCA ITALIANS 2:05 *OPERA L'ELISIR D'AMORE:EXC `GUEDEN/D ISTEFANO/ 1:30 NEWS FOR CAR OWNERS ORCH/ROZSA/9/JJ LIADOV:KIKIMORS(BAMBERG SYM/PERLEE/IO ; OFFEN- 12 NOON BACH:THE TALES OF HOFFMAN:SCINTILLE DIAMANT(4/MERRILL/ORCH/MOREL); MAY FEST ORCH/MOLINARI-PRADELLI) PEOPLE *LISZT/BUSONI:RAPSODIE ESPAGNOLE(15/OGDON/PHILH ORCH/PRITCHARD);t 3:05 *SOUND OF SYMPHONY HAYDN:sYM No.96 2:00 THE CRITICAL PUBLIC AFFAIRS SPECIAL BOYCE/LAMBERT:PROSPEFT BEFORE US:EXC(3/ROYA, OPERA ORCH/IRVING); * IN D(PRAGUE CHAMB ORCH); MOZART:sYM NO.IO 2:45 SYM ORCH/WAND) :45 BOOKS TO BUY/BORROW OR BURN DVORAK:sYM NO.3 IN E (LON SYM/KERTESZ/36) IN G-(GURZENICH FEATURING SZOKE ROSAND 2:00 THE UNMARRIED MOTHER AND 3:07 *LISTENING TO MUST LLOYD Moss GLIERE:sYH NO.3 IN B - 4:05 *RECITAL HALL RADIO SYM SARASATE: HER FAMILY (HOUSTON SYM/STTOKOWSI); MOZART:PIANO CONC NO.26 IN D(29/CASADESUS/ AND THE SW GERMAN 2; SIBELIUS:6 3:00 SOUNDS OF TODAY SYM ORCH/SZELL); DEBUSSY:IMAGES FOR ORCH :RONDES DE PRINTEMPS SPANISH DANCES,OP.21:I & TCHAIKOVSKY: 4:00 YOUNG PEOPLE'S PROGRAM (LON SYM ORCH/MONTEUX/8) HUMORESQUES,OP.87 & 89; 5:00 MUSIC FOR THE OBOE FEATURING 5:07*STEREO CAVA LCADE OFFENBACH:THE DRUM MAJOR'S DAUGHTER:OVT(7/ SERENADE MELANCOLIQUE FOR VLN & ORCH; SARASATE:CARMEN FANTASY WORKS BY HOTTETERRE/LOEILLET/ LON SYM OACH/BONYNG ); WARLOCK:SERE FOR FREDERICK DELIUS(7/ & CLEVELAND SINF/LANE); IBERT:DIV(15/PARIS CONS ORCH/MARTINON) 5:05 BILL MAZER SHOW VIVALD I/MARCELLO/TELEMANN HANDFI 6:15 MISCELLANY 6:00 NEW YORK TIMES NEWS ROUNDUP STOCK MARKET,EDITORIAL,BUSINESS 6:00 BILL MAZER CONTD PAUL SCHAFFER REVIEW 7:00 NEW YORK CITY NEWS WORLD,LOCAL,MARKET 6:30 NEWS COMMENTARY CONRAD LYNN 7:15 NEW YORK TIMES CORRESPONDENTS VIEW THE NEWS 7:45 WORLD NEWS ROUNDUP 7:00 EDUCATION COMMENTARY MARSH 7:20 NAME THE VOICE 8:05 *SERENADE BRAHMS:LIEBESLIEDER WALTZES 7:15 JOHN ORCH/DUMONT); FAURE:MASQUES ET 7:30 SCRAPS CHRIS ALBERTSON 7:30 NIGHT IN LATIN AMERICA PRU DEVON (BOYD NEEL POEMS 8:07 *SYMPH4NY HALL FRANCAIX:SERE FOR SMALL ORCH(II/CLEVELAND BERGAMASQUES(SUISSE ROMANDE/ANSERMET); 7:45 JOHN L'MEUREUX READS HIS PIANO & ORCH, 8:15 GRASS ROOTS AMERICA SINF/LANE); BEETHOVEN:TRIPLE CONC IN C(36/STERN/ROSE/ISTOMIN/ CHOPIN:CONC NO.1 IN E- FOR #5 PHILADELPHIA ORCH/ORMANDY) OP.11:2ND MVT(BACHAUER/LON SYM/DORATI); 8:45 BOTH SIDES OF THE BARS IN THE 9 PM RIMSKY-KORSAKOV: SCHEHERAZADE:3RD MVT(ROYAL COURTS 9:07 MUSIC UNDER THE STARS JEROME KERN SEL FROM SHOWBOAT PHIL/BEECHMAN) 9 PM PUBLIC AFFAIRS SPECIAL 10:07 PANORAMA:3 VIEWS OF GOETUE'S FAUST *IIAGNER:A FAUST SYM 9 PM 9:15 pII/PITTSBURGH SYM STEINBERG); *GOUNOD:FAUST:BALLET MUSIC EXC 9:05 *MUSICAL FOOTNOTES HAYDN:coNc NO.1 10:15 MISCELLANY PAUL FISCHER DETROIT SYM/PARAYS; BOITO:MEFISTOFELE:PROLOGUE(25/MOSCONA/ IN C FOR VLN & ORCH(MENUHIN/BATH FEST ORCH/); 10:30 NEWS COLUMBUA BOY CHOIR/NBC SYM/TOSCANINI) CONC NO.1 FOR FLUTE,OBOE & ORCH(RAMPAL/ 10:45 WAR SUMMARY PAUL SCHAFFER PIERLOT/PARIS MUSICUM/DOUATTE); TELE- 11:00 AN INTERVIEW WITH HERMAN 11:15 NIGHTCAP * BENDA:sYM IN E (19/CHAMB ORCH/HLAVACEK);*LIADOV: LOLL THE ENCHANTED LAKE(CLEVELAND 0RCH/SZELL/6); GLAZUNOV:RAYMONDS: MANN:coNc IN Eb FOR 3 OBOES,3 VLNS & ST FERGUSON 12:00 RADIO UNNAMEABLE BOB FASS PAS DE DIX(16/NYC BALLET ORCH/IRVING) (SOLOISTS/MOSCOW CHAMB ORCH/BARSHAI) HAYDN:srM NO.104 IN D 12:07 MIDNIGHT WITH MUSIC SCHUBERT:or NO.6 IN D(ENDRES GT/26); 10.05*WBC-FM CONCERT. RA EL:INTRO AND ALLEGRO(STOCKTON/GLEGHORN/LURIE/HOLLYWOOVp ST QT/ (ROYAL PHIL/BEECH7AM); BRAHMS:cONc NO.1 IN D - II);*KOHAUT:GUITAR CONC IN F(DIAZ/I SOLISTI DI ZAGREB/12)' VI- FOR PIANO & ORCH(CURZON/LON PHIL/SZELL); VALDI:CANC IN A FOR VLN,STS & CONTINUO(I2 POSSELT/BODKY);*CHOPIN: DELIUS:INCIDENTAL MUSIC TO "HASSAN"(ROYAL CELLO & PIANO SONA IN G-(24/STARKER/SEBOK);*BRITTEN:MATINEES PHIL ORCH & CHORUS/BEECHAM) MUSICALES(13/PHILHARMONIC PROMENADE ORCH/BOULT) NEWS ON THE HOUR NEWS ON THE HOUR 6:50 SIGN ON 7:00 JUST JAll WITH ED BEACH 9:00 JUST MUSIC WITH CONSTANCE COOPER 12 NOON 12:00 JUST MUSIC A MUSICAL SALUTE TO CANADA CALVERT: STE FROM THE MONTEREGIAN ILLS(MONTREAL BRAS 0T); MATTON:MOUVEMENT SYM NO.2(MONTREAL SYM/MpITA); MERCURE: LIGNES ET POINTS; PREVOST:FANTASMÇS(HETU); MORAWETZ: TRIO FOR FLUTE,OBOE & HARPSICHORD(DUSCHENES/RERMAN/ JONES); BEETHOVEN:soNA IN A FOR VLN; SOMERS:I2 MINIA- TURES FOR VOICE & INSTIp//U TRIO; GRANT:ANERCA,SONG CYCLE; JONES:MIRAMICHI BALLAD`cBC MONTREAL ORCH/BROTT); BRAHMS: SONA NO.1 FOR VIN & PIANO; TURNER:6 VOLUNTARIES FOR ALL STEREO ORGAN; COULTHARD:5 PART -SONGS FOR VOICE & PIANO(CBC 6:00 SIGN ON VANCOUVER CHORUS/MCLEAN); PEPIN:svM No.2(ORCH LE 6:05 START THE DAY IN PETIT SYM/LEDUC/DE RADIO -CANADA); PAPINEAU/COUTURE:sTE STEREO FOR SOLO VLN; BRITTEN:LACHRYMAE,OP.48; REFLECTIONS ON 7:30 SPORTS A JONG BY DºWLAND FOR VIOLA & PIANQ; MOREL:LE RITUEL 8:35 MID -MORNING SERE - DE L'ESPACE "LES PETITES SYM/LEDUC); FREEDMAN:vARIA FOR MADE LIGHT MUSIC FLUTE,OBOE & HARPSCHD; JONES:RONDO FOR SOLO FLUTE; 11:57 MARKETS BEECROFT:FROM DREAMS OF BRASS(CBC TORONTO CHORUS & SYM/ 12 NOON AVISION); MATHER:"ORPHEE" FOR SOPRANO,PIANO & PERCUSSION; .12:00 SOUND OF STEREO CHAMPAGNE:SYM GASPESIENNE(CBC MONTREAL ORCH/BEAUDET); 1:00 LIGHT AND LIVELY T BLAY:P ASES ET RESEAUX FOR PIANO 5:30 OVERTURE r:,p: - 4r: ;.`:Li+y.,.:`.h\ 107.1 :C;}°tt i:;.ti::;::cx WRVR 106.7 \\u;;:.,<'::::>:>:>sáñ 5 R WRLB ?ra_;e:;,:%sgg ::{::::........................... WITH ED BEACH 6:00 OVERTURE CONTD T}U; OPERATIC RECORDINGS OF ARTURO TOS - 6:30 WALL STREET LATE 8:00 TOSCANINI THROUGH AN AGREEMENT BETWEEN WALTER TOSCANINI, SON OF THE CANINI'S OPERA BORADCASTS WITH THE NBC SYM ORCH, WITH 6:35 OVERTURE CONTD PROGRAM MAESTRO, ARTURO TOSCANINI AND DR. WALTER P. SHEPPARD, CRITICAL ANALYSES BY LEE E. WINTERS,MUSIC CRITIC OF THE 8:00 INTERLUDE SERIES DIRECTOR OF RADIO STATION WRVR (106.7), A SPECIAL HONOLULU ADVERTISER" 9 PM ENTITLED THE OPERATIC TOSCANINI WILL BE RE -BROADCAST. DR. 9 PM JAZZ AND POP PROFES- SHEPPARD WILL BE HOST AND PRODUCER, WITH COMMENTARY BY 10:00 SEEDS OF DISCONTENT DOCUMENTARY EXPLORATION OF 11:00 FINALE COMPLETE SOR LEE E. WINTERS OF -THE UNIVERSITY OF HAWAII. SOCIAL PROBLEM OCCURRING MAINLY IN URBAN CENTERS. TO- TOSCANINI PERFORMANCES OF SEVEN OPERAS AS CONDUCTED BY ARTURO NIGHT'S PROGRAM PRESENTS POVERTY-STRICKEN CITIZENS IN NEWS ON THE HOUR AT 8. THE SCHEDULE FOR WILL BE BROADCAST EVERY MONDAY EVENING THE INNER CITY OF DISCUSSING PROBLEMS OF SHELTER, DETROIT AS FOLLOWS: F00D,CLOTHING & RECREATION JULY IS 10:30 LISTENt A NIGHTLY LOOK AT THE NEW AND UNUSUAL WITH TIMELY TALKS,INTERVIEWS & PERFORMANCES MONDAY, JULY 1,8,15 VERDI :LA TRAVIATA 11:30 yI#HT CALL A NATIO(IWIDE CALL -IN PROGRAM GIVING THE LILIA ALBANESE, JOHANNE MORELAND, BLACK MAN IN THE STREET' AND HIS WHITE COUNTERPART AN MAXINE STELLMAN, JAN PEERCE, ROBERT OPPORTUNITY TO COMMUNICATE WITH EACH OTHER OVER THE AIR MERRILL, GEORGE CEHANOVSKY AND ON SELECTED CONTROVERSIAL ISSUES OF MUTUAL CONCERN. THE ARTHUR NEWMAN(NBC SYMPHONY ORCHESTRA) AUDIENCE CAN TAKE PART IN THE DISCUSSION BY TELEPHONING NIGHT CALL COLLECT FROM ANYWHERE IN THE COUNTRY. DEL MONDAY, JULY 22,29 VERDI:0TELLO SHIELDS IS CALL -IN NIGHT CALL HOST, AND THE LISTENER HERVA NELLI, RAMON VINAY, NAN MERRI- NUMBER IS (212) 749-3311. MAN, GIUSEPPE NALDENGO AND VIRGINIO 12:30 SIGN OFF ASSANDRI(NBC SYMPHONY ORCHESTRA) R WA Z WBA1 W1/7 WVNJ WLNA WAS WPIX WBWHEW wpRe WTFM W-ÁS WHRF WNCNW FM WDHA WWPAC WT/IP WHTG WRVR WRLB WRNW WLIB 7 99.1 99.5 99.9 100.3 100.7 101.1 101.9 10 .3 102.7 103.3 103.5 10 .9 103.9 104.3 105.1 10 .5 10 .9 106.1 10 .3 10. .3 10 ..7 10 .1 10 .1 107.5 .
Load more

Recommended publications
  • Boston Symphony Orchestra Concert Programs, Summer, 2009
    SUMMER 2009 • . BOSTON SYMPHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR DALECHIHULY HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE 3 Elm Street, Stockbridge 413 -298-3044 www.holstengaIleries.com Olive Brown and Coral Pink Persian Set * for a Changing World They're Preparing to Change the 'I'Mi P i MISS HALL'S SCHOOL what girls have in mind 492 Holmes Road, Pittsfield, Massachusetts 01201 (413)499-1300 www.misshalls.org • e-mail: [email protected] m Final Weeks! TITIAN, TINTORETTO, VERONESE RIVALS IN RENAISSANCE VENICE " "Hot is the WOrdfor this show. —The New York Times Museum of Fine Arts, Boston March 15-August 16, 2009 Tickets: 800-440-6975 or www.mfa.ore BOSTON The exhibition is organized the Museum by The exhibition is PIONEER of Fine Arts, Boston and the Musee du sponsored £UniCredit Group by Investments* Louvre, and is supported by an indemnity from the Federal Council on the Arts and Titian, Venus with a Mirror (detail), about 1555. Oil on canvas. National Gallery of Art, Washington, Andrew the Humanities. W. Mellon Collection 1 937.1 .34. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 128th season, 2008-2009 Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman • Diddy Cullinane, Vice-Chairman • Robert P. O'Block, Vice-Chairman Stephen Kay, Vice-Chairman • Roger T. Servison, Vice-Chairman • Edmund Kelly, Vice-Chairman • Vincent M. O'Reilly, Treasurer • George D. Behrakis • Mark G. Borden • Alan Bressler • Jan Brett • Samuel B. Bruskin • Paul Buttenwieser • Eric D.
    [Show full text]
  • Guild Gmbh Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - E-Mail: [email protected] CD-No
    Guild GmbH Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Composer/Track Artists GHCD 2201 Parsifal Act 2 Richard Wagner The Metropolitan Opera 1938 - Flagstad, Melchior, Gabor, Leinsdorf GHCD 2202 Toscanini - Concert 14.10.1939 FRANZ SCHUBERT (1797-1828) Symphony No.8 in B minor, "Unfinished", D.759 NBC Symphony, Arturo Toscanini RICHARD STRAUSS (1864-1949) Don Juan - Tone Poem after Lenau, op. 20 FRANZ JOSEPH HAYDN (1732-1809) Symphony Concertante in B flat Major, op. 84 JOHANN SEBASTIAN BACH (1685-1750) Passacaglia and Fugue in C minor (Orchestrated by O. Respighi) GHCD Le Nozze di Figaro Mozart The Metropolitan Opera - Breisach with Pinza, Sayão, Baccaloni, Steber, Novotna 2203/4/5 GHCD 2206 Boris Godounov, Selections Moussorgsky Royal Opera, Covent Garden 1928 - Chaliapin, Bada, Borgioli GHCD Siegfried Richard Wagner The Metropolitan Opera 1937 - Melchior, Schorr, Thorborg, Flagstad, Habich, 2207/8/9 Laufkoetter, Bodanzky GHCD 2210 Mahler: Symphony No.2 Gustav Mahler - Symphony No.2 in C Minor „The Resurrection“ Concertgebouw Orchestra, Otto Klemperer - Conductor, Kathleen Ferrier, Jo Vincent, Amsterdam Toonkunstchoir - 1951 GHCD Toscanini - Concert 1938 & RALPH VAUGHAN WILLIAMS (1872-1958) Fantasia on a Theme by Thomas Tallis NBC Symphony, Arturo Toscanini 2211/12 1942 JOHANNES BRAHMS (1833-1897) Symphony No. 3 in F Major, op. 90 GUISEPPE MARTUCCI (1856-1909) Notturno, Novelletta; PETER IILYICH TCHAIKOVSKY (1840- 1893) Romeo and Juliet
    [Show full text]
  • 1-5 Frontespizio
    UNIVERSITÀ DEGLI STUDI DI NAPOLI “L’ORIENTALE” CENTRO DI STUDI EBRAICI ARCHIVIO DI STUDI EBRAICI III\5 ALOMA BARDI ESOTISMI MUSICALI DEL DIBBUK ISPIRAZIONI DA UN SOGGETTO DEL FOLCLORE EBRAICO UniorPress AdSE III\5 ARCHIVIO DI STUDI EBRAICI DIRETTO DA GIANCARLO LACERENZA REDAZIONE: DIANA JOYCE DE FALCO, DOROTA HARTMAN CENTRO DI STUDI EBRAICI DIPARTIMENTO ASIA, AFRICA E MEDITERRANEO UNIVERSITÀ DEGLI STUDI DI NAPOLI “L’ORIENTALE” PIAZZA S. DOMENICO MAGGIORE 12, 80134 NAPOLI TEL.+39 0816909675 - FAX.+39 0815517852 E-MAIL: [email protected] In copertina: Solomon Epstein, The Dybbuk: An Opera in Yiddish in Three Acts. Atto III, Scena 7 (Finale dell’opera): la sposa velata; trasfigurazione e morte di Leah. Il soprano Camilla Griehsel nella parte di Leah; regia Rachel Michaeli. Suzanne Dellal Centre for Dance and Theatre, Tel Aviv, 2 maggio 1999. Used by permission. © Rachel Michaeli, [email protected] ISBN 978-88-6719-056-0 Prodotto da IL TORCOLIERE – Officine Grafico-Editoriali di Ateneo © Università degli Studi di Napoli “L’Orientale” 2014 Edizione digitale UniorPress - 2020 UNIVERSITÀ DEGLI STUDI DI NAPOLI “L’ORIENTALE” CENTRO DI STUDI EBRAICI ARCHIVIO DI STUDI EBRAICI III\5 ALOMA BARDI ESOTISMI MUSICALI DEL DIBBUK ISPIRAZIONI DA UN SOGGETTO DEL FOLCLORE EBRAICO Napoli 2014 A Gabriele Boccaccini con gratitudine per quello che mi ha insegnato sull’ebraismo e ancor di più per il suo esempio di studioso AB SOMMARIO PREFAZIONE Il dramma Der Dybuk di S. An-Ski e la musica 11 I. RICERCA ETNOGRAFICA E ORIGINI DELL’INTERESSE MUSICALE 15 An-Ski e la musica del Dibbuk 17 Le musiche di scena di Yoel Engel 22 Le trascrizioni di A.Z.
    [Show full text]
  • Microfilms International 300 N
    INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has -been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete.
    [Show full text]
  • Sunflower 1965-10-25 (6.404Mb)
    71 v^,.l J**) , --- CAC ’ Plans Future Bjqsanslon i*f » Om ClAL 8TUPBNT NEWSPAPER Vol. LXX-No. 14 Wichita State University, W ichita, Kansas October 25, 1965 ExpaRsioR rans For CAC Will Double Its Copocity Plans to double the size of the progress," said Glenn, "and showings, lectures, musicals, the CAC have been approved recognize the problem of and light drama, by the State Board of Regents, space," The building, which Three seats will be added Approximately 80*000 square now accommodates 7,000 stu- in Qie barbershop, and plans fbet will be added to the build­ dents, will serve 15,000 to 16, for a beauty shop are being ing, Construotion is ejmeoted 000 students when construction examined, E:q>anslon of the to begin late Spring 01 1966 is finished. Alibi Room to 200 seats is and should be completed by Although definite archltec- also being considered. Sept. 1» 1967* according to Wil­ tural plans have not been com­ Expansion will go south to liam Glenn, director of CAC, pleted, prc^sals to enlarge the parking lot and up, accord­ <<We are very pleased with the Booiutore to three times ing to Glenn, Final architec­ its size, and the cafeteria to tural drawing shoiild be com­ twice its size have been ac­ pleted by Spring of 1966. Symphony Plans cepted, To provide room tor the enlarged cafeteria, the Second Concert campus snack bar will be com­ pletely knocked out, Opera Show For Miss Verrett A new snack bar will be Mezzo soprano, Miss Shirley built. Construction of the new Verrett, will be featured in a snack bar will not begin until $1.50 Lower second program, Monday, 8 after summer school of 1967 p,m., by the Wichita Symphony so summer school students will For Students at Wichita East High School, not be affected by its closing.
    [Show full text]
  • 111320-21 Bk Otelloeu 12/18/07 4:06 PM Page 8
    111320-21 bk OtelloEU 12/18/07 4:06 PM Page 8 recently seen this handkerchief in Cassio’s hand. 0 The Venetian ambassador, Lodovico, Desdemona, ADD £ Otello is roused to jealous fury and swears Emilia and the court enter. Lodovico hands Otello a Great Opera Performances vengeance. Iago kneels beside him and vows to assist message from the Doge. While reading it, Otello 8.111320-21 him. continues to mutter bitter asides at Desdemona. He has been recalled to Venice and Cassio appointed in his CD 2 place. While announcing that he will set sail the following morning, he flings Desdemona to the ground. 1 Opening announcement ! Desdemona sings of her misery, and in the ensuing VERDI 2 CDs 2 Spoken synopsis of Act III ensemble Iago promises Otello that he will kill Cassio. Otello dismisses the court and curses Desdemona. At Otello Act III: The great hall of the castle this point alone except for Iago, Otello succumbs to a fit of epilepsy. As Otello lies prostrate on the floor, Iago Ramón Vinay • Herva Nelli • Giuseppe Valdengo 3 There is an orchestral introduction. mocks the fallen Lion of Venice. 4 A Herald announces that the galley bringing the NBC Symphony Orchestra and Choruses Venetian ambassadors has been sighted. Otello @ Spoken synopsis of Act IV acknowledges this, but continues talking to Iago. Iago is Arturo Toscanini planning to lure Cassio into the hall and into talking Act IV: Desdemona’s chamber about Desdemona. Recorded in 1947 5 Desdemona enters and once more tries to persuade # Emilia helps Desdemona to prepare for bed.
    [Show full text]
  • 2014-15 Season Preview Issue
    OPERAVolume 55 Number 01 | Summer 2014 CUES 2014–15 SEASON PREVIEW ISSUE TV and Internet together like never before. The X1 Entertainment Operating System® brings the best of TV and Internet together for the simplest, fastest and most complete way to access all your entertainment on all your screens. Call 1-800-XFINITY today. Call or go to comcast.com/servicecenters to visit your local XFINITY Store. COMPANY NEWS SEASON PREVIEW ISSUE 2014–15 PATRICK SUMMERS PERRYN LEECH ARTISTIC & MUSIC DIRECTOR Managing Director MARGARET ALKEK WILLIAMS CHAIR ADVERTISE IN OPERA CUES Opera Cues is published by Houston Grand Opera Association; all rights reserved. Opera Cues is produced by Houston Grand Opera’s Communications Department, Judith Kurnick, director. Director of Publications Laura Chandler Art Direction / Production Pattima Singhalaka Contributors Mena Mark Hanna Perryn Leech Michelle Mariano Patrick Summers For information on all Houston Grand Opera productions and events, or for a complimentary season brochure, please call the Customer Care Center at 713-228-OPERA (6737). Houston Grand Opera is a member of OPERA America, Inc., and the Theater District Association, Inc. Find HGO online: HGO.org facebook.com / houstongrandopera twitter.com / hougrandopera Readers of Houston Grand Opera’s Mobile: HGO.org Opera Cues magazine are the most desirable prospects for an advertiser’s message. LOYAL: 51 percent of readers have been reading Opera Cues for more than three years. DEDICATED: 42 percent of readers read the magazine from cover to cover. EDUCATED: More than 90 percent are college-educated, and 57 percent hold graduate degrees. SOCIAL: 44 percent patronize downtown restaurants when they go to a performance at Houston Grand Opera.
    [Show full text]
  • Samuel Ramey Bass
    THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Samuel Ramey Bass WARREN JONES, Pianist MONDAY EVENING, NOVEMBER 27, 1989, AT 8:00 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Si, tra i ceppi, from Berenice ........................................ HANDEL Music for a while, from Oedipus ................................... PURCELL Arise, Ye Subterranean Winds, from The Tempest .................... PURCELL An Schwager Kronos Heliopolis ....................................... SCHUBERT Wanderers Nachtlied Der Schiffer Uldino! Uldino! Mentre gonfiarsi 1'anirna, from Attila ................... VERDI INTERMISSION The foggy, foggy dew (from Suffolk) O Waly, Waly (from Somerset) an BRITTEN The Bonny Earl o'Moray (Scottish Tune) Oliver Cromwell (Nursery Rhyme from Suffolk) Don Quichotte a Dulcinee ........................................... RAVEL Chanson romanesque Chanson epique Chanson a boire Charlie Rutlage In the Alley JVES At the River The Circus Band Warren Jones plays the Steinway piano available through Hammell Music, Inc. Samuel Ramey is represented by Columbia Artists Management Inc., New York City For the convenience of our patrons, the box office in the outer lobby will be open during intermission for purchase of tickets to upcoming Musical Society concerts. Cameras and recording devices are not allowed in the auditorium. Halls Cough Tablets, courtesy of Warner Lambert Company, are available in the lobby. Thirteenth Concert of the lllth Season 111 th Annual Choral Union Series NOTES AND TEXTS Si, tra i ceppi, from Berenice ....................... GEORGE FRIDERIC HANDEL (1685-1759) Handel's first opera, Alnrira, was produced at the Hamburg Opera in 1705, but his first real operatic success came with Agrippina, produced in Venice in 1709. Shortly thereafter, he began his long sojourn in England, where he became a British subject in 1721 and Anglicized his name.
    [Show full text]
  • Nicholas Simpson EPK UPDATE.Pages
    NICHOLAS SIMPSON NicholasSimpsonTenor.com OPERA Don José Carmen Magic City Opera/Azamara 2018/2019 Cavaradossi Tosca Maryland Symphony 2018 Pinkerton Madama Butterfly Festival of the Atlantic 2018 Bachus Ariadne auf Naxos Berlin Opera Academy 2017 Giovanni La hija di Rappacini (Catán) Alamo City Opera 2017 King Charles II The Prince of Players (Floyd) Little Opera Theatre of New York 2017 Dick Johnson Fanciulla del West Apotheosis Opera (NYC) 2016 Don José Carmen Maryland Symphony 2016 Don José Carmen Spotlight on Opera (Austin, TX) 2011, 2016 Tannhäuser Tannhäuser Apotheosis Opera 2015 Peter Quint The Turn of the Screw Hub Opera 2014 Otello (cover) Otello Everybody Can! Opera (London, UK) 2015 Kronzprinz Silent Night Fort Worth Opera 2014 Paul Die Tote Stadt Cleveland Opera Circle 2014 Rodolfo La boheme Hub Opera (MD) 2014 Albert Opportunity Makes a Thief Little Ooera Theatre of New York 2014 Don Jose Carmen (Act II) Little Opera Theatre of New York 2013 Turiddu Cavalleria rusticana Altoona Symphony 2012 Cavaradossi (cover) Tosca Utah Festival Opera 2012 Scipione ll sogno di Scipione Gotham Chamber Opera 2012 Vaudemont (cover/student matinees) Iolanta DiCapo Opera 2011 Don Carlo Don Carlo Martha Cardona Theater 2011 Alfredo (cover); Gastone La traviata Utah Festival Opera 2010 Delil (cover) Giovanna d’Arco Sarasota Opera 2010 Turiddu Cavalleria rusticana Spotlight on Opera 2010 Lamponaio Manon Lescaut Utah Festival Opera 2008 Roger Sherman 1776 Utah Festival Opera 2008 Peter Quint The Turn of the Screw Union Avenue Opera 2006 Eisenstein
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2004
    Tanglewood BOSTON SYMPHONY RCHESTRA W summer 2004 ORIGINS GflllCRV formerly TRIBAL ARTS GALLERY, NYC Ceremonial and modern sculpture for new and advanced collectors Open 7 Days 36 Main St. POB 905 413-298-0002 Stockbridge, MA 01262 IK3 Edith Wharton called it "My iirst real home." The New York Times calls it The Mount Estate & Gardens Don't miss the final season of our Designer Showhouse, featuring stunning interiors created by world-class designers. Stroll through exquisite gardens, enjoy lunch and a glass of wine on the terrace, and attend provocative lectures on Monday and Thursday afternoons. ww w. ^oi^£^rt^l^Lx>t^C7HZ . o r g Route 7 at Plunkett Street, Lenox Daily 9-5 413-637-6900 BOSTON SYMPHONY ORCHESTRA One Hundred and Twenty-Third Season, 2003-04 TANGLEWOOD 2004 Trustees of the Boston Symphony Orchestra, Inc. Peter A. Brooke, Chairman John E Cogan, Jr., Vice-Chairman Robert P. O'Block, Vice-Chairman Nina L. Doggett, Vice-Chairman Roger T. Servison, Vice-Chairman Edward Linde, Vice-Chairman Vincent M. O'Reilly, Treasurer Harlan E. Anderson Diddy Cullinane, Edna S. Kalman Edward I. Rudman George D. Behrakis ex-officio George Krupp Hannah H. Schneider Gabriella Beranek William R. Elfers R. Willis Leith, Jr. Thomas G. Sternberg Jan Brett Nancy J. Fitzpatrick Nathan R. Miller Stephen R. Weber Samuel B. Bruskin Charles K. Gifford Richard P. Morse Stephen R. Weiner Paul Buttenwieser Avram J. Goldberg Donna Riccardi, Robert Winters James F. Cleary Thelma E. Goldberg ex-officio Eric D. Collins Life Trustees I Vernon R. Alden Julian Cohen George H.
    [Show full text]
  • Evening Concert
    your Qas Company 's Evening Concert PRESENTED NIGHTLY EXCEPT SUNDAY 8 TO 10 PM...KFAC 1330 KILOCYCLES AM...92.3 MEGACYCLES FM SEPTEMBER 1956 SOUTHERN CALIFORNIA GAS COMPANY SOUTHERN COUNTIES GAS COMPANY present EVENING CONCERT Program for SEPTEMBER Note: Various numerals appearing thus (8) after selections indicate approximate playing time in minutes and are intended for your convenience. SATURDAY, SEPTEMBER 1, 1956 Le Nozze di Figaro, by Mozart. Glyndebourne Festival Opera Company conducted by Vittorio Gui. Figaro.................................................................. Sesto Bruscantini (bs) Suzanna..................................................................Graziella Sdutti (s) Countess Almaviva......................................................Sena Jurinac (s) Count Almaviva................................................Franco Calabrese (bs) Cherubino . .Rise Stevens (ms) Dr. Bartolo . .Ian Wallace (b) Don Basilio............................................................. Hugues Cuenod (t) Marcellina................................................................Monica Sinclair (c) Antonio.......................................................................Gwyn Griffiths (b) Barbarina.............................................................. Jeannette Sinclair (s) Don Curzio........................................................Daniel McCoshan (t) SUNDAY, SEPTEMBER 2, 1956 Listen to SUNDAY EVENING CONCERT (same time, 8 to 10 P. M.) MONDAY, SEPTEMBER 3, 1956 Overture, Scherzo and Finale, by Schumann. Paris
    [Show full text]
  • Verdi's Otello
    Verdi’s Otello - A partial discographical survey by Ralph Moore Before I began this survey, I had little idea just how many recordings of Otello were available. There are in fact well over two hundred, so I cannot even begin to aim for comprehensiveness, and while I am always happy to learn of an especially well-performed version, I hope any readers will refrain from castigating me for not being more inclusive. There was an explosion of live recordings from the 1960’s onwards, many of which re similar and in mediocre sound, making it all but impossible to differentiate meaningfully amongst them all, but there is also a total of twelve studio recordings, making consideration of those, at least, perfectly feasible, in combination with an assessment of what I hope is a judicious selection of live performances and radio broadcasts. In my pruning, I have applied certain criteria: they must be sung in Italian and in reasonable sound, and I have excluded any made by artists before they reached artistic maturity or which duplicate recordings made earlier in their career when they were in better, fresher voice. There are, for example, scores of live recordings of Del Monaco; buried in his Otello costume when he died in 1982, the “Brass Bull of Milan” supposedly claimed to have sung the role 427 times during a career of thirty-five years, which is surely an exaggeration. The true figure is probably something over two hundred, but, in any case, still points to the necessity of being selective and even ruthless in identifying the best.
    [Show full text]