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Lars Von Triers „Dogma 95“ Und Die Folgen

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Lars Von Triers „Dogma 95“ Und Die Folgen Lars von Triers „Dogma 95“ und die Folgen Diplomarbeit im Fach Medienwissenschaften Studiengang Öffentliche Bibliotheken der Fachhochschule Stuttgart – Hochschule der Medien Monika Scharf Erstprüfer: Prof. Dr. Manfred Nagl Zweitprüfer: Bernhard Bendig Bearbeitungszeitraum: 15.07.2002 bis 15.10.2002 Stuttgart, Oktober 2002 Kurzfassung 2 Kurzfassung „Dogma 95“ hat sich von einer Programmerklärung einzelner dänischer Regisseure zu einer international anerkannten Bewegung entwickelt. Nach den Erfolgen der Dogma- Filme beschäftigt sich auch die breite Öffentlichkeit mit dem Phänomen. Diese Diplomarbeit untersucht, inwieweit das Manifest „Dogma 95“ durch die voraus- gehenden Entwicklungen der Filmgeschichte und die Persönlichkeit Lars von Triers bedingt wurde. Die künstlerischen Auswirkungen der aufgestellten Regeln werden an- hand von Film-Beispielen aufgezeigt. Danach wird auf die Besonderheiten der Dogma- Filme für Schauspieler und Technik eingegangen. Die Arbeit schließt mit einer kriti- schen Betrachtung des Manifest und seinen Auswirkungen ab. Schlagwörter: Dogma 95 / Lars von Trier / Manifest / Film / Dänemark Abstract Dogme95 has developed from a manifesto of a few Danish directors into an internatio- nally recognized movement. After the success of Dogme films the general public now has the oppurtunity to deal with this phenomenon. This thesis analyses how the manifesto Dogme95 was caused by preceding develop- ments in film history und by the personality of Lars von Trier. The artistic consequences of the proposed rules are demonstrated by film examples. In the following the particular problems of Dogme films concerning actors and film techniques are discussed. The thesis is concluded with a critical viewing of the manifesto and its consequences. Keywords: Dogme95 / Lars vonTrier / manifesto / film / Denmark Inhaltsverzeichnis 3 Inhaltsverzeichnis Kurzfassung ..................................................................................................................2 Abstract..........................................................................................................................2 Inhaltsverzeichnis.........................................................................................................3 Abbildungsverzeichnis.................................................................................................6 Einleitung.......................................................................................................................7 1 „Dogma 95“ ........................................................................................................8 1.1 Die Idee im Kontext der Filmgeschichte ..............................................................8 1.1.1 Dänischer Film.....................................................................................................8 1.1.2 „Nouvelle Vague“ .................................................................................................9 1.1.3 Vorausgehende Manifeste .................................................................................10 1.2 Das Manifest ......................................................................................................12 1.2.1 Die Philosophie..................................................................................................14 1.2.2 Die 10 Regeln ....................................................................................................15 1.3 Die Umsetzung in die Praxis..............................................................................19 1.3.1 Die „Beichten“ ....................................................................................................19 1.3.2 Das Dogma-Zertifikat und Dogma-Sekretariat...................................................20 1.3.3 Die Website........................................................................................................21 2 Die Regisseure .................................................................................................23 2.1 Lars von Trier.....................................................................................................24 2.1.1 Biographie..........................................................................................................24 2.1.2 Künstlerische Entwicklung .................................................................................24 2.1.3 Filmographie ......................................................................................................28 2.2 Thomas Vinterberg ............................................................................................29 2.2.1 Biographie..........................................................................................................29 2.2.2 Filmographie ......................................................................................................29 2.3 Søren Kragh-Jakobsen ......................................................................................29 2.3.1 Biographie..........................................................................................................29 2.3.2 Filmographie ......................................................................................................30 2.4 Kristian Levring ..................................................................................................30 2.4.1 Biographie..........................................................................................................30 2.4.2 Filmographie ......................................................................................................31 2.5 Jean-Marc Barr ..................................................................................................31 2.5.1 Biographie..........................................................................................................31 2.5.2 Filmographie ......................................................................................................31 2.6 Lone Scherfig.....................................................................................................31 2.6.1 Biographie..........................................................................................................31 Inhaltsverzeichnis 4 2.6.2 Filmographie ......................................................................................................32 3 Die Filme ...........................................................................................................33 3.1 Das Fest.............................................................................................................33 3.1.1 Inhalt ..................................................................................................................33 3.1.2 Analyse ..............................................................................................................35 3.2 Idioten ................................................................................................................38 3.2.1 Inhalt ..................................................................................................................39 3.2.2 Analyse ..............................................................................................................40 3.3 Mifune ................................................................................................................44 3.3.1 Inhalt ..................................................................................................................44 3.3.2 Analyse ..............................................................................................................45 3.4 Italienisch für Anfänger ......................................................................................48 3.4.1 Inhalt ..................................................................................................................48 3.4.2 Analyse ..............................................................................................................49 3.5 Blair Witch Project..............................................................................................52 3.5.1 Inhalt ..................................................................................................................52 3.5.2 Die Regisseure ..................................................................................................53 3.5.3 Analyse ..............................................................................................................53 4 Die Schauspieler ..............................................................................................58 4.1 Das Verhältnis Regisseur-Schauspieler ............................................................58 4.2 Paprika Steen ....................................................................................................60 4.2.1 Biographie..........................................................................................................60 4.2.2 Filmographie (Auszüge).....................................................................................60 4.3 Ulrich Thomsen..................................................................................................61 4.3.1 Biographie..........................................................................................................61 4.3.2 Filmographie (Auszüge).....................................................................................62 4.4 Iben Hjejle..........................................................................................................62
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