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Star Channels, May 26-June 1
MAY 26 - JUNE 1, 2019 staradvertiser.com BRIDGING THE GAP The formula of the police procedural gets a spiritual new twist on The InBetween. The drama series follows Cassie Bedford (Harriet Dyer), who experiences uncontrollable visions of the future and the past and visits from spirits desperately seeking her help. To make use of her unique talents, she assists her father, Det. Tom Hackett (Paul Blackthorne), and his former FBI partner as they tackle complicated crimes. Premieres Wednesday, May 29 on NBC. WE EMPOWER YOUR VOICE, BY EMPOWERING YOU. Tell your story by learning how to shoot, edit and produce your own show. Start your video training today at olelo.org/training olelo.org ON THE COVER | THE INBETWEEN Crossing over Medium drama ‘The As for Dyer, she may be a new face to North first time channelling a cop character; he American audiences, but she has a long list of starred as Det. Kyle Craig in the “Training Day” InBetween’ premieres on NBC acting credits, including dramatic and comedic series inspired by the 2001 film of the same roles in her home country of Australia. She is name. By Sarah Passingham best known for portraying Patricia Saunders in Everything old really is new again. There was TV Media the hospital drama “Love Child” and April in the a heyday for psychic, clairvoyant and medium- cop comedy series “No Activity,” which was centred television in the mid-2000s, with he formula of the police procedural gets a adapted for North American audiences by CBS shows like “Medium” and “Ghost Whisperer,” spiritual new twist when “The InBetween” All Access in 2017. -
An Actor Boutique Production Presents
presents KNOTS An Actor Boutique Production The KNOTS event will be held on the December With this particular production, Actor Boutique seeks 14th, 2017 on the main stage at the prestigious to empower women behind the scenes in theatre and THE EVENT SCADshow Theatre, Atlanta, GA. film. Our Executive Producer, Head Writer, and Co- Directors are all women. Hosted by Emmy Award winning actress Natalia Livingston and produced by Actor Boutique this We have brought together an amazing collection of KNOTS exclusive live event is part of the KNOTS movie. actors, directors and up and coming film-makers to create this unique project. December 14th, 2017 - SCADshow Theatre , Atlanta, GA. KNOTS explores the lives of 8 different couples as they prepare for and participate in a wedding reception. The script explores themes of love, compassion, acceptance and the “knots” or ties that liberate and bind us. The show will run about one hour and forty minutes consisting of ten filmed scenes and ten live scenes. We will film the ten live scenes in the Spring so as to create the feature film which we plan to premiere at film festivals in Atlanta and around the country. Actor Boutique’s mission is to help actors succeed. With over 45 years in the business, and 4 Emmy Award wins to our name, we are now in our third year of training actors in Atlanta through the highest, most rigorous standards of the craft while connecting them to influential and talented industry professionals via our AB Industry Nights held once, sometimes twice a year. -
Negotiating the Non-Narrative, Aesthetic and Erotic in New Extreme Gore
NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Colva Weissenstein, B.A. Washington, DC April 18, 2011 Copyright 2011 by Colva Weissenstein All Rights Reserved ii NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. Colva O. Weissenstein, B.A. Thesis Advisor: Garrison LeMasters, Ph.D. ABSTRACT This thesis is about the economic and aesthetic elements of New Extreme Gore films produced in the 2000s. The thesis seeks to evaluate film in terms of its aesthetic project rather than a traditional reading of horror as a cathartic genre. The aesthetic project of these films manifests in terms of an erotic and visually constructed affective experience. It examines the films from a thick descriptive and scene analysis methodology in order to express the aesthetic over narrative elements of the films. The thesis is organized in terms of the economic location of the New Extreme Gore films in terms of the film industry at large. It then negotiates a move to define and analyze the aesthetic and stylistic elements of the images of bodily destruction and gore present in these productions. Finally, to consider the erotic manifestations of New Extreme Gore it explores the relationship between the real and the artificial in horror and hardcore pornography. New Extreme Gore operates in terms of a kind of aesthetic, gore-driven pornography. Further, the films in question are inherently tied to their economic circumstances as a result of the significant visual effects technology and the unstable financial success of hyper- violent films. -
Characters Reunite to Celebrate South Dakota's Statehood
2 x 2" ad 2 x 2" ad May 24 - 30, 2019 Buy 1 V A H A G R Z U N Q U R A O C Your Key 2 x 3" ad A M U S A R I C R I R T P N U To Buying Super Tostada M A R G U L I E S D P E T H N P B W P J M T R E P A Q E U N and Selling! @ Reg. Price 2 x 3.5" ad N A M M E E O C P O Y R R W I get any size drink FREE F N T D P V R W V C W S C O N One coupon per customer, per visit. Cannot be combined with any other offer. X Y I H E N E R A H A Z F Y G -00109093 Exp. 5/31/19 WA G P E R O N T R Y A D T U E H E R T R M L C D W M E W S R A Timothy Olyphant (left) and C N A O X U O U T B R E A K M U M P C A Y X G R C V D M R A Ian McShane star in the new N A M E E J C A I U N N R E P “Deadwood: The Movie,’’ N H R Z N A N C Y S K V I G U premiering Friday on HBO. -
Executive Producer
‘CHRISTMAS UNDER WRAPS’ PRODUCTION BIOS JEFFREY SCHENCK (Executive Producer) – Jeffrey Schenck is an independent film and television producer who has his own production company, ARO ENTERTAINMENT along with owning and operating HYBRID with his producing partner, Barry Barnholtz. Schenck's professional roots are also strongly intertwined with his personal history. His great uncles, Joe and Nick Schenck, were involved in the origins of the motion picture business, including the founding and management of MGM and Fox. Prior to starting ARO and HYBRID, Schenck was the president of Regent Studios and over the past thirteen years with the company, had been involved with over fifty movies from conception to completion. Schenck oversaw the entire production arm of Regent, which services content for all of the company's distribution platforms as well as other television networks. He was responsible for the studio's operations including development, financing and all aspects of budgeting and physical production. Schenck also directed the domestic distribution relationships including television and home entertainment. Under Schenck's leadership, Regent became one of the most prolific producers of television/DVD content in the entertainment industry. Notable films he produced include several highly rated television films such as “Doomsday Rock,” “Catch Me If You Can” (Family Channel), “Chupacabra,” “Ice Spiders” (Syfy Channel),”I Saw Mommy Kissing Santa Claus” (Pax), “Eve’s Christmas,” “Home for the Holidays” (Lifetime), “Chasing Chrsitmas” and “Christmas -
M Usic , M Oviesand M
Nov.Nov. 3,3, 20052005 Music,M u s i c , MMovieso v i e s anda n d MoreM o r e ‘Saw II’ rips through theaters MUSIC: Neil YYoungoung, GZA and AAshleeshlee Simpson brbringing new music ttoo fanfanss MOVIE: ‘L‘Legendegend of ZZorro’orro’ makes marmark,k, ‘Nor‘Northth CCountry’ountry’ ttouchesouches audiencaudienceses MORE: RReadead fforor yyourour ststomach,omach, plus the lalatesttest enentertainmenttertainment newnewss 2 THE BUZZ the cover of the December-Janu- ary 2006 … Barbara Walters will Contents ary issue of Teen People. Jessica be presenting her “10 Most Fasci- Simpson, 25, a self-proclaimed nating People of 2005.” Some of THE ditz, tells the magazine she went to the infl uential people who made The Inside Buzz therapy during her publicity over- the cut include Kanye West, Sec- 02 I N S I D E load; sister Ashlee opens up about retary of State Condoleezza Rice her recent singing fl ops, like the and even Tom Mesereau, Michael 03 Girls That Rock Series - Part 3 infamous “Saturday Night Live” Jackson’s lawyer. The show will BUZZ lip-synching debacle and the Or- air on Nov. 29 on ABC at 10 p.m. ange Bowl fi asco … 33-year-old … Notable CD releases out Tues- 04 New Movie Reviews actress Gabrielle Union has sepa- day were Santana All That I Am rated from husband, Chris How- … Rammstein Rosenrot [Import] 05 New Movie Reviews ard, a former Jacksonville Jaguar … John Fogerty The Long Road running back. … Mary J. Blige Home: Ultimate John Fogerty 06 Flashback Favorite will receive the VLegend Award Creedence Collection … new By MAHSA KHALILIFAR from Vibe at the 3rd annual awards DVD releases this week include Daily Titan Asst. -
Jigsaw: Torture Porn Rebooted? Steve Jones After a Seven-Year Hiatus
Originally published in: Bacon, S. (ed.) Horror: A Companion. Oxford: Peter Lang, 2019. This version © Steve Jones 2018 Jigsaw: Torture Porn Rebooted? Steve Jones After a seven-year hiatus, ‘just when you thought it was safe to go back to the cinema for Halloween’ (Croot 2017), the Saw franchise returned. Critics overwhelming disapproved of franchise’s reinvigoration, and much of that dissention centred around a label that is synonymous with Saw: ‘torture porn’. Numerous critics pegged the original Saw (2004) as torture porn’s prototype (see Lidz 2009, Canberra Times 2008). Accordingly, critics such as Lee (2017) characterised Jigsaw’s release as heralding an unwelcome ‘torture porn comeback’. This chapter will investigate the legitimacy of this concern in order to determine what ‘torture porn’ is and means in the Jigsaw era. ‘Torture porn’ originates in press discourse. The term was coined by David Edelstein (2006), but its implied meanings were entrenched by its proliferation within journalistic film criticism (for a detailed discussion of the label’s development and its implied meanings, see Jones 2013). On examining the films brought together within the press discourse, it becomes apparent that ‘torture porn’ is applied to narratives made after 2003 that centralise abduction, imprisonment, and torture. These films focus on protagonists’ fear and/or pain, encoding the latter in a manner that seeks to ‘inspire trepidation, tension, or revulsion for the audience’ (Jones 2013, 8). The press discourse was not principally designed to delineate a subgenre however. Rather, it allowed critics to disparage popular horror movies. Torture porn films – according to their detractors – are comprised of violence without sufficient narrative or character development (see McCartney 2007, Slotek 2009). -
Daily Eastern News: March 05, 2004 Eastern Illinois University
Eastern Illinois University The Keep March 2004 3-5-2004 Daily Eastern News: March 05, 2004 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2004_mar Recommended Citation Eastern Illinois University, "Daily Eastern News: March 05, 2004" (2004). March. 5. http://thekeep.eiu.edu/den_2004_mar/5 This Article is brought to you for free and open access by the 2004 at The Keep. It has been accepted for inclusion in March by an authorized administrator of The Keep. For more information, please contact [email protected]. March 5, 2004 + f RI 0 AY Hittin' the hookah Champaign hookah bar offers good times. Page 1B VERGE APPORTIONMENT BOARD Have a Cuts made nice Day to budget Howie Day to headline proposals UB spring concerts +Board will recommend budgets for By Brittany Robson 2005 to president's council ACTIVITIES EDITOR Songwriter and performer Howie Day, 22, from By Brian O'Malley Bangor, Maine, will play April 4 at Lantz Arena as open STUDENT GOVERNMENT EDITOR for the University Board's spring concert series. UB is paying $28,500 for Day to perform at Eastern. The Apportionment Board Thursday approved a Day independently released his first album, "Australia" total combined budget of $477,000 for the five-fee in 2000. More than a year funded boards of AB for fiscal year 2005, which they later, over 100,000 copies will recommend to Shirley Stewart, vice president for have been sold. student affairs. In addition to that, he has Spring Concert Series The total proposed amount was more than $525,000, released "Madrigals EP" which is about $7,000 fewer than last year's proposal. -
F E a T U R E S Summer 2021
FEATURES SUMMER 2021 NEW NEW NEW ACTION/ THRILLER NEW NEW NEW NEW NEW 7 BELOW A FISTFUL OF LEAD ADVERSE A group of strangers find themselves stranded after a tour bus Four of the West’s most infamous outlaws assemble to steal a In order to save his sister, a ride-share driver must infiltrate a accident and must ride out a foreboding storm in a house where huge stash of gold. Pursued by the town’s sheriff and his posse. dangerous crime syndicate. brutal murders occurred 100 years earlier. The wet and tired They hide out in the abandoned gold mine where they happen STARRING: Thomas Nicholas (American Pie), Academy Award™ group become targets of an unstoppable evil presence. across another gang of three, who themselves were planning to Nominee Mickey Rourke (The Wrestler), Golden Globe Nominee STARRING: Val Kilmer (Batman Forever), Ving Rhames (Mission hit the very same bank! As tensions rise, things go from bad to Penelope Ann Miller (The Artist), Academy Award™ Nominee Impossible II), Luke Goss (Hellboy II), Bonnie Somerville (A Star worse as they realize they’ve been double crossed, but by who Sean Astin (The Lord of the Ring Trilogy), Golden Globe Nominee Is Born), Matt Barr (Hatfields & McCoys) and how? Lou Diamond Phillips (Courage Under Fire) DIRECTED BY: Kevin Carraway HD AVAILABLE DIRECTED BY: Brian Metcalf PRODUCED BY: Eric Fischer, Warren Ostergard and Terry Rindal USA DVD/VOD RELEASE 4DIGITAL MEDIA PRODUCED BY: Brian Metcalf, Thomas Ian Nicholas HD & 5.1 AVAILABLE WESTERN/ ACTION, 86 Min, 2018 4K, HD & 5.1 AVAILABLE USA DVD RELEASE -
Evil in the 'City of Angels'
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The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018)
The Irish Journal of Gothic and Horror Studies 17 (Autumn 2018) Jigsaw, dir. Michael Spierig, Peter Spierig (Lionsgate, 2017) Finality is a concept the implications of which the horror genre seems to have blissfully disavowed when developing sequels. Studios have learned to contend with the inescapable fact that, although everything ends, a franchise’s lifespan can be prolonged by injecting a little creative adrenaline to revitalise even the most ailing brands. Narratively, it is possible to exhaust many conventional storytelling possibilities before a property changes form, such as when the A Nightmare on Elm Street franchise (1984-2010) moved firmly into experimental meta-territory with Wes Craven’s New Nightmare (1994) after Freddy’s Dead: The Final Nightmare (1991). The term ‘final’ can also signal the onset of a crossover phase where similar properties team up for a showdown, as in Lake Placid vs Anaconda (2015) following Lake Placid: The Final Chapter (2012). Others are satisfied to ignore continuity and proceed unabated; slasher legend Jason Voorhees, for example, has twice bid farewell to audiences in the same established canon with Friday the 13th: The Final Chapter (1984) and Jason Goes to Hell: The Final Friday (1993). Perhaps most amusingly guilty of having to navigate this challenge is the Final Destination franchise (2000-11). In a series built around the idea of finality, the conclusively titled The Final Destination screened in 2009, yet reneged on its promise, as Final Destination 5 (2011) arrived only two years later. Thus, following Saw: The Final Chapter (2010), comes Jigsaw (2017), the eighth instalment in the long running torture-porn series (2004-17) now explicitly named after its titular villain. -
Movie Data Analysis.Pdf
FinalProject 25/08/2018, 930 PM COGS108 Final Project Group Members: Yanyi Wang Ziwen Zeng Lingfei Lu Yuhan Wang Yuqing Deng Introduction and Background Movie revenue is one of the most important measure of good and bad movies. Revenue is also the most important and intuitionistic feedback to producers, directors and actors. Therefore it is worth for us to put effort on analyzing what factors correlate to revenue, so that producers, directors and actors know how to get higher revenue on next movie by focusing on most correlated factors. Our project focuses on anaylzing all kinds of factors that correlated to revenue, for example, genres, elements in the movie, popularity, release month, runtime, vote average, vote count on website and cast etc. After analysis, we can clearly know what are the crucial factors to a movie's revenue and our analysis can be used as a guide for people shooting movies who want to earn higher renveue for their next movie. They can focus on those most correlated factors, for example, shooting specific genre and hire some actors who have higher average revenue. Reasrch Question: Various factors blend together to create a high revenue for movie, but what are the most important aspect contribute to higher revenue? What aspects should people put more effort on and what factors should people focus on when they try to higher the revenue of a movie? http://localhost:8888/nbconvert/html/Desktop/MyProjects/Pr_085/FinalProject.ipynb?download=false Page 1 of 62 FinalProject 25/08/2018, 930 PM Hypothesis: We predict that the following factors contribute the most to movie revenue.