Spring Performances Celebrate HARID's 25Th Anniversary
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Medallists of the Genée International Ballet Competition 2018 Announced
PRESS RELEASE: 12 August 2018 Medallists of the Genée International Ballet Competition 2018 Announced Joshua Green, from Australia & Monet Hewitt, from New Zealand awarded coveted gold medals Silver medals awarded to Caitlin Garlick, from Australia & Basil James, from the UK Bronze medals awarded to Enoka Sato, from Japan & Jordan Yeuk Hay Chan, from Hong Kong Genée 2019 will take place in Toronto, Canada Download video content here Discover more on the Genée Facebook page The Royal Academy of Dance (RAD) is pleased to announce the medallists of the prestigious Genée International Ballet Competition 2018, held at Hong Kong City Hall on 12 August. After a week of intensive coaching from world-renowned teachers and choreographers the competitive Final saw the coveted gold medal awarded to Joshua Green, aged 17 from Australia, trained by Karen Ireland & Monet Hewitt, aged 16 from New Zealand, trained by Joye Lowe. Silver medals were awarded to Caitlin Garlick, trained by Karen Ireland & Basil James, trained by Anthony Dowson and Jennifer Hale. Enoka Sato, trained by Annette Roselli & Jordan Yeuk Hay Chan, trained by Yui Man Cheung, were awarded the bronze medal. Joshua Green started dancing in 2016 under the watchful eye of Karen Ireland at Karen Ireland Dance Centre. In April 2018, he travelled to New York and was selected as a top 20 dancer at the Youth America Grand Prix finals. He also received a scholarship to The John Cranko Schule. After completing the Genée, he stays in Hong Kong as one of the selected finalists of the Asian Grand Prix. Monet Hewitt from Auckland, New Zealand, began dancing when he was 8 years old at Philippa Campbell School of Ballet under the tutelage of Joye Lowe, Jane Turner and Geordan Wilcox. -
The Shubert Foundation 2020 Grants
The Shubert Foundation 2020 Grants THEATRE About Face Theatre Chicago, IL $20,000 The Acting Company New York, NY 80,000 Actor's Express Atlanta, GA 30,000 The Actors' Gang Culver City, CA 45,000 Actor's Theatre of Charlotte Charlotte, NC 30,000 Actors Theatre of Louisville Louisville, KY 200,000 Adirondack Theatre Festival Glens Falls, NY 25,000 Adventure Theatre Glen Echo, MD 45,000 Alabama Shakespeare Festival Montgomery, AL 165,000 Alley Theatre Houston, TX 75,000 Alliance Theatre Company Atlanta, GA 220,000 American Blues Theater Chicago, IL 20,000 American Conservatory Theater San Francisco, CA 190,000 American Players Theatre Spring Green, WI 50,000 American Repertory Theatre Cambridge, MA 250,000 American Shakespeare Center Staunton, VA 30,000 American Stage Company St. Petersburg, FL 35,000 American Theater Group East Brunswick, NJ 15,000 Amphibian Stage Productions Fort Worth, TX 20,000 Antaeus Company Glendale, CA 15,000 Arden Theatre Company Philadelphia, PA 95,000 Arena Stage Washington, DC 325,000 Arizona Theatre Company Tucson, AZ 50,000 Arkansas Arts Center Children's Theatre Little Rock, AR 20,000 Ars Nova New York, NY 70,000 Artists Repertory Theatre Portland, OR 60,000 Arts Emerson Boston, MA 30,000 ArtsPower National Touring Theatre Cedar Grove, NJ 15,000 Asolo Repertory Theatre Sarasota, FL 65,000 Atlantic Theater Company New York, NY 200,000 Aurora Theatre Lawrenceville, GA 30,000 Aurora Theatre Company Berkeley, CA 40,000 Austin Playhouse Austin, TX 20,000 Azuka Theatre Philadelphia, PA 15,000 Barrington Stage Company -
Spring Performances Celebrate Class of 2018
Fall 2018 Spring Performances Celebrate Class of 2018 The Morris and Elfriede Stonzek Spring Performances, presented last May, served as a fitting celebration of the 2018 graduating class and a wonderful way to kick off Memorial Day weekend. In keeping with tradition, the performances opened with a presentation of the fifteen seniors who would receive their diplomas the following week—HARID’s largest-ever graduating class. Alex Srb photo © Srb photo Alex The program opened with The Fairy Doll Pas de Trois, staged by Svetlana Osiyeva and Meelis Pakri. Catherine Alex Srb © Alex Doherty sparkled as the fairy doll, in an exquisite pink tutu, while David Rathbun and Jaysan Stinnett (cast as the two A scene from the Black Swan Pas de Deux, Swan Lake, Act III pierrots competing for her attention) accomplished the challenging technical elements of the ballet while endearingly portraying their comedic characters. The next work on the program was the premiere of It Goes Without Saying, choreographed for HARID by resident choreographer Mark Godden. Set to music by Nico Muhly and rehearsed by Alexey Kulpin, this work stretched the artistic scope of the dancers by requiring them to speak on stage and move in unison to music that is not always melodically driven. The ballet featured a haunting pas de Alex Srb photo © Srb photo Alex deux, performed maturely by Anna Gonzalez and Alexis Alex Srb © Alex Valdes, and a spirited, playful duet for dancers Tiffany Chatfield and Chloe Crenshaw. The Fairy Doll Pas de Trois The second half of the program featured Excerpts from Swan Lake, Acts I and III. -
“DANCE SERIES 01” in CARMEL March 23 & 24, 2018
SMUIN PRESENTS “DANCE SERIES 01” IN CARMEL March 23 & 24, 2018 Program includes: Requiem for a Rose by Annabelle Lopez Ochoa Fly Me to the Moon by Michael Smuin Serenade for Strings by Garrett Ammon SAN FRANCISCO, CA (22 February 2018) — Smuin, after a successful run of its annual holiday extravaganza The Christmas Ballet, returns to Carmel with Dance Series 01. Continuing its 24th season, this program includes Annabelle Lopez Ochoa’s critically lauded and transcendent piece Requiem for a Rose. Ochoa is an internationally acclaimed choreographer who creates contemporary dance works and also adapts her style for classical ballet companies. At its West Coast premiere with Smuin in fall 2017, San Francisco Classical Voice described the piece as “perfection!” Also on the program is Michael Smuin’s joyful tribute to Ol’ Blue Eyes, Fly Me to the Moon, hailed as “delicious” by the San Francisco Chronicle. This blend of ballet and popular dance is the embodiment of the smooth and stylish melodies that have inspired generations, including Sinatra’s renditions of “I’ve Got You Under My Skin” and “The Lady is a Tramp.” Rounding out the bill is the return of Garrett Ammon’s bold Serenade for Strings. Set to Tchaikovsky’s score of the same name, this work is a vibrant new interpretation of a piece inexorably tied to the iconic 1934 Balanchine ballet. Upon making its West Coast premiere with Smuin in October 2014, the San Francisco Chronicle noted that “the whole cast danced it vibrantly and flawlessly.” The Dance Series 01 program debuted in San Francisco last fall, with San Francisco Classical Voice describing the program as “terrific…in tune with the demand for ballets that aren’t the same old!” Dance Series 01 will be presented March 23-24 at the Sunset Center in Carmel. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Winter Performances Delivered an Exciting and Varied Program
Spring 2014 Winter Performances Delivered an Exciting and Varied Program Those who attended HARID’s Winter Performances last December 14 and 15 were treated to a varied program that included classical ballet, character dance, and modern dance. Classical Divertissements showcased Alex Srb © Alex the students’ classical ballet technique in a series of variations from The Fairy Doll, Don Quixote, and Paquita. Faculty member Svetlana Osiyeva choreographed the opening adagio and finale, which seamlessly tied the various solo dances together with beautiful ensemble work. Srb Alex © Classical Divertissements HARID’s premiere of Krakowiak, a Polish character dance from the opera ‘A Life For the Tsar’, was immaculately staged by Bertha Valentin. Seven couples paraded and danced elegantly in striking, burgundy costumes on loan from Canada’s Royal Winnipeg Ballet. Modern-dance teacher Danielle Armstrong created another engaging new work for the performances. Alex Srb © Alex Silver Lining, set to Bach’s ‘Goldberg Variations’ featured several of HARID’s advanced students, along with an ensemble of younger dancers. Their movements created a mood of simple pleasure and happiness, which was enhanced by Paul Safran’s stage lighting. HARID’s holiday tradition, Divertissements from The Nutracker, Act II, once again served as the program finale. Impressive new choreography by faculty member Donald Tolj added much excitement to Arabian Coffee, Chinese Tea, and the Russian Trepak. Waltz of the Flowers was— as always—beautifully staged by Victoria Schneider, and Svetlana Osiyeva’s staging Alex Srb © Alex of the Grand Pas de Deux demonstrated the elegance and purity that is unique to IN THIS ISSUE classical ballet. -
Full Production and Guest Artist Details Don Quixote
Full Production and Guest Artist Details Don Quixote A THRILLING TALE OF HANDSOME BULLFIGHTERSAND UNBRIDLED PASSION Bursting with gravity-defying jetes, fearless lifts, and impressive fouette turns, Nina Ananiashvili’s exuberant Don Quixote features Spanish matadors and spirited ballerinas performing some of the most technically demanding choreography in classical ballet. The chivalrous noble, Don Quixote, sets off on an adventure with his loyal squire, Sancho Panza, while lovers Kitri and Basilio battle against all odds to unite in true love. Based on Cervantes' iconic Spanish novel, Don Quixote is a must-see ballet for all the family—a glorious dance spectacle packed with virtuoso dancing, stunning costumes, a fanciful storyline and a lively cast of characters. Choreography Marius Pepita, Alexander Gorsky Additional Choreography Nina Ananiashvili Music Ludwig Minkus Set & Costume Design Thomas Mika Lighting Design Billy Chan Live Accompaniment City Chamber Orchestra of Hong Kong Conductor Judith Yan GRAND THEATRE, HONG KONG CULTURAL CENTRE Live Accompaniment OPENING NIGHT 30 OCT 2020 Fri 7:30pm 31 OCT–1 NOV 2020 Sat–Sun 2:30pm & 7:30pm $1,000 (Limited VIP Tickets), $680, $480, $280, $140 Suitable for ages 3 and above The Nutcracker THE WORLD’S MOST POPULAR HOLIDAY BALLET This sparkling Christmas tradition receives a new lease on life in Terence Kohler’s beloved production, returning once again to Hong Kong! Join Clara and Fritz on their unforgettable journey as they valiantly battle the villainous Rat King, and the Nutcracker Prince -
September 4, 2014 Kansas City Ballet New Artistic Staff and Company
Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead. -
FRIDAY, JANUARY 25, 2019 Phoenix Art Museum EVENING EVENTS
FRIDAY, JANUARY 25, 2019 Phoenix Art Museum EVENING EVENTS 6:30 pm Cocktails | Greenbaum Lobby 7:30 pm The Making of The Firebird | Great Hall 8:00 pm Dinner and Dancing | Great Hall HONORARY CHAIRS Billie Jo & Judd Herberger The Phoenix-Scottsdale landscape was changed forever Chair: Adrienne Schiffner in 1948 when Bob and Katherine “Kax” Herberger moved Co-Chairs: Barbara Ottosen & Daryl Weil their young family here from Minnesota. Soon, the couple began giving the growing city what it needed to Gala Committee be vibrant: Art. Ellen Andres-Schneider, Joan Berry, Salvador Bretts- “Kax” was an artist and collector. She and Bob wanted Jamison, Carol Clemmensen, Jacquie Dorrance, Mary their sons, Gary and Judd, to enjoy the arts, and Ehret, Barbara Fenzl, Susie Fowls, Stephanie Goodman, encouraged their support of arts groups. Molly Greene, Kate Groves, Linda Herold, Gwen Hillis, Keryl Koffler, Jan Lewis, Sharron Lewis, Linda Lindgren, Over the past 70 years, the Herberger family has Miranda Lumer, Betty McRae, Janet Melamed, Richard launched and supported many of the Valley’s arts Monast, Doris Ong, Camerone Parker McCulloch, Carol organizations including, the Herberger Theater Schilling, Leslie Smith, Colleen Steinberg, Ellen Stiteler, Center, Phoenix Art Museum, Phoenix Theatre, Valley Vicki Vaughn, Ruth & John Waddell, Nancy White Shakespeare Festival, Arizona Opera, The Phoenix Symphony, Valley Youth Theatre, Childsplay, and our own Artistic Director: Ib Andersen Ballet Arizona. In addition, Billie Jo and Judd have been Executive Director: Samantha Turner major supporters of the Scottsdale Waterfront’s Canal Convergence, Release the Fear, and Kids Read USA. Development Staff: Jami Kozemczak, Natalie Salvione, Elyse Salisz and Ellen Bialek “Mother taught us that involving young people in the arts is most important,” says Judd. -
Dutch National Ballet Academy
DUTCH NATIONAL BALLET ACADEMY La Dutch National Ballet Academy (DNBA), guidata dal direttore artistico Jean-Yves Esquerre è la scuola nazionale affiliata al Balletto Nazionale Olandese (Dutch National Ballet) e alla sua Compagnia Junior (Dutch National Ballet Junior Company). Dutch National Ballet Academy (NBA) L’Accademia prevede un programma di danza della durata di sette anni (dai 10 ai 17 anni) con studi scolastici in olandese e un programma intensivo di formazione alla professione di danzatore con studenti selezionati sia dall’Olanda sia da altri paesi. Il corpo docente, composto da insegnati di fama internazionale, ha preparato ballerini che oggi fanno parte di molte compagnie prestigiose, tra cui il Balletto Nazionale Olandese, il Royal Ballet, Béjart Ballet Lausanne, Introdans, Finnish National Ballet, Ballet du Capitole, National Ballet of Canada, Junior Company Bayerische Staatsballett, Augsburg Ballett, Nederlands Dans Theater 2, Junior Company Zürich Ballett, Scottish Ballet, Columbia Classical Ballet, Ballet West, Israel Ballet, Alberta Ballet II, Stuttgarter Ballett. Alla Scuola si accede tramite selezione. Al primo anno (NBA 1) vengono ammessi, dopo un mese di prova, circa 22/25 allievi di 11 anni di età che studiano danza classica tutti i giorni, dal lunedì al venerdì. Alle lezioni di classico si aggiungono lezioni di danza creativa, danze popolari e lezioni di repertorio relativo ai balletti portati in scena dal Dutch National Ballet. Gli allievi dell’Accademia partecipano infatti fin da piccoli a spettacoli dalla compagnia del Balletto Nazionale Olandese tra cui Il Lago dei Cigni, La Bella Addormentata, Lo Schiaccianoci, Don Chisciotte e Romeo e Giulietta. Nel secondo anno di studi (NBA2) alle materie del primo anno si aggiungono anche specifiche lezioni di punte per le allieve e lezioni di salti (chiamate brio) per gli allievi. -
Dutch National Ballet Academy
DUTCH NATIONAL BALLET ACADEMY La Dutch National Ballet Academy (NBA) è la scuola nazionale affiliata al Balletto Nazionale Olandese (Dutch National Ballet – Het National Ballet) e i suoi studenti partecipano alle grandi produzioni della compagnia. Guidata dal direttore artistico Jean-Yves Esquerre, la scuola attualmente conta 160 allievi, sia olandesi che di provenienza internazionale. Il corpo docente è composto da étoile e solisti di prestigiose compagnie, oggi insegnati di fama internazionale, provenienti da scuole diverse: francesi, russi, italiani, inglesi e americani. Tale ricchezza di vocabolari e stili di danza accumunati da un syllabus condiviso e da precise linee guida nell’insegnamento, permettono agli allievi di prepararsi per la loro carriera internazionale. In questi ultimi quattro anni la Dutch National Ballet Academy ha preparato ballerini che oggi fanno parte di molte compagnie prestigiose, tra cui il Mariimsky Ballet II, Finnish National Ballet, Zürich Ballett, Scottish Ballet, Mikhailovsky e Stanislavsky Ballet, Atlanta Ballet, Bavarian Ballet, Béjart Ballet Lausanne, e, naturalmente le principali compagnie olandesi: Dutch National Ballet, Scapino Ballet, Introdans, Nederlands Dans Theater. L’Accademia ha permesso al 99% dei suoi diplomati di trovare lavoro. Dutch National Ballet Academy (NBA) L’Accademia prevede un programma di danza della durata di sette anni (dai 10 ai 17 anni) con studi scolastici in olandese e un programma intensivo di formazione alla professione di danzatore con studenti selezionati e provenienti sia dall’Olanda che da altri paesi. Alla Scuola si accede tramite selezione. Al primo anno (NBA 1) vengono ammessi, dopo un mese di prova, circa 22/25 allievi di 11 anni di età che studiano danza classica tutti i giorni, dal lunedì al venerdì. -
2019-2020 Course Catalog + Program Policies
2019-2020 Course Catalog + Program Policies Phone: 541-342-4611 Email: [email protected] Web: www.balletfantastique.org Academy of Ballet Fantastique Professional Division Program Guide ACADEMY OF BALLET FANTASTIQUE 1... PROFESSIONAL DIVISION COURSE CATALOG & PROGRAM INFORMATION 2019-20 Academy of Ballet Fantastique Professional Division Program Guide FOR MORE INFORMATION CITY CENTER FOR DANCE ANNEX STUDIO 541.342.4611 960 Oak St. 60 E. 10th Ave [email protected] Eugene, OR 97401 Eugene, OR 97401 www.balletfantastique.org (Oak b/t Broadway & 10th) (10th & Oak Alley) Northeast elevator Southwest elevator ACADEMY OF BALLET FANTASTIQUE 2... PROFESSIONAL DIVISION COURSE CATALOG & PROGRAM INFORMATION 2019-20 Academy of Ballet Fantastique Professional Division Program Guide CORE PROGRAM Official training school of the Ballet Fantastiq ue Company, a Resident Company of the Hult Center for the Performing Arts Academy of Ballet Fantastique students benefit from the association with a professional company, daily mentorship by top professional company dancers and teachers hailing from all over the world. The benefits of this association include work under and alongside top professionals in the industry, exposure to and immersion in a professional standards and atmosphere, and experience watching and participating in professional productions with live musicians. Training Syllabus Our Professional Division follows the eight levels of the internationally renowned Vaganova Syllabus, a notated, progressive