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WRVHDUFKSUHVHUYHDQGSHUIRUPLQGLYLGXDODQGFROOHFWLYHFXOWXUDOPHPRULHV7HOHYLVHGKLVWRULHV FRQQHFWXVHUVZLWKWKHSDVWDQGSURYLGHQHFHVVDU\FRQWH[WXDOIUDPHZRUNVWKURXJKFURVVPHGLD DQGWUDQVPHGLDVWRU\WHOOLQJGHPRQVWUDWLQJWKHFRQWLQXLQJLPSRUWDQFHRIVWRULHVDQGPHPRULHV SURGXFHGWKURXJKWHOHYLVXDOSUDFWLFHV±FKDOOHQJLQJDFFHSWHGYHUVLRQVRIKLVWRU\ Samenvatting in het Nederlands Geschiedenis-televisie als geheugenpraktijk: De verbeelding van het verleden in documentaires en televisieprogramma's over geschiedenis via een multi-platform aanpak Televisie is in het moderne medialandschap een belangrijk middel om voorbije en historische gebeurtenissen te representeren. Dit proefschrift bestudeert manieren waarop het verleden wordt verbeeld op de Nederlandse televisie als een multi-platform fenomeen. Dynamisch aanbod, zoals televisie-uitzendingen, crossmedia-platforms, digitale themakanalen en online televisiearchieven, biedt toegang tot een breed scala aan audiovisuele materialen. Door te onderzoeken hoe het samengaan van televisie met nieuwe mediatechnologieën haar rol als link met het verleden heeft beïnvloed, laat dit onderzoek zien hoe hedendaagse representaties van geschiedenis bijdragen aan de vorming van het culturele geheugen. In het bijzonder wordt de poëtica van op archiefmateriaal gebaseerde programma's en documentaires over geschiedenis geanalyseerd, en wel vanaf het jaar 2000 tot heden. In deze periode grepen televisieprofessionals in Nederland de kans om te experimenteren met verhaalvormen mogelijk gemaakt door de toegenomen digitalisering van archiefmateriaal en de aanwezigheid van online en digitale platformen. Dit onderzoek is gebaseerd op een tweeledige aanpak: een tekstuele analyse van audiovisuele casussen en een productiestudies benadering om inzicht te krijgen in de strategieën van programmamakers en multi-platform producties met betrekking tot historische gebeurtenissen. Een dergelijke aanpak onthult verschillende tekstuele, cultureel-historische en institutionele doelstellingen, strategieën en conventies voor het verbeelden van geschiedenis op de televisie, en maakt onderlinge machtsverhoudingen zichtbaar. Door middel van een analyse van diverse casussen kunnen verschillende aspecten van het vertellen van geschiedenis via televisie en televisie als een geheugenpraktijk in een multi- platform medialandschap worden toegelicht. De geselecteerde casussen zijn uitgezonden en online beschikbaar gesteld tussen begin 2000 en de eerste 6 maanden van 2015, en zijn nog online te volgen. Dit biedt een goed uitgangspunt voor een reflectie op de wisselwerking tussen verleden en heden via televisie. In elke casus worden verschillende dynamieken in de mate van cross- en transmedialiteit geëvalueerd, evenals de keuzes die de programmamakers hebben gemaakt om een bepaald soort geschiedenis weer te geven. Ten eerste belicht ik de manier waarop bronnen en verhalen over historische gebeurtenissen worden verzameld, geselecteerd, gereconstrueerd en gevisualiseerd door middel van specifieke criteria en strategieën bij langlopende geschiedenisprogramma's. 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