William Camden by Marcus Gheeraerts the Younger Oil on Panel, 1609, NPG 528 Linked to Senhouse Roman Museum (Cumbria) and Vindolanda (Northumberland)

Total Page:16

File Type:pdf, Size:1020Kb

William Camden by Marcus Gheeraerts the Younger Oil on Panel, 1609, NPG 528 Linked to Senhouse Roman Museum (Cumbria) and Vindolanda (Northumberland) Antiquarian Image Card #4: William Camden by Marcus Gheeraerts the Younger Oil on panel, 1609, NPG 528 Linked to Senhouse Roman Museum (Cumbria) and Vindolanda (Northumberland) William Camden (2 May 1551 – 9 November 1623) Camden was an English antiquarian, historian, topographer and officer of arms. He wrote Britannia, the first detailed historical and topographical survey of Great Britain and Ireland. Before Camden died he set up an endowment for a lectureship in history at Oxford University, and became the King of Arms. Camden’s enduring legacy is that he established a benchmark for excellence in research that inspired successive antiquarians leading to a revival in the flourishing study of Hadrian’s Wall today. Key achievements - Wrote Britannia, the first detailed county-by-county survey of Great Britain and Ireland, describing the landscape, geography, antiquities, and history as Camden saw it. - He used his fieldwork observations to show how the remains of the past could be identified in the landscape, producing the first rational picture of Roman Britain - He travelled throughout Great Britain to facilitate his research. Links to Hadrian’s Wall - Camden was visited Carlisle and other areas of Hadrian;s Wall in 1599. - The great Roman sites from Carvoran (near Greenhead) in the west until reaching Corbridge in the east were not covered by him as this area was deemed unsafe for travellers due to the upset and mayhem caused by the Border Reivers. - If Camden needed any reminder of the lawless nature of the area as he travelled the supposedly safer Tyne valley route he no doubt passed the blackened remains of burnt houses, the result of a raid by the Armstrongs of Liddesdale, at the small town of Haltwhistle. Character insights - He said that the purpose of Britannia was "to restore antiquity to Britaine, and Britaine to its antiquity." - His motto Pondero, non numero translates as “by weight, not by tale”, meaning not to judge by face value. William Camden by Marcus Gheeraerts the Younger © National Portrait Gallery, London .
Recommended publications
  • “Powerful Arms and Fertile Soil”
    “Powerful Arms and Fertile Soil” English Identity and the Law of Arms in Early Modern England Claire Renée Kennedy A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in History and Philosophy of Science University of Sydney 2017 ACKNOWLEDGEMENTS My greatest thanks and appreciation to Ofer Gal, who supervised my PhD with constant interest, insightfulness and support. This thesis owes so much to his helpful conversation and encouraging supervision and guidance. I have benefitted immensely from the suggestions and criticisms of my examiners, John Sutton, Nick Wilding, and Anthony Grafton, to whom I owe a particular debt. Grafton’s suggestion during the very early stages of my candidature that the quarrel between William Camden and Ralph Brooke might provide a promising avenue for research provided much inspiration for the larger project. I am greatly indebted to the staff in the Unit for History and Philosophy of Science: in particular, Hans Pols for his unwavering support and encouragement; Daniela Helbig, for providing some much-needed motivation during the home-stretch; and Debbie Castle, for her encouraging and reassuring presence. I have benefitted immensely from conversations with friends, in and outside the Unit for HPS. This includes, (but is not limited to): Megan Baumhammer, Sahar Tavakoli, Ian Lawson, Nick Bozic, Gemma Lucy Smart, Georg Repnikov, Anson Fehross, Caitrin Donovan, Stefan Gawronski, Angus Cornwell, Brenda Rosales and Carrie Hardie. My particular thanks to Kathryn Ticehurst and Laura Sumrall, for their willingness to read drafts, to listen, and to help me clarify my thoughts and ideas. My thanks also to the Centre for Editing Lives and Letters, University College London, and the History of Science Program, Princeton University, where I benefitted from spending time as a visiting research student.
    [Show full text]
  • Summer 2007 Shakespeare Matters Page 
    Summer 2007 Shakespeare Matters page 6:4 “Let me not to the marriage of true minds admit impediments...” Summer 2007 11th Annual Shake- speare Authorship Shakespeare—Who Studies Conference Convenes held the Pen? By Bonner Miller Cutting and Earl Showerman Insights Meets Research By Alan Stott oncordia Uni- versity hosted The man of letters is, in truth, ever writing his own biogra- Cits11th an- phy. — Anthony Trollope (1815–82). nual Shakespeare Authorship Studies The marvel of Shakespeare’s genius is that in his secular mir- Conference from ror the divine light also shines. April 12 to 15th, an — John Middleton Murry. occasion marked by many seminal very theatregoer and every reader can perceive the authentic papers, the launch voice, can sense the spirit, in and behind the work of the of the first graduate- Eworld’s leading dramatic poet, known as “William Shake- level programs in speare.” The First Folio (1623) of his collected plays, however, authorship studies, was only published years after his death. Of the actor, one Wil- and the signing of liam Shakespere (1564–1616) — the name never spelt as in the the “Declaration of First Folio — very little is known. Apparently neither manuscript Reasonable Doubt nor letter is extant. The many enigmas surrounding the whole about the Identity phenomenon comprise “the authorship question.” The identity of William Shake- of the Bard, according to Emerson (1803–1882), is “the first of speare.” While this all literary problems.” John Michell1 surveys the candidates with report will attempt a commendable fairness, outlining the history of the search for to summarize the the man who held the pen.
    [Show full text]
  • Historical Thread
    W EAVING ON A HISTORICAL THREAD: William Camden’s Elizabethan documentaries By Geoffrey Eatough Lord Burghley, chief advisor of Queen Elizabeth I, gave William Camden access to a wide range of official documents and ordered him to take the basic elements in the reign of Elizabeth and weave them together on a historical thread. Camden gained access to a vaster range of documents than those offered by Burghley and made himself the authority on the reign. He admired Elizabeth enormously, but his history is far from uncritical. This paper reviews Camden’s conception of history as seen in his address to the reader. It then looks at the primordia of the reign, the social and religious context and the queen’s unmarried state, and also her involvement in the downfall of Mary Queen of Scots and the clumsy attempt by her and the English establishment to shift the blame for Mary’s death on to secretary William Davison. Her control weakened. In an age of expansion and dramatic overseas developments leadership necessarily devolved on to others, even to foreigners such as the persistent Dutch, and new men, such as Drake, who were not entirely answerable to the old order. Camden was an outstanding writer of Latin. His Latin as a vehicle of these modern events is a major concern of this paper. Camden’s England was very much part of Europe, and only survived as an independent nation by making the right diplomatic and military choices. It was a country of four million, with the population concentrated in the south and especially south east, compared with a French population of sixteen million and a Spanish one of eight million.
    [Show full text]
  • Beyond Reasonable Doubt (Part 2)
    Beyond Reasonable Doubt: New Evidence and Arguments since The Declaration of Reasonable Doubt Part 2: Major discoveries: First Folio and Stratford monument With Professor Stanley Wells’ admission that all of the evidence for Shakspere as a writer is posthumous, the case for him as Shakespeare rises or falls on the credibility of the First Folio and Stratford monument. Could it be that the so-called “twin pillars” of the Stratfordian case are just slender reeds, easily snapped? The First Folio In the Declaration we say that “The First Folio testimony does point to Shakspere as the author,” but then ask “should this be taken at face value?” and go on to point out several anomalies that call it into question. We stand by all of it, and now offer these additional reasons to think the Folio front matter is questionable: The first problem is the iconic image, supposedly of the author, on the title page. The Droeshout engraving is so odd in so many ways that orthodox scholars find it an embarrassment and are unable to account for it. It has no neck, and the head is too big for the body, making it appear to be suspended on the ruff in mid-air. The hair is longer on one side than the other. The great bulbous forehead is so large that it seems unnatural. Some think it has two right eyes, one lower than the other, its nose is off center, and the mouth is too small. Scholars blame the engraver, Martin Droeshout, but the publishers did not have to accept it and could have hired someone else for such an important project.
    [Show full text]
  • Charlotte.Pdf
    TABLE OF CONTENTS CHAPTER I BIRTH AND EDUCATION Tercentenary of Dee’s death — No life of him — Persistent misunderstanding — Birth — Parentage — At Chelmsford Grammar School — St. John’s College, Cambridge — Fellow of Trinity — Theatrical enterprise — In the Low Countries — M.A. of Cambridge — Louvain University — Paris — Readings in Euclid — Correspondents abroad — Return to England. CHAPTER II IMPRISONMENT AND AUTHORSHIP Books dedicated to Edward VI. — Upton Rectory — Long Leadenham — Books dedicated to Duchess of Northumberland — Ferrys informs against his “magic” — In prison — Handed over to Bonner — At Philpot’s trial — Efforts to found a State Library — Astrology — Horoscopes — Choice of a day for Queen Elizabeth’s coronation — Introduced to her by Dudley — Sympathetic magic — Bachelor of Divinity — In Antwerp — Monas Hieroglyphica — Preface to Billingsley’s Euclid — Called a conjurer. CHAPTER III MORTLAKE Proposed benefices — Propædeumata Aphoristica — Alchemical secrets — Settled at Mortlake — Journey to Lorraine — Illness — The Queen’s attentions — Mines and hidden treasure — Wigmore Castle — Marriage — Death of first wife — Literary correspondence — John Stow — Diary commenced — The Hexameron Brytannicum — The British Complement — Slander and falsehood — A petty navy — The sea-power of Albion — Fisheries and foreign policy. CHAPTER IV JANE DEE A comet or blazing star — Second marriage — Jane Fromond — Hurried journey abroad — Berlin and Frankfort — Birth of a son — Christening — Edward Dyer — Duc d’Alencon — Michael Lock — His sons — The Queen’s visit — Sir Humphrey Gilbert at Mortlake — Adrian Gilbert — John Davis — The Queen’s Title Royall — Lord Treasurer Burleigh — Death of Dee’s mother — The Queen’s visit of condolence — Map of America — Visits to the Muscovy House — Frobisher and Hawkins — Birth of a daughter — Accident to Arthur.
    [Show full text]
  • CAMDEN STREET NAMES and Their Origins
    CAMDEN STREET NAMES and their origins © David A. Hayes and Camden History Society, 2020 Introduction Listed alphabetically are In 1853, in London as a whole, there were o all present-day street names in, or partly 25 Albert Streets, 25 Victoria, 37 King, 27 Queen, within, the London Borough of Camden 22 Princes, 17 Duke, 34 York and 23 Gloucester (created in 1965); Streets; not to mention the countless similarly named Places, Roads, Squares, Terraces, Lanes, o abolished names of streets, terraces, Walks, Courts, Alleys, Mews, Yards, Rents, Rows, alleyways, courts, yards and mews, which Gardens and Buildings. have existed since c.1800 in the former boroughs of Hampstead, Holborn and St Encouraged by the General Post Office, a street Pancras (formed in 1900) or the civil renaming scheme was started in 1857 by the parishes they replaced; newly-formed Metropolitan Board of Works o some named footpaths. (MBW), and administered by its ‘Street Nomenclature Office’. The project was continued Under each heading, extant street names are after 1889 under its successor body, the London itemised first, in bold face. These are followed, in County Council (LCC), with a final spate of name normal type, by names superseded through changes in 1936-39. renaming, and those of wholly vanished streets. Key to symbols used: The naming of streets → renamed as …, with the new name ← renamed from …, with the old Early street names would be chosen by the name and year of renaming if known developer or builder, or the owner of the land. Since the mid-19th century, names have required Many roads were initially lined by individually local-authority approval, initially from parish named Terraces, Rows or Places, with houses Vestries, and then from the Metropolitan Board of numbered within them.
    [Show full text]
  • Top Left-Hand Corner
    Department of English ”Art Made Tongue-tied By Authority”? The Shakespeare Authorship Question Lars Lindholm Bachelor Degree Project Literature VT 2012 Supervisor: Marion Helfer Wajngot Abstract The essay presents the scholarly controversy over the correct attribution of the works by “Shakespeare”. The main alternative author is Edward de Vere, 17th earl of Oxford. 16th century conventions allowed noblemen to write poetry or drama only for private circulation. To appear in print, such works had to be anonymous or under pseudonym. Overtly writing for public theatre, a profitable business, would have been a degrading conduct. Oxford‟s contemporary fame as an author is little matched by known works. Great gaps in relevant sources indicate that documents concerning not only his person and authorship but also the life of Shakspere from Stratford, the alleged author, have been deliberately eliminated in order to transfer the authorship, for which the political authority of the Elizabethan and Jacobean autocratic society had motive and resources enough. A restored identity would imply radical redating of plays and poems. To what extent literature is autobiographical, or was in that age, and whether restoring a lost identity from written works is legitimate at all, are basic issues of the debate, always implying tradition without real proof versus circumstantial evidence. As such arguments are incompatible, both sides have incessantly missed their targets. The historical conditions for the sequence of events that created the fiction, and its main steps, are related. Oxford will be in focus, since most old and new evidence for making a case has reference to him. The views of the two parties on different points are presented by continual quoting from representative recent works by Shakespeare scholars, where the often scornful tone of the debate still echoes.
    [Show full text]
  • The Elizabethan Court Day by Day--1580
    1580 1580 At WHITEHALL PALACE Jan 1,Fri New Year gifts. New Year Gift roll not extant, but Sir Gilbert Dethick, Garter King of Arms, gave the Queen a Book of Arms of the Knights of the Garter ‘made in the reign of Henry II and Richard I’. Also Jan 1: Edward Stafford at Whitehall after special embassy to France. Spanish Ambassador, Mendoza, to Philip II, Jan 13, London: On the 1st ‘Stafford arrived here, having been sent by Alençon with a letter to the Queen, in the sealing-wax of which was embedded an emerald worth 400 crowns...Stafford said that Alençon would soon be here; two persons of rank however would precede him. Alençon gave him a chain of a 1000 crowns, and as much more in jewels and buttons. The Queen sent a post to Alençon on the night Stafford arrived, and told the latter to make ready for his speedy return to France’. [Span.iii.1-2]. Also Jan 1: play: The Four Sons of Fabius, by Earl of Warwick’s Men. Revels provided: ‘Senators’ gowns; three head attires; women’s scarves and girdles; a city; a mount; six pair of gloves’. Jan 3,Sun play: Scipio Africanus, by the Children of Paul’s. Revels provided: ‘Triumphant ensigns and banners new made; scarves and garters; a city; a battlement; 18 pair of gloves’. Jan 6,Wed play, a history, by Earl of Leicester’s Men. Revels provided: ‘a city; a country house; seven pair of gloves’. Court news. Jan 12, London, Sir George Bowes to his brother Robert Bowes: ‘The marriage is on foot again’ and ‘her Highness seems as forward as ever’.
    [Show full text]
  • 1 Viewing the Changing 'Shape Or Pourtraicture of Britain' in William Camden's Britannia, 1586–1610 Stuart Morrison
    Viewing the Changing ‘shape or pourtraicture of Britain’ in William Camden’s Britannia, 1586–1610 Stuart Morrison The University of Kent [email protected] William Camden’s chorographical narratives of nationhood have long been lauded as exemplary texts due to their breadth and depth of learning. They are also exemplary in that they show us how chorography, as a relatively recent import from Europe, was used by the likes of Camden to work through the interactions between: words and images; history and antiquarian study; time and space; and Britain and Continental Europe. This article will investigate these various interactions with a consideration of the continental influences on Camden’s writing. In doing so, this article will argue that these influences had a special influence on the typography and use of images in Camden’s narratives. Much has been written about Camden as historian, antiquarian, and herald and these studies have made valuable contributions to our understanding of him and his writings. Here we will consider these aspects of Camden’s work alongside his career as school master at Westminster in order to support the argument for the influence of European humanism on Camden’s professional life. Writing about ‘Camden’s Britannia’ as a discrete entity is problematic as it presents the various editions as interchangeable and essentially identical. Here it is more rewarding to discuss Camden’s Britannias and to consider the importance of the editorial alterations of the successive versions of the narrative. This article will focus primarily on the first vernacular edition, Britain (1610), with reference to the earlier Latin editions to provide a comparative study where necessary.
    [Show full text]
  • DHT Annual Review 2019
    ISSN 1750-9394 THE DACORUM HERITAGE TRUST LIMITED 1,089 doves one for each soldier named on Dacorum memorials (see p. 6) ANNUAL REVIEW Year Ended 31 March 2019 The Dacorum Heritage Trust Ltd. Who are we and what do we do? Dacorum Heritage Trust Ltd. (DHT) works to promote all aspects of heritage within the area. We provide the Borough’s Heritage Service, including a comprehensive education service, outreach activities, exhibitions, displays, loan boxes, lectures and publications as well as an extensive website. DHT is centred at The Museum Store in Berkhamsted, which has been specially converted to provide a storage facility, where artefacts and documents are catalogued and stored. The Trust’s curatorial team consists of a full-time and a part- time museum professionals, supported by two part-time staff and a large and loyal team of volunteers. DHT has full Museum Accreditation, awarded by the Arts Council England. With no dedicated museum building, we are still hopeful regarding The Bury in Hemel Hempstead, and fully support Dacorum Borough Council with plans for a new museum. The Trust has the following Mission Statement: To collect and record the history of the Borough of Dacorum. To interpret and display the collections in order to encourage interest and appreciation of the heritage of Dacorum. The Trust work closely with local history societies, each with their own unique collections. They are: Berkhamsted & District Archaeological Society Berkhamsted Local History & Museum Society Berkhamsted Town Council Bovingdon History Group Dacorum Borough Council Flamstead Society Graham Greene Birthplace Trust Hemel Hempstead Local History & Museum Society Kings Langley Local History & Museum Society Tring & District Local History & Museum Society Wigginton History Society Foreword It has been a pleasure over the last two years to have got to know the Dacorum Heritage Trust.
    [Show full text]
  • Ben Jonson: the Poet As Maker
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1963 Ben Jonson: The Poet as Maker Glenda Pevey Rhyne College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons Recommended Citation Rhyne, Glenda Pevey, "Ben Jonson: The Poet as Maker" (1963). Dissertations, Theses, and Masters Projects. Paper 1539624391. https://dx.doi.org/doi:10.21220/s2-ngb5-e995 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. BEN JONSON: THE POET AS MAKER A Thesis Presented to The Faculty of the Department of English Literature The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts By Glenda Pevey Rhyae September 1963 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author r Approved, September 1963: Charles E. Davidson, Ph.D. Cecil M. McCulJgr, Ph.D. q Fraser Neiman, Ph.D. t^cuJu ft- Cv\PCiAKSk Frank B . Evans, Ph.D. ii ABSTRACT In the past scholars and critics dealing with the work of Ben Jonson have either overlooked, minimized, or superficially evaluated his poems. The concepts of modern poetry, moreover, are taking us further and further from an appreciation of his poetic theory.
    [Show full text]
  • Revising Mary Queen of Scots: from Protestant Persecution to Patriarchal Struggle
    Journal of Religion & Film Volume 25 Issue 1 April 2021 Article 59 March 2021 Revising Mary Queen of Scots: from Protestant Persecution to Patriarchal Struggle Jennifer M. DeSilva Ball State University, [email protected] Emily K. McGuire Ball State University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Part of the Catholic Studies Commons, European History Commons, History of Gender Commons, History of Religion Commons, Other Film and Media Studies Commons, Political History Commons, and the Women's History Commons Recommended Citation DeSilva, Jennifer M. and McGuire, Emily K. (2021) "Revising Mary Queen of Scots: from Protestant Persecution to Patriarchal Struggle," Journal of Religion & Film: Vol. 25 : Iss. 1 , Article 59. DOI: 10.32873/uno.dc.jrf.25.1.003 Available at: https://digitalcommons.unomaha.edu/jrf/vol25/iss1/59 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Revising Mary Queen of Scots: from Protestant Persecution to Patriarchal Struggle Abstract Since Mary Queen of Scots’ execution in 1587, she has become a symbol of Scottish identity, failed female leadership, and Catholic martyrdom. Throughout the twentieth century, Mary was regularly depicted on screen (Ford, 1936; Froelich, 1940; Jarrott, 1971) as a thrice-wed Catholic queen, unable to rule her country due to her feminine nature and Catholic roots. However, with the rise of third wave feminism and postfeminism in media, coupled with the increased influence of emalef directors and writers, Mary’s characterization has shifted from portraying female/emotional weakness and religious sacrifice ot female/collaborative strength in hardship and a struggle against patriarchal prejudice.
    [Show full text]