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A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
The LEWIS TRILOGY Summer of the Aliens • Così • This Much Is True
LOUIS NOWRA was born in Melbourne. He is the author of the plays Inner Voices, Visions, Inside the Island, Sunrise, The Golden Age, Capricornia, Byzantine Flowers, The Watchtower, Summer of the Aliens, Cosi, Radiance, The Temple, Crow, The Incorruptible, The Jungle, The Language of the Gods and The Boyce Trilogy. He has written the non-fiction worksThe Cheated, Warne’s World, Walkabout, Chihuahuas, Women and Me (essays), Bad Dreaming, Kings Cross: a biography and its companion volume, Woolloomooloo: a biography. His fiction includes The Misery of Beauty, Palu, Red Nights, Abaza, Ice, Into that Forest and Prince of Afghanistan. His memoirs are The Twelfth of Never and Shooting the Moon. Some of his radio plays include Albert Names Edward, The Song Room, Sydney, The Divine Hammer, Far North, The Wedding in Venice, Jez and The Light of Darkness. He was the principal writer of the documentary series First Australians and created the TV series The Last Resort and The Straits. Besides writing libretti, and the telemovies Displaced Persons, Hunger and The Lizard King, his screen credits include Map of the Human Heart, Cosi, Heaven’s Burning, The Matchmaker, Radiance, K-19: The Widowmaker and Black and White. He lives in Sydney and is married to the writer Mandy Sayer. The LEWIS TRILOGY Summer of the Aliens • Così • This Much is True CURRENCY PRESS SYDNEY CURRENCY PLAYS First published in 2018 by Currency Press Pty Ltd, PO Box 2287, Strawberry Hills, NSW, 2012, Australia [email protected] www.currency.com.au Summer of the Aliens first published by Currency Press in 1992; Così first published by Currency Press in 1992. -
Chloe Armstrong
JOSH MCCONVILLE | Actor FILM Year Production / Character Director Company 2017 1% Stephen McCallum Head Gear Films Skink 2016 WAR MACHINE David Michôd Porchlight Films Payne 2015 JOE CINQUE'S CONSOLATION Sotiris Dounoukos Consolation Productions Chris 2014 DOWN UNDER Abe Forsythe Riot Films Gav 2013 THE INFINITE MAN Hugh Sullivan Infinite Man Productions P/L Dean Trilby 2012 THE TURNING “COMMISSION” David Wenham ArenaMedia Vic Lang TELEVISION Year Production/Character Director Company 2017 HOME & AWAY Various Seven Network Caleb 2015 CLEVERMAN Wayne Blair ABCTV Dickson 2013 THE KILLING FIELD Samantha Lang Seven Network Operations Jackson 2012 REDFERN NOW Various ABC TV/Blackfella Films Photographer Shanahan Management Pty Ltd Level 3 | Berman House | 91 Campbell Street | Surry Hills NSW 2010 PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] 2011 WILD BOYS Various Southern Star Productions No. 8 Ben 2009 UNDERBELLY II: Various Screentime A TALE OF TWO CITIES Hurley THEATRE Year Production/Character Director Company 2017 CLOUD 9 Kip Williams Sydney Theatre Company Clive/Cathy 2016 A MIDSUMMER NIGHT’S DREAM Kip Williams Sydney Theatre Company Bottom 2016 ALL MY SONS Kip Williams Sydney Theatre Company George Deever 2016 HAY FEVER Imara Savage Sydney Theatre Company Sandy Tyrell 2016 ARCADIA Richard Cottrell Sydney Theatre Company Bernard Nightingale 2015 HAMLET Damien Ryan Bell Shakespeare Hamlet 2015 AFTER DINNER Imara Savage Sydney Theatre Company -
PROGRAM Prize Fighter
LA BOITE THEATRE COMPANY & BRISBANE FESTIVAL PRESENTS PRIZE FIGHTER BY FUTURE D. FIDEL PROGRAM Presented by La Boite Theatre Company & Brisbane Festival 5 - 26 September 2015 at the Roundhouse Theatre CAST Luke, Ensemble Margi Brown-Ash Rita, Nyota, Sofia, Ensemble Sophia Emberson-Bain Kadogo, Tim, Ensemble Thuso Lekwape Moses, Matete, Jeff Wilkie, Ensemble Gideon Mzembe Isa Pacharo Mzembe Aunty, Alaki, Old Man, Wayne Durain, Ensemble Kenneth Ransom PRODUCTION TEAM Writer Future D Fidel Director Todd MacDonald Dramaturg Chris Kohn Designer Bill Haycock Lighting Designer David Walters Composer/Sound Designer Felix Cross Video Designer optikal bloc Movement & Fight Director Nigel Poulton Design Intern Hahnie Goldfinch Lighting Design Secondment Christine Felmingham Stage Manager Heather O’Keeffe Assistant Stage Manager Ariana O’Brien Rehearsal Photography Dylan Evans Special thanks to Emmanuel Otti, Brisbane Boxing, Coleman Tyre Company Wacol and Corporate Box Gym. 1 WRITER’S NOTES Future D. Fidel In the world that depends on technology, it is hard to miss breaking news on an 8.9 Magnitude Earthquake that kills 19 people or the news about a massacre of five people in the middle of Europe. Surprisingly enough, if I asked you about one of the greatest mass killings in the world after WWII, I wouldn’t be surprised if you said the war in Iraq, Afghanistan or Pakistan. The death toll in these three countries combined is recorded to be approximately 371,000 people since 2001according to Watson Institute – Cost of War. This is not close to half the great genocide of Rwanda that claimed almost a million lives. The Democratic Republic of Congo is well known for its richness in natural resources and minerals such as gold, diamond, coltan, petroleum to name a few. -
Annual Report 2014 1
Annual Report 2014 1 2 3 4 6 5 7 Cover photographs 1 Paul Bishop in Australia Day 2 Candy Bowers in The Mountaintop 3 Jason Klarwein and Veronica Neave in Macbeth 4 Anna McGahan in The Effect 5 Christen O’Leary in Gloria 6 Promotional photograph for Black Diggers 7 Steven Rooke in Gasp! Photography: Aaron Tait, Branco Gaica (Black Diggers) Illustration: Lauren Marriott (The Mountaintop) Letter to Minister 27 March 2015 The Honourable Annastacia Palaszczuk MP Premier and Minister for the Arts Level 15, Executive Building 100 George Street BRISBANE QLD 4000 Dear Premier I am pleased to present the Annual Report 2014 and audited financial statements for the Queensland Theatre Company. I certify that this annual report complies with: the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found on page 90 of this annual report or accessed at http://www.queenslandtheatre.com.au/About-Us/Publications Yours sincerely, Professor Richard Fotheringham Chair Queensland Theatre Company Queensland Theatre Company Annual Report 1 2 Queensland Theatre Company Annual Report Contents Contents .......................................................................................................................................................... 3 Introduction .................................................................................................................................................... -
MEDIA KIT 2017 EMBARGOED UNTIL 4PM SUNDAY 28 AUGUST 2016 Melbourne 'S Home of Theatre
MEDIA KIT 2017 EMBARGOED UNTIL 4PM SUNDAY 28 AUGUST 2016 MElBOURNE 'S hOME OF ThEATRE MELBOURNE THEATRE COMPANY Media Release 28 AUGUST 2016 MTC Season 2017 Melbourne Theatre Company Artistic Director Brett Sheehy ao today revealed MTC’s 2017 Season – a collection of works from around the world that celebrate the art of great, live storytelling. ‘Season 2017 is one of our most exciting yet,’ Brett Sheehy said. ‘The year ahead draws together an enviable assortment of artists to present stories from France, Britain, Ireland, America, India, and, of course, Australia for a season that will bring laughter, empathy, debate and intrigue to all our lives.’ ‘In a season that celebrates and showcases live storytelling at its best, we are especially thrilled that four outstanding new Australian plays will have world premiere productions on our stages,’ Mr Sheehy said. Melbourne Theatre Company’s 2017 Season features eleven mainstage productions, an extensive Education Program and touring education production, plus a range of industry-leading initiatives including MTC’s Women in Theatre Program, NEON NEXT, MTC CONNECT and Cybec Electric. The season opens in grand period style with Garson Kanin’s 1940s Broadway classic Born Yesterday – a screwball romance directed by MTC Associate Director Dean Byrant, starring Christie Whelan Browne and Joel Jackson. The incomparable Helen Morse and Julia Blake return to the stage alongside Ursula Mills making her MTC debut in John, the latest highly acclaimed work from Pulitzer Prize-winning playwright Annie Baker, directed by MTC Associate Director Sarah Goodes. Judy Davis directs Brian Friel’s enduring work of art, Faith Healer – an extraordinary creation presented in four beautifully sculpted monologues – starring Colin Friels, Pip Miller and Alison Whyte. -
Josh Mcconville
JOSH MCCONVILLE Training: NIDA and Griffith University Film: Lone Wolf Conrad Jonathan Ogilvie Future Pictures Fantasy Island Sarge Jeff Wadlow Columbia Pictures Top End Wedding Officer Kent Wayne Blair Goalpost M4M Ice Man Paul Ireland Toothless Pictures Escape and Evasion Seth Storm Ashwood Bronte Pictures The Merger Snapper Mark Grentell Umbrella Entertainment 1% Skink Stephen McCallum Head Gear Films War Machine Payne David Michod Netflix Down Under Gav Abe Wild Eddie Joe Cinque's Consolation Chris Sotiris Dounoukos Consolation Productions The Infinite Man Dean Trilby Hugh Sullivan Infinite man Productions The Turning "Commission" Vic lang David Wenham ArenaMedia TV: Wakefield Scott Jocelyn Moorhouse & Kim Morduant Jungle Ent. Mr Inbetween S2 Alex Nash Edgerton Blue-Tongue Films Home and Away Caleb Snow Alan Bateman 7 Network Cleverman Dickson Leah Purcell Goalpost Pictures Redfern Now Photographer Various ABC TV / Blackfella Films Wild Boys Ben Barratt Southern Star Ent. Shirley Barratt Underbelly II Michael Hurley C9 Network Tony Tilse Theatre: Cloud 9 Clive/Cathy Kip Williams Sydney Theatre Company A Midsummer Night's Dream Bottom Kip Williams Sydney Theatre Company All My Sons George Deever Kip Williams Sydney Theatre Company Hay Fever Sandy Tyrell Imara Savage Sydney Theatre Company Arcadia Bernard Nightingale Richard Cottrell Sydney Theatre Company Hamlet Hamlet Damien Ryan Bell Shakespeare Tour Death of A Salesman Biff Adam Mitchell Black Swan Theatre Company The Boys Brett Sprague Sam Strong Griffin Theatre Company Josh McConville -
50 Years of the Stables Griffin Theatre Podcast Series
50 Years of the Stables Griffin Theatre Podcast Series Episode Ten: Writing from the Heart With David Berthold and Tommy Murphy Director David Berthold and playwright Tommy Murphy discuss the pressures of adapting Timothy Conigrave’s beautiful memoir Holding the Man for the Stables stage, the deep emotional currency that the piece holds, and their interactions with Timothy’s family in the process. Host: AC - Angela Catterns Guests: DB - David Berthold TM - Tommy Murphy Angela Catterns: 2020 marks the 50th birthday of Griffin Theatres Company home: the Stables Theatre. I’m Angela Catterns. Join us as we celebrate the anniversary in this special series of podcasts, where we’ll hear about the theatre’s history and talk to some of the country’s most celebrated artists. Angela Catterns (AC): In more than 30 years of Griffin Theatre Company at the Stables Theatre, no production has been more successful than Holding the Man. The original production, adapted for the stage by Tommy Murphy, and directed by David Berthold, premiered in 2006 in a critically- acclaimed, sold out season. Tommy Murphy and David Berthold, both on tight travel schedules, joined us separately, but within hours of each other for this podcast; part of the series celebrating 50 Years of the Stables. AC: Welcome David, thank you for finding time to join our podcast series. David Berthold (DB): Great to be here Angela. AC: Thank you. So, you grew up in the theatre I read, is that right? DB: Um, well only to the extent that quite early on in my life I became involved in amateur drama in um, in Newcastle. -
2013 NIDA Annual Report
NATIONAL INSTITUTE OF DRAMATIC ART THEATRE FILM TELEVISION 215 ANZAC PARADE KENSINGTON NSW 2033 POST NIDA UNSW SYDNEY NSW 2052 PHONE 02 9697 7600 2013 NIDA Annual Report FAX 02 9662 7415 EMAIL [email protected] ABN 99 000 257 741 NATIONAL INSTITUTE OF DRAMATIC ART Theatre, Film, Television WWW.NIDA.EDU.AU ABOUT NIDA The National Institute of Dramatic Art (NIDA) is a public, not-for-profit company and is accorded its national status as an elite training institution by the Australian Government. CONTENTS We continue our historical association with the University of New South Wales and maintain FROM THE CHAIRMAN 4 strong links with national and international arts training organisations, particularly through membership of the Australian Roundtable for Arts Training Excellence (ARTATE) and through FROM THE DIRECTOR / CEO 5 industry partners, which include theatre, dance and opera companies, cultural festivals and UNDERGRADUATE STUDIES 8 film and television producers. NIDA delivers education and training that is characterised by quality, diversity, innovation GRADUATE STUDIES 10 and equity of access. Our focus on practice-based teaching and learning is designed to HIGHER EDUCATION STATISTICS 11 provide the strongest foundations for graduate employment across a broad range of career opportunities and contexts. NIDA OPEN 12 Entry to NIDA’s higher education courses is highly competitive, with around 2,000 NIDA OPEN STATISTICS 13 applicants from across the country competing for an annual offering of approximately 75 places across undergraduate and graduate disciplines. The student body for these PRODUCTIONS AND EVENTS AT courses totalled 166 in 2013. NIDA PARADE THEATRES 14 NIDA is funded by the Australian Government through the Ministry for the Arts, DEVELOPMENT 15 Attorney-General’s Department, and is specifically charged with the delivery of performing arts education and training at an elite level. -
2021 Season Brochure
Our Town By Thornton Wilder 30 Jan — 27 Feb Bille Brown Theatre Triple X By Glace Chase 6 Mar — 1 Apr Bille Brown Theatre Taming of the Shrew By William Shakespeare 8 May — 12 Jun Bille Brown Theatre White Pearl By Anchuli Felicia King 17 Jun — 10 Jul Bille Brown Theatre Prima Facie By Suzie Miller 14 Jul — 14 Aug Bille Brown Theatre Trent Dalton’s Boy Swallows Universe Adapted for the stage by Tim McGarry 30 Aug — 18 Sep Playhouse, QPAC Return to the Dirt By Steve Pirie 16 Oct — 13 Nov Bille Brown Theatre SPECIAL EVENT Robyn Archer: An Australian Songbook Devised and performed by Robyn Archer 20 Nov — 4 Dec Bille Brown Theatre 3 We have all been on a wild ride in 2020 and 2021 promises to be challenging in ways we cannot imagine. But imagine we will. Together. Because we have all learned how much we need theatre. We need to see great big We need the buzz of a stories that fill us with foyer. inspiration. We need dates in our We need laughter and love calendars to look forward and ideas and provocations to. and magic. We need our culture to We need to have our artists come back to life. back at work breathing life None of us imagine it will into the national imagination. be easy. We need to talk to friends But we have to try. about the play we all saw last night and disagree with them Because we have lived about what it really meant. a time without theatre, and I don’t know about We need Australian voices you but I don’t want to speaking to us about what imagine a future without matters to us right now. -
CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint)
-Season Three- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint) Toby Stephens was born in London, England and trained at the London Academy of Music and Dramatic Art (LAMDA). He has gained critical acclaim as a stage and screen actor and upcoming work includes the feature film 13 Hours: The Secret Soldiers of Benghazi directed by Michael Bay, and And Then There Were None for the BBC. He will also star opposite Timothy Spall and John Hurt in Nick Hamm’s The Journey. Previous television roles include: “Vexed” (BBC), “Robin Hood” (BBC), “Wired” (ITV), “The Wild West” (BBC 1), “Jane Eyre” (BBC 1), “Sharpe’s Challenge” (ITV), “The Best Man” (ITV), “The Queen’s Sister” (Channel 4), “Waking the Dead” (BBC 1), “Poirot” (ITV), “Cambridge Spies” (BBC 2), “Perfect Strangers” (BBC 2), and “The Tenant of Wildfell Hall” (BBC 1). Recent film credits include: Believe with Natasha McElhone and Brian Cox, All Things to All Men alongside Gabriel Byrne and Rufus Sewell, and the lead role in The Machine for Content Film. Other film work includes: Severance, The Rising: Ballad of Mangal Pandey, Die Another Day, Possession, The Announcement, Onegin, Photographing Fairies, Sunset Heights, Cousin Bette, The Great Gatsby, Twelfth Night, and Orlando. Toby is an accomplished stage actor, both in London’s West End and on Broadway. Theater credits include ‘Elyot’ opposite Anna Chancellor in “Noel Coward’s Private Lives,” ‘Georges Danton’ in “Danton’s Death” (National Theatre Olivier), ‘Henry’ in “The Real Thing” (The Old Vic), ‘Thomas’ in “A Doll’s House,” ‘Jerry’ in -
Queensland Theatre Announces New Artistic Director: Lee Lewis
September 20, 2019 Queensland Theatre announces new Artistic Director: Lee Lewis Today Queensland Theatre’s Chair Elizabeth Jameson has announced that the new Artistic Director for the company will be well known cultural leader and director, and current Artistic Director and CEO of Griffin Theatre Company, Lee Lewis. “Next year we will celebrate 50 years of being Queensland Theatre: we’ve consolidated the company as the national home of new stories, we will stage the theatrical event of the year in the world premiere of Trent Dalton’s Boy Swallows Universe, adapted for the stage by Tim McGarry and we will welcome Lee Lewis as Artistic Director, taking over from Sam Strong who leaves this company in extraordinary shape,” she said. “Queensland Theatre has made real its vision of leading from Queensland, with key achievements including a new theatre, record audiences and growth, national industry leadership through gender parity of writers and directors for four successive years, more diverse voices, more new stories and world premieres, and the next generation of Aboriginal and Torres Strait Islander stories. It is important that our next Artistic Director share our vision and Lee Lewis most certainly does.” Sam Strong said he was delighted that Lee Lewis would be the next Artistic Director of Queensland Theatre. “Lee Lewis and I have shared an office, we’ve co-directed shows, and we have sat together with playwrights into the early hours of the morning talking about their work, and now we will have passed the baton of custodianship of two great companies in Griffin and Queensland Theatre,” he said.