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BIBLIOGRAPHY Manuscript Sources Add. MS, British Library Laurence Housman Papers, Bryn Mawr College HO 144/271/A58947, The National Archives of the UK William Andrews Clark Memorial Library, University of California, Los Angeles. Print and Internet Sources Andersen, Hans Christian. The Annotated Hans Christian Andersen. Ed. Maria Tatar. New York: W.W. Norton, 2008. Angeletti, Norberto et al, eds. The Oxford Children’s Book of Famous People. 3rd ed. Oxford: Oxford University Press, 2002. [Anon.]. “Christmas Colour Books for Boys and Girls.” Illustrated London News, 9 December 1913: 974. [Anon.]. “On Dwarfs and Elves.” All the Year Round n.s. 29 (1881): 64 [Anon.]. Review of Laurence Housman, A House of Joy. Saturday Review 80 (28 December 1895): 879. Aransáez, Cristina Pascual. The Importance of Being a Reader: A Revision of Oscar Wilde’s Work. Hamburg: Anchor Academic Publishing, 2014. Bachelard, Gaston. The Right to Dream. Translated by J.A. Underwood. Dallas: Dallas Institute of Humanities and Culture, 1989. Barthes, Roland. Camera Lucida: Refections on Photography. Translated by Richard Howard. New York: Hill and Wang, 1981. © The Editor(s) (if applicable) and The Author(s) 2017 221 J. Bristow (ed.), Oscar Wilde and the Cultures of Childhood, Palgrave Studies in Nineteenth-Century Writing and Culture, DOI 10.1007/978-3-319-60411-4 222 BIBLIOGRAPHY Baudelaire, Charles. “The Modern Public and Photography.” In Classic Essays on Photography. Edited Alan Trachtenberg, 83–89. New Haven, CT: Leete’s Island Books, 1980. Beckett, Sandra. “Crossover Literature.” In Keywords for Children’s Literature. Edited by Philip Nel and Lissa Paul, 58–61. New York: New York University Press, 2011. Beckson, Karl, ed. Oscar Wilde: The Critical Heritage. New York: Routledge and Kegan Paul, 1970. Benjamin, Walter. “A Small History of Photography.” In One Way Street and Other Writings. Translated by Edmund Jephcott and Kingsley Shorter, 240– 51. London: Verso, 1985. Bettelheim, Bruno. The Uses of Enchantment. New York: Knopf, 1976. Blake, William. “The Divine Image.” In Songs of Innocence (1789). Object 17 (Bentley 18, Erdman 18, Keynes 18). Library of Congress copy. Blake Archive. http://www.blakearchive.org. Bolsterli, Margaret Jones. The Early Community at Bedford Park: Corporate Happiness in the First Garden Suburb. London: Routledge & Kegan Paul, 1977. Braun, Marta, and Hope Kingsley. Salt and Silver: Early Photography 1840–1860 from the Wilson Centre for Photography. London: Mack, 2015. Breton, André. Nadja. Translated by Richard Howard. New York: Grove Press, 1994. Bristow, Joseph, and Rebecca N. Mitchell. Oscar Wilde’s Chatterton: Literary History, Romanticism, and the Art of Forgery. New Haven, CT: Yale University Press, 2015. Bristow, Joseph, ed. Oscar Wilde and Modern Culture: The Making of a Legend. Athens, OH: Ohio University Press, 2008. Brough, John Cargill. The Fairy Tales of Science: A Book for Youth. London: Griffth and Farran, 1859. Brown, D.A. Berenson and the Connoisseurship of Italian Painting. Washington, D.C.: Ursus, 1995. Bullough, Vern L., and Bonnie Bullough. Cross-Dressing, Sex, and Gender. Philadelphia: University of Pennsylvania Press, 1993. Burne, C.S. “Staffordshire Folk and Their Lore,” Folk-Lore 7, no.4 (1896): 366–84. Carpenter, Edward. The Intermediate Sex. London: Swan Sonnenschein; Manchester: Clarke, 1908. Clifford, David. “Wilde and Evolution.” In Oscar Wilde in Context. Edited by Kerry Powell and Peter Raby, 211–19. Cambridge: Cambridge University Press, 2014. Conner, Daniel. The Picture of Dorian Gray. Edina, MN: Magic Wagon/ ABDO, 2010. BIBLIOGRAPHY 223 Cook, Clarence. The House Beautiful. New York: Scribner, Armstrong, and Company, 1878. Crane, Walter. An Artist’s Reminiscences. London: Methuen, 1907. Crane, Walter. Of the Decorative Illustration of Books Old and New. London: G. Bell, 1896. Crowell, Ellen. “Mr. Gielgud Regrets: Panic at the Wilde Centenary.” Center & Clark Newsletter, UCLA Center for 17th- and 18th-Century Studies, William Andrews Clark Memorial Library, 50 (2009): 12–15. Crowell, Ellen. “Posthumous Playback: Oscar Wilde and the Phonographic Logic of Modern Biography,” Modern Fiction Studies 59, no.3 (2014): 480–500. Cruise, Colin et al. Love Revealed: Simeon Solomon and the Pre-Raphaelites. London: Merrell; Birmingham: Birmingham Museum and Art Gallery, 2005. Darwin, Charles. On the Expression of the Emotions in Man and Animals, with Photographic and Other Illustrations. London: John Murray, 1872. Day, Sara K. Reading Like a Girl: Narrative Intimacy in Contemporary American Young Adult Literature. Jackson, MI: University of Mississippi Press, 2013. Delany, Paul. The Neo-Pagans: Friendship and Love in the Rupert Brooke Circle. London: Hamish Hamilton, 1987. de Saix, Guillot, ed. Le Chant du cygne: contes parlés d’Oscar Wilde. Paris: Mercure de France, 1942. DiCamillo, Kate. The Miraculous Journey of Edward Tulane. Cambridge, MA: Candlewick, 2006. Doussot, Audrey. “Laurence Housman (1865–1959): Fairy Tale Teller, Illustrator, and Aesthete.” Cahiers Victoriens & Édourdiens 73 (April 2011): 131–46. Duffy, John-Charles. “Gay Related Themes in the Fairy Tales of Oscar Wilde,” Victorian Literature and Culture 29, no.2 (2001): 327–49. Durbach, Nadja. The Spectacle of Deformity: Freak Shows and Modern British Culture. Berkeley: University of California Press, 2010. Dworkin, Anrdea. “The Fairy Tales.” In Dworkin. Women Hating, 31–49. Toronto: Clarke, Irwin, 1974. Edginton, Ian. The Picture of Dorian Gray: A Graphic Novel. London: SelfMadeHero/Metro Media, 2008. Edwards, Owen Dudley. “Impressions of an Irish Sphinx.” In Wilde the Irishman. Edited by Jerusha McCormack. 52–60. New Haven, CT: Yale University Press, 1998. Engen, Rodney K. Laurence Housman. Stroud: Catalpa Press, 1983. Eggermont, Stephanie. “‘The method of life we all lead’: Olive Schreiner’s Short Fiction as Challenge to the Stage Method.” Writing Women of the Fin de Siècle. Edited by Adrienne E. Gavin and Carolyn W. de la Oulton, 43–54. Basingstoke: Palgrave Macmillan, 2012. 224 BIBLIOGRAPHY Flanagan, Victoria. Into the Closet: Cross-Dressing and the Gendered Body in Children’s Literature and Film. New York: Routledge, 2007. Fletcher, Ian. “Bedford Park: Aesthete’s Elysium?” In Romantic Mythologies. Edited by Ian Fletcher, 169–208. New York: Barnes and Noble, 1967. Frankel, Nicholas. Oscar Wilde’s Decorated Books. Ann Arbor, MI: University of Michigan Press, 2000. Freedman, Jonathan, Professions of Taste: Henry James, British Aestheticism, and Commodity Culture. Stanford, CA: Stanford University Press, 1990. Gatty, Margaret. Parables from Nature. 1852–71; London: J. M. Dent, 1909. Genette, Gérard. Paratexts: Thresholds of Interpretation. Translated by Jane E. Lewin. Cambridge: Cambridge University Press, 1997. Gillespie, Michael Patrick. Oscar Wilde and the Poetics of Ambiguit. Gainesville: University of Florida Press, 1996. [Gladstone, Herbert et al]. Minutes of the Evidence Taken from the Departmental Committee on Prisons. London: H.M.S.O and Eyre and Spottiswoode, 1895. Gorham, Deborah. The Victorian Girl and the Feminine Ideal. Bloomington: Indiana University Press, 1982. Gormley, Beatrice. Salome. New York: Laurel Leaf/Random House, 2007. Gower. George Leveson. Mixed Grill. London: Frederick Muller, 1947. Gregory, James. “Lady Mount Temple and Her Friendship with Constance Wilde,” Oscholars 3, no. 12 (November/December 2006): https://archive. org/details/TheOscholarsNo12. Grodin, Elissa. Oscar Wilde’s The Happy Prince, as Retold by Elissa Grodin. Chelsea, MI: Sleeping Bear Press, 2006. Guy, Josephine M., and Ian Small. Oscar Wilde’s Profession: Writing and the Culture Industry in the Late Nineteenth Century. Oxford: Oxford University Press, 2000. Guy, Josephine M., and Ian Small. Studying Oscar Wilde: History, Criticism, and Myth. Greensboro, NC: ELT Press, 2006. Hale, Christina. British Folk Customs. London: Anchor Press, 1976. Hammond, Paula. The Picture of Dorian Gray, Retold by Paula Hammond. Stroud: Real Reads, 2014. Hannavy, John. Case Histories: The Packaging and Presentation of the Victorian Photographic Portrait 1840–1875. Woodbridge, Suffolk: Antique Collectors’ Club, 2005. Hansen, Miriam Bratu. “Benjamin’s Aura.” Critical Inquiry 34, no.2 (2008): 336–75. Harley, Alexis. Autobiologies: Charles Darwin and the Natural History of the Self. Lewisburg: Bucknell University Press, 2015. Harris, Daniel. Cute, Quaint, Hungry, and Romantic: The Aesthetics of Consumerism. New York: Basic Books, 2000. BIBLIOGRAPHY 225 Hartzman, Marc. American Sideshow: An Encyclopedia of History’s Most Wondrous and Curiously Strange Performers. New York: Penguin Group, 2006. Haweis, Hugolin. Four to Fourteen by a Victorian Child. London: Robert Hale, 1939. Haweis, Mary Eliza Joy. The Art of Beauty and the Art of Dress. London: Chatto and Windus, 1879. Heath, Michelle Beissel. “Lessons Not Learned: ‘Bad Cocoa,’ ‘Worse Blankets,’ and the Unhappy Endings of Oscar Wilde’s Fairy Tales.” The Oscholars (Spring 2009) https://oscholars-oscholars.com. Hoffmann, Heinrich. Struwwelpeter: Merry Stories and Funny Pictures. 1845; New York: Frederick Warne, 1962. Holland, Merlin. The Wilde Album. London: Fourth Estate, 1997. Holland, Vyvyan. Drink and Be Merry. London: Victor Gollancz, 1967. Holland, Vyvyan. An Explosion of Limericks. New York: Funk and Wagnalls, 1967. Holland, Vyvyan. A Few Odd Refections on Idleness, Collected by Vyvyan Holland, Idler to the Sette, and Presented by Him on Ladies’ Night, June 22, 1927. London: Sette of Odd Volumes, 1927.
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