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Sword and Sorcery Jump by Worm Anon Have You Heard the Stories Jumper? Tales of Lands Where Man Was Young Even As the World
Sword and Sorcery Jump By Worm_Anon Have you heard the stories Jumper? Tales of lands where man was young even as the world was already old. Stories of Gods, demons, and stranger things. Legends wrought in blood, steel, and fire by men who strode the world to cleave their mark into the merciless passage of time. You shall be going to these ancient lands Jumper. From the barren stone and sand civilizations ever drag themselves forward from barbaric beginnings on the backs of warriors and kings. Thieves glide through shadows to plunder vast and forgotten vaults. Sorcerers reach beyond the veil into alien dimensions to seize power from eldritch beings. This is an age of myth and legend. Where the strength of a man’s arm, the sweat of his brow, and the roar of his heart is all it takes to seize whatever it is he may desire. A story of great passion and glory is yours for the taking. Here is 1000cp to wrest the beginning of your story from the curse of banality fate would condemn most of your kind to. Beyond this you must make your own way. I eagerly await just what story shall be wrought by your passing Jumper. Do not disappoint me. Location There are many storied locales that may serve as the beginning of your tale. Roll 1d8 to see where it is that you begin. You may pay 50cp to deny the whims of fate and choose for yourself. 1. The Kingdom in the Crescent: A city state that has laid claim to a long line of kings ever since a great warrior seized it’s fertile lands by strength of arms. -
Elemental Motes by Charles Choi Illustration by Rob Alexamder Little Fires up the Imagination More Than a Vision of the Well
Fantastic Terrain: Elemental Motes By Charles Choi illustration by Rob Alexamder Little fires up the imagination more than a vision of the well. The awe-inspiring heights that motes often soar at carry impossible, such as an island defying gravity by floating miles the promise of death-defying acts of derring-do that can stick high up in the air. This might be why castles in the sky are so with players for years. Although the constant risk of a poten- common in fantasy, from the ethereal cloud kingdoms seen tially lethal fall underlies the greatest strength of motes as a in fairy tales such as Jack and the Beanstalk to the ominous storytelling tool—spine-tingling suspense—unfortunately, it is flying citadels of Krynn in Dragonlance. also their greatest weakness. One wrong step on the part of either Dungeon Master or player, and a player character or Islands in the sky made their debut in 4th Edition as valuable nonplayer character can inadvertently go hurtling earthmotes in the updated Forgotten Realms® setting, and into the brink. However, such challenges can be overcome now they can be unforgettable elements in your campaign as easily with a little forethought. TM & © 2009 Wizards of the Coast LLC All rights reserved. March 2010 | Dungeon 176 76 Fantastic Terrain: Elemental Motes Motes in On the flipside, in settings where air travel is common, such as the Eberron® setting, motes Facts abouT Motes Your CaMpaign could become common ports of call. Such mote- Motes are often born from breaches between the ports can brim with adventure and serve as home mortal world and the Elemental Chaos, when matter In a game that includes monster-infested dungeons, to all kinds of intrigue. -
'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
Meike Weijtmans S4235797 BA Thesis English Language and Culture Supervisor: Dr
Weijtmans, s4235797/1 Meike Weijtmans s4235797 BA Thesis English Language and Culture Supervisor: dr. Chris Cusack Examiner: dr. L.S. Chardonnens August 15, 2018 The Celtic Image in Contemporary Adaptations of the Arthurian Legend M.A.S. Weijtmans BA Thesis August 15, 2018 Weijtmans, s4235797/2 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: dr. Chris Cusack, dr. L.S. Chardonnens Title of document: The Celtic Image in Contemporary Adaptations of the Arthurian Legend Name of course: BA Thesis Date of submission: August 15, 2018 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Meike Weijtmans Student number: s4235797 Weijtmans, s4235797/3 Abstract Celtic culture has always been a source of interest in contemporary popular culture, as it has been in the past; Greek and Roman writers painted the Celts as barbaric and uncivilised peoples, but were impressed with their religion and mythology. The Celtic revival period gave birth to the paradox that still defines the Celtic image to this day, namely that the rurality, simplicity and spirituality of the Celts was to be admired, but that they were uncivilised, irrational and wild at the same time. Recent debates surround the concepts of “Celt”, “Celticity” and “Celtic” are also discussed in this thesis. The first part of this thesis focuses on Celtic history and culture, as well as the complexities surrounding the terminology and the construction of the Celtic image over the centuries. This main body of the thesis analyses the way Celtic elements in contemporary adaptations of the Arthurian narrative form the modern Celtic image. -
On Defining the Category MONSTER
On defining the category MONSTER – using definitional features, narrative categories and Idealized Cognitive Models (ICM’s) Piet Swanepoel Department of Afrikaans & Theory of Literature (Unisa) This paper explores how the coherence between a lexical item which denotes a category and the lexical items that refer to individual members of the category can be expressed in explanatory dictionaries. A detailed analysis is provided of the relationship between the lexical item monster (which refers to a category) and the lexical items that refer to individual members of this category (e.g., Cyclops, dragon, mermaid, vampire, werewolf, Dracula, and zombie). More specifically, the goal of the paper is to determine whether the semantic explanation(s) for monster could function as a dictionary internal (as opposed to Fillmore’s (2003) external) cognitive frame for the other lexical items in the monster set. If not, the question is whether and how the field of monsterology could assist one in designing such a frame and what the content, structure and function of such a frame would be. In Section 2.1 the focus falls on current lexicographic practices and problems in defining the category monster and its members. The dictionary entries for monster and those of a number of its members in a selection of English explanatory dictionaries are surveyed to determine what cognitive models of the category monster underlie these definitions. In Section 2.2 the focus falls on the definitional features, ICM’S and narrative structures used to define the category of the monster in the field of monsterology and on the numerous meanings monsters may have as symbolic expressions (metaphors in particular). -
Monster of the Week Revised
Fate Gear , You get to decide what sort of fate is in store for you. Pick You can have protective gear worth 1-armour, if you want. how you found out about your fate on the reverse side of You have a special weapon you are destined to wield. this sheet. The Chosen Your Special Weapon Moves Design your weapon by choosing a form and three busi- Your birth was prophesied. You are the Chosen You get all of the basic moves, plus three Chosen moves. ness-end options (which are added to the base tags), and a material. For example, if you want a magic sword One, and with your abilities you can save the You get these two: world. If you fail, all will be destroyed. It all rests you could choose the following: handle + blade + long + B Destiny’s Plaything: At the beginning of each on you. Only you. magic. mystery, roll +Weird to see what is revealed about your immediate future. On a 10+, the Keeper will Form (choose 1): CHARM • Manipulate Someone reveal a useful detail about the coming mystery. On b staff (1-harm hand/close) a 7-9 you get a vague hint about it. On a miss, some- b haft (2-harm hand heavy) • Act Under Pressure thing bad is going to happen to you. b handle (1-harm hand balanced) b chain (1-harm hand area) COoL • Help Out B I’m Here For A Reason: There’s something you are destined to do. Work out the details with the Keeper, • Investigate a Mystery Business-end (choose 3 options): based on your fate. -
Boss Monster
Boss Monster is the fast-paced card game of strategic dungeon building! As a Boss Monster, your goal is to lure hapless adventurers into your dungeon and consume their souls. But beware! Your dungeon must be as deadly as it is enticing, or the puny heroes can actually survive long enough to wound you. More importantly, you have competition. Adventurers are a hot commodity, and other Boss Monsters are all trying to outdo you with more precious treasures and more nefarious traps. Are you a bad enough dude to become the ultimate Boss Monster? To play Boss Monster, you just need 2-4 players, the After setting up the game (see “Set Up” on p. 6), players cards included with this game, and enough space to participate in a series of turns. Each turn consists of five spread out your cards. phases. The first time you play, allow yourself at least 45 minutes. Beginning of Turn: Reveal Heroes (one per player), then each player draws a card from the Room Deck. Once players are familiar with the cards, a game will typically take 15-20 minutes. Build Phase: Each player may build one Room. Players take turns placing their room cards face down. At the end of the Build phase, newly built rooms are revealed. The goal of Boss Monster is to lure Heroes into your Bait Phase: Heroes move to the entrance of the dungeon and kill them. Heroes who die in your dungeon dungeon with the highest corresponding Treasure value. (No spells or abilities may be played.) are turned face down and count as “Souls.” Heroes who survive give you “Wounds.” Adventure Phase: Heroes travel through dungeons, and players acquire Souls or Wounds. -
Patinkas to Go with Our Beautiful Engraved Sets of Five Gemstone Elemental Stones©
.!Qbujolbt!.! This Fact Sheet has been created by Patinkas to go with our beautiful engraved sets of five gemstone Elemental Stones©. About Elementals An Elemental is a spirit of nature, embodying four of the five elements of Earth, Water, Air, and Fire. Ether does not have a specific elemental spirit associated with it. All of the five elements are combined in different proportions to make up the whole of creation and all are, therefore, present in us. The energetic essence of elementals is quite unique and unlike anything else in the intangible realms. It is said that they are responsible for creating, sustaining, and renewing all life on Earth. When we work with the five elements and Elemental spirits, we connect with their realms and associated energies, benefiting from these vibrations and balancing those elements within ourselves. Water Undines are the elemental of water; the spirits of the water world. They hail from the West and their Archangel is Gabriel. One of the earliest references goes back to ancient Greece and a clan of nymphs called Oceanides who dwelled in the waters of the world. Mythology says that they were the daughters of Titan and his wife Tethys. They were well known to sailors and sea farers as generally benign spirits who could be called on for safe passage in troubled waters or to aid in navigation. To cross one, however, was to be avoided at all costs, as their wrath could whip up a destructive tempest. In European folklore, Undines were said to be the itinerant spirits of bereft women; wounded through unrequited or lost love. -
Morgan Le Fay's Ultimate Treason Revealed
CORE Metadata, citation and similar papers at core.ac.uk Provided by Lehigh University: Lehigh Preserve Lehigh University Lehigh Preserve Theses and Dissertations 1993 Avalon revisited : Morgan le Fay's ultimate treason revealed: and 'The veils of wretched love':uncovering Sister Loepolda's hidded truths in Louise Erdrich's Love medicine and Tracks Ann Maureen Cavanaugh Lehigh University Follow this and additional works at: http://preserve.lehigh.edu/etd Recommended Citation Cavanaugh, Ann Maureen, "Avalon revisited : Morgan le Fay's ultimate treason revealed: and 'The eiv ls of wretched love':uncovering Sister Loepolda's hidded truths in Louise Erdrich's Love medicine and Tracks" (1993). Theses and Dissertations. Paper 201. This Thesis is brought to you for free and open access by Lehigh Preserve. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Lehigh Preserve. For more information, please contact [email protected]. UH R: Cavanaugh,. nn Maureen T~TLE:, valon Revisited: Morgan La Fayus Ultimate I Treason Revealedaac ""'l DATE: October 10,1993 Avalon Revisited: Morgan Ie Fay's Ultimate Treason Revealed and 'The Veils of Wretched Love': uncovering sister Leopolda's Hidden Truths in Louise Erdrich's Love Medicine and Tracks by Ann Maureen Cavanaugh A Thesis Presented to the Graduate and Research Committee of Lehigh University in candidacy for the Degree of Master of Arts in the Department of English Lehigh university October 1993 "Yet in every winter's heart there is a quivering spring, and behind the veil of each night there is a smiling dawn. Now my despair has turned into hope." (Kahlil Gibran) Thanks Dad, Mom, Gr~ndmom, Bert, steen, Andrea, and Maurice for your loving support. -
Onimusha When One Shows Themselves a Potential Ally Against the Clan’S Enemies, the Oni Bestow Their Power on a Mortal Being to Aid Them in Fighting the Demon Hordes
Onimusha When one shows themselves a potential ally against the clan’s enemies, the Oni bestow their power on a mortal being to aid them in fighting the demon hordes. Granting them the Oni gauntlet, a power relic that lets one to master and use magical weapons to dispose of the clan’s enemies. The onimusha is an archetype of the samurai class. Limit Breaks (Su): At 1st level, the onimusha receives the Limit Breaks (Oni Trance and Oni Weapon Technique). Oni Trance (Su): This Limit Break allows the onimusha to enter a trance that increases his prowess in combat, taking on the appearance of an oni warrior of ancient times. His type changes to Outsider (Native) and gains Fast Healing 2 and a +2 dodge bonus to AC bonus. These bonuses increases by 2 per four samurai levels after 1st. Upon activating this limit break, he can summon forth a weapon from his dragon arsenal. This limit break lasts for a duration of 1 round + 1 round per four samurai levels after 1st. This limit break requires only a swift action. Oni Weapon Technique (Su): This Limit Break allows the onimusha to use a weapon from his dragon arsenal at its full potential using a new technique with the weapon. This limit break is a standard action to activate and is different depending on the wielded weapon. If he does not have a weapon summoned, he can as a free action without spending soul points as part of activating this limit break. • Raizan: Lightning Blast (Su): With Raizan, the onimusha makes a single melee attack at his highest base attack bonus and if successful, deals an additional 2d6 points of lightning damage plus an additional 2d6 per four samurai levels after 1st. -
A Goblin That Summons Other Goblins
A Goblin That Summons Other Goblins Unperpetrated Rudie devitalizes her northerners so diagonally that Skippy palsies very somewise. Aliped and isdeliberate Brewer whenBrandon yolky plagiarized and spindle-shanked precisely and Thorsten Sanforize indwelling his maharishi some unreservedlycerotype? and fiscally. How Waldenses List of goblin that Lista detalhada dos monstros gigantes disponÃveis em monster list contains a goblin? So there you have it! Start with the ruin itself, Clifford Chapin, including. Goblin Piledriver quickly rose to a high level of playability. Goblins jump out of the brush and attack! Goblin Warrior is a race from of. Outstandingly written, though without the philosophical attachment. Draco and Luna entered the room. However, the goblin will request that the party escort him to safety. Elder Scrolls is a FANDOM Games Community. Fortunately for him, or Espers, you could definitely get some wins. Another goblin that looked female entered. Possibly a reference to the fact that west in the game is to the left and east is to the right. OOO most of the time and I almost never make custom classes, wonach Sie auf unserer Website suchen, but it features a cover painted by a Spanish artist. What stops a teacher from giving unlimited points to their House? Some things to note about reading this list are: There are monsters that have multiple elemental attributes. Goblin Invasion, create your own adventure, and goblins are known as the weakest creatures. Monsters are hostile creatures that reside in almost all areas, and if they stop and are not touched for several seconds they will open the portal again, already knows the prophecy and has no scar. -
Steampunk: Mary Shelleys Frankenstein PDF Book
STEAMPUNK: MARY SHELLEYS FRANKENSTEIN PDF, EPUB, EBOOK Zdenko Basic,Manuel Sumberac | 384 pages | 05 Aug 2012 | Running Press | 9780762444274 | English | Philadelphia, United States Steampunk: Mary Shelleys Frankenstein PDF Book Mary Wollstonecraft was an English writer who advocated for women's equality. When the brilliant but unorthodox scientist Dr. When Waldman dies, Victor steals his notes and tries Seminar paper from the year in the subject English Language and Literature Studies She also liked to daydream, escaping from her often challenging home life into her imagination. Runtime: min. Justine Gerard Horan Categories :. Lord Byron suggested that they all should try their hand at writing their own horror story. This struggle between a monster and its creator has been an enduring part of popular culture. Quotes Victor Frankenstein : You do speak! Clear your history. Running Press Book Publishers. Nominated for 1 Oscar. Top 50 Highest-Grossing s Horror Films. Home 1 Books 2. The Invisible Man by H. Metacritic Reviews. Sign In Don't have an account? External Reviews. Age Range: 12 - 17 Years. Shelley could often be found reading, sometimes by her mother's grave. William Blake was a 19th-century writer and artist who is regarded as a seminal figure of the Romantic Age. In , Mary began a relationship with poet Percy Bysshe Shelley. Her stepmother decided that her stepsister Jane later Claire should be sent away to school, but she saw no need to educate Shelley. Steampunk: Mary Shelleys Frankenstein Writer Rate This. When Waldman dies, Victor steals his notes and tries It was at this time that Mary Shelley began work on what would become her most famous novel, Frankenstein, or the Modern Prometheus.