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Unobtainium-Vol-1.Pdf
Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more. -
OTHER CAMP: RETHINKING CAMP, the 1990S, and the POLITICS of VISIBILITY
OTHER CAMP: RETHINKING CAMP, THE 1990s, AND THE POLITICS OF VISIBILITY By Sarah Margaret Panuska A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of English—Doctor of Philosophy 2019 ABSTRACT Other Camp: Rethinking Camp, the 1990s, and the Politics of Visibility By Sarah Margaret Panuska Other Camp pairs 1990s experimental media produced by lesbian, bi, and queer women with queer theory to rethink the boundaries of one of cinema’s most beloved and despised genres, camp. I argue that camp is a creative and political practice that helps communities of women reckon with representational voids. This project shows how primarily-lesbian communities, whether black or white, working in the 1990s employed appropriation and practices of curation in their camp projects to represent their identities and communities, where camp is the effect of juxtaposition, incongruity, and the friction between an object’s original and appropriated contexts. Central to Other Camp are the curation-centered approaches to camp in the art of LGBTQ women in the 1990s. I argue that curation— producing art through an assembly of different objects, texts, or artifacts and letting the resonances and tensions between them foster camp effects—is a practice that not only has roots within experimental approaches camp but deep roots in camp scholarship. Relationality is vital to the work that curation does as an artistic practice. I link the relationality in the practice of camp curation to the relation-based approaches of queer theory, Black Studies, and Decolonial theory. My work cultivates the curational roots at the heart of camp and different theoretical approaches to relationality in order to foreground the emergence of curational camp methodologies and approaches to art as they manifest in the work of Sadie Benning, G.B Jones, Kaucyila Brooke and Jane Cottis, Cheryl Dunye, and Vaginal Davis. -
Dissertation
DISSERTATION Titel der Dissertation “We’re Punk as Fuck and Fuck like Punks:”* Queer-Feminist Counter-Cultures, Punk Music and the Anti-Social Turn in Queer Theory Verfasserin Mag.a Phil. Maria Katharina Wiedlack angestrebter akademischer Grad Doktorin der Philosophie (Dr. Phil.) Wien, Jänner 2013 Studienkennzahl lt. Studienblatt: A 092 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin / Betreuer: Univ. Prof.in Dr.in Astrid Fellner Earlier versions and parts of chapters One, Two, Three and Six have been published in the peer-reviewed online journal Transposition: the journal 3 (Musique et théorie queer) (2013), as well as in the anthologies Queering Paradigms III ed. by Liz Morrish and Kathleen O’Mara (2013); and Queering Paradigms II ed. by Mathew Ball and Burkard Scherer (2012); * The title “We’re punk as fuck and fuck like punks” is a line from the song Burn your Rainbow by the Canadian queer-feminist punk band the Skinjobs on their 2003 album with the same name (released by Agitprop Records). Content 1. Introduction .......................................................................................................... 1 2. “To Sir With Hate:” A Liminal History of Queer-Feminist Punk Rock ….………………………..…… 21 3. “We’re punk as fuck and fuck like punks:” Punk Rock, Queerness, and the Death Drive ………………………….………….. 69 4. “Challenge the System and Challenge Yourself:” Queer-Feminist Punk Rock’s Intersectional Politics and Anarchism……...……… 119 5. “There’s a Dyke in the Pit:” The Feminist Politics of Queer-Feminist Punk Rock……………..…………….. 157 6. “A Race Riot Did Happen!:” Queer Punks of Color Raising Their Voices ..……………..………… ………….. 207 7. “WE R LA FUCKEN RAZA SO DON’T EVEN FUCKEN DARE:” Anger, and the Politics of Jouissance ……….………………………….…………. -
BEYOND the CLASSROOM TOUR & TRAVEL Columbus Academy
BEYOND THE CLASSROOM TOUR & TRAVEL Columbus Academy Art Trip 2020 Chicago Program Dates Saturday February 15 – Monday February 17, 2020 PROGRAM OVERVIEW ★ Three Days and 2 Nights in Chicago ★ Hotel accommodations (quad occupancy for students) for two nights at The Congress Plaza Hotel H Chaperones housed in single rooms H All hotel taxes and occupancy fees ★ Hotel baggage handling upon arrival and departure (one bag per person) ★ Two Dinners in Chicago (Giordano’s Pizza and The Fireplace Inn) ★ Breakfast included at the hotel each morning H Two ($15) Lunch Stipends ★ Guided Tour of Frank Lloyd Wright Home & Studio H Guided Tour of Frederick C Robie House ★ Admission to the Art Institute of Chicago ★ Private Tour of Stony Island Arts Bank H Admission to Museum of Contemporary Art H Admission at the Museum of Contemporary Photography ★ Screen Printing Workshop at Lillstreet Art Center ★ Attend performance at The Neo-Futurists Theater H Opportunities to visit The Chicago Cultural Center and view public art in Grant Park and Millennium Park ★ RT Motor Coach Transportation via Lakefront Lines including driver room, driver gratuity, tolls, and parking ★ Night time security at the hotel ★ A Full-time Tour Director to accompany your group 24 hours a day from departure to arrival home ★ Comprehensive Insurance Policies. In addition, all participants are provided accident coverage ★ Individual Trip Cancellation Insurance Available when you register on the Beyond The Classroom web site BEYOND THE CLASSROOM TOUR & TRAVEL TOTAL PER PERSON COST $605 -
GINNY SYKES Lives and Works in Chicago, IL Ginnysykes.Com
GINNY SYKES Lives and works in Chicago, IL ginnysykes.com EDUCATION MA, Women Studies and Gender Studies, Loyola University, Chicago, IL, 2014 BFA, Painting, Washington University, St. Louis, MO, 1979 Studio Cecil Graves, Classical Painting and Art History, Florence, Italy, 1991 EXHIBITIONS AND PERFORMANCES 2016 Water Tower Arts Festival, (installation and performance), Fabrika 126, Sofia, Bulgaria By Land or By Sea, LACE Contemporary Exhibitions, Los Angeles, CA HearteartH Festival, Berlin, Germany 2015 Arceo Press: Santitos, Presidents Gallery, Chicago State University, Chicago, IL Traffic Jam #4, Festival de Arte Contemporáneo, Saltillo Contemporary, Saltillo, Mexico Omaggio del Cilento a Palma Bucarelli, Palazzo Marchesale, Pisiotta, Italy Traffic Jam #4, Can Gelabert Casal de Cultura, Binissalem, Malorca and Centre d’Art I Creació de Ses Voltes, Palma de Mallorca, Spain 2014 Finding Space, (solo exhibition), Chicago Art Source Gallery, Chicago, IL Continuum, (solo exhibition), Prospectus Gallery, Chicago, IL Los Santitos, Studio Art Schools International, Florence, Italy 2013 Bodies of Memory, (multimedia theater production), Next Theatre, Evanston, IL Deliberate Dissonance, (solo exhibition), Art on Armitage, Chicago, IL Supermarket 2013, Kulturhuset, Stockholm, Sweden 2012 Surface, Chicago Art Source Gallery, Chicago, IL Los Santitos, Loyola University Museum of Art, Chicago, IL; Universidad Michoacana de San Nicolás de Hidalgo, Morelia, Michoacán, México; Benedictine University, Lisle, IL; Fundación Casa de los Tres Mundos, Granada, -
A Study in Scarlet 17
Press kit A Study in Scarlet 17. 05–22. 07.2018 Press visit, Wednesday 16th May, at 9.30am Grand opening, Wednesday 16th May, from 6pm to 9pm With Ethan Assouline, Beau Geste Press, Lynda Benglis, Kévin Blinderman : masternantes, Pauline Boudry / Renate Lorenz, Jean-Louis Brau & Claude Palmer, Monte Cazazza, Chris & Cosey, COUM Transmissions, Vaginal Davis, Brice Dellsperger, Casey Jane Ellison, Harun Farocki, Karen Finley, Brion Gysin, Hendrik Hegray, Her Noise Archive, Robert Morris, Ebecho Muslimova, Meret Oppenheim, Pedro, Muriel & Esther, Lili Reynaud-Dewar, Christophe de Rohan Chabot, Louise Sartor, Throbbing Gristle, Cosey Fanni Tutti, Amalia Ulman and Les Vagues. Exhibition curator : Gallien Déjean Action Jusqu’à la Balle Crystal, 9e Biennale de Paris, 1975 © Courtesy Cosey Fanni Tutti et Cabinet, Londres Contacts : Isabelle Fabre, Communication Manager > +33 1 76 21 13 26 > [email protected] Lorraine Hussenot, Press Officer > +33 1 48 78 92 20 > [email protected] +33 6 74 53 74 17 Le frac île-de-France- reçoit le soutien du le plateau, paris Conseil régional d’Île-de-France, du ministère 22, rue des Alouettes de la Culture – Direction Régionale des Affaires 75 019 Paris, France Culturelles d’Île-de-France et de la Mairie de Paris. T +33 (0)1 76 21 13 20 Membre du réseau Tram, de Platform, fraciledefrance.com regroupement des FRAC et du Grand Belleville 1 Press kit Contents 1. Press release —A Study in Scarlet /p. 3-4 2. Cosey Fanni Tutti, Art Sex Music —Extracts /p. 5 3. Notices /p. 6-16 4. Images available /p. 17-19 5. -
PROGRAM SESSIONS Madison Suite, 2Nd Floor, Hilton New York Chairs: Karen K
Wednesday the Afterlife of Cubism PROGrAM SeSSIONS Madison Suite, 2nd Floor, Hilton New York Chairs: Karen K. Butler, Mildred Lane Kemper Art Museum, Wednesday, February 9 Washington University in St. Louis; Paul Galvez, University of Texas, Dallas 7:30–9:00 AM European Cubism and Parisian Exceptionalism: The Cubist Art Historians Interested in Pedagogy and Technology Epoch Revisited business Meeting David Cottington, Kingston University, London Gibson Room, 2nd Floor Reading Juan Gris Harry Cooper, National Gallery of Art Wednesday, February 9 At War with Abstraction: Léger’s Cubism in the 1920s Megan Heuer, Princeton University 9:30 AM–12:00 PM Sonia Delaunay-Terk and the Culture of Cubism exhibiting the renaissance, 1850–1950 Alexandra Schwartz, Montclair Art Museum Clinton Suite, 2nd Floor, Hilton New York The Beholder before the Picture: Miró after Cubism Chairs: Cristelle Baskins, Tufts University; Alan Chong, Asian Charles Palermo, College of William and Mary Civilizations Museum World’s Fairs and the Renaissance Revival in Furniture, 1851–1878 Series and Sequence: the fine Art print folio and David Raizman, Drexel University Artist’s book as Sites of inquiry Exhibiting Spain at the Chicago Columbian Exposition of 1893 Petit Trianon, 3rd Floor, Hilton New York M. Elizabeth Boone, University of Alberta Chair: Paul Coldwell, University of the Arts London The Rétrospective and the Renaissance: Changing Views of the Past Reading and Repetition in Henri Matisse’s Livres d’artiste at the Paris Expositions Universelles Kathryn Brown, Tilburg University Virginia Brilliant, John and Mable Ringling Museum of Art Hey There, Kitty-Cat: Thinking through Seriality in Warhol’s Early The Italian Exhibition at Burlington House Artist’s Books Andrée Hayum, Fordham University Emerita Lucy Mulroney, University of Rochester Falling Apart: Fred Sandback at the Kunstraum Munich Edward A. -
Here, More Deeply with the Realities Of
OX-BOW SCHOOL OF ART FOR MI ARTISTS & PARTNER SCHOOLS SUMMER 2021 COURSE CATALOG TA B LE O F CONTENTS SUMMER COURSE 2021 CATALOG COURSE OFFERINGS SESSION 1 1-WEEK COURSES PG. 8 SESSION 3 2-WEEK COURSES PG. 10 SESSION 5 1-WEEK COURSES PG. 14 CONTACT US [email protected] FOR MI ARTISTS SCHOOLS & PARTNER ONLINE FOLLOW UP PG. 16 IG : @OXBOWSCHOOLOFART 3 LETTER FROM OUR DIRECTOR FIND US 3435 RUPPRECHT WAY SAUGATUCK, MI 49453 6 BREAK DOWN OF SUMMER COVER ART BY Melissa Leandro PROUDLY AFFILIATED Poppy Mallow; Jacquard weaving, dye, WITH THE SCHOOL OF embroidery; 30 x 25 in. (76.2 x 63.5 cm); 2020 THE ART INSTITUTE OF 24 FACULTY & VISITING CHICAGO, A MAJOR PAGE 100 Photo courtesy of the artist. ARTIST BIOS SCHOOL OFOX-BOW ART SPONSOR OF OX-BOW T H E T E A M A NOTE FROM ADMINISTRATIVE STAFF OUR DIRECTOR... Shannon R. Stratton Executive Director SUMMER 2021 Dear Artist, Claire Arctander Campus Director Historically, artists have come to Ox- experimentation, and fellowship add Laura Eberstein Director of Finance & Administration Bow to take summer classes in studio up to transformation and renewal. art—and after a week or two spent Ashley Freeby Communications Manager living, working, and eating together While 2020 challenged people across & Head Designer in a setting replete with meadow, the globe, it was also a year that 3 Molly Markow lagoon, and woods, they leave feeling shattered entrenched systems, making Executive Assistant MISSION & OVERVIEW part of a new community. Some talk room for the possibility of change. -
Tracing the History of Trans and Gender Variant Filmmakers
Laura Horak Tracing the History of Trans and Gender Variant Filmmakers Abstract Most writing on transgender cinema focuses on representations of trans people, rather than works made by trans people. This article surveys the history of trans and gender variant people creating audiovisual media from the beginning of cinema through today. From the professional gender impersonators of the stage who crossed into film during the medium’s first decades to self- identified transvestite and transsexual filmmakers, like Ed Wood and Christine Jorgensen of the mid-twentieth century, to the enormous upsurge in trans filmmaking of the 1990s, this article explores the rich and complex history of trans and gender variant filmmaking. It also considers the untraceable gender variant filmmakers who worked in film and television without their gender history becoming known and those who made home movies that have been lost to history. “They cannot represent themselves, they must Keegan have importantly analyzed the work of be represented.”1 Viviane Namaste begins her particular trans and gender variant filmmakers, foundational essay on transsexual access to the focusing primarily on the 1990s and 2000s.7 More media with this quote from Karl Marx. Namaste recently, Keegan and others have investigated trans described the many obstacles to transsexual self- experiences of spectatorship and articulated a representation in the 1990s and early 2000s. Since concept of “trans aesthetics” that exceeds identity then, new technologies have enabled hundreds categories.8 Trans filmmakers have also begun to of thousands of trans people to create and theorize their own and others’ work.9 Scholars have circulate amateur videos on YouTube.2 However, also investigated trans multimedia production, in representations of trans people made by and the form of zines, Tumblr blogs, photography, and for cisgender people still dominate mainstream interactive digital media.10 However, there has not media. -
Artropolischicago.Com Friday Through Monday at The
Preview Night, Thursday, April 24, 2008 April 25–28 Friday through Monday at The Merchandise Mart artropolischicago.com April 25–28, 2008 at The Merchandise Mart Artropolis Tickets Good for admission to all five shows atT he Merchandise Mart Adults $20 daily or $25 multi-day pass Seniors, Students or Groups $15 multi-day pass Children 12 and under FREE Additional collegiate and high school information can be obtained by emailing [email protected] Tickets available online at artropolischicago.com Table of Contents 3 Welcome 19 Map 4 About the Exhibitions 21 Fine Art Museums 5 Art Chicago 22 Architecture and 8 NEXT Sculpture 10 The Merchandise Mart 23 Art Centers & Events International Antiques Fair 23 Dance 12 The Artist Project 24 Film 13 The Intuit Show of Folk 24 Institutions and Outsider Art 25 Museums 14 Program & Events 26 Music 14 Friday, April 25 27 Theatre 16 Saturday, April 26 29 Travel & Hotel Information 17 Sunday, April 27 30 Daily Schedules 18 Monday, April 28 Media Sponsor: Cover photo: Cloud Gate 18 Artropolis Cultural by Anish Kapoor at the AT&T Plaza in Millennium Park. Courtesy of the City of Chicago/Walter Mitchell Partners © 2008 Merchandise Mart Properties, Inc. 2 Welcome to Artropolis! There is no city as well-suited to host a major international art show as Chicago. It is home to top museums for modern and contemporary art, celebrated cultural institutions, thriving art galleries, and some of the world’s greatest artists, collectors and patrons. As Artropolis flourishes, it stimulates growth in each of the companion shows. -
BBV2 Frontmatter
Ernest Hardy’s gift as a cultural critic is his ability to listen. Whether it be in an interview with a filmmaker, the songs on a pop album, or literary prose and poetry floating off the page, Mr. Hardy hears, feels, and then filters through his own heart and mind the stuff of possibility. His words are not the answer but the beginnings of deep questions. His analysis bubbles above mediocrity like spring water quenching the thirst of those of us who are parched for a way to understand what it means to create and what it means to consume from the slipstream that is our contemporary culture. —Cauleen Smith, director of Drylongso, and professor of film at Massachusetts College of Art Ernest Hardy’s talent and reputation as one of the preeminent critics working today are beyond reproach, but with Blood Beats: Vol. 2, he establishes himself as a singular force in contemporary cultural criticism. —Mark Anthony Neal, author Soul Babies: Black Popular Culture and the Post-Soul Aesthetic For anyone interested in the historical significance of black cultural production, from commercial to indie, Ernest Hardy’s Blood Beats:Vol. 2 is a must-read.Witty as hell, an erudite critic: the brotha knows his shit. Whether it’s cinema or music, his prose makes you want to grab your iPod and experience the visceral connections between art, love, sexuality, politics and the sacrosanct role of blackness in the entertainment industry. OK, this academic lesbian fell in love with the gay boy journalist. —Phyllis J. Jackson, Ph.D., filmmaker, Comrade Sister:Voices of Women in the Black Panther Party bloodbeats: vol.2 bloodbeats: vol.2 the bootleg joints ernest hardy WASHINGTON, DC www.redbonepress.com Blood Beats: Vol. -
Children Fall 2010
children fall 2010 4 Progress you can count on— Early Mathematics Education Project yields double digit gains 9 Math Project wins big— $5 million i3 prize will take project to next level 12 Erikson makes a 5-year plan 20 A serious man—Jim Gill, ’93 26 Dot tot—Technology and the very young About Erikson Erikson Institute, a graduate school in child development, is a hub of complex, creative thinking that brings the newest scientific knowledge and theories of children’s development and learning into graduate education, professional training, community programs, and policy making. Our goal: to improve the lives of children and families. In this issue Progress you can count on Erikson makes a 5-year plan Erikson ongoing Results prove Early Ambitious goals and 31 Mathematics Education consolidation of gains mark Project increases math new strategic plan. Thank you! achievement in young 12 2009–10 Honor Roll of Donors children. 37 4 A serious man For alumnus Jim Gill, fun is Math Project wins big part of the mission. Early Mathematics Education 20 Project awarded $5 million Department of Education Dot tot Innovation grant. What role should technology 9 play in early childhood, and who’s responsible for it? 26 Cover: Jim Gill's music video, photo by Lisa Williams From the President The big news at Erikson, these days, is the i3 award, a $5-million vote of confi- dence in Erikson’s Early Mathematics Education Project. That and the Institute’s new strategic plan, which reconnects us to our founding purpose and sets some fairly audacious goals for the future.