American Masters Inventing David Geffen

Total Page:16

File Type:pdf, Size:1020Kb

American Masters Inventing David Geffen Press Contact: Natasha Padilla, WNET 212.560.8824, [email protected] Press Materials: pbs.org/pressroom or thirteen.org/pressroom Websites: pbs.org/americanmasters, facebook.com/americanmasters, #AmericanMasters American Masters Inventing David Geffen Premieres nationally Tuesday, November 20 at 8 p.m. (ET) on PBS (check local listings) Interviewees (in alphabetical order, not final – updated 7/10/12) Lou Adler, Producer/Promoter Robert Sam Anson, Journalist Ken Auletta, Journalist Irving Azoff, Manager, Eagles Warren Beatty, Actor/Director John Breglio, Theater Producer Paul Brickman, Filmmaker Jackson Browne, Singer/Songwriter Gary Burden, Graphic Artist Tim Burton, Filmmaker Charles Calello, Record Producer Cher David Crosby, Crosby, Stills & Nash Martin Davidson, Friend Clive Davis, Record Executive Barry Diller, President/CEO, IAC Interactive Henry Diltz, Rock ’n’ Roll Photographer Maureen Dowd, Columnist, The New York Times Eric Eisner, President, The Geffen Company (1980-1990) Rahm Emanuel, Politician/Political Advisor Nora Ephron, Writer/Director Glenn Frey, Eagles Sandy Gallin, Producer/Talent Manager Gary Gersh, A&R Executive Tom Hanks, Actor/Producer John Hartmann, Manager Don Henley, Eagles Arianna Huffington, Founder, The Huffington Post Jimmy Iovine, Record Producer/Executive Elton John, Singer/Songwriter John Kalodner, A&R Executive Jeffrey Katzenberg, Co-Founder, DreamWorks SKG Calvin Klein, Fashion Designer Henry Krieger, Composer, Dreamgirls Jon Landau, Producer/Manager, Bruce Springsteen Gerald Leider, Film and Television Executive Steve Martin, Actor/Writer Lorne Michaels, Film and Television Producer Joni Mitchell, Singer/Songwriter Mike Nichols, Film and Theater Director Yoko Ono Mo Ostin, Record Executive Frank Rich, Journalist Elliot Roberts, Manager, Neil Young Robbie Robertson, The Band Slash, Guns N’ Roses Steven Spielberg, Filmmaker Marlo Thomas, Actor Jann Wenner, Founder, Rolling Stone magazine Neil Young, Singer/Songwriter Tom Zutaut, A&R Executive ### .
Recommended publications
  • Special Thanks for Colleen Mcdonough and Larissa Belezos for Rehearsal Assistance
    Bridgewater State University Upcoming Music Department events: Department of Music Flute Choir Concert Thursday, April 21st, 8:00pm, Horace Mann Auditorium, Boyden Hall Pop Vocal Ensemble Student Recital-Jiaying (Iris) Zhu Friday, April 22nd, 7:00pm, Horace Mann Auditorium Prof. Heather Holland, Director Chris DiBenedetto, Piano Voice Studio Recital/Opera Ensemble Sunday, April 24th, 3:00pm & 6:00pm, Horace Mann Auditorium Austin DeAndrade, Guitar Vocal Ensemble Patrick Wroge, Bass Guitar Monday, April 25th, 8:00pm, Horace Mann Auditorium Lee Dias, Drums Student Recital-Killian Kerrigan & Austin DeAndrade Tuesday, April 26th, 8:00pm, Maxwell Library Lecture Hall, Room 013 African Drumming Concert Thursday, April 28th, 8:00pm, Horace Mann Auditorium Voice Studio Recital-Prof. Leschishin & Prof. Ferrante Friday, April 29th, 7:00pm, Horace Mann Auditorium Spring Chorale Concert Sunday, May 1st, 3:00pm, Oliver Ames HS, North Easton, MA Jazz Band Concert Monday, May 2nd, 8:00pm, Horace Mann Auditorium FRIENDS OF MUSIC In order to assist talented students in the pursuit of their musical studies and professional goals, the Department of Music has established the Tuesday, April 19, 2016 Music Scholarship Fund. 8:00 pm We welcome donations of any amount for this important undertaking! Please make checks payable to BSU Foundation Horace Mann Auditorium with a note in the memo line: “Friends of Music.” Boyden Hall Mailing address: Bridgewater State University Foundation PO Box 42 Bridgewater, MA 02325 Program Bright Maureen McDonald Kate Morin and Nirorokis Guerrero Blue Skies Irving Berlin Better With A Man Steven Lutvak Full Ensemble Arranged by Roger Emerson from A Gentlemens Guide to Love and Murder Brian Kenny and Killian Kerrigan Home J.
    [Show full text]
  • New York City Center Announces Re‐Opening for In‐Person Performances with Full Calendar of Programs for 2021 – 2022 Season
    FOR IMMEDIATE RELEASE: New York City Center announces re‐opening for in‐person performances with full calendar of programs for 2021 – 2022 season Dance programming highlights include Fall for Dance Festival, TWYLA NOW, and the launch of two new annual dance series Additional artistic team members for Encores! 2022 season include choreographers Camille A. Brown for The Life and Jamal Sims for Into the Woods Tickets start at $35 or less and go on sale for most performances Sep 8 for members; Sep 21 for general public July 13, 2021 (New York, NY) – New York City Center President & CEO Arlene Shuler today announced a full calendar of programming for the 2021 – 2022 season, reopening the landmark theater to the public in October 2021. This momentous return to in‐person live performances includes the popular dance and musical theater series audiences have loved throughout the years and new programs featuring iconic artists of today. Manhattan’s first performing arts center, New York City Center has presented the best in music, theater, and dance to generations of New Yorkers for over seventy‐five years. “I am delighted to announce a robust schedule of performances for our 2021 – 2022 season and once again welcome audiences to our historic theater on 55th Street,” said Arlene Shuler, President & CEO. “We have all been through so much in the past sixteen months, but with the support of the entire City Center community of artists, staff, and supporters, we have upheld our legacy of resilience and innovation, and we continue to be here for our loyal audience and the city for which we are proudly named.
    [Show full text]
  • Broadway Bound with Garrett Stack Free of Charge at Public Radio Exchange, > Prx.Org > Broadway Bound *Playlist Is Listed by Show (Disc), Not in Order of Play
    Originating on WMNR Fine Arts Radio [email protected] Playlist* Program is archived 24-48 hours after broadcast and can be heard Broadway Bound with Garrett Stack free of charge at Public Radio Exchange, > prx.org > Broadway Bound *Playlist is listed by show (disc), not in order of play. Show #: 261 Broadcast Date: Oct. 29, 2016 Time: 16:00 - 18:00 # Selections: 23 Broadway Power Ballads + Random Fun Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Holiday Release Date Date Played Date Played Copy 4:02 Stephen Sondheim Everybody Ought to Have a Maid Stadlen, L.J. + Nathan Lane, Mark A Funny Thing Happened On The Way To The Angel 1996 4/18/1996 - 1/4/1998. 715 Perf. One 1996 Tony Award: Best Actor - Nathan Lane. CDS Funny 8 1996 1/30/10 10/29/16 7:13 Ahlert/Young; Carmichael/Loesser; Finale: I'm Gonna Sit Right Down...; Two Sleepy People; I've Got My Company: Ken Page, Amelia McQueen, Nell Ain'tForum Misbehavin' - 1996 Revival Original Broadway Broadway Cast Cast-Disc 2 RCA 5/9/1978 - 2/21/1982. 1604 perf. Three 1978 Tony Awards: Best Musical; Best CDS Aint 0:04 10/14/067/7/07 1/17/09 3/27/10 11/26/113/15/14 10/29/16 Fingers Crossed;I Can't give You Anything…; It's a Sin To Linn-Baker, Ernie Sabella 1978 2/12 McHugh/Koehler; D Fields; Mayhew; Tell…;Honeysuckle Rose. Carter, Charlene Woodard, Andre De Shields Featured Actress - Nell Carter; Best Direction.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • February 10, 2012 9:30Am & 11:30Am
    SDCDArtsNotes An Educational Study Guide from San Diego Civic Dance / San Diego Park & Recreation School Shows – February 10, 2012 9:30am & 11:30am Casa del Prado Theatre, Balboa Park “It had long since come to my attention that people of accomplishment rarely sat back and let things happen to them. They went out and happened to things.” Defining Moments --Leonardo da Vinci Welcome! The San Diego Civic Dance Program welcomes you to the school-day performance of Collage 2012: Defining Moments, featuring the acclaimed dancers from the San Diego Civic Dance Company in selected numbers from their currently running theatrical performance. The City of San Diego Park and Recreation Department’s Dance Program has been lauded as the standard for which other city-wide dance programs nationwide measure themselves, and give our nearly 3,000 students the ability to work with excellent teachers in a wide variety of dance disciplines. The dancers that comprise the San Diego Civic Dance Company serve as “Dance Ambassadors” for the City of San Diego throughout the year at events as diverse as The Student Shakespeare Festival (for which they received the prize for outstanding Collage entry), Disneyland Resort and at Balboa Park’s December Nights event, to name but a few. In addition to the talented City Dance Staff, these gifted dancers also are given the opportunity to work with noted choreographers from Broadway, London’s West End, Las Vegas, and Major Motion Pictures throughout the year. Collage 2012: Defining Moments represents the culmination of choreographic efforts begun in the summer of 2011. Andrea Feier, Dance Specialist for the City of San Diego gave the choreographers a simple guideline: pick a moment, a time, or an event that inspired you – and then reflect that moment in choreography.
    [Show full text]
  • Theatre for Young Audiences
    Theatre for Young Audiences 2010·11 SEASON • JULIANNE ARGYROS STAGE BOOK BY AND BILLMUSIC RUSSELL BY HENRY JEFFREYKRIEGER HATCHER LYRICS BY BILL RUSSELL ORCHESTRATIONS BY HAROLD WHEELER DIRECTED AND CHOREOGRAPHED BY ART MANKE Theatre for Young Audiences Julianne Argyros Stage • February 11 - 27, 2011 LUCKY DUCK BOOK BY BILL RUSSELL AND JEFFREY HATCHER MUSIC BY HENRY KRIEGER LYRICS BY BILL RUSSELL ORCHESTRATIONS BY HAROLD WHEELER SET DESIGN COSTUME DESIGN LIGHTING DESIGN FRED KINNEY ANGELA BALOGH CALIN JAYMI LEE SMITH SOUND DESIGN PRODUCTION MANAGER STAGE MANAGER CRICKET S. MYERS JACKIE S. HILL JENNIFER ELLEN BUTLER* MUSIC DIRECTOR JOHN GLAUDINI DIRECTED AND CHOREOGRAPHED BY ART MANKE VISIT SCR ONLINE! Corporate Honorary Producer of Lucky Duck www.SCR.ORg The Theatre for Young Audiences season has been made possible in part by generous grants from Be sure to check out our website for the Study Guide to The Nicholas Endowment and The Segerstrom Foundation Lucky Duck, which features additional information about the play, plus a variety of other educational resources. “Lucky Duck” is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide (TRW), 1359 Broadway, Suite 914, New York, N.Y. 10018 (866) 378-9758 www.theatricalrights.com DAVID EMMES MARTIN BENSON PAULA TOMEI The Cast Producing Artistic Director Artistic Director Managing Director Mildred Mallard, Wren, Priggy ................RENÉE BRNA* JOHN GLORE BIL SCHROEDER LORI MONNIER Millicent Mallard, Verblinka, Associate Artistic Director Marketing & Communications Director General Manager Chicken Little .........................GLORIA GARAYUA* SUSAN C. REEDER JOSHUA MARCHESI Development Director Production Manager Serena ...................................... JAMEY HOOD* Wolf ........................................ BRIAN IBSEN* Clem Coyote, These folks are helping run the show backstage Free-Range Chicken ....
    [Show full text]
  • Download This 5-Year Collection of Project Programs
    SHOW PROGRAMS 2011-2015 The 52nd Street Project gratefully acknowledges the support of the following foundations and corporations: BGC; Big Wood Foundation; Bloomberg; Carnegie Corporation of New York; CBS Corporation; Consolidated Edison; The Neil V. DeSena Foundation; The Dramatists Guild Fund; Dramatists Play Service; Eleanor, Adam & Mel Du- bin Foundation; The Educational Foundation Of America; Flexis Capital LLC; Sidney E. Frank Foundation; Fund for the City of New York; Grant’s Financial Publishing, Inc.; The William and Mary Greve Foundation; Heisman Foundation; The Henlopen Foundation; The Horace W. Goldsmith Foundation; Hudson Scenic Studio; I. Weiss; Integra Realty; The Suzanne Nora Johnson & David G. Johnson Foundation; Ann M. Martin Foundation; J.P. Mor- gan Charitable Trust; MTI; National Philanthropic Trust; NYFA; Punchline Magazine; Jonathan Rose Companies; The Shubert Organization; Simon & Eisenberg; St. Vincent De Paul Foundation; Harold & Mimi Steinberg Chari- table Trust; Stranahan Foundation; Susquehanna Foundation, Corp.; Tax Pro Financial Network, Inc.; Theater Subdistrict Council; Theatre Communications Group, Inc.; Tiger Baron Foundation; United Real Estate Ventures, Inc.; Van Deusen Family Fund; Watkins, Inc.; Yorke Construction Corp. In addition, the following individuals made gifts over $250 to The 52nd Street Project this past year. (list current as of 12/09/10): Robert Abrams & Arthur Dantchik Kevin Kelly David & Laura Ross Cynthia Vance Cathy Dantchik Patrick & Diane Kelly Carla Sacks & John Morris George
    [Show full text]
  • CONTEMPORARY COMMERCIAL MUSIC Vocal Pedagogy Institute 2015
    Non-Profit Org. US Postage P A I D Permit No. 19 Winchester, VA 22601 1460 University Drive Winchester, VA 22601 Shenandoah Conservatory’s CONTEMPORARY COMMERCIAL MUSIC vocal pedagogy institute 2015 “This nine-day experience has given me a sense of renewal, revival, and a much-needed boost in my spirit as a singer and a teacher.” – Dr. Lynell Kruckeberg college level faculty | red lodge, montana CELEBRATING THIRTEEN YEARS SUMMER SESSIONS JULY 18-26 SESSION DATES Level I: July 18-20 Level II: July 21-23 Level III: July 24-26 CELEBRATING THIRTEEN YEARS Vocal Pedagogy Shenandoah Conservatory’s Institute Faculty Jeannette LoVetri CONTEMPORARY Artistic Director Dr. Kathryn Green * Executive Director COMMERCIAL MUSIC Matthew Edwards vocal pedagogy institute 2015 Associate Director Tom Arduini Robert Doyle Pedagogy for the 21st Century Marcelle Gauvin Jamie Leonhart Both the Contemporary Commercial Music (CCM) Vocal Pedagogy Institute and Shenandoah Ed Reisert Conservatory’s graduate vocal pedagogy program have been instrumental in establishing CCM vocal Michelle Rosen pedagogy as a viable area of training at the highest academic level. More than 1000 participants from the United States and 11 other countries—ranging from young people just beginning their careers to seasoned Guest Faculty educators and singers have come to Shenandoah’s campus to receive this training. Beth Amin SLP, Voice Specialist and Over the past 12 years, the CCM Vocal Pedagogy Institute has produced a network of dedicated vocal Singer/Songwriter professionals who value voice science, vocal health, and relevant voice training. Experts who are curious, open-minded, and excited about exploring new ideas with like-minded colleagues gather to learn as well as Andy Einhorn to develop and expand their skills.
    [Show full text]
  • 1 Not Throwing Away Their Shot:1 Copyright
    Not Throwing Away Their Shot:1 Copyright Authorship and Royalty Pools for Broadway Actors by Kyle Serilla2 INTRODUCTION: “The revolution’s happening in New York.”3 Hamilton: An American Musical is not just a hit. It’s a phenomenon. With its hip-hop infused score, “color-conscious” casting,4 and a charismatic writer/leading man as its face, Hamilton is the rare exception to the rule: a stage musical that has embedded itself into the national zeitgeist. Productions soon will cover, not only the country, but also the globe.5 With such success, Hamilton productions will likely be running for decades and decades. There are likewise hundreds of millions to be made, possibly billions.6 Relatively late in Hamilton’s path to success the parties that would share in some of that money changed.7 Well, at least slightly. In April 2016, it was announced that Producer Jeffrey Seller had agreed that more than two dozen actors and dancers, who were apart of the show’s development and first productions, 1Cf. LIN MANUEL MIRANDA, My Shot, on HAMILTON AN AMERICAN MUSICAL ORIGINAL BROADWAY CAST RECORDING (Atlantic Records 2015) (“Not throwing away my shot”). 2 Kyle Serilla is a 2018 candidate for Juris Doctor, Intellectual Property Certificate at IIT Chicago-Kent College of Law. Before attending law school, he was a casting consultant and casting associate for both union and non-union theatrical productions in Chicago. 3 LIN MANUEL MIRANDA, The Schuyler Sisters, on HAMILTON AN AMERICAN MUSICAL ORIGINAL BROADWAY CAST RECORDING (Atlantic Records 2015). 4 Spencer Kornhaber, Hamilton: Casting After Colorblindness, The Atlantic, (Mar.
    [Show full text]
  • New York City Center Announces Upcoming Encores! Productions
    FOR IMMEDIATE RELEASE: New York City Center announces upcoming Encores! productions: The Life, Adapted and Directed by Tony Award winner Billy Porter; The Tap Dance Kid, Directed by Tony Award winner Kenny Leon, Adapted by Lydia Diamond; and An Annual Celebration of Iconic American Musicals: a new tradition at City Center exploring the ways musical theater connects us across generations In-development productions and spring 2020 cancelled shows explored in new behind-the-scenes digital series Encores! Inside the Revival launching October 14 Encores! team adds new leadership and artistic voices: Tony Award winner Clint Ramos joins as Encores! Producing Creative Director Camille A. Brown, Eisa Davis, and Robert O’Hara join as Encores! Creative Advisors Jenny Gersten to serve as Producer of Musical Theater for New York City Center New York, NY/September 18, 2020 – New York City Center President & CEO Arlene Shuler today announced the musical productions in development as part of the next chapter of the longstanding Tony-honored Encores! series, all of which will be explored in-depth as part of the 2020-2021 season in a new digital series Encores! Inside the Revival. The five-part mini documentary series, which launches Lear deBessonet’s first season as Encores! Artistic Director, will explore the behind-the-scenes process—through conversations and performances—for the productions being developed and ultimately produced at City Center upon reopening. “Last fall, when I began to program my first Encores! season I never could have imagined the world in which we find ourselves today. As we look ahead, it is essential that we preserve the Encores! mission and weave an ever- deepening portrait of the history of American musicals.
    [Show full text]
  • Audition Information: Dreamgirls
    AUDITION INFORMATION: DREAMGIRLS Book By Tom Eyen Music By Henry Krieger Original Broadway Choreography by Michael Bennett Directed by Julie Hamberg Associate Directed and Choreographed by Ike Anderson Audition Dates: Sunday & Monday, January 24 & 25 Rehearsals Start: Around February 21, 2016 Performance Dates: May 20, 2016 – June 11, 2016 BRIEF DESCRIPTION OF THE PLAY DREAMGIRLS is the smash-hit Broadway musical (and winner of SIX TONY AWARDS) about the meteoric rise of a female trio of black singers. As the Dreamettes gain in popularity, the group’s manager decides to replace their overweight lead singer with a more glamorous and svelte prospect. Loosely based on The Supremes and Barry Gordy’s Motown. DREAMGIRLS features the songs that launched the careers of Jennifer Holliday, Loretta Devine, and Sheryl Lee Ralph. FREE MUSICAL WORKSHOP: SUNDAY, JANUARY 17 FROM 1-5PM There is a FREE Audition Workshop at the MUSIC RESOURCE CENTER, located at 105 Ridge Street in Charlottesville, where you will learn: HOW TO DRESS TO IMPRESS & ENJOY YOUR AUDITION RELAXATION TECHNIQUES ATTACK THE SCENE DANCE AUDITION TECHNIQUES VOCAL AUDITION TECHNIQUES THE WHERE AND WHAT OF AUDITIONS: SUNDAY, JANUARY 24 (1-6PM) AND MONDAY, JANUARY 25 (7-10PM) Auditions are held LIVE ARTS, located at 123 East Water Street in Charlottesville, where you will sing 30 seconds of a song. (Bring sheet music if you have it (for piano player), bring a recorded song track, or even sing Acapella! Don’t have a prepared song? Sing HAPPY BIRTHDAY or AMAZING GRACE. We just want to hear your voice.) Sign up for an audition time with TRACIE SKIPPER at [email protected] or just show up! DREAMGIRLS PRINCIPAL CAST BREAKDOWN (AGES 16+) EFFIE MELODY WHITE Female, 20-40ish, African American – powerful belt, large and in charge, lead singer of The Dreamettes.
    [Show full text]
  • Mathematical Sciences Meetings and Conferences Section
    page 1349 Calendar of AMS Meetings and Conferences Thla calandar lists all meetings which have been approved prior to Mathematical Society in the issue corresponding to that of the Notices the date this issue of Notices was sent to the press. The summer which contains the program of the meeting, insofar as is possible. and annual meetings are joint meetings of the Mathematical Associ­ Abstracts should be submitted on special forms which are available in ation of America and the American Mathematical Society. The meet­ many departments of mathematics and from the headquarters office ing dates which fall rather far in the future are subject to change; this of the Society. Abstracts of papers to be presented at the meeting is particularly true of meetings to which no numbers have been as­ must be received at the headquarters of the Society in Providence, signed. Programs of the meetings will appear in the issues indicated Rhode Island, on or before the deadline given below for the meet­ below. First and supplementary announcements of the meetings will ing. Note that the deadline for abstracts for consideration for pre­ have appeared in earlier issues. sentation at special sessions is usually three weeks earlier than that Abatracta of papara presented at a meeting of the Society are pub­ specified below. For additional information, consult the meeting an­ lished in the journal Abstracts of papers presented to the American nouncements and the list of organizers of special sessions. Meetings Abstract Program Meeting# Date Place Deadline Issue
    [Show full text]