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Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Your Guide to Hospice Care If You Have an Emergency, Call Us Anytime, Day Or Night
Your guide to hospice care If you have an emergency, call us anytime, day or night. Our nurses are here 24/7 to assist you. Call us anytime you need us. If you are in pain, not comfortable, feeling stressed or just need to be reassured, call us — that is why we are here. We will help coordinate your care and ensure you receive services promptly and specifically targeted to meeting your goals and keeping you comfortable. Please call us before visiting the emergency room, seeing a physician or scheduling a test or procedure to determine if it will be covered as part of your hospice care. All services related to the terminal illness or related conditions need to be preapproved by the hospice provider, otherwise the patient will be financially responsible for those services. 3 Open a door to renewed hope When most people think of hospice, the word “hope” rarely comes to mind. Novant Health Hospice is working to change that perception. By definition, hope is the feeling that what is desired is also possible, or that events will turn out for the best. In hospice, we hear our patients and families hope for a positive outcome related to whatever circumstances they are experiencing. To us, hope for our patients means helping them live life to its fullest — spending quality time surrounded by those they love. We focus on going beyond meeting needs to creating special moments in the lives of our patients and their loved ones. We also help prepare family and friends for the loss of a loved one and help them deal with their grief through compassion, counseling and bereavement support. -
Images of Aggression and Substance Abuse in Music Videos : a Content Analysis
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research 2009 Images of aggression and substance abuse in music videos : a content analysis Monica M. Escobedo San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Escobedo, Monica M., "Images of aggression and substance abuse in music videos : a content analysis" (2009). Master's Theses. 3654. DOI: https://doi.org/10.31979/etd.qtjr-frz7 https://scholarworks.sjsu.edu/etd_theses/3654 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. IMAGES OF AGGRESSION AND SUBSTANCE USE IN MUSIC VIDEOS: A CONTENT ANALYSIS A Thesis Presented to The Faculty of the School of Journalism and Mass Communications San Jose State University In Partial Fulfillment of the Requirements for the Degree Master of Science by Monica M. Escobedo May 2009 UMI Number: 1470983 Copyright 2009 by Escobedo, Monica M. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Q&A REPORTING, INC. [email protected] Page 1 MICRC 05/11/21 6:02 Pm Public Hearing Captioned by Q&A Reporting, Inc., W
DISCLAIMER: This is NOT a certified or verbatim transcript, but rather represents only the context of the class or meeting, subject to the inherent limitations of realtime captioning. The primary focus of realtime captioning is general communication access and as such this document is not suitable, acceptable, nor is it intended for use in any type of legal proceeding. MICRC 05/11/21 6:02 pm Public Hearing Captioned by Q&A Reporting, Inc., www.qacaptions.com >> CHAIR KELLOM: So as Chair of the Commission I call this meeting of the Michigan Independent Citizens Redistricting Commission to order at 6:02. This Zoom webinar is also being live streamed on YouTube. For anyone in the public watching who would prefer to watch via a different platform than they are currently using, please visit our social media at redistricting Michigan to find the link for viewing on YouTube. Our live stream today includes closed captioning. Closed captioning, ASL interpretation and Spanish and Arabic translation services will be provided for effective participation in this meeting. E-mail us at [email protected] for additional viewing options. Or details on accessing language translation services for this meeting. People with disabilities needing other specific accommodations should also contact [email protected]. This meeting is being recorded and will be available at www.Michigan.gov/micrc. For viewing at a later date. This meeting is also being transcribed and those transcriptions will be made available and posted on Michigan.gov/micrc along with written public comment submissions. There is also a public comment portal that may be accessed by visiting Michigan.gov/micrc. -
Album Is Rocker’S First Plugged-In Live Album Since 1989
1 BRYAN ADAMS’ LIVE AT THE BUDOKAN PACKAGE FEATURES CONCERT DVD PLUS BONUS LIVE CD FROM 2000 WORLD TOUR PERFORMANCE; ALBUM IS ROCKER’S FIRST PLUGGED-IN LIVE ALBUM SINCE 1989 Bryan Adams has earned an enormous global fandom. One of rock’s most popular and successful artists, the multiplatinum- selling singer-songwriter is also one of rock’s best live performers. Now a Japanese television concert special from his latest world tour comes to America in a DVD+CD set Live At The Budokan (A&M/UME), released June 17, 2003, featuring a bonus CD, Adams’ first plugged-in live album since 1989. Filmed during a 2000 performance at the Budokan in Tokyo, the nearly two-hour-long DVD features 26 songs, including four bonus tracks which were not originally broadcast in Japan: “Fits Ya Good,” “I Don’t Wanna Live Forever,” “Before The Night Is Over” and “Still Beautiful To Me.” Shot in the High-Definition format and digitally transferred to provide the best possible picture resolution, the DVD includes both a 5.1 Surround and a stereo mix. (A DVD-only edition of Live At The Budokan will be issued July 15, 2003.) Among the concert highlights are energetic renditions of many of his biggest hits, from the #1 smashes “(Everything I Do) I Do It For You” (the Oscar- and Grammy-winner from Robin Hood: Prince Of Thieves), “Heaven” and “Have You Ever Really Loved A Woman?” to the Top 10s “Can’t Stop This Thing We Started,” “Run To You,” “Summer Of ‘69” and “Please Forgive Me,” and Top 40 charters “It’s Only Love” and “Cuts Like A Knife.” Other fan favorites include “18 Til I Die,” “I’m Ready,” “The Best Of Me,” “Back To You,” “Into The Fire” and the blues jam “If Ya Wanna Be Bad Ya Gotta Be Good/Let’s Make A Night To Remember.” 2 “When You’re Gone” and “Cloud Number 9” were first heard on Adams’ most recent album, 1998’s On A Day Like Today, as were “How Do Ya Feel Tonight,” “Before The Night Is Over,” “I Don’t Wanna Live Forever” and “Getaway.” The latter quartet were among eight songs in this concert set not performed for 2001’s concert DVD Live At Slane Castle. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Click on This Link
The Australian Songwriter Issue 102, June 2014 First published 1979 The Magazine of The Australian Songwriters Association Inc. In this edition: Chairman’s Message Editor’s Message 2014 Australian Songwriting Contest Update Andy Mac: 2013 Folk/Acoustic Category Co-Winner Troy White: 2013 Folk/Acoustic Category Co-Winner Interview: Daryl Braithwaite Sponsors Profiles The Music of Ernie Davidson (1919-1996) Francesca de Valence: 2013 Winner of the Open Category Luke Vassella: 2013 Winner of the Australia Category ASA Member Profile: Kelly Griffith ASA Member Profile: Sami Tauber Laura Zarb (and The Pink Plastic Spoon!) The Sweet Sounds of Amy Sugars Members News and Information The Load Out Official Sponsors of the Australian Songwriting Contest About Us: o Aims of the ASA o History of the Association o Contact Us o Patron o Life Members o Directors o Regional Co-Ordinators 1 Chairman’s Message Time to get excited, gang. June will see the close of the 2014 Australian Songwriting Contest. Then the judging will begin in earnest. This year we have had a massive response. The Contest just seems to grow and grow annually, and the prestige accorded winners by the Music Industry has never been higher. If you haven’t entered this time around, it is still not too late. Just go to the ASA homepage for instructions on how to submit a song/songs. As always Vice Chairman Alan Gilmour has put together an amazing eNewsletter for this month, with something for everyone. There are lots of very interesting interviews with Members and Award Winners, with a fantastic Daryl Braithwaite interview. -
What I Learned from Jim Mcleod Page 4-5: the Great New As Many of You May Know, There Real Contribution to the World
October 2011 | Vol. X No. 2 One Civilized Reader Is Worth a Thousand Boneheads Jian Leng, the editor of The Figure in the Carpet, decided to ture not just Jim’s calm and discretion, but also, in his tenure as reprint this piece I wrote for the campaign to raise money for the the director of African and Afro-American Studies, his toughness Table of Contents Jim McLeod Scholarship. I recall that when I ran into Jim shortly and his shrewd ability to assess accurately difficult situations after this was published in 2009 he told me, with a wry grin, I and to evaluate keenly the nature of the resources he had at hand was the best PR agent a person could have. I laughed too, but, as and how to use them. Jim had a bit of the Christian saint in him Page 1-2: What I Learned a writer, my hope was that the sharp honesty of my short mem- but he had also more than a bit of the quickness of Joseph among oir of Jim was the guarantee of its truth about a man I deeply the Egyptians. Jim was a fine balance of the pragmatist and the from Jim McLeod by Gerald admired. My intention was to work against all possibilities of PR moralist. My story about Jim is the tale of how an older, wiser Early puffery. Jim deserved something far more than being merely flat- and more capable man took a young apprentice under his wing tered or praised, which means that to the degree and showed him how to survive and even prosper in the formida- that a person can comprehend his colleague, Jim deserved to be bly competitive professional world of the academy and its uneasy Page 3: First Center for the illuminated as one might wish to shed light on a mystery. -
H O U S in G a P P Lic a Tio N S S O U G
Minit-Ed Museum of Modern Art, recognizing that art by itself may be twice as nourishing if seasoned w ith a plate of pasta, has arranged discount dining at an array of American ethnic and continental restaurants for mem bers. Also special rates at the Waldorf Astoria. An interesting experience. If suc (Eonmiercial 'Keahcr cessful there is no reason why the discounts and SOUTH BERGEN REVIEW should not be made available at clothing, furniture, and food shops. Maybe in the near future there will be commercials such as, “How do you spell heartburn?” “ MoMA.” Second-Class postage paid at Rutherford. N J VOL. 60 NO. 46 @ THURSDAY, JUNE 10, 1982 Published at 251 Ridge Rd.. Lyndhurst Subscription $8 00 Published Weekly G agliardi, DiLascio Nam ed By Amy Divine The arrangement was fifth member before the rying on most of the re tate broker, member of worked' out after a series next general election. sponsibilities of their the South Bergen and the The B o a rd of Com of hectic conferences in father s real estate busi National Board of Re missioners at a special DiLascio. born in North the last 10 days. According ness -3-D. on Stuyvesant altors. member of the meeting Monday night ap Arlington, came to Lyn to reports. School Trustee Avenue Kiwanis and the Klks pointed John DiLascio to dhurst in 1942 and resides h rank Benedetto was in DiLascio graduated Clubs, serving as first the seat left vacant May 11 at 567 Chase Avenue with strumental in working out from Lincoln elementary vice-president of Kiwanis by the sudden death of his wife, the former Rita the arrangement and Lvndhurst High this year, member of the Mayor Joseph A. -
Muonium Defect Centers in Aluminum Nitride
MUONIUM DEFECT CENTERS IN ALUMINUM NITRIDE AND SILICON CARBIDE by HISHAM BANI-SALAMEH, M.S. A DISSERTATION IN PHYSICS Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Roger L. Lichti Chairperson of the Committee Charles Myles Carl David Lamp Stefan K. Estreicher Accepted John Borrelli Dean of the Graduate School May, 2007 Copyright 2007, Hisham Bani-Salameh Texas Tech University, Hisham Bani-Salameh, May 2007 ACKNOWLEDGMENTS I would like to express my deep gratitude toward those who helped me throughout this experience. First and foremost, I would like to thank “Allah” for everything I managed to accomplish in my life so far, and for giving me the ability and the strength to get through this amazing learning experience, and giving me the chance to work with one of the best professors in the world, Dr. Roger L. Lichti. For you Dr. Lichti, I can’t find enough words to express my thanks to you for believing in me and for your support and patience; without you, none of this would have been accomplished. My father Nahar Bani-Salameh, my mother Rasmieh Bani-Salameh, my six brothers (Khalid, Jamal, Abdulsalam, Gazi, Mohamed and Ahmed) and my two sisters (Ahlam and Nesreen), I couldn’t have wished for better family, thank you very much for everything you’ve done for me and may “Allah” give me a chance to pay you back. My wife Kolthoom Alkofahi, I will never forget your unlimited support and patience; thank you for your sacrifice and I hope I’ll be able to help you fulfill your dreams and accomplish your goals in this life. -
Total Tracks Number: 2218 Total Tracks Length: 151:00:00 Total Tracks Size: 16.0 GB
Total tracks number: 2218 Total tracks length: 151:00:00 Total tracks size: 16.0 GB # Artist Title Length 01 2 Brothers On The 4Th Floor Can't Help Myself 05:39 02 2 Brothers On The 4th Floor Dreams (Will Come Alive) 04:19 03 2 Brothers on the 4th Floor I'm Thinking of You 03:24 04 2 Brothers On The 4Th Floor Never Alone 04:10 05 2 Brothers On The 4th Floor There's A Key 03:54 06 2 Eivissa Oh La La 04:41 07 2 In a Room Wiggle It 03:59 08 2 Unlimited Get Ready For This 03:40 09 2 Unlimited Jump For Joy 03:39 10 2 Unlimited No Limit 03:28 11 2 Unlimited No One 03:24 12 2 Unlimited Twilight Zone 05:36 13 2 Unlimited Workaholic 03:33 14 2pac Thug Mansion 03:32 15 2pac Wonder If Heaven Got A Ghetto 04:34 16 2pac Daz Kurupt Baby Dont Cry Remix 05:20 17 Three Doors Down Be Like That 04:25 18 3 Doors Down Here Without You 03:53 19 3 Doors Down Kryptonite 03:52 20 3lw No More (Baby I'm Gonna Do Rig 04:17 21 3lw Playa Gonna Play 03:06 22 3rd Eye Blind How Is It Gonna Be 04:10 23 3T Anything 04:15 24 4 Non Blondes What's Up 04:55 25 4 Non Blonds What's Up? 04:09 26 38 Special Caught Up In You 04:25 27 38 Special Hold On Loosely 04:40 28 38 Special Second Chance 04:12 29 50 Cent In Da Club 03:42 30 50 cent Window Shopper 03:09 31 98 Degrees Give Me One More Night (Una No 03:23 32 98 Degrees I Do (Cherish You) 03:43 33 98 Degrees Invisible Man 04:38 34 98 Degrees My Everything 04:28 35 98 Degrees The Hardest Thing 04:27 36 112 Anywhere 04:03 37 112 Cupid 04:07 38 112 Dance With Me 03:41 39 112 Love You Like I Did 04:16 40 702 Where My Girls At 02:44 -
Declaration Skolnick
10-PR-16-46 Filed in First Judicial District Court 11/17/2017 5:13 PM Carver County, MN STr1TE OF MINNESOTA FIRST JUDICIAL DISTRICT DISTRICT COURT COUNTY OF CARVER PROBATE DIVISION Court File No. 10-PR-16-46 Judge Kevin W. Eide In re: Estate of Prince Rogers Nelson, DECLARATION OF WILLIAM R. SKOLNICK Decedent. 1. My name is William R. Skolnick.I am an attorney licensed to practice law in the State of Minnesota. 2. I represent Petitioners Sharon Nelson, Norrine Nelson, and John Nelson in the above- entitled action and submit this declaration and its attachments in support of the Petition to Permanently Remove Comerica Bank &Trust, N.A. as Personal Representative and the reply memorandum filed contemporaneously with this declaration. 3. Attached hereto as Exhibit 1, and filed under seal, is a true and correct copy of an August 30, 20171etter from Petitioners' counsel to Comerica's counsel. 4. Attached hereto as Exhibit 2, and filed under seal, is a true and correct copy of a portion of the transcript from the January 12, 2017 hearing before the Court. 5. Attached hereto as Exhibit 3 is a true and correct copy of a September 26, 2017 email sent by Petitioners' counsel to Comerica's counsel. 6. Attached hereto as Exhibit 4, and filed under seal, is a true and correct copy of a draft non-disclosure agreement sent to me by Comerica's counsel. 7. Attached hereto as Exhibit 5, and filed under seal, is a true and correct copy of a portion of the transcript from the May 10, 2017 hearing before the Court.