Annual Report 2013–2014 the Learning for Life Autism Centre
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Carrie Kennedy Work CV 2019 Sequential
Carrie Kennedy APDG production designer Tel: (613)9486 4112 Mob: 0408 349 576 Email: [email protected] www.carbencopy.com.au SELECTED CREDITS 2019 Hungry Ghosts Matchbox/SBSTV Producers: Stephen Corvini, Timothy Hobart, Production Designer: Carrie Kennedy Debbie Lee, Sue Masters Art Director: Rob Molnar Line Producer: Margaret Chong TV 4 x 1 hr drama series Director: Shawn Seet DOP : Bruce Young 2018 Bloom Playmaker/Stan Original Producers: Sue Seeary, David Taylor, David Maher, Production Designer: Carrie Kennedy Created by Glen Dolman Art Director: Ben Barber Line Producer: David Redman TV 6 x 1 hr drama series Directors: John Curran, Mat King DOP : Geoffrey Hall Ride Like a Girl 100 to 1 P/L/ Transmission Films Producer: Richard Keddie, Naomi Cleaver Production Designer Carrie Kennedy Rachel Griffiths, Felicity Stoward, Susie Montague Art Director : Ben Barber Director: Rachel Griffiths Feature film DOP: Martin McGrath 2017 2040 2040 P/L / Madman Entertainment Producer: Nick Batzias, Damon Gameau, Anna Kaplan Production Designers: Virginia Whitwell Carrie Kennedy and Luke Bubb Director: Damon Gameau Feature documentary film DOP: Hugh Miller Dr Blake Mysteries the Telemovie December Media/ABCTV Producers: George Adams, Tony Wright Production Designer: Carrie Kennedy Director: Ian Barry Line Producer : Lisa Wang Art Director: Ben Morieson DOP: Craig Barden Telemovie feature length period drama Offspring series 7 Endemol Shine Australia/Network Ten Producer: Imogen Banks Line Producer: Ross Allsop Production Designer: Carrie Kennedy -
Sue Brooks, Sue Maslin and Alison Tilson. LISA FRENCH
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RMIT Research Repository Thank you for downloading this document from the RMIT Research Repository 7KH50,75HVHDUFK5HSRVLWRU\LVDQRSHHQDFFHVVGDWDEDVHVKRZFDVLQJWWKHUHVHDUFK RXWSXWVRI50,78QLYHUVLW\UHVHDUFKHUV 50,755HVHDUFK5HHSRVLWRU\KWWSUHVHDUFKEDQNUPLWHGXDX Citation: French, L 2003, 'Shared visions and creative partnerships - A team approach; Sue Brooks, Sue Maslin and Alison Tilson' in Lisa French (ed.) Womenvision: Women and the Moving Image in Australia, Damned Publishing, Melbourne, Australia, pp. 295-308. See this record in the RMIT Research Repository at: http://researchbank.rmit.edu.au/view/rmit:18778 Version: Published Version Copyright Statement: © 2003 Australian Catalogue Company Ltd Link to Published Version: http://trove.nla.gov.au/work/22998307 PLEASE DO NOT REMOVE THIS PAGE LISA FRENCH SHARED VISIONS AND CREATIVE PARTNERSHIPS A ‘team’ approach: Sue Brooks, Sue Maslin and Alison Tilson. LISA FRENCH n my final year at school, the honour of being one of a triumvirate was bestowed upon me. What this meant was that I was part of a team of three girls, the head and two Iothers—the key idea behind this structure being the team—‘the triumvirate’. We were responsible for being responsible, for being role models, mentors and champions of the school ethos. The idea of a triumvirate came from ancient Rome and referred to a board of three ruling men. I liked the play on this given that I attended a school for girls. I was offered a freethinking and feminist education (for which I will be eternally grateful). I can still remember a teacher telling us not to compete with each other, to work together and support each other. -
The Castle a Critical Study of a Feature Film Text
The Castle A Critical Study of a Feature Film Text This study programme uses the Australian feature film The Castle to exemplify the ways in which a text confirms or challenges the attitudes and values of its audience. BY TONY HUGHES Questions within the pro- * how attitudes and values are con- gramme will help students discover veyed in films how the construction of a text encour- The programme reinforces the view ages particular responses in its viewers. that: Students will be encouraged to view the * films are texts — all texts are ideo- film as a cultural artefact, considering logical the society that produced the film as * films are constructions, versions of well as the audiences that have viewed reality the film and generated its popularity. * films present complex sets of atti- Questions within the programme are tudes and values designed to explore the notion of: * films position the viewer to respond * text construction in certain ways * genre * film has its own language Dennis Denuto (Tiriel Mora) and Lawrence Hammill QC (Charles * attitudes and values * the values and attitudes presented are ‘Bud’ Tingwell) * point of view related to the values and attitudes of the * by viewing the film as a shaper of in- * verbal and non verbal language film’s audience TION formation The following elements will be * a text can reinforce or challenge a * by considering the film as position- central to this study: society’s existing attitudes and values ing the viewer * the shared conventions of narrative * viewers make sense of films through -
{PDF EPUB} Phaic Tan Sunstroke on a Shoestring by Santo
Read Ebook {PDF EPUB} Phaic Tăn Sunstroke on a Shoestring by Santo Cilauro Phaic Tăn. Phaic Tăn (subtitled Sunstroke on a Shoestring ) is a parody travel guidebook examining imaginary country Phaic Tăn. The book was written by Australians Tom Gleisner, Santo Cilauro, and Rob Sitch. It is the effective sequel to Molvanîa which was also published by Jetlag Travel and written by Tom Gleisner, Santo Cilauro, and Rob Sitch. Contents. About Phaic Tăn. The Kingdom of Phaic Tăn is a composite creation of a number of stereotypes and clichés about Southeast Asian countries. Phaic Tăn is said to be situated in Southeast Asia. Place names in Phaic Tăn initially seem to be Vietnamese or Thai, but they form English language puns, hence the capital is called "Bumpattabumpah" ("bumper to bumper"). "Phaic Tăn" can be read as "Fake Tan". Also, the districts are the mountainous "Pha Phlung" ("far flung"), the infertile "Sukkondat" ("suck on that"), the hyper "Buhng Lunhg" ("bung lung"; Australian slang 'bung', meaning 'failed'), and the exotic "Thong On". The country was formerly a colony of France, but was liberated in the early 20th century through student and Communist uprisings. A Marxist dictatorship under Chau Quoc continued until his death in 1947, which prompted the country to launch into a lengthy civil war. Eventually a CIA- backed coup ("Operation Freedom") made the country into a military dictatorship which it remains to this day. The country has a popular royal family, though the current king has been deposed no less than 25 times. Like Molvanîa , the humor of the book comes from the guide's attempts to present Phaic Tăn as an attractive, enjoyable country when it is really little more than a squalid, third-world dump. -
Frontline: Satirical Skewering of TV Current Affairs Programs Is Still Uncomfortably Relevant
_________________________________________________________________________________________________________________ Frontline: satirical skewering of TV current affairs programs is still uncomfortably relevant Like the older, antipodean cousin to The Office and Veep, the classic 90s comedy is still as sharp and occasionally even more painful Rob Sitch as host Mike Moore, Jane Kennedy and Tiriel Mora as reporters Brooke Vandenberg and Martin Di Stasio in the ABC TV comedy series Frontline. Walter Marsh Sat 15 May 2021 When this behind-the-scenes look at a fictional current affairs show debuted in 1994, its mockumentary-inspired style and pointed caricature of sensationalist reporting was a relative novelty on local screens. Today,Frontline feels like the older, antipodean cousin to The Office and Veep, with insights into how the TV news sausage is made that remain depressingly relevant. Across three seasons the show’s creators (Santo Cilauro, Tom Gleisner, Jane Kennedy and Rob Sitch all shared writing, directing and production duties) follow the on- and off-camera antics of anchor Mike Moore (Sitch), a coiffed muppet with delusions of journalistic integrity, and colleagues including reporter Brooke Vandenberg (Kennedy) and jaded foot-in-door hack Marty Di Stasio (a pre-Dennis Denuto Tiriel Mora). The team are egged on in their race to the bottom by a revolving door of amoral executive producers with sleazy nicknames like “Thommo” and “Prowsey”, all in the 2 name of winning the night’s ratings and trumping competitors like Ray Martin’s A Current Affair, the Stan Grant-led Real Life and Jana Wendt-era 60 minutes. Season one’s City of Fear opens with then-Media Watch host Stuart Littlemore giving Frontline an on-air serve for spinning a series of unrelated crimes into a pearl- clutching beat-up about Asian gangs. -
Better Performed Yet Uneasy to Say Upturn
The Export-Import Bank of China: Want to Be the Best in A Better World ? China’s Economy in H1: Better Performed Yet Uneasy to Say Upturn 邮发代号:80-799 国内刊号:CN11-1020/F 国际刊号:ISSN0009-4498 Jiangxi Changhe Motors Co.,Ltd. I. The introduction of Changhe Motors Established on Nov. 26, 1999, Jiangxi Changhe Motors Co.,Ltd. is located in Jingdezhen, Jiangxi prov- ince, the famous city of China. It was sanctioned by National Economic and Trade Committee, Changhe Air- craft Industries Group is the main sponsor. Jiangxi Changhe Motors Co., Ltd. (Changhe Motors) is one of the leading motor manufacturers, and the R&D and production base of small emission autos. The first microbus of China was manufactured here. Changhe Motors has 6000 employees, with the registered capital of RMB 410 million. It has three bases of finished car manufacturing, including Jingdezhen, Jiujiang and Hefei, one engine manufacturing base in Jiujiang, and a industrial park of auto parts production. With a production pattern of crossing over two prov- inces and three cities, the company has developed an annual production capacity of 300,000 finished cars and 150,000 auto engines. The company covers a wide business range of the series of mini cars, the design, development, manufac- ture, sales, aftersales services for economic vehicles, and the development, consultation and services of the relevant projects. The company adheres to the concept of “Striving for the mission of letting cars drive into the average families”. The company is devoted to the mission of boosting China’s auto industry, making great contribu- tions to the clients, shareholders and the society with the highest quality. -
Carrie Kennedy APDG Production Designer Tel: (613)9486 4112 Mob: 0408 349 576 Email: [email protected]
Carrie Kennedy APDG production designer Tel: (613)9486 4112 Mob: 0408 349 576 Email: [email protected] www.carbencopy.com.au SELECTED CREDITS 2020-2021 Jack Irish 3 Easy tiger Productions/ABCTV Producers: Ian Collie, Matt Cameron, Andrew Knight Production Designer: Carrie Kennedy Written by Matt Cameron, Andrew Knight, Andrew Ananstasios, Art Director: Colin Robertson Alli Parker Line Producer: Sue Edwards/ Jo Rooney TV 4 x 1 hr drama series Directors: Greg McLean DOP : Marden Dean 2019-2020 Bloom Series 2 Playmaker/Stan Original Producers: Sue Seeary, David Taylor, David Maher, Production Designer: Carrie Kennedy Created by Glen Dolman Art Director: Rob Molnar/Ben Barber Line Producer: Esther Rodewald TV 6 x 1 hr drama series Directors: Greg McLean, Sian Davies DOP : Geoffrey Hall Hungry Ghosts Matchbox/SBSTV Producers: Stephen Corvini, Timothy Hobart, Production Designer: Carrie Kennedy Debbie Lee, Sue Masters Art Director: Rob Molnar Line Producer: Margaret Chong TV 4 x 1 hr drama series Director: Shawn Seet DOP : Bruce Young 2018 Bloom Playmaker/Stan Original Producers: Sue Seeary, David Taylor, David Maher, Production Designer: Carrie Kennedy Created by Glen Dolman Art Director: Ben Barber Line Producer: David Redman TV 6 x 1 hr drama series Directors: John Curran, Mat King DOP : Geoffrey Hall *Nominated for APDG Best Production Design for TV Ride Like a Girl 100 to 1 P/L/ Transmission Films Producer: Richard Keddie, Naomi Cleaver Production Designer Carrie Kennedy Rachel Griffiths, Felicity Stoward, Susie Montague Art Director -
The Castle Music Credits
Original Music Craig Harnath Music Supervisor Jane Kennedy Musicians Craig Harnath Martin Lubran Dave Carter (The following were deleted on some versions): ( Sean McLeod Russell Smith Rob Burke Backing Vocals Suzi Ahern Chris Doheny Assistant Cryss Plummer) Recorded by Ross Cockle Recorded at Hothouse 'Baby, Now That I've Found You' Performed by Alison Krauss, Courtesy of Larriken Entertainment Pty Ltd Album: Now That I've Found You "A Collection", Written by John McLeod & Tony Macaulay Published by BMG Songs Inc, ASCAP, Courtesy of BMG Music Pty Ltd 'Take Your Time' Performed by Paul Kelly Courtesy of Mushroom Records Written by Paul Kelly (Mushroom Music Pty Ltd) 'We've Only Just Begun' Performed by Kate Ceberano Written by Roger Nichols & Paul Williams, © Irving Music Inc. Used by permission of Rondor Music Australia Pty Ltd Kate Ceberano appears courtesy of Mushroom Records (In some versions, this credit was replaced by the real thing) “We’ve Only Just Begun’ Performed by The Carpenters, Album: Greatest Hits Written by Roger Nichols & Paul Williams, © Irving Music Inc. Used by permission of Rondor Music Australia Pty Ltd Craig Harnath: Craig Harnath did the music for the original Australian release. Harnath was a member of the pop group Kids in the Kitchen, wiki here, playing bass, but unfortunately at time of writing his personal wiki was only one sentence here. The band had a big hit with the double platinum debut album Shine, but thereafter faded. However, as of 2018, the band was touring as a revival act, “It’s time to relive it all”, with an eponymous website here. -
ABC TV Program Guide Mail Merge Template
1 Top Pick Wednesday 19 August, 9:00pm or later on iview Utopia New Series Set inside the offices of the “Nation Building Authority”, a newly created government organisation responsible for overseeing major infrastructure projects, Utopia explores that moment when bureaucracy and grand dreams collide. It’s a tribute to those political leaders who have somehow managed to take a long-term vision and use it for short-term gain. The award-winning series follows the working lives of a tight- knit team in charge of guiding big building schemes from announcement to unveiling. Constant shifts in priorities are the order of the day as the staff are asked to come up with plans for everything from new roads and rail lines to airports and high rise urban developments. In short, Utopia examines the forces that go into creating a very well-designed white elephant. Featuring a stellar comic cast led by Rob Sitch, along with Celia Pacquola, Dave Lawson, Luke McGregor, Kitty Flanagan, Anthony Lehmann, Emma-Louise Wilson, Michelle Lim Davidson and Toby Truslove, Utopia is a series for anyone who has ever been frustrated by bureaucracy – and survived to laugh at the experience. It’s a new year and Tony (Rob Sitch) is determined to focus on big things. Unfortunately, small things get in the way. Meanwhile, Nat’s (Celia Pacquola) attempts to assist a local community unleash a multi-billion dollar government initiative. #utopia Short synopsis It’s a new year and Tony is determined to focus on big things. Unfortunately, small things get in the way. -
Longtime Friends and Comedy Colleagues Mick Molloy and Jane Kennedy Continue to Drive Australia Home Across the Triple M Network in 2020
Longtime friends and comedy colleagues Mick Molloy and Jane Kennedy continue to drive Australia home across the Triple M Network in 2020. After just one year the duo Kennedy Molloy cracked 1 million listeners, with huge gains around the country, in Survey 1 of 2019*. MICK MOLLOY Molloy, from the legendary Martin/Molloy to the #1 daytime show Tough Love, spent seven years on Melbourne’s #1 FM Breakfast show, The Hot Breakfast before convincing Jane to join him in drive in 2018. Mick is also the host of Channel Seven’s hugely popular and ACCTA winning AFL entertainment show The Front Bar. JANE KENNEDY Jane Kennedy began her career in radio and appeared with Mick on Triple M on the ground- breaking breakfast show The D-Generation. They both went on to write and perform together with the team from the ABC TV classic The Late Show and are regulars on Ten’s award winning show Have You Been Paying Attention, produced by Working Dog – of which Jane is a founding member. Working Dog are the production company behind Aussie classic’s The Castle and The Dish. Kennedy Molloy is the drive show for grown-ups who want to stay across the big issues of the day in a not-so-serious way. All the biggest names from the world of sport, comedy, showbiz and business join Kennedy Molloy on the regular. They engage with their guests and listeners with irreverence and authenticity. Mick and Jane teeter close to the edge, they will never be accused of sitting on the fence but are always informed and deliver the all-important laughs. -
Cover Page and Exegesis
STRUCTURING THE THRILL IN THE TRUE CRIME STORY: An analysis of how the substructures of the classic screenplay operate in the Thriller film. An exegesis submitted in fulfilment of the requirements for the degree of Master of Arts Sarah Neal B. Arts School of Creative Media Design and Social Context Portfolio RMIT University March 2007 . 99 Declaration of original authorship • Except where due acknowledgement has been made, the work is that of the candidate alone. • The work contained in this thesis has not been submitted previously, in whole or in part, to qualify for any other academic award. • The content of this thesis is the result of the work which has been carried out since the official commencement date of the approved research program. • Any editorial work, paid or unpaid, carried out by a third party is acknowledged. Signature Date 100 Table of Contents Declaration of original authorship……………………………………………. ii Table of contents……………………………………………………………… iii Abstract……………………………………………………………………….. iv Screenplay: Magnetic Fields …………………………………………………. 1 Exegesis………………………………………………………………………. 97 Introduction…………………………………………………………… 99 Literature review……………………………………………………… 100 Methodology………………………………………………………….. 102 Rationale………………………………………………………………. 103 How may we define the Classical Structure of the Thriller?…………. 105 How does the Premise operate in the Thriller genre?………………….. 110 How does the Protagonist operate in the Thriller genre?……………… 117 How does the Antagonist operate in the Thriller genre?………………. 124 How does the Dramatic Problem operate in the Thriller genre? ……… 129 How does the Plot operate in the Thriller genre?……………………… 132 Conclusion…………………………………………………………….. 136 Bibliography…………………………………………………………… 138 Online references……………………………………………………… 140 101 Abstract The research for this exegesis analyses the substructures contained in the classic screenplay and evaluates how they operate in the Thriller film. -
Top Pick Tuesday 15 August 8.30Pm Series Return
1 Top Pick Tuesday 15 August 8.30pm Series Return Catalyst We’re living through a golden age of scientific discovery – and Catalyst returns to take you to the heart of the biggest science stories from Australia and around the world. The series is made up of hour long programmes; each one looking at the latest science on single subjects from human health and medical breakthroughs to astronomy and technology. We’re aiming to capture the wonder and excitement at the heart of these stories and meet the scientists and researchers working at the cutting edge of these fields. Many of the films are hosted by presenters chosen for their expertise and ability to communicate the discoveries in their fields. We dive into the hunt for alien life beyond our solar system; investigate whether seaweed can help save the world; witness some of the extraordinary techniques used in operations to heal the human heart and undertake a world-first experiment to understand how changing what’s in your gut can radically alter your life. We’re also working with international co-producers to bring some of the best filmmaking from around the world. It’s a series that will surprise, delight, and inform in equal measure. #Catalyst Short synopsis Catalyst returns with a brand new series of one hour specials exploring the latest science on diverse topics from human health and medical breakthroughs to astronomy and technology. Production details Catalyst is an ABC Production. Executive Producer: Aidan Laverty, ABC Head of Factual: Steve Bibb Contact Bridget Stenhouse on (02) 8333 3847 or [email protected] Program not yet available for preview.