Imaged Concepts
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New Host Plant Records for Species Of
Life: The Excitement of Biology 4(4) 272 Geometric Morphometrics Sexual Dimorphism in Three Forensically- Important Species of Blow Fly (Diptera: Calliphoridae)1 José Antonio Nuñez-Rodríguez2 and Jonathan Liria3 Abstract: Forensic entomologists use adult and immature (larvae) insect specimens for estimating the minimum postmortem interval. Traditionally, this insect identification uses external morphology and/or molecular techniques. Additional tools like Geometric Morphometrics (GM) based on wing shape, could be used as a complement for traditional taxonomic species recognition. Recently, evolutionary studies have been focused on the phenotypic quantification for Sexual Shape Dimorphism (SShD). However, in forensically important species of blow flies, sexual variation studies are scarce. For this reason, GM was used to describe wing sexual dimorphism (size and shape) in three Calliphoridae species. Significant differences in wing size between females and males were found; the wing females were larger than those of males. The SShD variation occurs at the intersection between the radius R1 and wing margin, the intersection between the radius R2+3 and wing margin, the intersection between anal vein and CuA1, the intersection between media and radial-medial, and the intersection between the radius R4+5 and transversal radio-medial. Our study represents a contribution for SShD description in three blowfly species of forensic importance, and the morphometrics results corroborate the relevance for taxonomic purposes. We also suggest future investigations that correlated shape and size in sexual dimorphism with environmental factors such as substrate type, and laboratory/sylvatic populations, among others. Key Words: Geometric morphometric sexual dimorphism, wing, shape, size, Diptera, Calliphoridae, Chrysomyinae, Lucilinae Introduction In determinig the minimum postmortem interval (PMI), forensic entomologists use blowflies (Diptera: Calliphoridae) and other insects associated with body corposes (Bonacci et al. -
WR 16Mar 1928 .Pdf
World -Radio, March 16, 1928. P n n rr rrr 1 itiol 111111 SPECIAL IRISHNUMBER Registered at the.G.P.O. Vol. VI.No. 138. as a Newspaper. FRIDAY. MARCH 16, 1928. Two Pence. WORLD -RADIO 8 tEMEN Station Identification Panel- Konigswusterhausen (Zeesen). Germany REC GE (Revised) Wavelength : 125o in. Frequency : 240 kc. Power :35 kw. H. T. BATTERY Approximate Distance from London : 575 miles. (Lea-melte Tide) Call " Achtung !Achtung !Hier die Deutsche Welle, Berlin,-Konigswus- terhausen."(Sometimes wavelength POSSESSES all the advantages of a DRY BATTERY given :" . auf Welle zwolf hun- dert and fiinfzig," when callre- -none of the disadvantages of the ordinary WET peated.)When relaying :" Ferner Ubertragimgauf "... (nameof BATTERY. relaying stations). Interval Signal:Metronome.Forty beats in ten seconds. 1. Perfectly noiseless, clean SpringConnections,no IntervalCall :" Achtung !Konigs. and reliable. 4.soldering. wusterhausen.DerVortragvon [name of lecturer]uber[titleof 5. No "creeping of salts. lecture]ist beendet.Auf Wieder- 2. Unspillable. Easily recharged, & main- 'toren in . Minuten."When 6. relaying :`& Auf Wiederhorenfur 3No attention required until tains full energy through- Konigswusterhausen in . exhausted. out the longest programme. Minuten ;fur Breslau and Gleiwitz [or as the case may be] nach eigenem Programm." 711,2 ails are null: in thefoll,n,ing three sizes: Own transmissionsandrelays.In eveningrelaysfromotherstations. H.T.1.Small ... 8d. each. Closes down at the same time as the relaying station. H.T.2.Large ... 10d. each. H.T.3.Extra Large 1:- each. (Copyright) A booklet containing alargenumberof these Guaranteed to give I a,volts per cell. panels canbeobtainedof B.B.C.Publications, Savoy Hrll, W. -
The Role of Cultural Value in the Historical Sociology of Pierre Bourdieu Tony Bennett
The Historical Universal: The Role of Cultural Value in the Historical Sociology of Pierre Bourdieu Tony Bennett The definitive version of this article is published in: Bennet, T. 2005, ‘The Historical Universal: The Role of Cultural Value in the Historical Sociology of Pierre Bourdieu’, The British Journal of Sociology, 56(1): 141-164. The definitive version of this article is published in: http://onlinelibrary.wiley.com/doi/10.1111/j.1468-4446.2005.00051.x/abstract (institutional or subscribed access may be required) The journal British Journal of Sociology is available online: http://onlinelibrary.wiley.com/journal/10.1111/(ISSN)1468-4446 (institutional or subscribed access may be required) Copyright remains with the publisher, Blackwell Publishing. Disclaimer Please note that this is an electronic, pre-print version of this article produced by the Institute for Culture & Society, University of Western Sydney, in accordance with the requirements of the publisher. Whilst this version of the article incorporates refereed changes and has been accepted for publication, differences may exist between this and the final, published version. Citations should only be made from the published version. User Agreement Copyright of these pre-print articles are retained by the author. Users may download and/or print one copy of any article to facilitate their own study or non-commercial research. Wider circulation and distribution of the material and/or use of it in profit-making activities is prohibited. URLs to access this pre-print version can -
British Museum (Natural History)
Bulletin of the British Museum (Natural History) Darwin's Insects Charles Darwin 's Entomological Notes Kenneth G. V. Smith (Editor) Historical series Vol 14 No 1 24 September 1987 The Bulletin of the British Museum (Natural History), instituted in 1949, is issued in four scientific series, Botany, Entomology, Geology (incorporating Mineralogy) and Zoology, and an Historical series. Papers in the Bulletin are primarily the results of research carried out on the unique and ever-growing collections of the Museum, both by the scientific staff of the Museum and by specialists from elsewhere who make use of the Museum's resources. Many of the papers are works of reference that will remain indispensable for years to come. Parts are published at irregular intervals as they become ready, each is complete in itself, available separately, and individually priced. Volumes contain about 300 pages and several volumes may appear within a calendar year. Subscriptions may be placed for one or more of the series on either an Annual or Per Volume basis. Prices vary according to the contents of the individual parts. Orders and enquiries should be sent to: Publications Sales, British Museum (Natural History), Cromwell Road, London SW7 5BD, England. World List abbreviation: Bull. Br. Mus. nat. Hist. (hist. Ser.) © British Museum (Natural History), 1987 '""•-C-'- '.;.,, t •••v.'. ISSN 0068-2306 Historical series 0565 ISBN 09003 8 Vol 14 No. 1 pp 1-141 British Museum (Natural History) Cromwell Road London SW7 5BD Issued 24 September 1987 I Darwin's Insects Charles Darwin's Entomological Notes, with an introduction and comments by Kenneth G. -
Doing Justice to Traditional Aesthetic Theories: Weitz Reconsidered
TRAMES, 2002, 6(56/51), 3, 266–279 DOING JUSTICE TO TRADITIONAL AESTHETIC THEORIES: WEITZ RECONSIDERED Marek Volt University of Tartu Abstract. In the very first lines of his famous article – ‘The Role of Theory is Aesthetics’ – Morris Weitz tells us that each of the great art theories (Emotionalism, Voluntarism, Formalism, Intuitionism, Organicism) converges in a logically vain attempt to provide the defining properties of art. He tries to examine some of the aesthetic theories in order to see if they include adequate statements about the nature of art. But instead of giving us exact descriptions of these theories, he provided us with only a very scant summary. Thus, even if Weitz were correct in thinking that all theories converged in an essential definition of art, he does not provide any further arguments for his conviction. Some aestheticians (Diffey, Tilghman, Matthews, Snoeyenbos) have tried to do justice to the traditional theories by suggesting that aesthetic theories were not attempting to offer essentialist definitions of art. Unfortunately, those critics left untouched the aesthetic theories offered by Weitz. Therefore, in order to evaluate (1) Weitz’s account of aesthetic theories and (2) to see if the criticisms concerning his account strike home, it is necessary to consider just theories mentioned by Weitz. My paper confirms a view that within aesthetic theories a variety of purposes can be recognised. For instance, the explanation and re-evaluation of art, and the completion of metaphysical system. I. Weitz and his critics The famous article of Morris Weitz (1968) – ‘The Role of Theory in Aesthetics’ – has raised many objections since it was published.1 Perhaps the chief objection is that Weitz did not take into account the possibility that art can be defined in terms of non-manifest properties. -
The New Role of Theory in Aesthetics
RECOGNITION AND RECONCILIATION: THE NEW ROLE OF THEORY IN AESTHETICS by Kristin Amber Hrehor A thesis submitted to the Department of Philosophy In conformity with the requirements for the degree of Master of Arts Queen’s University Kingston, Ontario, Canada (September, 2007) Copyright © Kristin Amber Hrehor, 2007 Abstract George Dickie’s institutional theory of art has been subject to extensive debate over the past 30 years. It has been both revered and deplored, garnering such attention for the seemingly controversial way in which Dickie answers the question, “What is art?” In Dickie’s view, an object derives its existence as a work of art in the context of the informal institution of the “artworld,” a concept which was borrowed from Arthur Danto’s earlier work on the theoretical context surrounding works of art. Whether one finds the idea appealing or appalling, it is one that quite simply cannot be ignored, since the empirical validity of the institutional structure of art and the sorts of problems it can cause, especially in our particular time, are so remarkably clear. Another significant feature of Dickie’s institutional theory is that it provides a definition of art, a problem that philosophers of art have attempted to solve for the past few centuries. Dickie’s theory inclines one to dismiss other candidates for definitions as implausible, such as those put forth by R.G. Collingwood and Leo Tolstoy, since, as Dickie insists, an acceptable definition of art must be able to account for the many different kinds of practices that are all referred to as “art.” Both Collingwood and Tolstoy advance restricted conceptions of art that are meant to confine the use of the term “art” to a specific kind of creative activity. -
Contenido Estrenos Mexicanos
Contenido estrenos mexicanos ............................................................................120 programas especiales mexicanos .................................. 122 Foro de los Pueblos Indígenas 2019 .......................................... 122 Programa Exilio Español ....................................................................... 123 introducción ...........................................................................................................4 Programa Luis Buñuel ............................................................................. 128 Presentación ............................................................................................................... 5 El Día Después ................................................................................................ 132 ¡Bienvenidos a Morelia! ................................................................................... 7 Feratum Film Festival .............................................................................. 134 Mensaje de la Secretaría de Cultura ....................................................8 ......... 10 Mensaje del Instituto Mexicano de Cinematografía funciones especiales mexicanas .......................................137 17° Festival Internacional de Cine de Morelia ............................11 programas especiales internacionales................148 ...........................................................................................................................12 jurados Programa Agnès Varda ...........................................................................148 -
Aesthetic Theory
Draft Introduction The concept of philosophical aesthetics has an antiquated quality, as does the con- cept of a system or that of morals. This feeling is in no way restricted to artistic praxis and the public indifference to aesthetic theory. Even in academic circles, essays relevant to aesthetics have for decades now noticeably diminished. This point is made in a recent dictionary of philosophy: "There is scarcely another philosophical discipline that rests on such flimsy presuppositions as does aesthet- ics. Like a weather vane it is 'blown about by every philosophical, cultural, and scientific gust; at one moment it is metaphysical and in the next empirical; now normative, then descriptive; now defined by artists, then by connoisseurs; one day art is supposedly the center of aesthetics and natural beauty merely preliminary, the next day art beauty is merely second-hand natural beauty.' Moritz Geiger's description of the dilemma of aesthetics has been true since the middle of the nineteenth century. There is a double reason for this pluralism of aesthetic theo- ries, which are often even left unfinished: It resides on the one hand in the funda- mental difficulty, indeed impossibility, of gaining general access to art by means of a system of philosophical categories, and on the other, in the fact that aesthetic statements have traditionally presupposed theories of knowledge. The problem- atic of theories of knowledge returns directly in aesthetics, because how aesthetics interprets its objects depends on the concept of the object held by the theory of knowledge. This traditional dependency, however, is defined by the subject matter itself and is already contained in the terminology."1 Although this well describes the situation, it does not sufficiently explain it; the other philosophical disciplines, including the theory of knowledge and logic, are no less controversial 332 DRAFT INTRODUCTION 333 and yet interest in them has not flagged to a similar extent. -
Aesthetics (HSA020N207A) | University of Roehampton
09/23/21 Aesthetics (HSA020N207A) | University of Roehampton Aesthetics (HSA020N207A) View Online (Module Validation) 156 items Further Reading - additional to the weekly readings (53 items) The birth of tragedy and other writings - Friedrich Wilhelm Nietzsche, Raymond Geuss, Ronald Speirs, 1999 Book | Further Reading The Disjunctive Theory of Art: The Cluster Account Reformulated - F. Longworth, A. Scarantino, 2010-03-10 Article | Further Reading The Lyotard reader - Jean-Franc ̧ ois Lyotard, Andrew E. Benjamin, 1989 Book | Further Reading On photography - Sontag, Susan, 1979 Book | Essential Reading The principles of art - Collingwood, R. G., 1938 Book | Further Reading The century of taste: the philosophical odyssey of taste in the eighteenth century - Dickie, George, 1996 Book | Further Reading Aesthetics: a critical anthology - Dickie, George, Sclafani, R. J., Roblin, Ronald, c1989 Book | Further Reading An introduction to the philosophy of art - Richard Thomas Eldridge, 2014 Book | Further Reading Schopenhauer - Patrick Lancaster Gardiner, 1963 Book | Further Reading The Routledge companion to aesthetics - Gaut, Berys Nigel, Lopes, Dominic, 2005 Book | Further Reading Languages of art: an approach to a theory of symbols - Goodman, Nelson, 1968 Book | Further Reading Philosophy of the arts: an introduction to aesthetics - Graham, Gordon, 1997 1/11 09/23/21 Aesthetics (HSA020N207A) | University of Roehampton Book | Further Reading The sociology of art - Arnold Hauser, 2013 Book | Further Reading Emotion and the Arts - Mette Hjort, -
31762100154713.Pdf (2.570Mb)
Working papers : the artist as critical consciousness by Larry Eugene Shelby A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF APPLIED ARTS Approved: airman ,''Exaiftining Committee Montana State University © Copyright by Larry Eugene Shelby (1975) Abstract: I. An Inquiry into the Definition of Art and Artist. This paper inquires into the nature and relevance of ex-isting definition of "Art" and "Artist." There is an analogy between the manner which art as an institution and a dictionary definition function. If language (or art) is to remain viable, it must be open to the continual revision necessary as part of the constantly changing social environment. In the sense that a dictionary is a reference book, an "inbuilt" dictionary is part of each of our mental equipment. The inbuilt dictionary is best altered through the educational system. Lexical items which have become irrelevant to the situations which they are to describe should be restructured. II. On the De-Definition/Re-Definition of Art. This essay is a rebuttal to Harold Rosenberg's article "On The De-Definition of Art" chosen because it is typical of arguments for defining art by morphological characteristics (i.e., formalist criticism). Approaches of this type have failed to deal with questions raised by "conceptual" artists regarding the existence, function and future of art, and, by implication, the education of the artist. III. Art: An Open Textured Concept. A condensed version of Morris Weitz' essay "The Role of Theory in Aesthetics" was provided. As a theory of aesthetics it is quite sufficient but Weitz presupposes that art is always of an aesthetic nature. -
Determinación Del Dimorfismo Sexual En La Forma Corporal De Chiasognathus Grantii (Coleoptera: Lucanidae)
Revista104 Colombiana de Entomología 40 (1): 104-110 (2014) Sección Básica Determinación del dimorfismo sexual en la forma corporal de Chiasognathus grantii (Coleoptera: Lucanidae) Sexual dimorphism in body shape of Chiasognathus grantii (Coleoptera: Lucanidae) OLIVIA VERGARA P.1, HUGO A. BENÍTEZ2, MELISSA PINCHEIRA3 y VIVIANE JEREZ4 Resumen: Chiasognathus grantii, especie endémica de los bosques templados de Chile y Argentina, presenta un marcado dimorfismo sexual representado por la forma y tamaño de las mandíbulas, además de la forma del pronoto y del último segmento abdominal. Para esta especie, se han registrado además, diferencias en el tamaño de los individuos a lo largo de su distribución en Chile y parte de Argentina; ésto ha servido como evidencia para que algunos autores consideren el nombre ‘pygmaeus’, sin que esta variación haya sido evaluada cuantitativamente desde el punto de vista genético o morfológico. Este estudio evaluó cuantitativamente la variación de la forma de C. grantii según su distribución geográfica y dimorfismo sexual. Se analizaron morfométricamente 283 individuos para determinar variaciones atribuidas exclusivamente a la forma corporal, mediante registro fotográfico del área ventral de los insectos. Se obtuvo diferencias significativas interpoblacionales para la componente simétrica de la forma (variación individual) entre sexos, expresada principalmente en una expansión del tercer segmento abdominal en hembras y su retracción en machos. Sin embargo, no existe suficiente evidencia para diferenciar subespecies. Se discute si estas diferencias interpoblacionales son atribuidas sólo al dimorfismo sexual o pueden corresponder además, a presiones selectivas debido a competencia intrasexual por recursos alimenticios o debido a variaciones ambientales durante el desarrollo ontogenético. Palabras clave: Chile. -
Tnemreie and RADIO REVIEW
TNeMreIe AND RADIO REVIEW VOLUME XXIII JULY 4th -DECEMBER 26th, 1928 ALL RIGHTS RESERVED Published from the Offices of " THE WIRELESS WORLD " ILIFFE & SONS LTD., DORSET HOUSE, TUDOR ST.. LONDON. E.C.4 www.americanradiohistory.com 11111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111 11I I l l I1I111I I l 1111111111111111111111111111111111I111111 INDEX VOLUME XXIII JULY 4th -DECEMBER 26th, 1928 i l l l l l l __ 111111111111111111111111111111111111111111111111111111111111111111111111111111 I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I I 1111111111111111 r A.B. Products -H.F. Choke, 774 Brayton Trickle Charger, The, 08e Current Topics, 11, 43, 69, 109, 133, 167, 195, Abroad, Programmes from, 15, 45, 78, 105, 135, Bright Emitters as Rectifiers, 183 231, 255, 287, 317, 359, 391, 472, 603, 531, 169, 197,- 227, 257, 283, 319, 365, 393, 468, British Acoustic Film System, The (Talking 561, 587, 633, 661, 701, 727, 765, 795, 818, 505, 533, 565, 601, 635, 673, 713, 733, 761, Films), 842 850 797, 820, 860 Phototone System (Talking Films), 792 " Cylanite," 688 Programmes from (Editorial), 1 -Broadcast ('yldon Synchratune -, Brevities, 23, 54, 85, 117, 143. 177, Twin Condensers, 743 -, Sets for, 808 203, 233, 268, 296, 323, 363, 445, 481, 515. Accumulator Carrier, Weston, 564 543, 573. 599, 641, 682, 711, 745, 772, 805. Charging, 489 832, 865 Damped but Distoitionless, - Discharge, 749 - Equalising, 272 Broadcasting Monopoly, The (Editorial), 155 Davex Eliminator, 19 Knobs, Clix, 112 Scientific Foundations of, 728 Tuners, 564 - or -, Eliminator? 750 Stations, 206 -" D.C.5," A Batteryless Receiver for -Accumulators, D.C.