DOCSLIB.ORG

Detroit Symphony Orchestra Antol Dod · Music Director

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Detroit Symphony Orchestra Antol Dod · Music Director detroit symphony orchestra Antol Dod · music director sixty-fifth season' 1978179 march 25 hill auditorium, ann arbor 1 he Detroit Symphony Orchestra, Inc. ( Founded 1914) ANTAL DORA TI, mUSIC director OFFICERS 1978 - 79 ' John B. Ford, chairman 'Robert B. Semple, president ' Rinehart S. Bright, vice president ' Richard L. Terrell, vice president 'Pierre V. Heftier, vice president ·Mrs. R. Jamison Williams, vice president 'Ralph T. McElvenny, vice president 'Mrs. Theodore O. Yntema, vice president ' Paul S. Mirabito, vice president ' Thomas H. Jeffs II, treasurer ' Dean E. Richardson, vice president William C. Rands III, assistant treasurer ' Alan E. Schwartz. vice president ' Peter P. Thurber. secretary BOARD OF DIRECTORS 1978 - 79 LOUIS G. Allen John C. Griffin Edith Quintana Andrew W. Barr Karl Haas Mrs. Jerome H. Rem ick, Jr. H. Glenn Bixby Mrs. Hugh Harness 'Dean E. Richardson 'Rinehart S. Bright Martin Hayden J. Marshall Robbins J. Lawrence Buell, Jr. ' Pierre V. Heftier I rving Rose Mrs. C. Henry Buhl Hon. Erma Henderson ' Alan E. Schwartz Eugene A. Cafiero Lee Hi lls Arthur R. Seder, Jr. Philip Caldwell Hudson Holland, Jr. ' Robert B. Semple Peter A. Cartwright Dorothy Byrd Holloway Nate S. Shapero E. Paul Ca sey ' Thomas H. Jeffs II Mrs. Allan Shelden Ferdinand Cinelli Mrs. Henry C. Johnson Mrs. Florence Sisman Walker L. Cisler Ernest A. Jones Mrs. Howard F. Smith, Jr. Mrs. Avern Cohn Maxwell Jospey Bert L. Smokier Mrs. Abraham Cooper Robert Kanzler Gari M. Stroh, Jr. Michael Counen John Karmazin. Jr. Joe H. Stroud Rodkey Craighead Robert P. Lambrecht Robert M. Surdam Alexander M. Cunningham Kenneth B. Lange ' Peter P. Thurber Frederic DeHaven Mrs. Pau l J. Lay Mrs. Richard Torley Anthony DeLorenzo Wa lton Lewis Mrs. S. Pinkney Tuck Robert Dewar Thomas V. Lo Cicero Mrs. Richard W. Tucker Frank W. Donovan Wilber H. Mack Mrs. Joseph A. Vance, Jr. David K. Easlick 'Ralph T. McElvenny Mrs. Francis L. Van Dusen Mrs. Charles M. Endicott Dr. Marjorie Peebles Meyers Mrs. Richard Van Dusen Mrs. Robert Fife Hon. William G. Milliken Richard Vining Mrs. Charles T. Fisher III ' Paul S. Mirabito Harold G. Warner Max M. Fisher Ken Morris David D. Williams 'Gordon T. Ford Rev. J. Stanley Murphy, C.S.B. Mrs. Delford G. Williams Mrs. Henry Ford II ' Wa Iter T. Murphy Hon. G. Mennen Williams 'John B. Ford Mrs. H. Wayne Nelson 'Mrs. R. Jamison Williams Edward P. Frohlich Miles M. O'Brien Richard E. Williams David L. Gamble Donald D. O' Dowd Mrs. Isadore Winkelman Ha ns Gehrke Peters Oppermann 'Mrs. R. Alexander Wri gley Mrs. Robert A. Gerisch W. Calvin Patterson · Mrs. Theodore O. Yntema William E. Giles Raymond T. Perring Hon. Coleman A. Young A. R. Glancy III Ralph L. Polk Donald S. Young William T. Gossett John Prepolec Mrs. John E. Young, Jr. 'Executive Committee Marshall W. Turkin, executive director 1 DETROIT SYMPHONY ORCHESTRA FIRST VIOLINS OBOES Gordon Staples Dona ld Baker Concertmaster Ronald Od mark Bogos Mortchikian 'Robert Sorton Associate Concertmaster Treva Womble Joseph Goldman Gordon Peterson ENGLISH HORN Assistant Concertmasters Treva Womble Misha Rachlevsky CLARINETS Jack Boesen Paul Schaller Franklyn D'Antonio Douglas Cornelsen Derek Francis "Brian Schweickhard t Alan Gerstel Oliver Green Nicholas Zonas LeAnn Toth BASS CLARI NET Beatriz Budinszky 01 iver Green Malvern Kaufman Richard Margitza E-FLAT CLARIN ET Linda Snedden Smith Brian Schweickhardt Paul Phillips ANTAL DORATI BASSOON S Elias Friedenzohn Music Director Santo Urso Robert Williams Phillip Austin SECOND VIOLINS WER ' ER TORKANOWSKY ' Paul Ganson Lyell Lindsey Edouard Kesner G lIest COllductor alld ' Felix Resnick Associate to the CONTRABASS OO N Alvin Score Mllsic Director Lyell Lindsey Lillian Fenstermacher James Waring FREN CH HOR NS Margaret Tundo P AU L FR EEMAN Eugene Wade Walter Maddox C olldllctor-irl-R esidell ce " Corbin Wagner Roy Bengtsson Charles Weaver Thomas Downs Edward Sauve Robert Murphy KE ETH JEAN Willard Darling Larry Bartlett Keith Vernon Joseph Striplin Assistant COlldllc/or T RUMPETS Bruce Smith Dona ld Green Gabriel Szitas MARTI N FISCHER-DI E_ KAU Gordon Smith VIOLAS CO/u/llctor F elfolT' 'Alvin Belknap Nathan Gordon John Carroll 'David Ireland TRO MBONES Philip Porbe Raymond Turner BASSES Eugenia Staszewski Joseph Skrzynsld Robert Gladstone LeRoy Fenstermacher 'Nathaniel Gurin " Raymond Benner Ha rt Hollman Elmer Janes Wa lter Evich Stephen Molina Anton Patti Maxim Janowsky TUBA Gary Schnerer Linton Bodwin Wesley Jacobs Stephen Edwards Catherine Compton TI MPANI Albert Steger Salvatore Rabbio Donald Pennington VIOLO NCELLOS 'Robert Pangborn Italo Babini David C_ Thomas Orcheslra fellow James C. Gordon Choir PERCUSSION 'Thaddeus Markiewicz Ro bert Pangborn HAR PS Edward Korkigian ' Norman Fickett t Elyze Ilku Mario DiFiore Raymond Makowsld t Carole Crosby David Levine Sam Tundo John Thurman Ba rba ra Fickett FLUTES KEYBOARD Marcy Chanteaux Ervin Monroe Muriel Kilby Sha ul Ben-Meir Debra Fayroian LIBRARIAN "Robert Patrick Timothy Butler Albert Steger Clement Barone William Graham Elmer Janes, assistant "Assistant Principal PICCOLO PERSONN EL MANAGER t Co-principal Clement Barone Oliver Green 2 HILL AUDITORIUM, ANN ARBOR detroit symphony Antal Dorati Music Director Sunday afternoon, March 25 at 2:30 Antal Dorati~ conductor ILSE VON ALPENHEIM, piano STRAUSS Don Juan, Opus 20 TRAUSS Burlesk e for Piano and Orchestra, D minor ILSE VO ALPE HElM INTERMISSIO STRAUSS Tod und VerkHirung, Opus 24 STR AUSS Till Eulenspiegel's lustige Slreiche, Opus 28 The Steinway is the official piano of the Detroit Symphony Orchestra Broadcasts of concerts from the current DSO sea on are heard weekly over th e facilities of WDET-FM in Detroit and the other Public Radio tations throughout Michigan . Concerts of the Detroit Symphony Orchestra are made possible in part with the support of th e State of Michigan through a grant from the Michigan Council for the Arts. This afternoon's concert marks the DSO's 60th appearance in Hill Auditorium. 3 THE CONDUCTOR ANTAL DORATI, the ninth Music Director in th e Detroit Symphony Orchestra's history, has had a long and distinguished career as an orchestra conductor. He has appeared with virtually every major orchestra throughout the world. Maestro Dorati was born in Budapes t, Hungary, in 1906 and entered that city's Academy of Music at the age of 14. Trained as a composer, celli t, pianist and conductor, he graduated at 18, the youngest in the hi story of the Academy. He was immed iately named coach and, oon after, conductor of the Royal Opera Hou e in Budapest. Maes tro Dorati joined the Ballet Russe de Monte Carlo as its leading conductor in 1934, and his Detroit Symphony Orchestra debut came during Ball et Russe appearances in Detroit in 1936. During the next several years, he made extensi"e tours of Austra li a and th e United States. In 1945 Maes tro Dorati wa named Music Director of the Dallas Symphony Orchestra, and four years later he ass umed the same po ition with the Min neapoli s Symphony. He left that orche tra in 1960 to pursue his career as ague t conductor and to make recordings. In 1966 he became Principal Conductor of the Stockholm Philharmonic and in 1970 was named Music Director of the ational Symphony Orchestra in Washington ; in 1977 he became the Nation al's Principal Guest Conductor. He became Chief Conductor of the Royal Ph ilharmonic Orchestra in London in 1975, and was named Laureate Conductor of the RPO last Jul y. One of the world's most recorded conductors, Dorati has more than 500 recordings to his credit. In March of 1979 he received th e 22nd award of his illustrious recording career - the Grand Prix du Disq ue - for his most recent Haydn opera on the Philips-Mercury label, Il mondo della [un a. His recording of Tchaikovsky's J 812 Overture with th e DSO has been setting sales records ever since it was released last December. His many awards include honors bes towed upon him by the govern ments of France, Austria and Sweden. 4 PROGRAM NOTES by Robert Holmes Dean, College of Fine ArtS, Weslern Michigan University "DON JUAN," TONE POEM AFTER NIKOLAUS LENAU, OPUS 20 RICHARD STRAUSS Born Munich, 1864; died Garmisch-Partenkirchen, 1949 Strauss composed D on Juan during the years 1887-88 at Munich • The first performance took place on 11 ovember 1889 in the Weimar Opera House, the composer conducting the Grand Ducal Orchestra • Lt was published in 1890 with a dedication "to my dear friend Ludwig ThuiJle."l • The work is based on a poem written by Nikolaus Lenau, written in 1844.2 The fir st performance in tbe United States was given by the Boston Symphony Orchestra, AIthur, Nikiscb conducting, on 31 October 189l. First performance in this series : 19 November 1920; Ossip Gabrilowitsch conducted • Last performance in this series: 13 November 1971; Hans Schmidt­ Isserstedt conducted • The DSO has performed Don Juan .over 80 times since 1920, under such conductors as Bruno Walter (1952), Thomas Schippers (1963), Andre Previn (1970 at Meadow Brook) - and the composer himself, at a special concert in Orchestra Hall on 7 November 1921 , at whicb Strauss also conducted Tod IIl1d Verkliimng and Till Eillell spiegel. The scor.e calls for 3 fiutes and piccolo, 2 oboes and english horn, 2 clarinets, 2 bassoons and contrabassoon, 4 horns, 3 trumpets, 3 trombones and tuba, timpani, cymbals, triangle, bell s, harp, and strings • Performance time is about 17 minutes. Ernes t Newman considers th e ultimate literary origin of the Don Juan story to be El Burlador de Sevilla y Convidado de Piedra (The Mocker of Seville and the Stone Guest, written in 1630 and printed in 1634), by the Spanish monk Gabriel Tellez, who used the pen name Tirso de Molina.
Load more

Recommended publications
  • Leonard Slatkin at 70: the DSO's Music Director Was Born for The
    Leonard Slatkin at 70: The DSO’s music director was born for the podium By Lawrence B. Johnson Some bright young musicians know early on that they want to be a conductor. Leonard Slatkin, who turned 70 Slatkin at 70: on September 1, had a more specific vision. He believed himself born to be a music director. Greatest Hits “First off, it was pretty clear that I would go into conducting once I had the opportunity to actually lead an orchestra,” says Slatkin, music director of the Detroit Symphony Orchestra since 2008 and occupant of the same post with the Orchestre National de Lyon since 2011. “The study process suited my own ethic and, at least for me, I felt relatively comfortable with the technical part of the job.” “But perhaps more important, I knew that I would also be a music director. Mind you, this is a very different job from just getting on the podium and waving your arms. The decision making process and the ability to shape a single ensemble into a cohesive whole, including administration, somehow felt natural to me.” Slatkin arrived at the DSO with two directorships already under his belt – the Saint Louis Symphony (1979-96) and the National Symphony in Washington, D.C. (1996-2008) – and an earful of caution about the economically distressed city and the hard-pressed orchestra to which he was being lured. But it was a challenge that excited him. “Almost everyone warned me about the impending demise of the orchestra,” the conductor says. “A lot of people said that I should not take it.
    [Show full text]
  • Andre Jolivet's Fusion: Magical Music, Conventional Lyricism, and Japanese Influences Network Ot Create Concerto Pour Flute Et Piano and Sonate Pour Flute Et Piano
    UNLV Theses, Dissertations, Professional Papers, and Capstones December 2016 Andre Jolivet's Fusion: Magical Music, Conventional Lyricism, and Japanese Influences Network ot Create Concerto Pour Flute et Piano and Sonate Pour Flute et Piano Kelly A. Collier University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Education Commons, and the Music Commons Repository Citation Collier, Kelly A., "Andre Jolivet's Fusion: Magical Music, Conventional Lyricism, and Japanese Influences Network to Create Concerto Pour Flute et Piano and Sonate Pour Flute et Piano" (2016). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2856. http://dx.doi.org/10.34917/10083130 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. ANDRÉ JOLIVET’S FUSION: MAGICAL MUSIC, CONVENTIONAL LYRICISM, AND JAPANESE INFLUENCES NETWORK TO CREATE CONCERTO POUR FLÛTE ET PIANO AND SONATE POUR FLÛTE ET PIANO By Kelly A. Collier Bachelor of Music University of Nevada, Las Vegas 1999 Master of Music California State University, Long Beach 2001 Master of Music University of Nevada, Las Vegas 2016 A doctoral project submitted in partial fulfillment of the requirements for the Doctor of Musical Arts School of Music College of Fine Arts The Graduate College University of Nevada, Las Vegas December 2016 Copyright 2016 Kelly A.
    [Show full text]
  • Leihmaterial Bote & Bock
    Leihmaterial Bote & Bock - Stand: November 2015 - Komponist / Titel Instrumentation Komp. / Dauer Aa, Michel van der 2 After Life B 2S,M,A,2Ba; 2005-06/ 95' Oper nach dem Film von Hirokazu Kore-Eda 0.1.1.BKl.0-0.1.0.1-Org(=Cemb)-Str(3.3.3.2.2); 2009 elektr Soundtrack; Videoprojektionen 1 The Book of DisquietB 1.0.1.1-0.1.0.0-Perc(1): 2008 75' Musiktheater für Schauspieler, Ensemble und Film Vib/Glsp/3Metallstücke/Cabasa/Maracas/Egg Shaker/ 4Chin.Tomt/grTr/Bambusglocken/Ratsche/Peitsche(mi)/ HlzBl(ti)/2Logdrum/Tri(ho)/2hgBe-4Vl.3Va.2Vc.Kb- Soundtrack(Laptop,1Spieler)-Film(2Bildschirme) 0 Here [enclosed] B 0.0.1.1-0.1.1.0-Perc(1)-Str(6.6.6.4.2)- 2003 17' für Kammerorchester und Soundtrack Soundtrack(Laptop, 1Spieler); Theaterobjekt K Here [in circles] B Kl.BKl.Trp-Perc(1)-Str(1.1.1.1.1); 2002 15' für Sopran und Ensemble kl Kassetten-Rekorder (z.B. Sony TCM-939) 0 Here [to be found]B 0.0.1.1-0.1.1.0-Perc(1)-Str(6.6.6.4.2)- 2001 18' für Sopran, Kammerorchester und Soundtrack Soundtrack(Laptop, 1 Spieler) Here Trilogy B 2001-03 50' siehe unter Here [enclosed], Here [in circles], Here [to be found] F Hysteresis B Fg-Trp-Perc(1)-Str*; Soundtrack(Laptop,1 Spieler); 2013 17' für Solo-Klarinette, Ensemble und Soundtrack *Streicher: 1.0.1.1.1 (alle vertärkt) oder 4.0.3.2.1 oder 6.0.5.4.2; Kb mit tiefer C-Saite 2 Imprint B 2Ob-Cemb-Str(4.4.3.2.1); 2005 14' für Barock-Orchester Portativ-Orgel zu spielen vom Solo-Violinisten; Historische Instrumente (415 Hz Stimmung) oder moderne Instrumente in Barock-Manier gespielt 1 Mask B 1.0.1.0-1.1.1.0-Perc(1)-Str(1.1.1.1.1)-
    [Show full text]
  • Nina Clemens Gabrilowitsch, 55, Twain's Last Direct Heir, Dies
    Nina Clemens Gabrilowitsch dies Home | Quotations | Newspaper Articles | Special Features | Links | Search The New York Times, January 19, 1966 Nina Clemens Gabrilowitsch, 55, Twain's Last Direct Heir, Dies LOS ANGELES, Jan. 18 (AP) - The county Coroner's office reported today that Miss Nina Clemens Gabrilowitsch, the last direct descendant of Mark Twain, had died Sunday. She was 55 years old. Miss Clemens was found dead in her room at a Los Angeles motel where she often stayed. Several bottles of pills and alcohol were found in the room, the police said. An autopsy was planned. A Los Angeles bartender said today that Miss Clemens had quipped to him on Saturday night: "When I die, I want artificial flowers, jitterbug music and a bottle of vodka at my grave." She was the granddaughter of Twain, whose real name was Samuel Langhorne Clemens. She preferred to use the writer's family name rather than her own. Miss Clemens, who was born four months after her grandfather died, once said that although she had never known him she knew his works "backwards and forwards." Miss Clemens was the daughter of Twain's daughter, Mrs. Clara Langhorne Clemens Samoussoud, and Clara's first husband, Ossip Gabrilowitsch. Mr. Gabrilowitsch was conductor of the Detroit Symphony Orchestra from 1919 until his death in 1936. Miss Clemens's mother died in San Diego on Nov. 19, 1962. A family attorney, Al Matthews, said Miss Clemens had lived on the income of Twain's estate, which he estimated at about $2-million. He said Miss Clemens had an income of $1,500 a month after taxes.
    [Show full text]
  • The Observer
    We lie down in darkness, DO IT! Observer and have our light in The ashes July Oakland 1, 1966 University, Rochester, Michigan Vol. VII, No 37 Here Come More Music• Men! "ia/ a;iris . Lectures by Haas Youths Study. Under Stars Enhance Festival Students from three contin- receive coaching in piano trio World-reknowned lecture- ents began to arrive at Oakland performance from Detroit Sym- recitalist Karl Haas will preview University on June 25 for an ex- phony musicians. Action Circle, your campus watchdog, baffles bureaucracy, puts the music to be presented at citing summer of study with some The various aspects of this a chicken in every pot, and fulfills the American Dream. Efficiency the Meadow Brook Festival at of the concert world's brightest program, including lectures on is our byword; high are our standards; we are the Special Forces of Oakland University this summer stars at the Meadow Brook School the history and literature of the the little man on campus. Write Action Circle at Observer Office, in a program of eight sessions. of Music. piano trio, will be open, for a Bomb Shelter, Basement of OC, or call between 8:30 and 8:35 or The "Music Alive" series will During the next eight weeks, fee, to other interested auditors. contact by appointment. begin June 29 and will be held they will work with such front- During the main six-week on successive Wednesday even- rank performing artists as vio- session of the Meadow Brook Because of the unexcelled beauty of your campus, this may ings at 7:30 p.m.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North! Z eeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9130640 The influence of Leonard B. Smith on the heritage of the band in the United States Polce, Vincent John, Ph.D.
    [Show full text]
  • 50Th Annual Concerto Concert
    SCHOOL OF ART | COLLEGE OF MUSICAL ARTS | CREATIVE WRITING | THEATRE & FILM BOWLING GREEN STATE UNIVERSITY 50th a n n u a l c o n c e r t o concert BOWLING GREEN STATE UNIVERSITY Summer Music Institute 2017 bgsu.edu/SMI featuring the SESSION ONE - June 11-16 bowling g r e e n Double Reed Strings philharmonia SESSION TWO - June 18-23 emily freeman brown, conductor Brass Recording Vocal Arts SESSION THREE - June 25-30 Musical Theatre saturday, february 25 Saxophone 2017 REGISTRATION OPENS FEBRUARY 1ST 8:00 p.m. For more information, visit BGSU.edu/SMI kobacker hall BELONG. STAND OUT. GO FAR. CHANGING LIVES FOR THE WORLD.TM congratulations to the w i n n e r s personnel of the 2016-2 017 Violin I Bass Trombone competition in music performance Alexandria Midcalf** Nicholas R. Young* Kyle McConnell* Brandi Main** Lindsay W. Diesing James Foster Teresa Bellamy** Adam Behrendt Jef Hlutke, bass Mary Solomon Stephen J. Wolf Morgan Decker, guest Ling Na Kao Cameron M. Morrissey Kurtis Parker Tuba Jianda Bai Flute/piccolo Diego Flores La Le Du Alaina Clarice* undergraduate - performance Nia Dewberry Samantha Tartamella Percussion/ Timpani Anna Eyink Michelle Whitmore Scott Charvet* Stephen Dubetz, clarinet Keisuke Kimura Jerin Fuller+ Elijah T omas Oboe/Cor Anglais Zachary Green+ Michelle Whitmore, flute Jana Zilova* Febe Harmon Violin II T omas Morris David Hirschfeld+ Honorable Mention: Samantha Tartamella, flute Sophia Schmitz Mayuri Yoshii Erin Reddick+ Bethany Holt Anthony Af ul Felix Reyes Zi-Ling Heah Jamie Maginnis Clarinet/Bass clarinet/ Harp graduate - performance Xiangyi Liu E-f at clarinet Michaela Natal Lindsay Watkins Lucas Gianini** Keyboard Kenneth Cox, flute Emily Topilow Hayden Giesseman Paul Shen Kyle J.
    [Show full text]
  • December 1940) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1940 Volume 58, Number 12 (December 1940) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 58, Number 12 (December 1940)." , (1940). https://digitalcommons.gardner-webb.edu/etude/59 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. —— THE ETUDE Price 25 Cents mueie magazine i — ' — ; — i——— : ^ as&s&2i&&i£'!%i£''££. £&. IIEHBI^H JDiauo albums fcj m Christmas flarpms for JfluStc Jfolk IS Cljiistmas iSnraaiitS— UNTIL DECEMBER 31, 1940 ONLY) (POSTPAID PRICES GOOD CONSOLE A Collection Ixecttalist# STANDARD HISTORY OF AT THE — for £111 from Pegtnner# to CHILD’S OWN BOOK OF of Transcriptions from the Masters Revised Edition PlAVUMfl MUSIC—Latest, GREAT MUSICIANS for the Pipe Organ or Electronic DECEMBER 31, 1940 By James Francis Cooke Type of Organ Compiled and MYllfisSiiQS'K PRICES ARE IN EFFECT ONLY UP TO By Thomas
    [Show full text]
  • WSU University Relations Division Records
    University Relations Division Collection Papers, 1936-1977 (predominantly, 1949-1977) 64.5 linear feet Accession # 5 OCLC # DALNET # The papers of the University Relations Division reflect the activities of Wayne’s public relations offices. They consist of press releases, photographs, correspondence, minutes, reports, and clippings. The papers focus on general subjects, including the promotion of the United States Bicentennial, Wayne's Centennial, the Michigan Legislature's allocation and Wayne's budget, and Wayne's athletics program. The Division underwent several name changes to more accurately reflect its services. In the 1940s it was called the Community Relations Program and aimed to establish a working relationship between the University and any group or individual within the community with the intent of selling the University as a service institution to the community. In August of 1949, all University activities and programs related to public communication and interpretation of the University’s work were integrated to form the Division of Community Relations under the direction of Percival Dodge. The new division included the Office of Press Relations, Wayne University Speakers’ Bureau, and the Office of Community Services. William E. Stirton replaced Dodge as the director on July 1, 1952. Frank X. Tuohey replaced Stirton in October of 1955. The Office of Press Relations and Publication Services, under Tuohey’s direction, assisted all units of the University in internal and external relations projects. The office was divided into art, printing, publications, and press relations. The primary function of the Office of Press Relations was to interpret the University to the community through all available media such as newspapers, magazines, radio and television.
    [Show full text]
  • Repertoire List
    APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op.
    [Show full text]
  • Flute Concerto (Symphonic Tale), Op
    Clarinet Concerto No. 1 in F minor, Op. 73 Carl Maria von Weber I. Allegro (1786-1826) Taylor Heap, clarinet Lara Urrutia, piano Cello Concerto in B minor, Op. 104, B. 191 Antonin Dvorák SOLO CONCERTO COMPETITION I. Allegro (1841-1904) Finals Xue Chen, cello Monday, November 3, 2014 - 2 p.m. Stephanie Lovell, piano MEMORIAL CHAPEL The Bell Song Léo Delibes SET I (1836-1891) Flute Concerto (Symphonic Tale), Op. 43a Peter Benoit Caro Nome Guiseppe Verdi Movements I & II (excerpt) (1834-1901) Mayu Uchiyama, soprano Victoria Jones, flute Edward Yarnelle, piano Lara Urrutia, piano - BREAK - Di Provenza il mar, il suol Giuseppe Verdi from La Traviata (1813-1901) SET II Ein Madehen oder Weibchen Wolfgang Amadeus Mozart Piano Concerto No. 2 in F minor, Op. 21 Frédéric Chopin from Die Zauberflöte (1756-1791) I. Maestoso (1810-1849) Justin Brunette, baritone Michael Malakouti, piano Richard Bentley, piano Lara Urrutia, piano Piano Concerto in A minor, Op. 16 Edvard Grieg I. Allegro molto moderato (1843-1907) Amy Rooney, piano Stephanie Lovell, piano Que fais-tu, blanche tourterelle Charles Gounod ABOUT THE CONCERTO COMPETITION from Roméo et Juliette (1818-1893) Beginning in 1976, the Concerto Competition has become an annual event Cruda Sorte Gioacchino Rossini for the University of Redlands School of Music and its students. Music from L’Ataliana in Algeri (1792-1868) students compete for the coveted prize of performing as soloist with the Redlands Symphony Orchestra, the University Orchestra or the Wind Jordan Otis, soprano Ensemble. Twyla Meyer, piano This year the Preliminary Rounds of the Competition took place on Friday, October 31st and Saturday, November 1st.
    [Show full text]
  • Eine Alpensinfonie and Symphonia Domestica in Full Score Pdf, Epub, Ebook
    EINE ALPENSINFONIE AND SYMPHONIA DOMESTICA IN FULL SCORE PDF, EPUB, EBOOK Richard Strauss | 288 pages | 22 Oct 2009 | Dover Publications Inc. | 9780486277257 | English | New York, United States Eine Alpensinfonie and Symphonia Domestica in Full Score PDF Book Oehms Classics. Schonberg put it, Strauss would say things that would have meant being sent to a concentration camp had he not been the icon he was and the Nazi's simply "did not know exactly what to do with him. Seller Inventory M13J Subscribe to our Weekly Newsletter Want to know first what the latest reviews are that have been posted to ClassicsToday each week? As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Carlton Classics. Once started, however, he gave it his main attention for almost 40 years, producing 15 operas in that period. Salome, with its shocking, perverse sensuality, and Elektra, which goes beyond that in violence and unremitting tension, are prime examples of German expressionism in its most lurid phase. Paul Lewis , Piano. Munich: F. It was also the first opera in which Strauss collaborated with the poet Hugo von Hofmannsthal. IMP Classics Franz Konwitschny. Rosenkavalier opera Rosenkavalier , Op. In principle, however, Strauss's method remained constant. Preiser Records. Orfeo C B. Classica d'Oro There are only six works in his entire output dating from after which are for chamber ensembles, and four are arrangements of portions of his operas. AllMusic Featured Composition Noteworthy.
    [Show full text]