DOCSLIB.ORG

Sailors' Path

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sailors' Path Suffolk Coast & Heaths Walk Explorer Guide The Suffolk Coast & Heaths AONB The Suffolk Coast & Heaths Area of Outstanding Natural Beauty (AONB) is one of Britain’s finest landscapes. It extends from the Stour Estuary in the south to the eastern fringe of Ipswich and, in the north, to Kessingland. It covers 403 square kilometres, including wildlife rich wetlands, ancient heaths, windswept shingle beaches and historic towns and villages. Lowestoft Sailors’ Path Visiting Snape & Aldeburgh Key to Map Lowestoft Beccles Key toAONB Map area Additional project area Beccles Kessingland Walk Explorer Guide Ordnance Survey Explorer Map No.212 AONBTowns area and villages A145 A12 Woodland (Woodbridge and Saxmundham) Additional project area Kessingland Heathland Halesworth TownsMain and r oadsvillages A145Southwold Easy access via the A12, A1094 and A12 WoodlandRailways/stations River B1069. Plenty of parking at Snape. Blyth Suffolk Coast Path/Stour Blythburgh Heathland A144 Walberswick and Orwell Walk Halesworth Public transport information: Main rSandlingsoads Walk Southwold Sailors’ Path Dunwich www.suffolkonboard.com or call Railways/stations A1120 River You are here Blyth 0345 606 6171 Suffolk Coast Path/Stour BlythburghMinsmere Walberswick and Orwell Walk A144 Framlingham Snape Maltings Information Sandlings Walk Saxmundham Leiston Dunwich 01728 688303 Sailors’ Path A1120 You are here www.snapemaltings.co.uk Snape Minsmere Wickham Aldeburgh Market River Alde FramlinghamRendlesham A12 Saxmundham Suffolk Coast & Heaths AONB River 01394 445225 Orford LeistonOre Woodbridge Orfordness www.suffolkcoastandheaths.org Sutton Hoo Snape Ipswich Wickham North Aldeburgh Sailors’ Path Walk Explorer Market River River A14 Deben AldeSea has been produced with RendleshamBawdsey A12A14 the generous support of Trimley St Mary/ A12 River Orwell St Martin River Suffolk Secrets Ltd. Alton Water Orford Ore A137 01502 722717 WoodbridgeShotley Orfordness Felixstowe River Stour Sutton www.suffolk-secrets.co.uk Manningtree Hoo Harwich Mistley Ipswich North River A14 Deben Sea Bawdsey A14 Crown copyright. All rights reserved © 2012 Suffolk County Council. Licence number 100023395. © 2012 Suffolk copyright. All rights reserved Crown Trimley St Mary/ A12 River Orwell St Martin Alton Water A137 Shotley Felixstowe River Stour Walk in the footsteps of the seafarers Manningtree Harwich Mistley who travelled from the Suffolk coast to the village of Snape Area of Outstanding Natural Beauty Area of Outstanding Natural Beauty This leaflet was first produced in 2012 by the Balance Project and part-financed by the European Union through the Interreg IV 2 Seas Cross-Border programme. This edition, with amendments, May 2017. Original research, text and some images by Simon Peachey. Additional route checking by Mary and Tony Bishop. The Sailors’ Path follows a beautiful route between Snape Maltings and Aldeburgh. The Sailors’ Path Path is named because sailors would walk the path between Aldeburgh and Snape. Two Suffolk Coast & Heaths Walk Explorer Guide shorter routes in this Guide explore Snape Warren and the marshes and village of Snape. 4 Snape Warren Nature Reserve Highlights of the Sailors’ Path an area of heathland, grassland and scrub is managed by the RSPB. It provides a habitat for many birds, including 1 Snape Maltings rises above its nightjar, woodlark and yellowhammer. surroundings like a great ship. Local The higher parts of the Reserve give businessman Newson Garrett built the Maltings panoramic views across the Alde estuary. in stages from 1846. The railway arrived in 1859 E ensuring that the Maltings remained a viable A business until it closed in 1965. 5 The coastal town of Aldeburgh is a popular place for holidays. In medieval times, the town had The Aldeburgh Music Festival was established in a successful shipbuilding industry. Fishing has also 1948. In 1967 The Maltings was converted into played an important role in the town’s economy. a concert hall. Snape Maltings has since become Aldeburgh still has a small fishing fleet and fresh an internationally famous venue for music and fish can be bought from huts on the beach. the performing arts. One of Aldeburgh’s distinctive buildings is the As well as the concert hall, the Maltings offers F timber framed Moot Hall. The Hall dates from shops, places to eat and boat trips along the the 1500s and was built as a market place and B River Alde. meeting room. Aldeburgh has attracted writers, artists and musicians. Writers Wilkie Collins and Edward FitzGerald knew the town well. Aldeburgh 2 The River Alde has one of the most beautiful Festival founders Benjamin Britten and Peter Pears estuaries on the east coast. The river flows lived in the Red House. Another resident was the through wide marshes and low hills under a huge poet George Crabbe, born in 1754. His poem, Suffolk sky. In the past, barges transported goods ‘The Borough’, was inspired by the town and to and from Snape Maltings. The barges moored its fishermen. It became the basis for Benjamin at Snape today are used for pleasure trips. Britten’s opera ‘Peter Grimes’. C Images: Front Cover – Across 3 Snape Marshes are managed by Suffolk Snape Warren on the Sailors’ Path. A: Saltmarsh & Mudflats Alde Wildlife Trust. They are a vital wildlife habitat, Estuary M Watson. B: The Family of combining marsh, reedbed and wet woodland. Man – Barbara Hepworth’s memorial to Britten and Pears at Snape The freshwater dykes are home to otter and Maltings. C: River Alde at Snape. many kinds of insects and plants. The marshes are D: Walking alongside wildlife – Snape Marshes. E: Yellowhammer. grazed by cattle to create the right conditions for G F: Family Fun on the estuary – Tony D wildlife. Pick. G: Aldeburgh Moot Hall – A distinctive seafront landmark. This Guide features the Sailors’ Path between Snape and Sailors’ Path Aldeburgh and two shorter routes from Snape Maltings. Suffolk Coast & Heaths Walk Explorer Guide Crown copyright. All rights reserved © 2012 Suffolk County Council. Licence number 100023395. Meadowpiece B1069 Oakyard Covert Covert Decoyhill Covert Thorpeness A1094 Decoy Raspberry Horseshoe Gatehouse, The Snape Wood Covert Covert House in the Sailors’ Path Clouds & Cottages Sizewell Nuclear B1122 Power Station Black Heath 4 Wood 3 Ash Covert Snape Black Heath The Red Warren House 1 Snape Hazlewood Maltings Marshes 2 Hide The Sailors’ Path 1 ‘Highlights’ Location 5 Views Across the Heather Iken Church Aldeburgh Snape Stroll Parking Optional Longer Route Settlements Some walks take N A Road Heathland you onto or across 1000ft public highways. 200m B Road Wooded Areas C Road Aldeburgh Golf Club Please be aware of traffic. Distance Distance ‘The Sailors’ Path’ 6 miles (9.5 km) ‘Views across the Heather’ 3.5 miles (5.5 km) Time: 2½ hours (plus time for return bus journey). Time: 1¾ hours Terrain: Well-surfaced paths and tracks. Terrain: Mostly well-made paths Includes section beside busy road and and tracks. Return path from Snape road crossings. Take great care. We Warren floods at very high tides. recommend high visibility clothing. Follow the Sailors’ Path route from the Maltings Leave Snape Maltings, turning right A towards Aldeburgh, until you reach the small directly after bridge. Here you pick up Snape Warren car park. Turn sharp right along a signs for the Sailors’ Path, which guide tarmacked lane, signposted ‘Aldeburgh’. you all the way to Aldeburgh. Pass cottages and continue on track beside On reaching the main Aldeburgh road, heathland and woodland, past a wooden kissing Pass the gate to a metal kissing gate on right. follow Footpath to the right. D entrance to Aldeburgh Golf Club (which Go through gate into Snape Warren. Red is on other side of road). Follow road into markerposts will guide you across the warren. Aldeburgh. Cross track and go straight ahead. Path follows wire fence. The marker posts lead through kissing gates and across a lane before entering woodland, meeting a well-trodden path. Turn left. Pass through gate to leave Snape Warren. Turn right to follow the edge B of the saltmarsh. The footpath provides fine views of the River Alde and Iken Church. Soon after entering woodland, rejoin the path back to Snape Maltings. C Distance ‘Snape Stroll’ 2.5 miles (4 km) Optional Follow the Sailors’ Path to Snape Warren longer route Countryside woods. When you enter the woodland, (allow extra 30 minutes) Code turn left. At next junction, take path to The area has a network of footpaths and left to walk along the edge of marshes. Cross road beyond Golf Club bridleways. We have shown suggested routes on this map. Here are a few simple At end of path turn right along track. entrance. After first houses turn tips to help you enjoy the area safely and If path is very muddy, retrace to previous path. left onto metalled track (Golf assist our work in caring for it. Turn left to reach the road and turn left. Lane). At “The Red House” fork Follow the Countryside Code: Walk along road to village to re-join the route. left onto Footpath. Cross two Plan ahead and follow any signs Turn left into Snape village. Cross fairways (beware of golf balls). Leave things as you find them Protect plants and animals, control fires straight over the main road to continue Cross road and enter Warren and take your litter home. on the lane between houses and hedges. Hill Lane. When lane ends follow Dogs are very welcome, but please keep path. At track turn left and them under close control at all times and Just before a flint walled cottage immediately right. Views to the on lead as advised. take the path left into open countryside. left of Thorpeness Gatehouse, Thank you. Follow straight path to Find out more about the Countryside Code: E The House in the Clouds and track and turn left. www.gov.uk/government/publications/the-countryside-code Continue on track Sizewell Nuclear Power Station.
Load more

Recommended publications
  • “Music-Making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts
    “Music-making in a Joyous Sense”: Democratization, Modernity, and Community at Benjamin Britten's Aldeburgh Festival of Music and the Arts Daniel Hautzinger Candidate for Senior Honors in History Oberlin College Thesis Advisor: Annemarie Sammartino Spring 2016 Hautzinger ii Table of Contents 1. Introduction 1 2. Historiography and the Origin of the Festival 9 a. Historiography 9 b. The Origin of the Festival 14 3. The Democratization of Music 19 4. Technology, Modernity, and Their Dangers 31 5. The Festival as Community 39 6. Conclusion 53 7. Bibliography 57 a. Primary Sources 57 b. Secondary Sources 58 Hautzinger iii Acknowledgements This thesis would never have come together without the help and support of several people. First, endless gratitude to Annemarie Sammartino. Her incredible intellect, voracious curiosity, outstanding ability for drawing together disparate strands, and unceasing drive to learn more and know more have been an inspiring example over the past four years. This thesis owes much of its existence to her and her comments, recommendations, edits, and support. Thank you also to Ellen Wurtzel for guiding me through my first large-scale research paper in my third year at Oberlin, and for encouraging me to pursue honors. Shelley Lee has been an invaluable resource and advisor in the daunting process of putting together a fifty-some page research paper, while my fellow History honors candidates have been supportive, helpful in their advice, and great to commiserate with. Thank you to Steven Plank and everyone else who has listened to me discuss Britten and the Aldeburgh Festival and kindly offered suggestions.
    [Show full text]
  • 1 Introduction
    Kesgrave Neighbourhood Plan Landscape Identity Analysis on behalf of Kesgrave Town Council Evidence base | 9th April 2019 | Rev 01 Status: Issue 01 | Rev 01 | Evidence base Kesgrave Neighbourhood Plan Landscape Identity Analysis Contact: Simon Neesam Technical Director The Landscape Partnership The Granary, Sun Wharf Deben Road Woodbridge Suffolk, IP12 1AZ www.thelandscapepartnership.com The Landscape Partnership Ltd is a practice of Chartered Landscape Architects, Chartered Ecologists and Chartered Environmentalists, registered with the Landscape Institute and a member of the Institute of Environmental Management & Assessment and the Arboricultural Association. The Landscape Partnership Registered office Greenwood House 15a St Cuthberts Street Bedford MK40 3JG Registered in England No. 2709001 © The Landscape Partnership Page i 9th April 2019 Status: Issue 01 | Rev 01 | Evidence base Kesgrave Neighbourhood Plan Landscape Identity Analysis Contents 1 Introduction 2 Methodology 3 Location 4 Historical development 5 Description of settlement edge 6 Landscape character 7 Landscape-related designations 8 Visual context 9 Analysis of routes between settlements 10 Setting and separation analysis Appendices Appendix 1 Figures © The Landscape Partnership Page iii 9th April 2019 Status: Issue 01 | Rev 01 | Evidence base Kesgrave Neighbourhood Plan Landscape Identity Analysis 1 Introduction Background 1.1 Kesgrave Town Council is currently compiling a Neighbourhood Plan in accordance with the Town & Country Planning Act 1990, the Planning & Compulsory Purchase Act 2004, the Localism Act 2011, and the Neighbourhood Planning Regulations 2012 (as amended). The Kesgrave Neighbourhood Plan is being prepared to: “establish a vision for the future of the parish and to set out how that vision will be realised through planning and controlling land use and development change over the plan period 2019 to 2036” 1.
    [Show full text]
  • George Crabbe
    GEORGE CRABBE George Crabbe, The Complete Poetical Works, ed. N. Dalrymple-Champneys and A. Pollard (3 vols, Oxford, 1988). George Crabbe, Selected Letters and Journals, ed. T.C. Faulkner and R.L. Blair (Oxford, 1985). George Crabbe, Tales, 1812, and Other Selected Poems, ed. H. Mills (Cam- bridge, 1967). George Crabbe, Selected Poems, ed. Gavin Edwards (Penguin Selected English Poets, London, 1991) [brief, well-pointed notes, esp. running refs to Godwin and to Jane Austen]. Jeffrey (Francis), 'On Crabbe's Poems', review of Poems. By the Rev. George Crabbe, LL.B. (1807), Edinburgh Review (April, 1808); and see also Edinburgh Review (April, 1810, July, 1819, January, 1835). George Crabbe, Jr, 'Life of the Rev. George Crabbe, LL.B.', in The Poetical Works of the Rev. George Crabbe: With his Letters and Journals, and his Life, by his Son (8 vols, London, 1834), Vol. I. Curran (Stuart) (ed.), The Cambridge Companion to British Romanticism (Cambridge, 1993). O'Neill (Michael) (ed.), Literature of the Romantic Period; A Bibliographical Guide (Oxford, c.1998 and reprinted). Keymer (Thomas) and Mee (Jon) (eds), The Cambridge Companion to English Literature, 1740-1830 (Cambridge, 2004). Roe (Nicholas) (ed.), Romanticism; An Oxford Guide (Oxford, 2005). Watson (J.R.) (ed.), Pre-Romanticism in English Poetry of the Eighteenth Century; The Poetic Art and Significance of Thomson, Gray, Collins, Goldsmith, Cowper & Crabbe; A Casebook (Basingstoke, 1989). Brown (Marshall), Preromanticism (Stanford, Cal., 1991); see also his 'Romanticism and Enlightenment', in Curran (Stuart) (ed.), The Cam- bridge Companion to British Romanticism (Cambridge, 1993). Edwards (Gavin), George Crabbe's Poetry on Border Land (Studies in British Literature, 7; Lewiston N.Y.
    [Show full text]
  • Significance of the Landscape
    Norfolk Coast AONB Management Plan 2014-19 Supporting Information The significance of the Norfolk Coast landscape Summarised from 'The Norfolk Coast Landscape: An assessment of the Area of Outstanding Natural Beauty' (Countryside Commission, CCP 486, 1995). This document is now out of print and not available in digital format, but a copy is available at the Norfolk Coast Partnership office if you wish to read it in full. AONB designation Judging the importance of a particular area of landscape is no easy matter. The importance and value attached to the Norfolk Coast landscape has already been reflected by its designation, in 1968, as an Area of Outstanding Natural Beauty (AONB) as well as by the separate definition in 1975 of a more limited part of the area as a Heritage Coast. It is helpful to consider the area's special qualities under four main headings: ● the value of the landscape as part of the national and regional landscape resource , by virtue of its rarity or representativeness, and including comparison with other areas of similar landscape character and with the surrounding landscape; ● the scenic qualities of the landscape, including the particular combination of landscape elements, aesthetic qualities, local distinctiveness and 'sense of place'; ● evidence about how the landscape is perceived and valued by the general public and by writers and others who may have been inspired by it; ● other special values attached to the landscape including historical and cultural associations and special conservation interests, relating to features of outstanding nature conservation or archaeological interest. Summarised below are the ways in which the Norfolk Coast demonstrates these qualities to an extent that makes the area a truly outstanding landscape.
    [Show full text]
  • ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
    ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation.
    [Show full text]
  • Britten Spring Symphony Welcome Ode • Psalm 150
    BRITTEN SPRING SYMPHONY WELCOME ODE • PSALM 150 Elizabeth Gale soprano London Symphony Chorus Alfreda Hodgson contralto Martyn Hill tenor London Symphony Orchestra Southend Boys’ Choir Richard Hickox Greg Barrett Richard Hickox (1948 – 2008) Benjamin Britten (1913 – 1976) Spring Symphony, Op. 44* 44:44 For Soprano, Alto and Tenor solos, Mixed Chorus, Boys’ Choir and Orchestra Part I 1 Introduction. Lento, senza rigore 10:03 2 The Merry Cuckoo. Vivace 1:57 3 Spring, the Sweet Spring. Allegro con slancio 1:47 4 The Driving Boy. Allegro molto 1:58 5 The Morning Star. Molto moderato ma giocoso 3:07 Part II 6 Welcome Maids of Honour. Allegretto rubato 2:38 7 Waters Above. Molto moderato e tranquillo 2:23 8 Out on the Lawn I lie in Bed. Adagio molto tranquillo 6:37 Part III 9 When will my May come. Allegro impetuoso 2:25 10 Fair and Fair. Allegretto grazioso 2:13 11 Sound the Flute. Allegretto molto mosso 1:24 Part IV 12 Finale. Moderato alla valse – Allegro pesante 7:56 3 Welcome Ode, Op. 95† 8:16 13 1 March. Broad and rhythmic (Maestoso) 1:52 14 2 Jig. Quick 1:20 15 3 Roundel. Slower 2:38 16 4 Modulation 0:39 17 5 Canon. Moving on 1:46 18 Psalm 150, Op. 67‡ 5:31 Kurt-Hans Goedicke, LSO timpani Lively March – Lightly – Very lively TT 58:48 4 Elizabeth Gale soprano* Alfreda Hodgson contralto* Martyn Hill tenor* The Southend Boys’ Choir* Michael Crabb director Senior Choirs of the City of London School for Girls† Maggie Donnelly director Senior Choirs of the City of London School† Anthony Gould director Junior Choirs of the City of London School
    [Show full text]
  • North East Character Area Ipswich Urban Characterisation Study Contents
    North east character area IpswIch Urban characterIsatIon stUdy coNteNts Introduction 3 history & archaeology 4 open space & biodiversity 6 Landform and Views 7 character area descriptions 8 Management 15 westbury road whitby road rue cshommmeron acKnowLedGeMents david Kindred, dr abby antrobus, dr hannah cutler, suffolk records office (Ipswich branch) NORTH EAST CHARACTER AREA INtroductIoN 3 the north east character area is characterised by early – mid 20th century suburban housing, being largely undeveloped heath and farmland with isolated farmsteads, institutions and villas until the end Imagery copyright Getmapping pLc of the 19th century. the north east character urban characterisation area and sub-areas. this character area retains evidence of some of these more historic sites, and also provides extensive examples of the variety in both public and private housing schemes, from the interwar period, through the post war era, and into the later 20th century, illustrating changes in residential fashion, design and aspirations. the north east character area extends to the borough boundary to the north and east, which provides the area with a soft, rural edge, indicative of the character of the north east prior to the beginning of the 20th century. to the north west of this character area is a large area of open land which has been allocated to the garden suburb extension which will see the introduction of large residential schemes which will adjoin this rural edge. owing to such architectural and landscape variety, the north east character
    [Show full text]
  • Corporate Project Register Appendix C
    Corporate Project Register Appendix C As at Quarter 3 (2018/19) Action Owner Overall Refer- Project Project On completion - Achievements and Completed ence Project Name Description Council Strategy Project Type Service Plan Status Latest Progress Risk Timeframes Outcomes Date Accommodation Consideration of alternative accommodation Both Andrew Enabling Transformation HOS Housing On Target Building works are in progress on the Housing Depot in Rotterdam Initial assessment of current Housing New accommodation suitable for the needs of Project for the Housing Service and additional Jarvis Communities; Services Road to stabilise the building for ongoing use for next 2-3 years requirements and future needs completed the Council to be provided through either Project Economic accommodation for other service areas (maximum). Housing has documented requirements for October 2018. acquisition, new build development or re-use Growth; accommodation in future, including Housing Depot, and this has of existing assets. within the Council. Financial Self Wider Accommodation Project Board (Council The Housing Service currently operates Sufficiency been shared with Operations for consideration alongside needs wide) agreed November 2018. across a number of sites with many of the elsewhere in the Council. service staff working from Rotterdam Road Corporate project across all service areas commenced. Appointment of off Lead Consultant for which is no longer fit for purpose. preparation of 'Case of Change' along with Other service areas have expressed opinion supporting officer agreed November 2018. Housing carried out fact finding and initial client requirements for regarding additional spatial requirements their service area needs. Completed in October 2018. which will be considered within the wider Asset Management have commissioned Wider Accommodation Project Board (county wide) agreed Accommodation Move Project.
    [Show full text]
  • Little Japan and Barber’S Point Through the Trees
    Heritage, Heath & Hedgerow Historic nature walks with Aldeburgh Museum The Sailor’s Path is a well-worn route, initially used by seafarers, smugglers and fisherman. The full 6 mile route runs from Aldeburgh to Snape and offers a fascinating view of the picturesque River Alde. This walk, at 2.5 miles, offers an introduction to the route. This walk starts in the car park at the Aldeburgh end of the Sailor’s path. The route is well signposted. The patch of land behind the signpost, was used by the Royal Flying Corps in World War 1. They created a small single track railway to transport goods from their airbase at Hazlewood Hall across this patch of land to the Brick Dock jetty on the river. Notice the creeping buttercup along the edge of the path. Arriving at the open field to the left is a good viewpoint to see Yarn Hill which is other side of the river. It is said that St Botolph (Anglo-Saxon Saint of Travellers) wanted to build Iken church here but found it full of eerie and ghostly happenings and changed the church location to where it is today. Splendid yellow gorse in full flower is evident along the path and throughout the Suffolk coast. Less commonly named Furze or Whin, it has an almond/coconut like scent and is very prickly! It is an important nectar source for bees in Spring when few flowers have bloomed. The sad, dead trees to the left of the path before Marsh Cottage are evidence of the breach in the river wall and consequently the flooding of the Hazlewood marshes in 2013.
    [Show full text]
  • A Culture of Recording: Christopher Raeburn and the Decca Record Company
    A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon.
    [Show full text]
  • Autumn/Winter 2017-18 (PDF)
    FREE CoSuaffoslk t & Heaths Autumn/Winter 2017/2018 n e l l u C y n o h t n A © a e S o T o G o T n a e M t ’ n d i D e W m o r f Communities enjoy the Arthur s t p r e c x e m r o f Ransome Anniversary Celebrations r e p s t n e d u t s y Find out all about the commemorative activities on Page 4 m e d a c A and other Shotley peninsula improvements on Page 14 k o o r b l o H In This Edition: How Minsmere began Page 5 Latest volunteer updates Page 7 Engaging in planning Page 9 Community news Pages 8, 10 b u C e g d i Funded projects updates r b d o Pages 12, 13 o Save Our Suffolk n W o Coastal Clean Ups t h e r t o 5 , r M Henry Dempster and Beachclean Swifts! e t d Exploring the AONB this i s v p a m Stories of ‘swift’ action from D groups build their understanding autumn/winter back page e D © , y t r f Aldeburgh and Woodbridge Page 3 i of the coast Page 2 n e w S H www.suffolkcoastandheaths.org Suffolk Coast & Heaths Area of Outstanding Natural Beauty • 1 Coastal News A Message from our Chairman s the evenings close in and we feel the approach of winter it forward to progress on the southern boundary extension, after is time for reflection and anticipation! I’ve been reflecting on having the opportunity to discuss the process with Lord Gardiner, Adevelopments across the AONB and, especially, on the Parliamentary Under Secretary of State for Defra.
    [Show full text]
  • BEHIND the MUSIC Featuring Nicola Benedetti Larkinsurance.Co.Uk
    ISSUE 5 BEHIND THE MUSIC Featuring Nicola Benedetti larkinsurance.co.uk What’s Inside Cover Story 12-15 4-5 Nicola Benedetti at 30 I had to be tough She has no wish for lavish gifts on her 30th birthday but Lyric baritone Sir Thomas Allen has natural Nicola Benedetti expresses her desire to fathom a way to talent and shares his craft by encouraging formalise her education work young opera hopefuls 26-29 22-25 Land of legends It was serendipity The Gower Festival goes from strength to strength, thanks Annette Isserlis put her heart and soul into to a music-loving team led by Artistic Director Gordon arranging the posthumous birthday concert in Back who has been attracting top musicians to the idyllic honour of Francis Baines – and she planned it peninsula in south-west Wales in her personal woodland Welcome t is fascinating to discover what goes on behind the scenes in the world of top-class music and inside this issue of LARKmusic I hope you will enjoy reading the exclusive features which capture our Iinterviewees’ passion and incredible drive for perfection. The Lark team has been enjoying some wonderful music, attending events from the Francis Baines’ centenary concert to recitals at the Royal College of Music, the Suffolk schools’ Celebration at Snape Maltings and this summer’s Gower Festival – meeting clients and making new friends along the way. Read on for the full stories! Back in the office, it’s been busy with a focus on improving our insurance products and online service so I am pleased to introduce our new Public Liability Cover, as well as highlighting our new quote and buy portal which will make buying insurance cover online even more convenient.
    [Show full text]