Using Machine Learning for Detection of Hate Speech and Offensive Code-Mixed Social Media Text
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												  Karnataka Bypolls DeferredFollow us on: RNI No. TELENG/2018/76469 @TheDailyPioneer facebook.com/dailypioneer Established 1864 Published From ANALYSIS 9 CELEB TALKS 14 SPORTS 16 HYDERABAD DELHI LUCKNOW DARK DAYS ARE CHARLIE'S ANGELS RAHANE BACKS ROHIT BHOPAL RAIPUR CHANDIGARH AHEAD FOR INDIA READY FOR INDIA FOR NEW ROLE BHUBANESWAR RANCHI DEHRADUN VIJAYAWADA *LATE CITY VOL. 1 ISSUE 354 HYDERABAD, FRIDAY SEPTEMBER 27, 2019; PAGES 16 `3 *Air Surcharge Extra if Applicable NAG TO INTRODUCE ANOTHER DIRECTOR { Page 13 } www.dailypioneer.com BRKR BHAVAN NO PLUG AND PLAY OFFICE Karnataka bypolls deferred Ad hoc ‘Secretariat' l Till top court decides on disqualified MLAs l Cong says unprecedented PNS n NEW DELHI Both parties had expelled the rebels. There were also reports conditions insanely bad By-elections to 15 assembly that the MLAs were offered seats in Karnataka -- where ministerial berths by the BJP. NAVEENA GHANATE the MLAs were disqualified Earlier this year, 13 MLAs n HYDERABAD Plethora of work in progress leaves ambience messy earlier this year for rebelling from the Congress and three Gen Rawat to and bringing down the earli- from the JDS had resigned, Long queues at elevators, masks er Congress-JDS government and two Independent law- on the nose and old furniture head Chiefs - will be deferred. The makers who were supporting lying all around are what visi- Election Commission today the government switched tors see as they enter Burgula told the Supreme Court that sides, bringing down the num- Ramakrishna Rao (BRKR) of Staff panel it has decided to postpone the bers of the government. After Bhavan premises.
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												  Indian Entertainment and Media Outlookpwc.com/india Indian entertainment and media outlook Indian entertainment and media outlook 2009 2009 © 2009 PricewaterhouseCoopers. All rights reserved. “PricewaterhouseCoopers”, a registered trademark, refers to PricewaterhouseCoopers Private Limited (a limited company in India) or, as the context requires, other member firms of PricewaterhouseCoopers International Limited, each of which is a separate and independent legal entity. About PricewaterhouseCoopers PricewaterhouseCoopers Pvt. Ltd. (www.pwc.com/india) provides industry - focused tax and advisory services to build public trust and enhance value for its clients and their stakeholders. PwC professionals work collaboratively using connected thinking to develop fresh perspectives and practical advice. Complementing our depth of industry expertise and breadth of skills is our sound knowledge of the local business environment in India. PricewaterhouseCoopers is committed to working with our clients to deliver the solutions that help them take on the challenges of the ever-changing business environment. PwC has offices in Ahmedabad, Bangalore, Bhubaneshwar, Chennai, Delhi NCR, Hyderabad, Kolkata, Mumbai and Pune. Contents Introduction................................................................................................................................... 4 Executive Summary ..................................................................................................................... 5 Television ..................................................................................................................................
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												  Film CreditsNANDITA DAS Educational Qualifications st B.A.(Hons) in Geography, Miranda House, Delhi University- 1 Division st M.A.in Social Work, Delhi School of Social Work, Delhi University- 1 Division Film credits Films Character Director Language Year TRACES OF Mina Maria Ripoll Catalan and Hindi 2014 SANDALWOOD ALBERT PINTO KO Stella Soumitra Ranade Hindi 2014 GUSSA KYUN AATA HAI (To be released) OONGA Hemla Devashish Makhija Hindi & Odiya 2014 (To be released) NEERPARAVAI Esther Seenu Ramaswamy Tamil 2013 I AM Aafia Onir Hindi 2010 NAALU PENNUNGAL Kamakshi Adoor Gopalakrishnan Malayalam 2007 (FOUR WOMEN) Toronto International Film Festival 2007 (Premiere) Indian Film Festival of Los Angeles, 2008 RAMCHAND PAKISTANI Champa Mehreen Jabbar Urdu 2007 Tribeca Film Festival (Premiere) BITS & PIECES Kusum Manmohan Mahapatra Hindi 2006 (To be released) BEFORE THE RAINS Sajani Santosh Sivan English/Malayalam 2006 Toronto International Film Festival 2007 (Premiere) Pusan Film Festival 2007 Dubai Film Festival 2008 Houston Film Festival 2008 Indian Film Festival of Los Angeles, 2008 PROVOKED Radha Dalal Jagmohan Mundhra English 2006 Palm Springs Film Festival, 2007 Indian Film Festival of Los Angeles, 2007 KAMLI Kamli KNT Sastry Telugu 2006 11th Pusan International Film Festival of South Korea, 2006 Brisbane International Film Festival in Australia, 2006 Third Eye 5th Asian Film Festival, 2006 PODOKKHEP Megha Suman Ghosh Bengali 2006 (FOOTSTEPS) Vancouver Film Festival, 2006 (Premiere) Indo-American Arts Council Film Festival, NY 2006 42nd Karlovy Vary Film Festival, 2007 MAATI MAAY Chandi Chitra Palekar Marathi 2006 (A GRAVE-KEEPER'S TALE) Toronto Film Festival, 2006 (Premiere) London Film Festival, 2006 (Premiere) Madrid International Film Festival, 2007 (Best Actress) VISHWATHULASI Tulasi Sumathy Ram Tamil 2004 World Fest Houston International Film Festival, 2005 (Golden Special Jury Award) Zanzibar International Film Festival, 2005 Montreal World Film Festival, 2005 14th Annual St.
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												  Using Machine Learning for Detection of Hate Speech and Offensive Code-Mixed Social Media TextKBCNMUJAL@HASOC-Dravidian-CodeMix-FIRE2020: Using Machine Learning for Detection of Hate Speech and Offensive Code-Mixed Social Media text 3 2 3 4 5 Varsha Pathak , Manish Joshi , Prasad A. Joshi , Monica Mundada , Tanmay Joshi      1  Institute of Management and Research, Jalgaon, Affil- KBC North Maharashtra University, Jalgaon MS India 2  School of Computer Sciences, KBC North Maharashtra University, Jalgaon, MS India 3  JET’s Z. B. College,, Dhule Affil- KBC North Maharashtra University, Jalgaon MS India 4 D epartment of Dizitilization, Copenhagen Business School, Denmark 5 B MCC college of commerce, Pune, India  Abstract This paper describes the system submitted by our team KBCNMUJAL for Task 2 of the shared task “Hate Speech and Offensive Content Identification in Indo-European Languages (HASOC)” at FIRE 2020. The datasets of two Dravidian languages viz Malayalam and Tamil of size 4000 rows each, are shared by HASOC organizers. These datasets are used to train the machine using different machine learning algorithms, based on classification and regression models. The datasets consist of twitter messages with two class labels “offensive” and “not offensive”. The machine is trained to classify such social media messages in these two categories. Appropriate n-gram feature sets are extracted to learn the specific characteristics of the Hate Speech text messages. These feature models are based on TF-IDF weights of n-gram. The referred work and respective experiments show that the features such as word, character and combined model of word and character n-grams could be used to identify the term patterns of offensive text contents. As part of the HASOC shared task at FIRE 2020, the test data sets are made available by the HASOC track organisers.
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												  Popular Cinema, Religion and Politics in South India Uma Maheswari Bhrugubanda Submitted InGenealogies of the Citizen-Devotee: Popular Cinema, Religion and Politics in South India Uma Maheswari Bhrugubanda Submitted in partial fulfillment of the Requirements for the degree Of Doctor of Philosophy In the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Uma Maheswari Bhrugubanda All Rights Reserved Abstract Genealogies of the Citizen-Devotee: Popular Cinema, Religion and Politics in South India Uma Maheswari Bhrugubanda This dissertation is a genealogical study of the intersections between popular cinema, popular religion and politics in South India. It proceeds with a particular focus on the discursive field of Telugu cinema as well as religion and politics in the state of Andhra Pradesh from roughly the 1950s to the 2000s. Telugu cinema continued to produce mythological and devotional films based mostly on Hindu myths and legends many decades after they ceased to be major genres in Hindi and many other Indian languages. This was initially seen simply as an example of the insufficiently modernized and secularized nature of the South Indian public, and of the enduring nature of Indian religiosity. However, these films acquired an even greater notoriety later. In 1982, N.T. Rama Rao, a film star who starred in the roles of Hindu gods like Rama and Krishna in many mythologicals set up a political party, contested and won elections, and became the Chief Minister of the state, all in the space of a year. For many political and social commentators this whirlwind success could only be explained by the power of his cinematic image as god and hero! The films thus came to be seen as major contributing factors in the unusual and undesirable alliance between cinema, religion and politics.
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												  Brought to Life by the Voice Explores the Distinctive Aesthetics and in South IndiaASIAN STUDIES | ANTHROPOLOGY | ETHNOMUSICOLOGY WEIDMAN Playback Singing To produce the song sequences that are central to Indian popular cinema, sing- ers’ voices are first recorded in the studio and then played back on the set to and Cultural Politics be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their | own right. Brought to Life by the Voice explores the distinctive aesthetics and in South India affective power generated by this division of labor between onscreen body and VOICE THE BY LIFE TO BROUGHT offscreen voice in South Indian Tamil cinema. In Amanda Weidman’s historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolin- guistic identity, and neoliberal transformation in South India. BROUGHT TO LIFE “This book is a major contribution to South Asian Studies, sound and music studies, anthropology, and film and media studies, offering original research and BY THE new theoretical insights to each of these disciplines. There is no other scholarly work that approaches voice and technology in a way that is both as theoretically VOICE wide-ranging and as locally specific.” NEEPA MAJUMDAR, author of Wanted Cultured Ladies Only! Female Stardom and Cinema in India, 1930s–1950s “Brought to Life by the Voice provides a detailed and highly convincing explo- ration of the varying links between the singing voice and the body in the Tamil film industry since the mid-twentieth century.
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												  Film As Text and the Exploration of Reading Practices in Sanctioned Institutional AbuseBehind Closed Doors: Film as Text and the Exploration of Reading Practices in Sanctioned Institutional Abuse Item Type text; Electronic Dissertation Authors di Filippo, JoAnn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 17:49:44 Link to Item http://hdl.handle.net/10150/306146 1 BEHIND CLOSED DOORS: FILM AS TEXT AND THE EXPLORATION OF READING PRACTICES IN SANCTIONED INSTITUTIONAL ABUSE by JoAnn di Filippo _________________________ Copyright @ JoAnn di Filippo 2013 A Dissertation Submitted to the Faculty of the COMPARATIVE CULTURAL AND LITERARY STUDIES PROGRAM In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2013 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by JoAnn di Filippo entitled BEHIND CLOSED DOORS: FILM AS TEXT AND THE EXPLORATION OF READING PRACTICES IN SANCTIONED INSTITUTIONAL ABUSE and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________________________________ Date: June 14, 2013 Barbara Babcock _______________________________________________________________________ Date: June 14, 2013 James Greenberg _______________________________________________________________________ Date: June 14, 2013 Mary Beth Haralovich Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College.
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												  Permitted Private Satellite TV Channels-FTA (As Obtained from Broadcast Seva)Permitted Private Satellite TV Channels-FTA (as obtained from broadcast seva) S.No Name of the broadcaster Channel Name Channel Logo Category Language 1 9X NON-NEWS HINDI 2 9X JALWA (PHIR SE 9X) NON-NEWS HINDI/ENGLISH /BENGALI &ALL INDIAN INDIAN SCHEDULE LANGUAGE 3 9X JHAKAAS (9X NON-NEWS MARATHI MARATHI) 9X MEDIA PRIVATE 4 LIMITED 9XM NON-NEWS HINDI/ENGLISH /BENGALI &ALL INDIAN INDIAN SCHEDULE LANGUAGE 5 9XO (9XM VELVET) NON-NEWS HINDI 6 Housefull Action (earlier 9X NON-NEWS HINDI BAJAO (Earlier 9X BAJAAO & 9X BANGLA) 7 A ONE NEWS TIME TV 24 NEWS HINDI/ PUNJABI/ ENGLISH BROADCASTING PRIVATE LIMITED 8 BHASKAR NEWS (AP 9) NEWS HINDI, ENGLISH, MARATHI AND ALL OTHER INDIAN SCHEDULE LANGUAGE A.R. RAIL VIKAS A.R. RAIL VIKAS 9 SATYA NON-NEWS HINDI, ENGLISH, MARATHI SERVICES PVT. LTD. AND ALL OTHER INDIAN SCHEDULE LANGUAGE 10 Mahua Plus (earlier AGRO NON-NEWS TELUGU/HINDI/ENGLISH/G ROYAL TV (Earlier AADRI UJARATI/TAMIL/KANNADA WELLNESS) /BENGALI/MALAYALAM AADRI ENTERTAINMENT AND MEDIA WORKS 11 Shiva Shakthi Sai TV NON-NEWS TELUGU/HINDI/ENGLISH/G PVT.LTD. (earlier BENZE TV (Earlier UJARATI/TAMIL/KANNADA AADRI ENRICH) /BENGALI/MALAYALAM 12 AAMODA ABN ANDHRA JYOTHI NEWS TELUGU BROADCASTING COMPANY PRIVATE LIMITED 13 AAP MEDIA PVT.LTD. ANJAN TV NON-NEWS HINDI, ENGLISH AND ALL OTHER INDIAN SCHEDULE LANGUAGES 14 AASTHA BROAD CASTING ARIHANT NON-NEWS HINDI/GUJRATI/ENGLISH NETWORK LIMITED 15 ABP NEWS NETWORK ABP ASMITA (Earlie ABP NEWS GUJARATI PVT. LTD. (Earlier MEDIA SAMACHAR GUJARATI, CONTENT AND ABP Sanjha) COMMUNICATIONS SERVICES INDIA PRIVATE LIMITED) 16 ABP NEWS NETWORK ABP NEWS (earlier STAR NEWS HINDI/ENGLISH/MARATHI PVT.
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												  EDUCATION in the LANGUAGE of CONFLICT: LINGUISTIC and SOCIAL PRACTICE AMONG SRI LANKAN ETHNIC MINORITY YOUTH by Christina ParksEDUCATION IN THE LANGUAGE OF CONFLICT: LINGUISTIC AND SOCIAL PRACTICE AMONG SRI LANKAN ETHNIC MINORITY YOUTH By Christina Parks Davis A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in The University of Michigan 2011 Doctoral Committee: Professor Judith T. Irvine, Chair Professor Thomas R. Trautmann Professor E. Webb Keane, Jr. Associate Professor Barbra A. Meek Christina Parks Davis All Rights Reserved 2011 Dedication To my parents, Thomas G. Davis and Elizabeth N. Davis ii Acknowledgements I owe my gratitude to the students, teachers, and principals at the two schools where I conducted my primary research, which I refer to as Hindu College and Girls’ College. In the year and a half that I spent visiting these schools, I was exposed to some of the most creative, resilient, and determined people I have ever met. I learned more from my daily interactions at these schools than could ever be fully expressed within the confines of this dissertation. I would like to particularly thank the students in the 2007 Grade 11 class at Hindu College. At Girls’ College, I would like to thank the students in the 2008 Grade 10 Tamil-medium class, as well as the Grades 9 and 10 English-medium classes. I would also like to thank the dedicated members of the Kandy Zonal Department of Education, and all the Kandy and Colombo teachers who took time out of their busy schedules to talk to me. This dissertation represents a collaborative work between my Sri Lankan research assistants and me.
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												  Film As Text and the Exploration of Reading Practices in Sanctioned Institutional AbuseBehind Closed Doors: Film as Text and the Exploration of Reading Practices in Sanctioned Institutional Abuse Item Type text; Electronic Dissertation Authors di Filippo, JoAnn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 08:46:19 Link to Item http://hdl.handle.net/10150/306146 1 BEHIND CLOSED DOORS: FILM AS TEXT AND THE EXPLORATION OF READING PRACTICES IN SANCTIONED INSTITUTIONAL ABUSE by JoAnn di Filippo _________________________ Copyright @ JoAnn di Filippo 2013 A Dissertation Submitted to the Faculty of the COMPARATIVE CULTURAL AND LITERARY STUDIES PROGRAM In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2013 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by JoAnn di Filippo entitled BEHIND CLOSED DOORS: FILM AS TEXT AND THE EXPLORATION OF READING PRACTICES IN SANCTIONED INSTITUTIONAL ABUSE and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________________________________ Date: June 14, 2013 Barbara Babcock _______________________________________________________________________ Date: June 14, 2013 James Greenberg _______________________________________________________________________ Date: June 14, 2013 Mary Beth Haralovich Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College.