THE MASSED VOICES OF INSPIRATION AND ROYAL NORTHERN SINFONIA, ORCHESTRA OF SAGE GATESHEAD PRESENT

THE MASSED VOICES OF INSPIRATION AND ROYAL NORTHERN SINFONIA, MAKE THEM HEAR YOU ORCHESTRA OF SAGE GATESHEAD PRESENT A spectacular summer concert featuring songs of triumph and defiance

SATURDAY 16 JULY 2016, 6PM HALL ONE, SAGE GATESHEAD SEIZE THE DAY TICKETS ON SALE FROM TICKET OFFICE: 0191 443 4661 20 MARCH 2016 27 APR BOOK ONLINE: WWW.SAGEGATESHEAD.COM HALL ONE, SAGE GATESHEAD MUSIC DIRECTOR: GARY GRIFFITHS

NARRATOR: CHARLIE CHARLTON PROLIFIC AND VERSATILE

Welcome to the first of our occasional series of concerts featuring the work of just one composer.

Alan Menken is such a prolific and versatile writer that the only problem we really had was knowing what to leave out. We have had great fun this term delving down to find our inner princesses. The sheer variety of styles has been a challenge, but one to which the singers always rise with aplomb. From the epic pop ballads to the cartoon exaggerations, they can cope with it all. was born on For many of us, singing the medley from The Hunchback 22nd July 1949 at French of Notre Dame will forever be associated with our trip a Hospital in New York few years ago to Paris, where we sang this medley while City, to boogie-woogie floating down the Seine, underneath the magnificent piano-playing dentist, cathedral itself. That is an experience that could never be Norman Menken and recreated but we will be returning to Disneyland Paris later young aspiring actress and this year to perform in their Christmas Choral Celebration. playwright, Judy Menken. If you fancy joining us then see our website for details on how to join the choir. Who knows where it will take you.

Gary Griffiths, Inspiration Music Director and Founder

About Gary… I have been singing for as long as I can remember. Wolverhampton Grammar School was my major musical influence – School Choir, Choral Society, Musical Theatre Group, Jazz Band – alongside the Youth Orchestra and the Concert Band.

When it came to University it had to be music, and so to York. Three wonderful years of music making also included being Chorus Master for York Light Opera and MD for Pickering Musical Society.

I then became a tenor in the Choir of York Minster with all that entails; daily services as well as many world tours, concerts and recordings. After 18 years­, I left and became part of the creative team behind the formation of SingLive.

Now, with Inspiration as my sole focus, I really do have my dream job. Weekly rehearsals and trips around the country and abroad are a joy.

RNS Heroes.indd 1 19/02/2016 14:29 Royal Northern Sinfonia, Orchestra of Sage Gateshead, Cliff is an experienced BSL communicator who has ROYAL is the UK’s only full-time chamber orchestra and the CLIFF LEE worked with Sage Gateshead since 2004. Amongst NORTHERN leading professional orchestra in the North East. Since SIGNED SONG other projects, Cliff has set up several signed song SINFONIA its inception in 1958, it has built a distinctive reputation INTERPRETER choirs within the North East. He also runs courses for ORCHESTRA as a fresh-thinking and versatile orchestra, performing teachers and other trainers and facilitates Sign Song OF SAGE with a trademark zest and stylistic virtuosity. It is the workshops across the community. only UK orchestra to have a purpose-built home for all GATESHEAD Cliff holds a BSL Level 3 certificate, and has completed its rehearsals, concerts and recordings. a teaching degree. In his spare time he is learning to ‘There is no better chamber play the piano and enjoys nothing more than looking after his twin grandsons. orchestra in Britain’, The Guardian Cliff has been working with Inspiration since they Playing a wide repertoire of diverse orchestral music, started in 2009. He loves working with the choir and is Royal Northern Sinfonia works regularly with a roster looking forward to introducing more people to the joy of globally renowned artists from all genres. The new of song through the beauty of sign language. season sees the orchestra work with Christian Tetzlaff, Christian Lindberg, Olli Mustonen, Paul McCreesh, Robert Levin, Montenegrin guitarist Miloš Karadaglić and a host of world-class singers including Sally Matthews, Karen Cargill and Elizabeth Watts. They have also collaborated with leading popular voices such as Sting, Ben Folds and John Grant. The orchestra contributes to the continuing re-invention of orchestral Charlie Charlton co-presents the Breakfast Show repertoire with regular commissions and premieres, CHARLIE with Alfie Joey on award-winning BBC Newcastle, most recently from Benedict Mason and David Lang, CHARLTON weekdays, 7 – 10am. The station now reaches more John Casken and Kathryn Tickell. NARRATOR people than any other local BBC radio station outside London. Charlie also presents on BBC Radio 5Live, Open in its approach and broad in its reach, Royal and has reported for the World Service and 6Music. Northern Sinfonia engages audiences and communities Her interviews have also featured on Panorama throughout its own region as well as further afield, with and Newsnight. residencies at festivals from Aldeburgh to Hong Kong, as well as regularly featuring in the BBC Proms and Charlie is a well-known face, presenting the television neighbouring Edinburgh Festival. Back home at Sage news for BBC Look North, and reporting for the Gateshead, Royal Northern Sinfonia works with adults of regional current affairs programme Inside Out. all ages and young people, through the Young Musicians Born in Gateshead, Charlie studied and worked in Alan attended New York Programme and In Harmony project, both of which London and overseas, before heading back to her University’s College of provide unbeatable instrumental learning opportunities. beloved North East more than ten years ago. Arts and Sciences where This season is the first with new Music Director Lars Charlie is patron of the charity Changing Lives which he drifted from pre-med Vogt, along with new Principal Guest Conductor, Julian helps homeless and vulnerable people across the to anthropology, then Rachlin. Both internationally-renowned soloists perform region, and is patron for a charity in Newcastle for to philosophy, finally as well as conduct throughout the season, alongside disabled children and their families. graduating with a Conductor Laureate, Thomas Zehetmair. degree in musicology. For more information about the orchestra and its home, visit sagegateshead.com Mark has a wealth of experience as a SINGER How long have you been singing? MARK DEEKS pianist, performer, arranger, musical I’ve been singing for as long as I can remember. The DEPUTY director and lecturer. His award- SPOTLIGHT first time I sang in front of an audience, that wasn’t just MUSIC DIRECTOR winning company Music Newcastle made up of my Mam, Dad or Gran, was in middle school. is a recommended supplier of live ANGELA music to some of the top venues in LAWERY What made you join Inspiration? the North East. Mark’s MD credits I saw an Inspiration Christmas concert and thought, include the ‘Stepping Out’ autobiographical show of Faye “Wow that sounds amazing, I want to be a part of this!”. Tozer (Steps), running Christmas choirs for BBC Newcastle Being part of something like Inspiration is extremely and Magic Radio, local productions of ‘West Side Story’, rewarding. Hearing all of our voices together with Royal ‘Buddy’ and ’The Sound Of Music’, and co-writing the Northern Sinfonia is something special. music for ‘Monopolise’, the one-man comedy musical by Alfie Joey (BBC). Mark has also been commissioned to Do you sing with any other groups or choirs? write brass arrangements for the 2016 ‘Sunday for Sammy’ Currently I am only singing with Inspiration. Last year I shows at the City Hall. He is also the MD for Inspiration’s took a little break to do a few other shows. I took part ‘sister’ choirs in Newcastle and Leeds, Echo. in Sister Act with Newcastle Musical Theatre Company, where I took a lead role as Sister Mary Robert at the What a treat it’s been this term Theatre Royal. It was a dream come true to sing on that SUE MITCHELL to sing familiar childhood songs stage with such a talented cast. Another performance and embrace our inner princesses! highlight from last year was being able to say I was DIRECTOR OF playing a princess in a pantomime. That was the first Singing Hunchback again also Angela lives in Blyth. She is 28 COMMUNITY pantomime I have done and I have to admit, I’ve caught immediately transports me on to a and a primary school teacher. the bug and loved it! INVOLVEMENT Bateau Mouche down the Seine – She has been a member of such a fantastic experience and one Inspiration for three years but What kind of music do you most enjoy singing? that will be etched in many of our singers’ memories. took a little break last year Mostly I enjoy singing musicals which is why this show We’re never short of ideas for future events and there to fulfil a life long dream of is extra special to me. I also get to sing the solo I sang is always much to consider in the planning stage, performing at the Theatre in Sister Act – ‘The Life I Never Led’. I’m really looking whatever the event or concert. I do believe that it’s Royal, Newcastle. forward to singing it with the orchestra. the effort that goes on behind the scenes that makes whatever we do a success and I love the variation these If you could sing anywhere in opportunities bring. Bookings are also starting to come the world where would it be? in for smaller events for summer and beyond. If you Unfortunately due to work I was unable to attend would like us to sing for you then please get in touch Inspiration’s trip to NYC so missed the chance to and hopefully we can arrange this. sing there. It’s my dream to sing on Broadway or somewhere closer to home, The Royal Albert Hall. I‘m Mallory, of the Sue n’ Mal gang MALLORY SMITH who sign 300 or so people in on What’s your favourite highlight REHEARSAL rehearsal nights (big thanks to since joining Inspiration? MANAGER Sheila, Jill and Lindsay and Anna Menken has collaborated Being able to share the magical moments with my too). So here we are. It’s another with many lyricists fiancé Mark (Inspiration’s Deputy Music Director). This spring concert but no sight or sound including Howard concert is the week before our wedding so knowing it of an Easter hymn this time. Instead Ashman, Tim Rice, Glenn is my last performance as Angela Lawery and having we are romping through any amount of Alan Menken Mark play along side me is extra special. I hope I make Slater, Stephen Schwartz hits. For a change nearly all the words are in English – him proud. hurrah! However, there are an awful lot of them and some and David Zippel. of them are quite fast too, so equally as challenging to What would your say to anyone unsure learn. Hopefully we have managed to untie our tongues, about trying singing as a hobby? so you can enjoy the really clever lyrics we ‘present for You’ve got nothing to lose so go for it! I promise you you today’ and ‘make you shout encore’! will love it. SEIZE THE DAY SEIZE THE DAY ACT ONE ACT TWO

Seize the Day Little Shop Of Horrors Medley Newsies | Menken Little Shop Of Horrors | Menken and Ashman Listen out for… the ‘a cappella’ choir opening. Literally meaning Soloist: Katherine Saunders ‘as in chapel’ – the singers alone, with no accompaniment. Listen out for… the very tongue-in-cheek grand opening section which soon gives way to the more upbeat, sixties feel. When A Whole New World the choir are singing the song ‘Downtown’ the strings of the Aladdin | Menken and Rice orchestra play Petula Clark’s hit of the same name; one of the Listen out for… when our arrangement becomes a duet between few mashups in this concert. choir and orchestra, with the orchestra on the tune (‘a whole new world’), and the choir singing the countermelody (‘every The Life I Never Led turn a surprise’) echoing the original song which was a duet. With eight Academy Menken’s first big break Sister Act | Menken and Slater Soloist: Angela Lawery Awards only composer Prince Ali came when playwright and Alfred Newman (nine wins) lyricist Howard Ashman Listen out for… an interesting structure, beginning quite Aladdin | Menken and Rice resigned, soon growing in confidence with phrases beginning and Walt Disney (22 wins) Listen out for… the animals and try and count them. There are asked him to collaborate on ever higher notes, then retreating back into self doubt before have received more Oscars hundreds! on the 1979 play ‘God Bless rising again, finishing with an air of quiet resolve. than Menken. He has You, Mr. Rosewater’. Part Of Your World I See The Light also won eleven Grammy The Little Mermaid | Menken and Ashman Tangled | Menken and Slater Awards and a Tony Award. Soloist: Amy Slater Listen out for… the simplicity of the melody and underlying harmony, nevertheless this packs quite a punch. Listen out for… the drooping phrases for the singer (e.g. ‘wish I could be’), indicating a sense of resignation, contrasting with the rising phrases (e.g. ‘up where they run’), indicating hope. Ever Ever After | Menken and Schwartz Under The Sea Listen out for… lots of overlapping vocal lines creating a layered effect of echoes and ambience. The Little Mermaid | Menken and Ashman Listen out for… more animals! This time in a band, carp/harp, newt/flute, bass/brass. Santa Fe Newsies | Menken Pocahontas Medley Soloist: Sara Morgan Pocahontas | Menken and Schwartz Listen out for… the many different sections giving it a real story Listen out for… the contrast in music between the unyielding telling feel, almost a miniature show in itself. Also the unusually incoming Virginia Company (‘in sixteen hundred seven’ and ‘mine large interval in the main melody of a rising minor 7th (‘Santa Fe’). boys, mine’) and the beautiful fluid music for the indigenous people (‘just around the riverbend’ and ‘colours of the wind’). Beauty And The Beast Beauty And The Beast | Menken and Ashman If I Can’t Love Her Soloist: Anne Marie Gardener Beauty And The Beast | Menken and Ashman Listen out for… the original ballad version initially sung by a Soloist: Patrick Love solo voice, with the choir then taking over in the same style. The Listen out for… what starts off as a plaintive plea (‘no beauty key change and the introduction of the rhythm section of the can move me’) becoming stronger and stronger towards the orchestra (drums, bass) is then a nod to the very successful pop end with unprepared rising key changes, creating a sense of version recorded by Celine Dion. mounting anger, until the final ‘let the world be done with me’. Be Our Guest The Hunchback Of Notre Dame Medley Beauty And The Beast | Menken and Ashman The Hunchback Of Notre Dame | Menken and Schwartz Soloist: Gary Manson and Kirsten Walton Listen out for… the opening motif representing the bells of Notre Listen out for… cartoon interjections from the choir when Dame. This recurs throughout to punctuate the medley and backing the soloists exaggerating the feeling of being returns triumphantly at the very end, defiantly in a major key. completely over the top, and a huge Broadway finish. INSPIRATION’S SINGERS

Lynn Adamson David Dick Clare Hagan Norma Luke Anni Proud Pauline Sibbald Helen Taylor Jennifer Wade Ki Anglesea Susan Dinning Margot Haigh Debbie MacQueen Helen Pryor Gill Simpson Lorna Taylor Anna Walker Ray Anglesea Roger Dinning Cynthia Hall Gary Manson Anne Ransome Amy Slater Caroline Taylor Suzanne Walker Louise Antons Irene Dolan Vivienne Hall Ian Marr Allan Reekie Brenda Slater Janice Taylor Bronwyn Walton Angela Appleby Audrey Donaldson Jill Hanna Maureen Marshall Jon Rees Angela Small Marie Thom Kirsten Walton Barbara Armstrong Laura Donelly Jill Hardman Gill Marshall Janet Richardson Helen Smith Joanna Thompson Elliott Ward Barbara Bainbridge Elizabeth Doran Janice Harris Anne Maughan Kathleen Richardson Maureen Smith Julie Thompson Sarah Watling Freda Barber Susan Dove Lesley Hehir Sue McCarthy Alison Rigg Mallory Smith Daphne Thornton Marie Waugh Kim Barry Aileen Drummond Elizabeth Hewett Elizabeth McCoull Kathy Roberts Judy Smith Tony Thornton Kate Welford Anne Bartle Linda Duckworth Carol Hindhaugh Glynis McGlen Lynn Robinson Janice Smith Caroline Tickle Mary Wellington Lindsay Bellwood Steve Duncan Julie Hobson Dorothy McGuiness Barbara Roper Liz Soloman Sakeenat Tijani Claire Whitfield Anjanette Berrie Becky Dunn Alan Hobson Susannah McKeag Fiona Routledge Erica Souter Joanne Tindle Annie Wilks Peter Berrie Eva Eden Judith Hodson Irene McIane Alison Russell Jane Speak Brenda Tonks Suzanne Williams Margaret Bolam Richard Edmunds Dawn Holmes Maureen McPhee Denise Saunders Margaret Spedding Sarah Toogood Anne Woodhead Emma Bosomworth Mandy Elkin Helen Holmes Anna Meikle Katherine Saunders Margaret Stamp Alan Towers Graham Wykes Veronica Schubeler Geoff Steele Rebecca Trevarrow Carolyn Zammit- Joan Bradford Ann Ellis Michael Humble Sue Mellon Stan Scorer Laura Straker Jill Turnbull Maempel Donald Bradford John Emmerson Jean Humphrey Sheila Millen Margaret Scullion Lawrence Straker Maddy Upton Collette Brady Glynis Evans Dominic Inman Elaine Mills Michael Shoesmith Barry Sweeney Rachel Vaclik Clare Brayson Jennifer Falconer Helen Jarvis Sue Mitchell Dawn Briggs Jean Falkous Helen Jefferson Sara Morgan Peter Brougham Carolyn Fenton Angela Johnson Sue Morgan Menken’s first significant Winifred Brown Vivien Frazer Peter Johnson Vivienne Muir critical and commercial Trish Bryans Anne Marie Gardener Fiona Jones John Muir acclaim came in 1982 Diana Buchan Evelyn Gardner Grenville Jones Nicola Mulgrew with the Off-Broadway Liz Buchan Joyce Gibson Elizabeth Keller John Munro production of ‘Little Shop Lynn Cain Judith Gibson Anne Kent Janice Mylroi of Horrors’ written in Gloria Cain Bert Gibson Alison Kerr Christine North collaboration with Amanda Canlett Maureen Gilroy Patricia Kidd Lou Okello Howard Ashman. Carol Capaldi Sandie Ginks Nigel Kidwell James Orange Kirsty Carr Bob Gladwin Sheila Kimber Heather Page Elizabeth Carr Rose Goldie Liz Knight Monica Parker Maureen Carrahar Brenda Graham Liz Kreibich David Parker Sheila Carruthers Sarah Graham Jean Latimer Jill Parkin Simon Coatsworth David Graham Angela Lawery Pam Patterson Linda Corrie Anne Graney Alyson Laws Ron Patterson Susan Craigs Jean Greenwood Alice Leaver Ann Paxton Peter Crichard Dorothy Gregory Gill Lisk Richard Pickersgill Margaret Criddle Alison Griffin Patrick Love Jeff Platt Linda Cruickshank Patricia Gulliver Wendy Lowdon Sheila Platt Keep up to date with all the latest news from Inspiration and Echo by visiting Bryony Cufflin Christopher Gulliver Patricia Lowery Melody Price www.inspirationuk.com or join us on Facebook at www.facebook.com/inspirationandecho Mark Davies Louise Gulliver William Lowther Sheila Price particular point in the music. Our own autobiographical COMMUNITY CHOIRS experiences interact with the musical devices – so we can find different pieces of music rewarding.

AND MUSICAL FRISSIONS Friends in the audience texted me during the interval, “I’m loving this” and, “There is a lot of emotion out When Southampton teenager Isaac Watts complained here,” so it seems the frissons were felt out there too.

to his father that church music was boring, he replied, The BBC report explains that one major component “Why don’t you give us something better, young man!” seems to be the way the brain monitors our expectations. From the moment we are born (and possibly before), we begin to learn certain rules that ‘Joy To The World’ was just one of the more than seven characterise the way songs are composed. If a song hundred hymns he wrote and three hundred years follows the conventions too closely, it is bland and later I think he would have been delighted to have fails to capture our attention, (which is why Isaac …they hit a sat in his home town Guildhall and heard Inspiration Watts complained to his father.) If a song breaks the Southampton’s Christmas concert featuring his patterns too much, it sounds like noise. But when sweet spot celebrated carol. composers straddle the boundary between the that pleasantly familiar and unfamiliar, playing with our expectations On his way in he might have passed his marble statue teases the brain. in Watts’ Park, heard the Guildhall clock tower ring out using unpredictable flourishes (like appoggiaturas or with a verse of ‘O God Our Help in Ages Past’, and then sweeping harmonic changes), they hit a sweet spot joined a packed audience enjoying an afternoon of far that pleasantly teases the brain, and this may produce a ‘musical frisson’… and I stop singing! from boring music.

Evidence for the social and medical benefits of singing, …everyone can There were moments in the concert when he might and particularly of singing together with others, have have noticed me, second row back on the right, unable have their own been well publicised recently. My niece’s GP husband to sing: not because I’d forgotten the words but simply in Cumbria is now prescribing a community choir individual, due to an overwhelming, choking surge of emotion. to patients. It may have been prompted by noticing the rhythmic spine-tingling sway of the Bournemouth Symphony Orchestra violins, So, it was with renewed expectation and excitement moments. a fall of notes from the harp, a memory of times past. that we met up with friends old and new for our first spring term rehearsal. We were leaving behind Isaac According to recent studies (reported by David Robson Watts and looking forward to the frisson-filled world on the BBC Future website) I am not alone and, of Alan Menken. I’m not sure if he’s ever been to although there are some recognised ‘triggers’ – sudden Southampton but, as he says in ‘Raise Your Voice’: - changes in harmony, dynamic leaps (from soft to loud), ‘First rule of singin’: get the rafters ringin’!’ Like Isaac and melodic appoggiaturas (dissonant notes that Watts before him, his music will certainly not be boring! clash with the main melody, like you’ll find in Adele’s ‘Someone Like You’) which seem to be particularly Alan Matlock powerful – everyone can also have their own individual, Singer with Inspiration Southampton spine-tingling moments. If you would like to join our singers for our summer ‘Musical frissons’, or ‘skin orgasms’ as they are sometimes concert ‘Make Them Hear You’ then please visit known, cause a physiological change that’s locked to a www.inspirationuk.com for more details. How did you become a musician? ORCHESTRA DATES FOR YOUR DIARY THANKS TO… My musical journey started when I became one of the SPOTLIGHT first girl choristers at Salisbury Cathedral in 1991. I began Thanks as always to the JESSICA LEE playing the clarinet at age nine whilst at Salisbury. ‘Make Them Hear You’ with Inspiration and Royal Northern Sinfonia small army of volunteers who help to keep Inspiration Saturday 16 July 2016, 6pm, Sage Gateshead ON SALE Where are you from originally? going, both in public and Ticket Office: 0191 443 4661 FROM behind the scenes. Mal and I grew up in Chichester, West Sussex. www.sagegateshead.com 27 APR her ladies, Jane and Barbara, A spectacular summer concert featuring songs of Penny, Chris, Margaret and Where did you study? triumph and defiance. From Sir Andrew Lloyd Webber Denise, Sue, Linda and Peter. we have ‘Love Never Dies’, ‘With One Look’ and I studied at The Royal College of Music (RCM), Mark and Steven of course, ‘Anything But Lonely’. From the amazing show Ragtime graduating with a first class honours degree in 2004. and especially Sue Mitchell, we have our title track, ‘Make Them Hear You’ and ‘Till There I studied with Janet Hilton, Michael Collins and We Reach That Day’. From Wicked we have ‘Defying without whom it just wouldn’t Tim Lines. Following this I gained my PGDip with Gravity’ and we will also explore the world of the pop happen. For all the practical distinction from the RCM where I was the Wilkins- anthem, with Adele’s ‘Rolling In The Deep’, and the and emotional support I am Mackerras scholar, supported by a full grant from the famous ‘You Raise Me Up’. These and many more are very, very grateful – Gary Arts and Humanities Research Council. all given the unique Inspiration treatment, performed Jessica Lee has played with alongside a world class symphony orchestra. Royal Northern Sinfonia since 2009 and is Principal Clarinet. How did you come into your current position within the orchestra? ‘Make Them Hear You’ with Inspiration Following my studies I enjoyed a busy freelance career and Orchestra Of Opera North in London working with the orchestra of the Royal Sunday 17 July 2016, 4pm, Leeds Town Hall Opera House, the London Symphony Orchestra, English Box Office: 0113 224 3801 www.leedstownhall.co.uk National Opera and the BBC Symphony Orchestra. ‘Make Them Hear You’ with Inspiration I auditioned for my current position with Royal Northern North Music Trust is registered in and Bournemouth Symphony Orchestra England as a company limited by Sinfonia in 2008, was given a trial, and was offered Sunday 7 August 2016, Meyrick Park, Bournemouth guarantee, number 4044936 and the position of Second Clarinet/Principal Bass Clarinet Box Office: 01202 669925 www.BSOlive.com as a charity, number 1087445. about six months later. In fact, my first official concert Part of the BSO Summer Proms in the Park was with Inspiration! Echo Newcastle present: Legends

What have been your highlights Date and venue to be announced on since playing with RNS? www.inspirationuk.com very soon. Programme and Inspiration My highlights have been working with two inspiring Many artists create music that makes our world a

better place, but not all of them are responsible for website designed by Before entering the world music directors; Thomas Zehetmair and now Lars Vogt. discographies that continue to resonate with fans Penny Wilson of musicals, Menken was generation after generation. Join us as Echo visits the www.penny-wilson.co.uk a songwriter for Sesame Why do you love the Inspiration concerts? music of some of pop history’s most iconic artists, Programme printed by Street, performed in clubs, featuring Bob Marley, R.E.M., the recently departed David The fact that the choir gives it their all! Deakin Printers composed advertising Bowie, and a certain well-known family called Jackson! www.deakinprinters.com jingles and also worked as a ballet accompanist. Echo Leeds present: Legends Pictures courtesy of Friday 22 July 2016, 7.30pm David Tiernan, Pete Harrison, The Venue, Leeds College of Music Penny Wilson, Mark Savage, Box Office: 0113 222 3434 www.lcm.ac.uk/whats-on Jo Cox