DOCSLIB.ORG

Angeline Ball

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Angeline Ball Angeline Ball | Represented by Susannah Norris ​ ​ Angeline most recently filmed a lead role in the Screen Ireland backed feature DEADLY CUTS, directed by Rachel Carey. Some of her most recent credits include KEEPING FAITH directed by Pip Broughton (BBC), ACCEPTABLE RICK directed by Kenny Glenaan (RTÉ), REDWATER (BBC), MR SELFRIDGE (ITV), SHAMELESS (Company Productions / C4). Playing Age: 40s ​ Height: 5 ft. 6” ​ Hair: Blonde ​ Eyes: Green ​ Full driver’s licence Fluent French speaker Professional singer Tap & modern dance FILM DEADLY CUTS | Michelle O’Sullivan Productions, Rachel Carey Cutting Loose Productions & Screen Ireland WIFEY REDUX (Short) | Saoirse Prendergast Empathetic Films Robert McKeon ALBERT NOBBS | Mrs. Gilligan Mockingbird Pictures Rodrigo Garcia COLD TURKEY | Patricia Parallel Films Gavin Keane WATERS RISING | PC Anne Mooney Feature Productions Ltd. Tom Reeve TIGER’S TALE | Ursula Merlin Films John Boorman DEAD LONG ENOUGH | Sinead Blu Egg Productions Tommy Collins BLOOM | Molly Bloom Stalheim Ltd Sean Walsh BAIT | Millicent Monogram Nick Renton ANGEL FOR MAY Spice Factory Harvey Cokeliss RANSOM | Lydia Sky Graham Theakston SCORE BBC Wales Andy De Emmony THE MALL | Suzanne Warner Bros Norberto Barba BROTHERS IN TROUBLE | Mary Thomas BBC / Renegade Udayan Prasad THE GENERAL | Tina Warner Bros John Boorman THE GAMBLER | Blanche Gambler Production Karolly Maak I ONCE HAD A LIFE Red Sword John Boorman TROJAN EDDIE | Shirley Cairnda WN Ltd Gillies McKinnon TWO NUDES BATHING | Simone Painted World Ltd John Boorman THE COMMITMENTS | Imelda Quirke 20th Century Fox Alan Parker I’LL DO ANYTHING | Cameo Columbia Jim Brooks MY GIRL II | Maggie Columbia Howard Zieff HOUSEBOUND Independent Marie Kornhauser AUTEUR THEORY Independent Evan Oppinheimor TELEVISION KEEPING FAITH | Gael Reardon BBC Wales / S4C Pip Broughton ACCEPTABLE RISK | Emer Byrne RTÉ Kenny Glenaan REDWATER | Eileen Harrington BBC Jesper Nielson MR SELFRIDGE | Mrs Worthington ITV Jon Jones SHAMELESS | Gloria Meak Company Productions / Channel 4 Various EASTENDERS | Maggie BBC Various TROUBLE IN PARADISE | Annie RTÉ Emer Reynolds WHAT WE DID ON OUR HOLIDAYS | Laura ITV Jeremy Webb _____________________________________________________________________________________________________________________ Susannah Norris Agency First Floor, 1 Rosemount Terrace, Arbour Hill, Stoneybatter, Dublin, D07 AAC4, Ireland Tel: +353 (0)86 862 8468 | E: [email protected] www.susannahnorris.com Angeline Ball | Represented by Susannah Norris ​ ​ DOC MARTIN | Julie Buffalo Pictures Ben Bolt ROSE AND MALONEY | Julie Granada Bryan Eversley ANYTIME NOW | Nora BBC John Wood CHRISTMAS CAROL | Bella LWT Catherine Morshead RANDALL AND HOPKIRK DECEASED | Annabel Working Title Rachel Tallaway PEAK PRACTICE | Anna Carlton OUR FRIENDS IN THE NORTH | Daphne BBC Stuart Urban HIGHLANDER | Beth Gaumont Productions CASUALTY | Shirley BBC OVER THE RAINBOW | Finn ITV Declan Lowney THEATRE IN SKAGWAY | Frankie Arcola Theatre Russell Bolam GRETA GARBO COMES TO DONEGAL | Sylvia Tricycle Theatre Nicholas Kent THE PLAYBOY OF THE WESTERN WORLD | Widow Quin The Abbey Theatre Jimmy Fay THE PLOUGH AND THE STARS The Gaiety Theatre, Dublin Stephen Rea RADIO LONG STORY SHORT | Karen (Monologue) Kevin Brew & Tracy Martin RTÉ Radio Drama on One _____________________________________________________________________________________________________________________ Susannah Norris Agency First Floor, 1 Rosemount Terrace, Arbour Hill, Stoneybatter, Dublin, D07 AAC4, Ireland Tel: +353 (0)86 862 8468 | E: [email protected] www.susannahnorris.com .
Load more

Recommended publications
  • Cinema by BEN EAST SXI( )1 N Cinema Bosses in I Leading19
    StudentVOLISSUE NO. 25 IP cdrij i 1111.94rV The Grad Ball- headliners touch down in Juice for a thorough debriefing GANG ATTACK ON HALL PRESIDENT Tetley residents 'WE'RE ALL OFF TO GAY PAREE' stunned as thugs leave JCR chief scarred for life BILAURAVAVIS A HATT. president has been left scarred fur life after intruders viciously attacked him in the mirly hours of Sunday minting. Ian Nutt. JCR president at Tetley Hall, received a huge gash to his forehead when he challenged three men trying to break into the main building. He was decorating the main hall for the annual garden party around 2am, when he noticed the men acting suspiciously outside. They said they were visiting Mends and asked him to le them in, 1 didn't recognise the names of the people they said they had cone tosee and I know everyone at Tetley so I refused. - explained Ian. The men left to try another entrance so Ian went to call a warden. one attacker wre,aled a torch from a warden and used it to strike Ian on the forehead. a blow which has left him permanently scarred. Police were called to the scene but the intruders had already i.caped. Ian was taken to Leeds General Infirmary when: he given four internal and PAGE 10 COLUMN FOUR FULL STORY • PAGE 4 GRANTS AND LOANS ARE BEING WASTED ON GAMBLING, SAYS NEW REPORT - FULL STORY PAGE FIVE 2 NEWSDESK 243 4727 Leeds Student, Friday June 12 1998 INSIDE Testing time over Work halted by TODAY for chemists drunken fiasco PIONEERING sonware could help testing has spanned more than 20 years, A DRUNKEN prank halted ciinstruction not wish to he named.
    [Show full text]
  • The Identity of an Irish Cinema Dr
    The identity of an Irish cinema Dr. Harvey O’Brien 2nd, revised edition, 2006. Introduction When Jim Sheridan’s My Left Foot (1989) collected the second of its two statuettes at the Academy Awards ceremony in Los Angeles in 1990, Daniel Day-Lewis remarked that the voters had given him the makings of one hell of a night out in Dublin. He was right. The success of My Left Foot was an ironic triumph for an Irish film industry which had seemed crushed and beaten. The closure of the Irish Film Board just three years before was largely seen as the death knell of a cinema which had begun to make halting steps towards the regular production of features. Some of the films produced during the seven years of operation of the Board, such as Neil Jordan’s Angel (1982), Pat Murphy’s Anne Devlin (1984), and Joe Comerford’s Reefer and the Model (1987) had demonstrated a distinctive perspective. They signaled that something important was happening in Irish cinema after years of obscurity in the shadow of Irish literature. Unique artistic voices had begun to find expression, crafting filmic images as vivid and memorable as those of poets and novelists and addressing themes as expansive and provocative as any before them. My Left Foot, Jim Sheridan, 1989. In fact, My Left Foot, a biographical drama made in the classic Hollywood style, would have seemed an unlikely saviour for the Irish film industry, which had struggled throughout the 1970s and 1980s to establish a sense of identity which was definitively anti-classical.
    [Show full text]
  • Once the Commitments Kings
    IIRRIISSHH FFIILLMM FFEESSTTIIVVAALL @@ GGuullmmoohhaarr,, IInnddiiaa HHaabbiittaatt CCeennttrree 7:00 pm, Saturday, 20 Nov 2010 Once Dir. John Carney. Cast. Glen Hansard & Marketa Irglova. Guy is a Dublin guitarist/singer-songwriter who makes a living by fixing vacuum cleaners in his Dad's Hoover repair shop by day, and singing and playing for money on the Dublin streets by night. Girl is a Czech who plays piano when she gets a chance, and does odd jobs by day and takes care of her mom and her daughter by night. Guy meets Girl, and they get to know each other as the Girl helps the Guy to put together a demo disc that he can take to London in hope of landing a music contract. During the same several day period, the Guy and the Girl work through their past loves, and reveal their budding love for one another, through their songs. (85 minutes) 7:00 pm, Sunday, 21 Nov 2010 The Commitments Dir. Alan Parker. Cast. Robert Arkins, Michael Aherne, Angeline Ball, Maria Doyle Kennedy. The first of Booker award winner Roddy Doyle’s ‘Barrytown Trilogy’ about the lives of the Rabbitt family. Jimmy Rabbitte, just a tick out of school, gets a brilliant idea: to put a soul band together in Barrytown, his slum home in north Dublin. First he needs musicians and singers: things slowly start to click when he finds three fine-voiced females virtually in his back yard, a lead singer (Deco) at a wedding, and, responding to his ad, an aging trumpet player, Joey "The Lips" Fagan.
    [Show full text]
  • One Introduction: the Poor Mouth
    Notes One Introduction: The Poor Mouth 1. While all the authors I discuss have continued to publish after 1997, all of them move in different directions in subsequent work (discussed in my afterword). 1983–1997 brackets a period of extreme economic hardship for the working classes in the UK and Ireland, a time that acts as a back- drop for most novels in chapters two–four. Eoin McNamee’s novels depart from my schematic somewhat, in that, not only is he generationally behind the other writers here, but chooses to set his work in prior periods, a deci- sion (as I will discuss) that I attribute in part to the vastly different politi- cal context in Northern Ireland. 2. Later in “Discourse in the Novel,” Bakhtin distinguishes hybridization from internally dialogized interillumination, saying that “In the former case there is no direct mixing of two languages within the boundaries of a singular utterance—rather, only one language is actually present in the utterance, but it is rendered in the light of another language. This second language, however, is not actualized and remains outside the utterance” (362). While he seems to be referring to national languages (the role of Gaelic and Irish is one that has been productively explored), here I suggest the excluded status of the second language resembles the case for working- class voices in literature of the British Isles. 3. David Harvey, David Lloyd, and Seamus Deane, among others, have also expressed skepticism about the potential of the local to effect change. Harvey: “Regional resistances, the struggle for local autonomy, place- bound organisation, may be excellent bases for political organization, but they cannot bear the burden of historical change alone” (303, qtd.
    [Show full text]
  • Angeline Ball
    ANGELINE BALL Height: 5’6” Eyes: Green Hair: Blonde FILM includes (most recently) director HAIR RAISERS Rachel Carey Cutting Loose Prods WIFEY REDUX Robert McKeon Empathetic Films ALBERT NOBBS Rodrigo Garcia Mockingbird Pics COLD TURKEY Gavin Keane Parallel Films WATERS RISING Tom Reeve Feature Prods Ltd TIGER’S TALE John Boorman Merlin Films DEAD LONG ENOUGH Tommy Collins Blu Egg Prods BLOOM Sean Walsh Stalheim Ltd BAIT Nick Renton Monogram ANGEL FOR MAY Harvey Cokeliss Spice Factory RANSOM Graham Theakston Sky SCORE Andy De Emmony BBC Wales THE MALL Norberto Barba Warner Bros BROTHERS IN TROUBLE Udayan Prasad BBC/Renegade THE GENERAL John Boorman Warner Bros I ONCE HAD A LIFE John Boorman Red Sword TROJAN EDDIE Gillies McKinnon Cairnda WN Ltd TWO NUDES BATHING John Boorman Painted Word Ltd THE COMMITMENTS Alan Parker 20 th Century Fox I’LL DO ANYTHING Jim Brooks Columbia MY GIRL II Howard Zieff Colombia HOUSEBOUND Marie Kornhauser Independent AUTEUR THEORY Evan Oppinheimor Independent TELEVISION includes: KEEPING FAITH Pip Broughton BBC ACCEPTABLE RISK Kenny Glenaan RTE REDWATER Jesper Nielson BBC MR SELFRIDGE Jon Jones ITV SHAMELESS IX Various Channel 4 EASTENDERS Various BBC TROUBLE IN PARADISE Emer Reynolds RTE Cont... 24 Adelaide Street, Dun Laoghaire, Co. Dublin T: 1 663 8646 www.macfarlane-chard.ie Registered in Ireland Co No: 422112I VAT no: IE 6442112F. Registered under the Data Protection Act Registered Office: 32 Upper Mount Street, Dublin 2 Page 2 ANGELINE BALL TELEVISION cont: director WHAT WE DID ON OUR HOLIDAYS Jeremy
    [Show full text]
  • The Commitments 90% (1991) Liked It Average Rating: 3.7/5 User Ratings: 28,143
    The Commitments 90% (1991) liked it Average Rating: 3.7/5 User Ratings: 28,143 Movie Info "The Irish are the blacks of Europe, Dubliners are the blacks of Ireland, and the North Siders are the blacks of Dublin ... so say it loud -- I'm black and I'm proud!" Or so Jimmy Rabbitte (Robert Arkins) tells his slightly puzzled friends as he tries to assemble a rhythm & blues show band in a working class community in Dublin in Alan Parker's film The Commitments. Jimmy is a would-be music business wheeler and dealer, and he's decided what Dublin needs is a top- shelf soul band. However, top-shelf soul musicians are hard to find in Dublin, so he has to make do with what he can find. However, after a long round of auditions, Jimmy makes two inspired discoveries: Deco (Andrew Strong), an abrasive and alcoholic streetcar conductor who nevertheless has a voice like the risen Theatrical release poster (Wikipedia) ghost of Otis Redding, and Joey "The Lips" Fagan (Johnny Murphy), a horn player who TOMATOMETER knows soul music backwards and forwards and claims to have played with everyone from All critics Wilson Pickett to Elvis Presley. Before long, the band -- called the Commitments -- is packing them in at local clubs. But do they have what it takes to make the big time? Based on the novel 88% by Roddy Doyle, who also co-wrote the Average Rating: 7.5/10 screenplay, The Commitments is sparked by Reviews Counted: 42 fine performances by its young cast and Fresh: 37 enthusiastic performances of a number of '60s Rotten: 5 soul classics; the cast, who play their own instruments, reassembled the band for a concert Top critics tour after the film became a hit.
    [Show full text]