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Sir John Barley-Come and Sir Richard Rum (And Captain Whiskey)
The Transit of 'Small^ Merjy ' Anglo-American Culture: Sir John Barley-Come and Sir Richard Rum (and Captain Whiskey) JOEL BERNARD As the ideas and feelings embodied in the old unwritten ballads brought over the sea grew dim and remote, these same ballads absorbed by degrees, and with no more change than was necessary, a flavor of America. (Edward Eggleston, The Transit of Civilization from England to America in the Seventeenth Century) ISTORIANS of books and their readers in early America have recently begun to sort out many ofthe complexities H in the common stereotypes about colonial reading. They have focused on the role of mediators such as ministers, writers, and printers in creating, enforcing, and testing authority; they have quantified colonial literacy and book imports; and they have investigated imprints, inventories, and booksellers' stocks to find out what people actually read. Much recent scholarship has fo- cused on the relative isolation of colonial American readers from For help in the preparation of this essay, the author would like to thank Robert Gross, David Hall, John Hench, Jane Hunter, David Lubin, Sheila McAvey, and Elizabeth Reilly. Joel Bemard is also the author of'Authority, Autonomy, and Radical Commitment: Stephen and Abby Kelley Foster,' in these Proceedings i)it (lyHo): 347-S6. Copyright © 1 yyu by American Antiquarian Society 82 American Antiquarian Society all but a carefully defined, largely religious, body of print. Accord- ingly, this suggests that colonial readers—even in highly Hterate New England —lived in a culture of scarce print. In New England, from which the vast majority of early American imprints derive, these limitations are said to have reflected the religious dominance of Puritanism; in other colonies, they were the natural concomi- tants of social and economic underdevelopment. -
Songs for Shakespeare the Baltimore Consort
The Food of Love: Songs for Shakespeare The Baltimore Consort As You Like It Kemp’s Jig anon, Cambridge MS, late 16th c. It was a Lover and his Lass Thomas Morley, First Booke of Ayres, 1600 Twelfth Night O Mistresse Mine Morley, Consort Lessons, 1599 Peg a Ramsey Playford, The English Dancing Master, 1651 Farewell, dear love Robert Jones, First Book of Songs, 1600 The Buffens (Les Buffons) Jean d’Estrée Tiers livre de danseries, 1559 Romeo and Juliet When Griping Grief Richard Edward, 1525-1566 Lady Carey’s Dump anon., Marsh Lutebook, 16th c. Complain my lute anon., broadside ballad, 16th c. Heart’s Ease (The Honeysuckle) Anthony Holborne, Pavans, Galliards, and Almains….1599 Henry IV, Part II & A Winter’s Tale Queen’s Goodnight Thomas Robinson, 1560-1620 Fancy John Dowland, 1563-1626 The Carman’s Whistle anon, broadside ballad, c. 1600 Whoope, do me no harm/Jog on anon., late 16th c. ----------- INTERMISSION --------- Hamlet King of Denmark’s Galliard John Dowland Tarleton’s Riserrectione anon., late 16th c. Gravedigger song (“In Youth When I Did Love”) anon., late 16th c. Tarleton’s Riserrectione .anon., late 16th c. Bonny sweet robin Matthew Holmes MSS, c. 1588-97 Tarleton’s Jig anon., late 16th c The Tempest Greensleeves anon., 16th c., and John Johnson c.1545 -1594 Where the bee sucks Robert Johnson, c. 1583-1634 Loth to depart John Dowland Full fathom five Robert Johnson Merry Wives of Windsor & Othello Fortune my foe anon., The Dallis Lute book, 1585 Willow Song anon., The Lodge Lute Book, c.1559 Midsummer Night’s Dream Fairie -
*Holiday Special
december 2005 issue 278 free jazz now in our 31st year www.jazz-blues.com &blues report Christmas 2005 On CD Also... 31st Annual Holiday Gift Guide PART II December 2005 – January 2006 • Holiday Special • Issue 278 Published by Martin Wahl Communications Editor & Founder Bill Wahl Christmas Layout & Design Bill Wahl Operations Jim Martin 2005 Pilar Martin Contributors Michael Braxton, Mark Cole, On CD Chris Hovan, Nancy Ann Lee, Peanuts, Mark Smith, Duane one somewhat lesser-known song in- Verh and Ron Weinstock. cluded is her version of Irving Berlin’s “Count Your Blessings Instead Of Check out our new, updated web Sheep.” Krall, accompanying herself on page. Now you can search for CD piano, is heard with either Anthony Wil- Reviews by artists, Titles, Record liams or Russell Malone on guitar, either Labels or JBR Writers. Twelve years John Clayton or Ben Wolfe on bass and of reviews are up and we’ll be going Jeff Hamilton on drums, plus the all the way back to 1974! Clayton-Hamilton Jazz Orchestra for most tracks. Address all Correspondence to.... Jane Monheit, who is now on a ma- Jazz & Blues Report jor label with Epic Records, has also re- 19885 Detroit Road # 320 leased a sweet set of holiday songs. Rocky River, Ohio 44116 Other than “Have Yourself A Merry Little Main Office ...... 216.651.0626 Christmas,” “Santa Claus Is Coming To Editor's Desk ... 440.331.1930 DIANA KRALL Town” and “Sleigh Ride,” she picked a [email protected] different set of songs for her offering. The Web ................. -
Peter Price | [email protected] | +44 208 929 8434
For more than fve decades, Steve Winwood Winwood’s solo career has yielded a rich catalog of popular has remained a primary fgure in rock ‘n’ roll, songs including “Back In The High Life,” “When You See a respected innovator who has helped to A Chance,” “Valerie,” and “Higher Love”. His most recent create some of the genre’s most celebrated solo album, About Time, has continued that success, earning achievements. Winwood one of his highest Billboard chart entries. Winwood burst into prominence in 1963 with Winwood has since renewed his creative partnership with the Spencer Davis Group and since that time Eric Clapton. Their expansive CD and DVD Live At Madison his celebrated skills as a composer, vocalist, Square Garden was nominated for two Grammy Awards and multi-instrumentalist have developed an and rewarded their many fans with some of the impressive catalog of popular music. most exciting performances of their careers. Subsequent tours of the United States That extraordinary portfolio of music began at the and Japan make clear the lasting age of ffteen as the driving force of the Spencer appreciation fans have for their Davis Group. The group enjoyed a string of unique talents. chart success by way of such enduring classics as “Keep On Running” “Gimme Some Lovin’” Winwood continues to perform and “I’m A Man”. The international success of throughout the world and these singles bolstered Winwood’s confdence record new music, furthering and strengthened his resolve to seek out new his impressive legacy. rhythmic possibilities. In addition to his many achievements as a solo In 1967, Winwood left the Spencer Davis Group artist, Winwood remains and co-founded Traffc. -
DSL92203.Pdf
1 1. John Barleycorn Anonymous 2. In a Garden so Green Anonymous 3. Mr. Dowland’s Midnight John Dowland (1563-1626) 4. Fortune my Foe John Dowland 5. My Lady Hunsdon’s Puffe John Dowland 6. Come Again John Dowland 7. Henry Martyn Anonymous 8. Lully lulle Anonymous 9. Solus cum Sola John Dowland 10. M. George Whitehead, His Almand John Dowland 11. Twa Corbies Anonymous 12. Woods so Wild William Byrd (1543-1623) 13. Ddoi di dai Anonymous Tracks 2, 7, 8, 11, 13 & 14 arranged by Brian Kay Tracks 3, 4, 5, 9 & 10 arranged by Ray Nurse and Ronn McFarlane 14. Nottamun Town Anonymous Track 6 arranged by Brian Kay, Ronn McFarlane and Ray Nurse Tracks 1 & 12 arranged by Ronn McFarlane. 2 What is folk music, what is art (with the happy and fervent partic- have come back to the comfort music; is there some difference? ipation by the “art” composers, level of the late Renaissance. This is an idea that has been like Sibelius). Where would our There may have been some debated (fruitlessly, it could be own American musical life be distinction, but there was no argued) over the centuries. had not Charles Seeger taken his discomfort in arranging a popular wife and his baby Pete (and that ditty of the day in any way that Some see the so-called rise of car and proto-trailer hitch) on struck a composers’ fancy. interest in folk music to be a a journey to the Southlands to We could ask, to what extent product of the nationalism of the “bring music to the people?” As Romantic era. -
Traffic's 'John Barleycorn' LP Still a Rock Classic
The Daily Collegian Wednesday, December 15, 1976 'John Barleycorn' LP still a rock classic Traffic's • • • • .f .. ••• • n • . ',.;.. .S 'PP° th,..1 0 . Winwood. • • ), . e a between Wood and by On "Stranger to I t al ►I I 4 , .. • 1 t •,, .• By GEORGE OSGOOD with mild jam cuts wt. U' .1 ••• ► . • •• • •• 11, • 4. .. ri r r . •, • .•• , w ' • •• , • y "Every Mother's Son," . Capaldi midwaythrough. Himself" and • . Collegian Staff Writer ~.., t EITMEE through ......,:, ;:.: 3 ,i ,14 what may be the Winwood, overdubbing, plays , "Glad" spirals into , .. ~ 4/ • a ... .... , ( t'ditor's note: This is the first'in series . : 4;, •l•• . r ft• of• f • -•• •• drums) ' '••• song on an album of great ones. all instruments (except and MEE= • .' • • best • 0 . • N . 5 r of .. E "• occasionally of reviews appearing ' 111 •••.. • •••• .„„,.... ~ 11 , , 1?1•10: .0 • 11 •r a . a as songs are .• ,••' begins with stun- provides vocals well. Both . 1• •.....d "Freedom . ~ 4 ~ out- Rider" 110. , .- • ~,,, •,.e, "classic" record albums those 1 .§!..„ . , , , • ' , ' • 4 ,°•• • , the former is slightly 4. .... ~ ir sax cer- .• i ning electric piece by Wood, good but better ' -. —:,.. .o• ' remain viable . ... standing records that • • IS •• woodwind than the latter, a on which the • 5; and through changing tainly the finest rock player cut in- "; ' . through time ; • . .:' ::• 17 ." L don't quite mesh as they • . moves on the where 1 • to flute, struments r• -ever. Wood - • *musical trends. • L'• I=l • In January, 1969, after two successful he is no less, outstanding and Winwood, should. - • -- . _• No• 01. • •.1,• piano organ, song a .44 1131. moving between and title is traditional English • split up and its four The • , • . -
…Some of the Most Ravishing Lute Playing to Be Heard Anywhere
Grammy-Nominated Lutenist …some of the most ravishing lute playing to be heard anywhere “ ~The Washington Times ” www.RonnMcFarlane.com probably the fnest living exponent of his instrument AbeguilingrecordingbytheUSlutenistwhich ~The Times Colonist, Victoria, B.C. beautifully balances traditional Scottish and Irish tunes with works by Turlough O’Carolan “ ~BBC Music Magazine “ ” GRAMMY-nominated lutenist, Ronn McFarlane brings the lute - the most popular instrument of the ” Renaissance - into today’s musical mainstream making it accessible to a wider audience. Since taking up the lute in 1978, Ronn has made his mark in music as the founder of Ayreheart, a founding member of the Baltimore Consort, touring 49 of the 50 United States, Canada, England, Scotland, Netherlands, Germany and Austria, and as a guest artist with Apollo’s Fire, The Bach Sinfonia, The Catacoustic Consort, The Folger Consort, Houston Grand Opera, The Oregon Symphony, The Portland Baroque Orchestra, and The Indianapolis Baroque Orchestra. Born in West Virginia, Ronn grew up in Maryland. At thirteen, upon hearing “Wipeout” by the Surfaris, he fell madly in love with music and The Celtic Lute taught himself to play on a “cranky sixteen-dollar steel string guitar.” Released in 2018, Ronn's newest solo Ronn kept at it, playing blues and rock music on the electric guitar while album features all-new arrangements of traditional Irish and Scottish folk music studying classical guitar. He graduated with honors from Shenandoah Conservatory and continued guitar studies at Peabody Conservatory before turning his full attention and energy to the lute in 1978. McFarlane was a faculty member of the Peabody Conservatory from Solo Discography 1984 to 1995, teaching lute and lute-related subjects. -
Musicalmosaicplaylist 61521
MusicalMosaicPlaylist 61521 Name Artist Album John Barleycorn Traffic John Barleycorn Must Die Donkey Jaw America America This Flight Tonight Joni Mitchell Blue Bluebird (Remastered Version) Bonnie Raitt Bonnie Raitt (Remastered Version) Me and Bobby McGee Janis Joplin Pearl Caravan Van Morrison Moondance (Expanded Edition) Proud Mary Ike & Tina Turner Proud Mary: The Best of Ike and Tina Turner Brown Sugar The Rolling Stones Sticky Fingers When I Paint My Masterpiece The Band Cahoots Old Man Neil Young Harvest Box of Rain Grateful Dead American Beauty Rock Me On The Water Jackson Browne Saturate Before Using Bangla Desh George Harrison Concert for Bangladesh Ohio (Live) Crosby, Stills, Nash & Young 4 Way Street Ain't No Sunshine Bill Withers Just As I Am I'll Take You There The Staple Singers The Best of the Staple Singers Inner City Blues (Make Me Wanna Holler) Marvin Gaye What's Going On Superstition Stevie Wonder Talking Book Trouble No More (Live at the Fillmore East, 1971) The Allman Brothers Band At Fillmore East (Deluxe Edition) [Live] When the Levee Breaks Led Zeppelin Led Zeppelin IV (Remastered) Walk On The Wild Side Lou Reed 20 Feet From Stardom - Music From The Motion Picture Tiny Dancer Elton John Madman Across the Water It's Too Late Carole King The Essential Carole King, Vol. 1: The Singer You've Got a Friend (2019 Remaster) James Taylor Mud Slide Slim and the Blue Horizon (2019 Remaster) Imagine (Remastered) John Lennon 1971: The Year That Music Changed Everything 1. -
Interlochen Arts Camp
Early Music Workshop Interlochen, Michigan * EARLY MUSIC WORKSHOP RECITAL Mark Cudek, artistic director Saturday, June 11, 2016 11:00am, Dendrinos Chapel/Recital Hall If Music Be the Food of Love Royal Wind Music ............................................................................................ John Adson (c.1587-1640) Pavin and Galliard (Twelfth Night)........................................................... Antony Holborne (c.1545-1602) O mistress mine (Twelfth Night) .............................................................. Thomas Morley (1557/58-1602) Bonny sweet Robin (Hamlet)................................................................................................... Anonymous Farewell dear love (Twelfth Night)................................................................. Robert Jones (c.1577-1617) Les Bouffons .............................................................................................Pierre Phalese (c.1510-c.1575) Two Almains ................................................................................................................... Antony Holborne Peg a Ramsey (Twelfth Night) ................................................................................................ Anonymous Light of Love (Much Ado About Nothing, The Two Gentlemen of Verona) ........................... Anonymous Courante (Light of love) ........................................................................... Michael Praetorius (1571-1621) Almain: The Fruit of Love .............................................................................................. -
October 2017 Newsletter Pdfdownloadable Attachment
Suite 404 BROWARD COUNTY INTERGROUP, INC. Oakland Commerce Center 3317 NW 10th Terrace, Suite 404 Fort Lauderdale, FL 33309 Phone 954-462-7202, 954-462-0265; www.aabroward.org VOLUME 10 OCTOBER 2017 INSIDE THIS ISSUE Step Ten — “Continued to take personal inven- tory and when we were wrong promptly admitted it.” Tradition Ten 2 Volunteer Opportunities 3 Wrong Turn Local Readers Share 6 The first question I had about Step Ten was: How soon do I have to admit when I am wrong? "Promptly" seemed so vague. Anniversaries 5 The answer from an AA old-timer was: "How long you been sober?" Annoyed, I asked back: "What has that got to do with Word Puzzles 6 it?" The answer was: "The longer you are sober, the shorter the Meeting Changes 8 'promptly' gets!" The next thing I had to learn about Step Ten is that it doesn't Upcoming Events 8 say anything about being "sorry." When I was drinking I had a constant stream of "Sorrys." Now that I have been free of the booze for a few thousand days, I rarely have to say I'm sorry, but 42nd annual I often have to say that I was wrong. There is a big difference. intergroup I've been taught that if I say "I'm sorry" and then leave it like that, it means that I am leaving a lot unsaid that should be said. picnic HAS A I am really asking for forgiveness or some sort of "general absol- ution." But that's not what this alcoholic usually needs. -
Nate Jones Song List C/O CLE Music Group
Nate Jones Song List c/o CLE Music Group PRIVATE EVENT SONG LIST Alicia Keys “No One” Allman Brothers Band “Midnight Rider” America “Horse with No Name” “Ventura Highway” Amos Lee “Sweet Pea” “Keep It Loose, Keep It Tight” ”Windows are Rolled Down” Arlo Guthrie ”City of New Orleans” “Coming into Los Angeles” “Darkest Hour” Art Garfunkel “All I Know” “A Heart In New York” Badfinger “Day After Day” “No Matter What” The Band “Ophelia” “The Weight” “The Night They Drove Old Dixie Down” The Beatles “Yesterday” “In My Life” “Here, There and Everywhere” “When I’m Sixty-Four” “Strawberry Fields Forever” “Blackbird” “Dear Prudence” “Julia” “Rocky Raccoon” “I Will” “While My Guitar Gently Weeps” “Mother Nature’s Son” “Revolution No. 1” “Honey Pie” “Hey Jude” “Let It Be” “Get Back” “The Long and Winding Road” “Come Together” “Something” “Maxwell’s Silver Hammer” “Oh! Darling” “Here Comes The Sun” Bill Withers “Lean On Me” “Ain’t No Sunshine” “Use Me” Billy Joel “Piano Man” “Only the Good Die Young” “Movin’ Out” “Just the Way You Are” “She’s Always a Woman” “My Life” “She’s Got A Way” “Miami 2017 (Seen The Lights Go Out on Broadway)” “Honesty” “Everybody Loves You Now” “Don’t Ask Me Why” “You’re My Home” “Through the Long Night” “An Innocent Man” “The Longest Time” The Black Keys “Tighten Up” Blind Faith “Can’t Find My Way Home” “Presence of the Lord” Blues Traveler “Run-Around” “Hook” Bob Dylan “Don't Think Twice (It’s Alright)” “I Shall Be Released” “Mr. Tambourine Man” “Like a Rolling Stone” “Tangled Up in Blue” “Shelter From the Storm” Bob Seger “Turn the Page” “Still The Same” Bonnie Raitt “Something to Talk About” Bread “Everything I Own” “The Guitar Man” Buffalo Springfield “For What It’s Worth” “Mr. -
Baltimore Consort at Holy Trinity, Akron: 15 Minutes with Mary Anne Ballard by Daniel Hathaway
Baltimore Consort at Holy Trinity, Akron: 15 minutes with Mary Anne Ballard by Daniel Hathaway When the Baltimore Consort presents their program “Adew Dundee: Early and Traditional Music of Scotland” at Akron’s Holy Trinity Lutheran Church on Sunday, October 28 at 4:00 pm, the ensemble will be revisiting its roots. As violist da gamba Mary Anne Ballard said in a telephone conversation, “Our first recording was of that repertoire. We’ve always been in love with the tunes of Scotland.” Before that, the Consort was inaugurated by Roger Harmon, who taught guitar at the Peabody Conservatory. “He played a lot of lute music on guitar, and wanted to find ensemble music that involved the lute,” Ballard said. “He found Thomas Morley’s Consort Lessons of 1599, which was written for treble viol, flute or recorder, lute, cittern, pandora, and bass gamba, and formed a similar ensemble in 1979. It’s a wonderful sound to have a melody floating over plucked instruments that underpin the tune with rhythmic chords or running diminutions.” Beyond the Morley collection, the written repertoire from the turn of the 17th century wasn’t huge. “There are only four main sources from around 1600,” Ballard said, “and we used those as a template for our own arrangements of popular songs and dances — the kind of tunes mentioned in Shakespeare’s plays that most people would have known.” Thus the genesis of “Adew Dundee,” a group effort for which Ballard served as coordinator. “We started playing and arranging Scottish music, which was very popular among the English, who loved its pentatonic scales.