Revolt 4-2004
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April 12, 2002 Issue
April 12, 2002 Volume 16 Issue '89 $6.00 ASHANTI IF it COMES FROM the HEART, THENyouKNOW that IT'S TRUE... theCOLORofLOVE "The guys went back to the formula that works...with Babyface producing it and the greatest voices in music behind it ...it's a smash..." Cat Thomas KLUC/Las Vegas "Vintage Boyz II Men, you can't sleep on it...a no brainer sound that always works...Babyface and Boyz II Men a perfect combination..." Byron Kennedy KSFM/Sacramento "Boyz II Men is definitely bringin that `Boyz II Men' flava back...Gonna break through like a monster!" Eman KPWR/Los Angeles PRODUCED by BABYFACE XN SII - fur Sao 1 III\ \\Es.It iti viNA! ARM&SNykx,aristo.coni421111211.1.ta Itccoi ds. loc., a unit of RIG Foicrtainlocni. 1i -r by Q \Mil I April 12, 2002 Volume 16 Issue 789 DENNIS LAVINTHAL Publisher ISLAND HOPPING LENNY BEER Editor In Chief No man is an Island, but this woman is more than up to the task. TONI PROFERA Island President Julie Greenwald has been working with IDJ ruler Executive Editor Lyor Cohen so long, the two have become a tag team. This week, KAREN GLAUBER they've pinned the charts with the #1 debut of Ashanti's self -titled bow, President, HITS Magazine three other IDJ titles in the Top 10 (0 Brother, Ludcaris and Jay-Z/R. TODD HENSLEY President, HITS Online Ventures Kelly), and two more in the Top 20 (Nickelback and Ja Rule). Now all she has to do is live down this HITS Contents appearance. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
Song Name Artist
Sheet1 Song Name Artist Somethin' Hot The Afghan Whigs Crazy The Afghan Whigs Uptown Again The Afghan Whigs Sweet Son Of A Bitch The Afghan Whigs 66 The Afghan Whigs Cito Soleil The Afghan Whigs John The Baptist The Afghan Whigs The Slide Song The Afghan Whigs Neglekted The Afghan Whigs Omerta The Afghan Whigs The Vampire Lanois The Afghan Whigs Saor/Free/News from Nowhere Afro Celt Sound System Whirl-Y-Reel 1 Afro Celt Sound System Inion/Daughter Afro Celt Sound System Sure-As-Not/Sure-As-Knot Afro Celt Sound System Nu Cead Againn Dul Abhaile/We Cannot Go... Afro Celt Sound System Dark Moon, High Tide Afro Celt Sound System Whirl-Y-Reel 2 Afro Celt Sound System House Of The Ancestors Afro Celt Sound System Eistigh Liomsa Sealad/Listen To Me/Saor Reprise Afro Celt Sound System Amor Verdadero Afro-Cuban All Stars Alto Songo Afro-Cuban All Stars Habana del Este Afro-Cuban All Stars A Toda Cuba le Gusta Afro-Cuban All Stars Fiesta de la Rumba Afro-Cuban All Stars Los Sitio' Asere Afro-Cuban All Stars Pío Mentiroso Afro-Cuban All Stars Maria Caracoles Afro-Cuban All Stars Clasiqueando con Rubén Afro-Cuban All Stars Elube Chango Afro-Cuban All Stars Two of Us Aimee Mann & Michael Penn Tired of Being Alone Al Green Call Me (Come Back Home) Al Green I'm Still in Love With You Al Green Here I Am (Come and Take Me) Al Green Love and Happiness Al Green Let's Stay Together Al Green I Can't Get Next to You Al Green You Ought to Be With Me Al Green Look What You Done for Me Al Green Let's Get Married Al Green Livin' for You [*] Al Green Sha-La-La -
A Tonic for the Troops Provided by Sir
EVENING NEWS www.edinburghnews.com Re v i e w s MONDAY, APRIL 15, 2002 25 A tonic for Gomez the troops provided gun for by Sir Bob ROCK Bob Geldof Rothes Hall, Glenrothes ★★★★ IT’S all too easy to forget what a it with great live performer Bob Geldof is. He has been in the limelight so often for things other than music that it can sometimes slip your mind that this guy really knows how to rock. Geldof has the charisma that’s part of the job description of all great rock ’n’ roll frontmen, avivid latest presence that draws the eye and makes you hang on his every word. He’s blessed with patter, too with an easygoing manner that has a hint of steel – clearly, this is not a man who suffers fools gladly. Bearing this in mind, it’s hardto gauge whether Geldof is kindly in- dulging the man or whether he’s album setting the fellow up for a fall when he invites a local Stars in Their Eyes imitator on-stage to sing i Don’t Like Mondays. Geldof and his band have just finished a tremendous, New songs satisfy fans vital version of the song that has all the impact and immediacy of the GOMEZ could live to be a recorded original, and when the million years old and they ROCK would never, ever be cool. Gomez The Strokes, now they’re The Corn Exchange ★★★ cool. The White Stripes? Cool. But Gomez –no shop chic and unkempt hair. And their experimental lo-fi jazzy rock chance. -
Acoustic Sounds Catalog Update
Analogue Productions and Quality Record Pressings are proud to announce the newest incarnation of titles to be pressed at 45 RPM on 200-gram vinyl. Ladies and gentlemen: The Doors! Additionally, these will also be available on Multichannel Hybrid SACD. The Doors Strange Days Waiting For The Sun Soft Parade Morrison Hotel L.A. Woman AAPP 74007-45 AAPP 74014-45 AAPP 74024-45 AAPP 75005-45 AAPP 75007-45 AAPP 75011-45 $50.00 $50.00 $50.00 $50.00 $50.00 $50.00 (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) (two 45-RPM LPs) Multichannel Hybrid Multichannel Hybrid Multichannel Hybrid No SACD available No SACD available Multichannel Hybrid SACD SACD SACD for this title for this title SACD CAPP 74007 SA CAPP 74014 SA CAPP 74024 SA CAPP 75011 SA $30.00 $30.00 $30.00 $30.00 Cut from the original analog masters by Doug Sax, with the exception of The Doors, which was made from the best tape copy. Sax and Doors producer/engineer Bruce Botnick went through a meticulous setup to guarantee a positively stunning reissue series. This is an all-tubes process. These masters were recorded on tube equipment and the tape machine used for transfer for these releases is a tube machine, as is the cutting system. Tubes, baby! A truly authentic reissue project. Also available: Mr. Mojo Risin’: The Doors By The Doors The Story Of L.A. Woman The Doors by The Doors – a Featuring exclusive interviews with Ray huge, gorgeous volume in which Manzarek, John Densmore, Robby Krieger the band tells its own story – is colleagues and collaborators, exclusive per- now available. -
MUSIC in ADVERTISEMENTS 1 How Music in Advertising Fosters
MUSIC IN ADVERTISEMENTS 1 How music in advertising fosters consumers’ perceptions of ads DECEMBER 2020 Grant Sharples Committee Chair: Holly Higginbotham Committee Member: Jonathan Stemmle Committee Member: Jennifer Rowe University of Missouri - Columbia MUSIC IN ADVERTISEMENTS 2 TABLE OF CONTENTS CHAPTER ONE: Introduction……………………..………………………….………….1 CHAPTER TWO: Literature Review………………………………….………………….4 CHAPTER THREE: Methodology………………………………….…………………...13 CHAPTER FOUR: Results…………………………………………………………..…..21 CHAPTER FIVE: Discussion……………………………………………………………29 APPENDIX A: Interview Questions…………………………………………………..…34 APPENDIX B: Interview Transcripts……………………………………………………36 APPENDIX C: Field Notes………………………………………………………...…..132 REFERENCES……………………………………………………………………..…..152 MUSIC IN ADVERTISEMENTS 3 How music in advertising fosters consumers’ perceptions of ads CHAPTER ONE (INTRODUCTION) Music can be an elusive subject. It evokes the strongest emotions almost inexplicably, leaving listeners unaware of its more complex, indecipherable mechanisms. It may make listeners feel angry, dejected, joyous, or even a mixed, nuanced emotion that they are unable to describe. Advertisers, aware of music’s ability to elicit particular thoughts and sentiments, use it to their advantage. A commercial for Coca-Cola depicting a group of elated friends drinking its product may feature bubbly, cheerful music. An advertisement for Harley-Davidson’s motorcycles could incorporate boisterous classic rock to convey its message. The purpose of this project is to explore how music in advertisements affects consumer perception of the advertisement itself. It additionally explores both the conscious and subconscious tactics that advertisers deploy when selecting music for their content. It covers the various functions of music and how advertisers use them, theoretical concepts within music and how they work in conjunction with advertisements, and a discussion of how music’s emotional characteristics affect consumers’ beliefs about a brand. -
November 1997
KENNY ARONOFF Bye-bye John Mellencamp, hello John Fogerty. The godfather of straight- talkin', blue jean wearin', American music has emerged with his first new album in a decade. Who could better embody that rock 'n' roll spirit behind the drumkit? Kenny Aronoff, of course. by Rick Mattingly 50 FLYIN' TRAPS Give The (Alternative) Drummers Some! Four years ago, drummer Brian Reitzell had a dream: an album featuring new music's leading drummers, performing tunes of their own. In this exclusive story, Cameron, Bordin, Perkins, Vrenna, Alexander, Freese, and friends share the experience with MD. by Adam Budofsky 66 LOUIE WEAVER One holy racket: Excuse me, ma'am, but that's just what Petra is out to make— no excuses, neither. One of the most popular players on the Christian scene, drummer Louie Weaver tells the long tale behind the testifying. by Robyn Flans 80 photo by Alex Solca Volume 21, Number 11 Cover photo by Alex Solca education equipment 94 JAZZ DRUMMERS' WORKSHOP 34 NEW AND NOTABLE Tabla Rhythmic Concepts For Drumset by Jon Belcher 38 PRODUCT CLOSE-UP Yamaha Beech Custom Drumkit 98 DRUM SOLOIST And FP840 Bass Drum Pedal Carl Allen: "Carl's Blues" by Rick Mattingly Transcribed by Phil Smith 40 Yamaha Copper Snare Drums 101 ROCK 'N' JAZZ CLINIC by Rick Mattingly The Grooves Of Planet Drum 41 New Sabian Cymbals by David Garibaldi by Rick Mattingly 102 OFF THE RECORD 46 ELECTRONIC REVIEW Our Lady Peace's Electro-Voice N/D 868 And RE200 Microphones Jeremy Taggart by Mark Parsons 114 TAKING CARE OF BUSINESS 118 INSIDE Pro-Mark The Drummer -
PDF of This Issue
MIT’s The Weather Today: Showers likely, 69°F (21°C) Oldest and Largest Tonight: Decreasing clouds, 46°F (8°C) Tomorrow: Mostly sunny, 62°F (17°C) Newspaper Details, Page 2 Volume 126, Number 42 Cambridge, Massachusetts 02139 Friday, September 29, 2006 Homophobic Graffiti Continues in Walker Two Years Later, Culprit Remains at Large By Manisha Padi postings has increased from once a STAFF REPORTER month last year to about once a week Homophobic graffiti and posters this year, according to Abigail Fran- have been found in and around the cis, project coordinator of the LBGT men’s bathroom in the basement of Services. Graphic posters accusing the Walker Memorial Building mul- lesbians of being “jealous” of male tiple times over the past few weeks genitalia, and gay men of spreading — the latest in a string of incidents AIDS were also seen both inside and dating back at least two years, ac- outside the bathroom. cording to police reports. The mes- Although the graffiti has been a sages are particularly disturbing main concern for both the campus because of their proximity to the police and the LBGT Issues Group, Rainbow Lounge, a safe haven for no progress has been made in catch- Lesbian, Bisexual, Gay, and Trans- ing the offender. Following a surge of gender MIT community members. similar graffiti in October of last year, The graffiti, which states, “Ho- a Hate Speech and Harassment Sub- mosexuality may be politically cor- committee of the LBGT Issues Group rect, but it will never be biologically was formed, and met to discuss pos- correct,” was found on a blackboard sible solutions.