The Master Dance

Total Page:16

File Type:pdf, Size:1020Kb

The Master Dance THE MASTER DANCE of TISZIJI MUÑOZ THE AUTHORIZED BIOGRAPHY PART TEN – COMPLETING THE GREat PILGRIMAGE AND TRANSCENDING JAZZ WITH MCCOY TYNER by Nancy Muñoz & Lydia R. Lynch the illumination society presents: The Master Dance of Tisziji Muñoz The Authorized Biography Part Ten Completing the Great Pilgrimage and Transcending Jazz with McCoy Tyner Written By Nancy Muñoz (Subhuti Kshanti Sangha-Gita-Ma) & Lydia R. Lynch (Sama-dhani) Initial Typing & Editing By Jacob Lettrick (Jinpa) Revisions By Karin Walsh (Tahmpa Tse Trin), Karen Muñoz (Karuna) & Janet Veale (Kshima) Cover Photo by James J. Kriegsmann “The Master Dances To Its Own Music.” —Tisziji I The Master Dance of Tisziji Muñoz: The Authorized Biography, Part Ten.By Nancy Muñoz & Lydia Lynch. Copyright © 1990 by Tisziji Muñoz & The Illu- mination Society, Inc. All rights reserved. No part of this book may be used or reproduced in any manner without written permission from the authors. The Illumination Society, Inc. Newburgh, NY USA www.heartfiresound.com The Master Dance of Tisziji Muñoz: The Authorized Biography Part Ten Completing the Great Pilgrimage and Transcending Jazz with McCoy Tyner By Nancy Muñoz (Subhuti Kshanti Sangha-Gita-Ma) & Lydia R. Lynch (Sama-dhani) Copyright © July 1990 by Tisziji Muñoz & The Illumination Society, Inc. All rights reserved. No part of this book may be used or reproduced in any manner without written permission from the authors. II The Master Dance of Tisziji Muñoz: The Authorized Biography, Part Ten.By Nancy Muñoz & Lydia Lynch. Copyright © 1990 by Tisziji Muñoz & The Illu- mination Society, Inc. All rights reserved. No part of this book may be used or reproduced in any manner without written permission from the authors. Table of Contents Part Ten – Completing the Great Pilgrimage and Transcending Jazz with McCoy Tyner Introduction 567 chapter 88 Love Transcends Death 568 chapter 89 The Sacred Knowing of Is 573 chapter 90 Tisziji’s Open Sky 583 chapter 91 The Power of The Word 587 chapter 92 Opening To Time Beyond Time 592 chapter 93 Prove It To Yourself 595 chapter 94 Tisziji Speaks 599 chapter 95 A Family Gathering in Sound 608 chapter 96 Grandfather Bhapuji 610 chapter 97 Intensified Practice 613 III The Master Dance of Tisziji Muñoz: The Authorized Biography, Part Ten.By Nancy Muñoz & Lydia Lynch. Copyright © 1990 by Tisziji Muñoz & The Illu- mination Society, Inc. All rights reserved. No part of this book may be used or reproduced in any manner without written permission from the authors. chapter 98 Death Is Only An Initiation 621 chapter 99 The Great Stepping Stone 625 chapter 100 A Spiritual Reunion with McCoy Tyner 627 chapter 101 The Power of HU Ageless Music 635 IV The Master Dance of Tisziji Muñoz: The Authorized Biography, Part Ten.By Nancy Muñoz & Lydia Lynch. Copyright © 1990 by Tisziji Muñoz & The Illu- mination Society, Inc. All rights reserved. No part of this book may be used or reproduced in any manner without written permission from the authors. Introduction The dissolution of The Illumination Society created an opportunity for changes of direction to take place. Tisziji taught that one cannot allow oneself to remain in a static, non-progressing state, that all relations, beings, places, circumstances, and things are to be enjoyed or suffered on a temporary basis, that there is a cycle of fulfillment that seems to complete itself only to begin anew, like the cycle of life and death. The ‘healing’ trips to Toronto, juggling fatherhood, musicianship, the role of teacher, college studies, and absorbing the karmas and suffering of his students were cumula- tively affecting Tisziji’s health. These factors, combined with the inherent stresses and pollution of city living, affected Tisziji physically and intensified his need for subtle-body spiritual practice. He found it increasingly difficult to do pranayama, or yogic breathing exercises, at his lower east side residence. It became evident that Tisziji needed yet another major change, and preparations were initiated for a move to Schenectady, a small city in upstate New York, just west of Albany. Tisziji would also have several death-like encounters that would impact his work as a teacher and musician. In the spirit of transcending all forms of suffering, to include death, Tisziji dedi- cated himself to channeling his realization, which became the heart-source of his writings. Thus, with these preliminary works, The Illumination Society, as an independent publishing company, evolved. With renewed vision and sense of purpose, Tisziji also completed and released his monu- mental Visiting This Planet album. While opportunities to play live were less frequent than in earlier years, Tisziji nevertheless played with tremendous power, which reached phenomenal proportions when he led McCoy Tyner and his trio for two nights of great music in May 1989. 567 The Master Dance of Tisziji Muñoz: The Authorized Biography, Part Ten.By Nancy Muñoz & Lydia Lynch. Copyright © 1990 by Tisziji Muñoz & The Illu- mination Society, Inc. All rights reserved. No part of this book may be used or reproduced in any manner without written permission from the authors. 88 Love Transcends Death The karma Tisziji accumulated had begun to take its toll on his physical being. Sacrifices he had made for the sake of others were not without their consequences. In addition, while conducting personal biomagnetic research, Tisziji suffered a major accident that brought him close to death, the first in a series of warnings initiating Tisziji’s relocation from New York City to a more tranquil environment, which he found in upstate New York. Tisziji: “Prior to 1984, when I first considered moving to Schenectady, I was extremely sick as a result of persisting, severe chest pains; and with such difficulty breathing I felt as if I was virtually dying. Earlier in 1983, I had a very serious accident with a magnet. I fell asleep with my head on the south pole of a 3.4 mega (million) gauss industrial magnet. That was an almost fatal but necessary mistake, after which I could not speak properly for almost a week. I couldn’t write. The high power magnetic field had negatively affected my brain. This was the first time I ever experienced the connection between magnetic flux and the hemispheres of the brain. I had the most excruciating migraine headache for over a week. Breathing was extremely difficult, but in a few weeks this condition disappeared. Paradoxically, with this debilitation, I experienced tre- mendous power and insight, which were life changing. This accident occurred around the same time that I suffered a serious burn injury to my left hand and I knew enough at that time to apply north pole magnetic flux to the burn. It seemed as if I was being magnetically transformed from the inside out, atom-by-atom. “These experiences were also ominous of things to come. This included my meeting with the Lord of Death, Lord Yamaraj. During that period in 1983, there was an ending and a beginning occurring with a strong death theme. A tremendous life change accompanied this period. This included the completion of a number of projects and terminating unacceptable living conditions in New York City. This precipitated an auspicious move to Schenectady, not merely for recovery but for resurrecting a new life, a new beginning, and a new sound dharma.” The future of Tisziji’s teaching function was empowered in March of 1983 when he received an ini- tiation in the ‘God Worlds’ plane and brought into the Circle of Eck Masters. Described more fully in Part Seven of this biography, during this meeting Tisziji received clear, direct, silent instructions, which would have great significance in the years to come. Spirit was creating circumstances for Tisziji that would hasten his departure from New York. Having reached a point where his physical body was beginning to break down under lower plane pressures accumulated over the past several years and increased sensitivity to spiritual currents, Tisziji was to experience other death-like states through the dream body in which he would make profound choices about his future responsibilities as a guide. Tisziji: “Practicing one of the spiritual exercises of Eck mastery, one night I put my body to sleep and awakened in one of the subtle worlds. I found myself in front of a council where I was told 568 The Master Dance of Tisziji Muñoz: The Authorized Biography, Part Ten.By Nancy Muñoz & Lydia Lynch. Copyright © 1990 by Tisziji Muñoz & The Illu- mination Society, Inc. All rights reserved. No part of this book may be used or reproduced in any manner without written permission from the authors. that my physical body was in a cataleptic state, a state of apparent death, and that anyone who found my body at that moment would think my physical body was dead. I was told that my kar- mic and mortal life was complete and that I was granted the opportunity to decide on fulfilling a spiritual mission, a mission of love-service for the sake of the enlightenment of humankind. The choice, because of my level of awakened initiate status, was completely yet paradoxically mine. I chose to return to complete a mission of love. Upon accepting the responsibility of this work, the experience before the council dissolved and, with a shocking and sudden impulse, I was thrown back into the body, gasping for air, and subsequently awakened into the physical dimension.” Directly corresponding in time to Tisziji’s death encounters and related spiritual obligations was an intensely contemplative phase that marked a shift in focus toward the completion of two profound written works which would become the foundation teachings upon which a series of publications would be created. Kshanti Sangha-Gita, recognizing the urgency of Tisziji’s Spirit-driven need to document his unspoken realizations, offered Tisziji the use of her relatively quiet apartment for this purpose.
Recommended publications
  • Ratner Kills Mr
    Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2008 BROOKLYN HEIGHTS–DOWNTOWN–NORTH BROOKLYN AWP/18 pages • Vol. 31, No. 8/9 • Feb. 23/March 1, 2008 • FREE INCLUDING CARROLL GARDENS, COBBLE HILL, BOERUM HILL, DUMBO, WILLIAMSBURG AND GREENPOINT RATNER KILLS MR. BROOKLYN By Gersh Kuntzman EXCLUSIVE right now,” said Yassky (D– The Brooklyn Paper Brooklyn Heights). “Look, a lot of developers are re-evalut- Developer Bruce Ratner costs had escalated and the num- ing their numbers and feel that has pulled out of a deal with bers showed that we should residential buildings don’t City Tech that could have net not go down that road,” added work right now,” he said. him hundreds of millions of the executive, who did not wish Yassky called Ratner’s dollars and allowed him to to be identified. withdrawal “good news” for build the city’s tallest resi- Costs had indeed escalated. Brooklyn. dential tower, the so-called In 2005, CUNY agreed to pay “A residential building at Mr. Brooklyn, The Brooklyn Ratner $86 million to build the that corner was an awkward Paper has learned. 11- to 14-story classroom-dor- fit,” said Yassky. “A lot of plan- “It was a mutual decision,” mitory and also to hand over ners see that site as ideal for a said a key executive at the City the lucrative development site significant office building.” University of New York, which where City Tech’s Klitgord Forest City Ratner did not would have paid Ratner $300 Auditorium now sits. return two messages from The million to build a new dorm Then in December, CUNY Brooklyn Paper.
    [Show full text]
  • Figure 56A-B. Professors Theodore Allen Heinrich and Brayton Polka (York University), Bird Watching in Peru.1
    Figure 56a-b. Professors Theodore Allen Heinrich and Brayton Polka (York University), bird watching in Peru.1 1 19. Domains of Study and Mentors For the first sixteen years of my education, study was simply a passive exercise, doing the homework that others had imposed. The teachers were the bearers of knowledge: I was simply a receptacle. If I was a sufficiently good receptacle, I would one day know all there was to be known, at least in my field of study. 20.1 Undergraduate (1966-1969) In the second year of university, I took a course with Professor Theodor Allen Heinrich (fig.56a). He was an American, had studied with Roger Fry2, had been a Monuments Man during the war. He had found Nefertite (fig.10a) in a salt mine and carried her back to West Berlin three days before the new boundaries were set. He opened my eyes to the world of art. In the third year of university, I took a fourth-year course on intellectual history with Professor Brayton (Brady) Polka,3 who was also a “birder” (fig. 56b). It was a seminar. Each week we read a sample from a great thinker including Plotinus, Augustine, Abelard, Valla, Vico and each week we were plunged more deeply into the complexities of a Western tradition that continually built on Plato and Aristotle, while also transforming their original premisses. The most important thing that I learned was that the great texts were more than clever answers: The greater the text, the more it raised questions for which there were no simple answers.
    [Show full text]
  • Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
    A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Umass Fine Arts Center Concert Hall
    umassumass finefine artsarts center center CENTERCENTER SERIESSERIES 2008–20092008–2009 1 1 2 3 2 3 playbill playbill 1 Paul Taylor Dance Company 11/13/08 2 Avery Sharpe Trio 11/21/08 3 Soweto Gospel Choir 12/03/08 1 Paul Taylor Dance Company 11/13/08 2 Avery Sharpe Trio 11/21/08 3 Soweto Gospel Choir 12/03/08 UMA021-PlaybillCover.indd 3 8/6/08 11:03:54 PM UMA021-PlaybillCover.indd 3 8/6/08 11:03:54 PM DtCokeYoga8.5x11.qxp 5/17/07 11:30 AM Page 1 DC-07-M-3214 Yoga Class 8.5” x 11” YOGA CLASS ©2007The Coca-Cola Company. Diet Coke and the Dynamic Ribbon are registered trademarks The of Coca-Cola Company. 2 We’ve mastered the fine art of health care. Whether you need a family doctor or a physician specialist, in our region it’s Baystate Medical Practices that takes center stage in providing quality and excellence. From Greenfield to East Longmeadow, from young children to seniors, from coughs and colds to highly sophisticated surgery — we’ve got the talent and experience it takes to be the best. Visit us at www.baystatehealth.com/bmp 3 &ALLON¬#OMMUNITY¬(EALTH¬0LAN IS¬PROUD¬TO¬SPONSOR¬THE 5-ASS¬&RIENDS¬OF¬THE¬&INE¬!RTS¬#ENTER 4 5 Supporting The Community We Live In Helps Create a Better World For All Of Us Allen Davis, CFP® and The Davis Group Are Proud Supporters of the Fine Arts Center! The work we do with our clients enables them to share their assets with their families, loved ones, and the causes they support.
    [Show full text]
  • 59Th Annual Critics Poll
    Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
    DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion.
    [Show full text]
  • RNCM-Brochure-Summer-19-Web.Pdf
    FS original What makes something original? Does originality actually exist or do we ԥ O UܼGݤܼQޖܥԥ O UܼGݤܼQޖԥ all simply build from what we have seen adjective and heard? adjective: original 1. What enables us to dare to be different not dependent on other people's ideas; inventive or novel. from others or independent of the context "a subtle and original thinker" in which we are working? What does the future of music look like? www.rncm.ac.uk/soundsoriginal 2 3 Wed 24 Apr // 7.30pm // RNCM Concert Hall TRINITY CHURCH OF ENGLAND HIGH SCHOOL ANNIVERSARY CONCERT 2019 TWO FOR TUBULAR BELLS Tickets £5 Promoted by Trinity Church of England High School Sun 28 Apr // 7pm // RNCM Concert Hall OLDHAM CHORAL SOCIETY VERDI REQUIEM East Lancs Sinfonia Linda Richardson soprano Kathleen Wilkinson mezzo-soprano David Butt Philip tenor Thomas D Hopkinson bass Thu 02 – Sat 04 May // 7.30pm Nigel P Wilkinson conductor Sat 04 May // 2pm // RNCM Theatre Tickets £15 Promoted by Oldham Choral Society RNCM YOUNG COMPANY SWEET CHARITY Photo credit: Warren Kirby Mon 29 Apr // 7.30pm Book by Neil Simon // Carole Nash Recital Room Music by Cy Coleman Mon 29 Apr // 7.30pm // RNCM Concert Hall Lyrics by Dorothy Fields ROSAMOND PRIZE Based on an original screenplay by Federico Fellini, Tullio Pinelli and Ennio Flaino TUBULAR BELLS FOR Produced for the Broadway stage by Fryer, Carr and Harris Conceived, Staged and Choreographed by Bob Fosse RNCM student composers collaborate with TWO Joseph Houston director Creative Writing students from Manchester Madeleine Healey associate director Metropolitan University to create new George Strickland musical director works in this annual prize.
    [Show full text]
  • Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
    1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures.
    [Show full text]
  • Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.
    [Show full text]
  • 2-27-20 Avery Sharpe
    400 An African American Musical Portrait Arrival Is There A Way Home Colonial Life Fiddler Antebellum A New Music Harlem and The War to End All Wars The Blues and World War II Ain’t Gonna Let Nobody Turn Me Around arrangement by Avery Sharpe 500 All compositions and arrangements by Avery Sharpe, accept Ain’t Gonna Let Nobody Turn Me Around traditional negro spiritual. Spoken word text by Sofia Rivera. Sponsored by the Williams College Departments of Music and Africana Studies. Thursday, February 27, 2020 7:30 p.m. Brooks-Rogers Recital Hall Williamstown, Massachusetts Please turn off or mute cell phones. No photography or recording is permitted. Personnel Avery Sharpe - bass Kevin Zhou ’20 - violin Samirah Evans - vocals Jeongyoon Han ’21 - violin Kris Allen - saxophones Andrew Rim ’20 - cello Tendai Muparutsa - djembe Theophyl Kwapong ’20 - voice Haneef Nelson - trumpet Morgan Whaley ’20 - voice Matt DeChamplain - piano Ashley Villarreal ’20 - voice Royal Hartigan - drums Jazmin Bramble ’20 - voice Bassist Avery Sharpe was born in Valdosta, Georgia and his first instrument was the piano. “I started playing when I was eight years old,” he recalls. “My mother is a piano player/choir director in the Church of God in Christ, and she gave lessons to everybody in the family—I’m the sixth of eight children—but it didn’t stick until it got to me.” He moved on to accordion and then switched to electric bass in high school, after his family had relocated to Springfield, MA. He studied economics at the University of Massachusetts, Amherst, MA., while he played electric bass in gospel, funk, and rock groups.
    [Show full text]
  • Hastings Law News Vol.9 No.18 UC Hastings College of the Law
    University of California, Hastings College of the Law UC Hastings Scholarship Repository Hastings Law News UC Hastings Archives and History 4-25-1977 Hastings Law News Vol.9 No.18 UC Hastings College of the Law Follow this and additional works at: http://repository.uchastings.edu/hln Recommended Citation UC Hastings College of the Law, "Hastings Law News Vol.9 No.18" (1977). Hastings Law News. Book 92. http://repository.uchastings.edu/hln/92 This Book is brought to you for free and open access by the UC Hastings Archives and History at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Law News by an authorized administrator of UC Hastings Scholarship Repository. For more information, please contact [email protected]. B。セエゥョァセ@ 1Latu ェスエエオセ@ The University of California Hastings College of the Law VOL. IX, No. 18 SAN FRANCISCO FINAL EDmON April 25, 1977 R. BUCKMINSTER FULLER CLASS SELECTION SECRETS AT GRADUATION R. Buckminster "Bucky" Fuller as "getting more with less." There has accepted the invitation of the are many dymaxions designs includ- Class of 1977 to make the primary ing a car, " he says. address at the Hastings Commence- Described in Who's Who as "geo- ment exercises on May 21 at Masonic meter, educator, architect-designer," Auditorium. he is the recipient of 37 honorary Mr. Fuller is best known for his doctorates in design arts, scienr.e, design of geodesic domes. The United humane letters, laws, fine arts, liter- States Pavilion, for example, at ature, engineering and architectural Montreal's Expo 1967 was his design.
    [Show full text]